Week 4 of 2018! Best Unboxing and Graphic Novel Videos!

I like Youtube courtesy of Roku because you can browse without comments. I don’t mind comments if they are moderated, but unmoderated comments is just like sewage, something I prefer not to wade thru. 🙂

So Roku allows me to actually be able to use Youtube and find it useful rather than nauseating. Case in point, unboxing videos. I am a HUGE graphic novel and Art Book fan, and I’ve become quite enamored of these videos where people show off their artbook or graphic novel or comic. It has given me so many great ideas regarding items to purchase, as well as helping me decide ites to pass on.

Though, unfortunate for my wallet, more of the former than the latter.

Here are some recent great ones as well as some of the best channels to visit.


THE CHINEST has great segments where you get to see the interior of the comic and decide if it is for you or not.


MARKET WATCH has a recent fantastic series of videos where he shows some of the great items he found in a recent collection purchase.


GEM MINT COLLECTIBLES does a phenomenal end of 2017 Room Tour. Really impressive man-cave even if you are not into figurines. I really want those GOON and FEAR AGENT Hardcovers/Omnibuses.  And I love the idea of his desk in the middle of the room as well as his bookstand. I’m completely going to do that.  Really interesting and informative videos on his channel. Check out his TOP TEN ABSOLUTE EDITION WHALES video as well.


Kudos to OMNIBUDS CAFE I really enjoyed his 2018 Omnibus collection overview. His bound and signed editions are great.


I have more of these shout outs coming, as well as a list of my favorite collections of 2017!  So come back for more next time!


Today’s Recommended Podcast: 3rd DEGREE BYRNE Ep# 1 AVENGERS 164-166

I stumbled across this relatively recent podcast today. An entire podcast dedicated to the works, the oeuvre, of one of the most influential artists, and later writer/artist, of the 1970s and 1980s… John Byrne.

As a kid of the 70s and 80s, I very much grew up on the artwork and collaborations and stories of John Byrne, so I still hold that work as formative and really ground breaking. And really his body of work remains a large part of the cultural storyboards that power today’s billion dollar comic films.

So this podcast that discusses his work, rather than the politics or quirks or controversy of Byrne the man, I find of great interest.

This 1st episode covers a classic three part story by Jim Shooter (writer), John Byrne(artist) and George Perez (cover artist).

For my money this is, in addition to visuals being borrowed liberally for for the 2nd Marvel Studios AVENGERS film, it is one of the  best Avengers stories.

I’ve sold most of my comics from yesteryear keeping only those that wowed me as a kid, and that still impress me as an adult, books that remain quintessentially the best examples of Superhero Blockbuster action. These 1970s AVENGERS books, 164, 165,166 remain the impetus and heart and idea space for what now 40 years later, have become multi-billion dollar cinematic mythologies… for new generations.

For my money nothing surpasses those three books, and it would be decades before Kurt Busiek in his wonderful 4 part Ultron Story-line in the  AVENGERS (vol III from 1999 – 19,20,21,22) wrote anything as iconic as those three Shooter/Byrne images.  The 90s Busiek/Perez run being very much a homage to those 70s  Shooter/Byrne issues. Shooter and Byrne telling in 3 perfect packed issues, what lesser creators would have ruined by trying to stretch to 4, 5, or 6 issues.

It is no mistake that those two disparate stories were mashed together to make the plot for AVENGERS II AGE OF ULTRON. A movie I liked quite a bit, it is a solid B/B+, but it is not as successful as the two story-lines that inspired it. Whereas the beauty of most of the Marvel Studios output is they are actually superior to the story-lines that inspired them; the movies written to be more sophisticated, and appeal to a very savvy adult audience. The first AVENGERS movie is better than the books that inspired it, as is the 3 CAPTAIN AMERICA movies,  as is the GUARDIAN OF THE GALAXY movies, and the IRON MAN movies (the first two Thor movies, not so much 🙂 ).

Jim Shooter was a boy genius who understood hyperbole and the dream of the mythic and heroic, and arguably there is no better example of that than in AVENGERS 164, 165, and 166. These issues are relatively still very affordable as 1st printings, and recently have been reprinted along with other essential issues in a very affordable collection.


You can get the issues here:


Avengers Epic Collection: The Final Threat


This collection is close to going out of print and covers issues #150 to #166, which is really the very best issues of the run. Pick them up at the link above while they are in stock.

Once you have read them, or if you have already read them, check out the podcast below. I disagree with them on some points but overall an interesting listen, and an interesting idea for a podcast. And I have to thank their podcast for spurring this blog post.






Three years in the making, since the box office shattering and acclaimed first AVENGERS film, Joss Whedon’s hungrily awaited follow-up AVENGERS:AGE OF ULTRON has arrived.

So being a fan of the first film, I was happy to make it down to one of the better and newest theaters to see this film in RealD 3D. I’m not typically an advocate for 3D films, but 3D post processing on the Marvel Studio films has been very good.

So I plunked down the requisite coin and entered the theatrical showing of the AGE OF ULTRON, and quick thoughts? I quite enjoyed it. It wasn’t the masterwork that the first film was, but that was lightning in a bottle and very hard to recapture. This is a solid follow-up, with characters you’ve come to like, played ably by actors that have become household names, and a solid and inventive and witty script that hits all the requisite points.

World ending threats? Check. Cool Villains? Check. Astounding set pieces and fight scenes? Check. Witty repartee and good natured bickering? Check. Budding romance and Scarlett Johanson in skin-tight and fetching uniforms? Check and Check! 🙂 And moments of pathos and heroism? Check. And fun immersive 3D? Check.

All together Joss Whedon weaves together a 2+ hour blockbuster, a spectacle that is worthy of the big-screen, theatrical experience. That said it is not perfect. It lacks the immediate watchability and crowd pleasing nature of the first, oh it has its moments to be sure, but you’re not going to leave this AVENGERS movie immediately ready to see it again like its predecessor.

This film after one viewing you’re more than content to wait for it to hit Blu-Ray before watching it again. And I think on Blu-Ray it is a perfect format for really appreciating the immense work that goes into the battle scenes.

So all in all a worthy film to get you in the theaters. Grade: B+.

Movie News: GUARDIANS OF THE GALAXY is it worth seeing in 3D?

Marvel Studios 10th feature film, GUARDIANS OF THE GALAXY, is breaking on American shores this weekend, and the decision people have to make is… ‘is it worth seeing in theaters and more specifically, is it worth seeing in 3D?’

Well, dealing with the broader questions first, whether or not you are a fan of the Marvel Movies, you really have to tip your cap to Kevin Feige and the whole Marvel Studios machine for really doing what seemed if not impossible, highly farfetched; namely creating a critically and commercially successful movie empire based on the shared universe approach of comic books.

It, in many ways, is the return of serial movies, the type popular in the 1930s and 1940s, but done on a massive scale, undreamed of by those low budget quickies of yesteryear.

And Marvel Studios films have managed to be not only popular, but entertaining, sometimes impressively so. I would list their movies from best to worst as:



And now their 10th film, GUARDIANS OF THE GALAXY, is poised to carve out their place on the above list. I find myself largely uninterested in the film. Nothing about the premise, the characters, or the one trailer I’ve seen intrigues me at all. Add to that they have an unimpressive ‘Before the Window’ 3D rating from CINEMA BLEND, like all previous Marvel Movies, and it is no incentive to see this in 3D.

But what does stand out in opposition to all that disinterest is the director, James Gunn. James Gunn like many of the directors Marvel picks, lacks any pedigree in the action or blockbuster genre, but like other directors chosen, they have a personality to the films they have directed, and a way with actors and characters, they have glimmerings of potential.

I enjoyed James Gunn’s SLITHER and I do think Marvel Studios helmed by Kevin Feige have been nothing short of phenomenal in picking talent both in front of and behind the camera. For all the heat their choices engender prior to the film, their unconventional choices have proven movie after movie, to be great.

And it is hard to argue with great. I have no interest in GUARDIANS OF THE GALAXY as a concept or as characters, but I am interested in seeing James Gunn do a big, fun, space hopping action picture.

So verdict: I’ll catch GUARDIANS OF THE GALAXY on a matinee, or 2nd run, without 3D

Hopes this helps anyone on the fence, and feel free to chime in with your opinions. ENJOY!

COMIC OF THE DAY: Al Ewing and Greg Land’s MIGHTY AVENGERS and the Black White Nick Fury?!

Marvel Comics.


You know them? They are owned by Disney, they are brother to Marvel Studios that produces those box office shattering movies that have been all the rage for the last several years.

Well Marvel Comics while not the money maker of the film or video division, is the idea-space for those other mediums, and as such has an importance that belies its modest publishing revenue. As such, they are not going any place.

That said they could be doing better. But at every turn the publishing arm seems to be almost antagonistic to their customer base.

Tactics such as over-saturation of the market and expensive cover price of its titles ($4 is way too much to pay for an ad strewn comic with no additional content) translates into the audience (me) making a conscious choice to avoid all their books at best, and limit my consumption to one or two titles at worst.


THE MIGHTY AVENGERS by Al Ewing and the criminally castigated and underrated Greg Land is my favorite Marvel Comic, and the only one I purchase monthly.

Now don’t get me wrong there are other Marvel books I like, Aaron’s THOR, Remender’s CAPTAIN AMERICA and UNCANNY AVENGERS, the new MOON KNIGHT and IRON FIST has me interested, and if all those titles were $2.99 rather than $3.99 I would pick them all up. But I really do feel if any company can successfully ‘hold the line at $2.99′[an euphemism for not raising prices]… it is Marvel Comics, and their refusal to do so… is a misplaced arrogance, a belief that the entrenched fan-base will buy the books regardless.

It is a price gouging mentality, and I am proof to the contrary.

Rather than them getting $15 a month from me for five $2.99 comics, they get $3.99 for one comic. That greed, that one dollar extra cover price, has cost them $11 from me, $11 that now gladly goes to Image Comics or Dark Horse Comics.

And more than that, I am now trained to wait. I’ll wait till a Marvel series gets collected and is available at my local library and I’ll read it for free. So yeah Marvel Comics, that $3.99 cover price… here is one concrete case where you have actually lost business because of it. So great job there.

And the one Marvel Comic that I do get, is Ewing and Land’s MIGHTY AVENGERS.

Al Ewing creating a frenetic and pulp-inspired book that every month delivers a satisfying story, and one of the only books on the stands that offers multiple characters of color, treated respectfully (rather than as punch-line’s such as other Marvel Books are doing. Example being ‘Nick Fury’ gate. :).

Movies made workable the character of Nick Fury, by using the popularity of actor Samuel Jackson.

Now Marvel Comics wants to integrate that successful character from the movies with the 1960s comicbook version. So the brilliant way Marvel Comics decides to do that is by labeling the Black Nick Fury as the ‘son’ of the White Nick Fury. Wtf? Really? :).

That’s the direction you’re going? Can you say demeaning, bigoted and stupid? Hey Marvel here’s a solution for you… How about they are both just Nick Fury, with no relationship to each. Nick Fury being a title, like ‘Christopher Chance’ that gets passed to whoever is worthy. Took me two seconds to come up with a better way for both Nick Fury’s to coincide without demeaning and denigrating the Samuel Jackson version.

Who would have thought it would be the movie Marvel Universe that would get it right, and the comic-book Marvel Universe that would increasingly be the disappointment.)

Which is why Al Ewing’s MIGHTY AVENGERS is such a treat and a surprise. Despite being hamstrung with having to participate in Marvel’s various events (could not be less interested in Marvel’s Crossovers) Al Ewing manages to use the handicap of the crossover as a springboard to tell his own highly imaginative and absorbing tales of werechickens (don’t laugh, it’s pretty cool)and inter-dimensional evils, while at its heart always being a very generational story. A book that is about… Fathers and Sons.

Add to this Greg Land, who has had to suffer the recriminations of people with not a fiftieth of his talent, self styled art ‘critics'(parrots jumping on a bandwagon) who unable to create art, and ignorant even of the process, yet think themselves schooled to heckle their betters.

If you think Greg Land uses ‘porn stars’ for some of his inspiration, I would say two things to you, 1/ who cares and 2/you probably watch way too much porn. :).

Every artist from Jack Kirby to Gene Colan had a little stock/trace file, for poses or buildings or cars or fashion. You know why? Because it is a bloody job and stock photography and images are tools, and drawing, making your deadlines, is a job. And being able to take those inspirations, regardless of where they come from, and craft a functional and beautiful story out of it, takes immense talent. Greg Land is an immense talent, and his work on MIGHTY AVENGERS is drop dead gorgeous, brimming as it is with 70s Indie Black Empowerment images.


So from writing to art, there is a one-two energy Ewing and Land have going here, that hopefully will continue for sometime. But when and if MIGHTY AVENGERS goes the way of other Marvel Titles, here’s hoping these guys create a similar creator owned title at Image.

I would love to see Al Ewing creating his own pulp-inspired or sci-fi tinged characters, and Greg Land drawing them. For all the good things Image has, a book with a majority of ethnic characters is not one of those things.

Perhaps it is time there was such a book.

So Marvel for all my bashing on them has to be applauded for THE MIGHTY AVENGERS. But if all involved really want the series to grow, 1/add a letters page and back-matter, 2/focus on stand-alone stories primarily, and 3/making it a $2.99 rather than $3.99 book wouldn’t work.

But other than that a fantastic read, month in and month out.

Oh and Al and Greg, two more suggestions, One/change the preamble that starts the book to be something with a little more import and oomph, and two/ Let Luke Cage take back the name Power Man. It’s a good name, and it’s his.

Thanks for reading and if intrigued by the above you can buy back copies of the Mighty Avengers or the Trades here:



Graphic Novel Review : Hickman and Pitarra’s MANHATTAN PROJECTS VOL 2!


“The World has rules, created by those who consider themselves above them. So we became radicals, who accepted neither.” — Jonathan Hickman’s THE MANHATTAN PROJECTS VOL 2

THE MANHATTAN PROJECTS VOL 2- I find writer Jonathan Hickman’s work very hit and miss. Quite frankly more miss than hit, while always filled with elaborate and imaginative ideas, his work generally lacks an emotional quotient, an emotional core, to make it worth reading.

His writing then becomes simple extrapolations of the head, that lack heart. Cold and off-putting works. I find this of almost all of his mainstream work that I have tried, SECRET AVENGERS, FANTASTIC FOUR, his current AVENGERS work I find unreadable dreck, with nothing to keep anyone emotionally interested or invested.

His Indie work can be likewise a gamble. Volume 1 of his Image series THE MANHATTAN PROJECTS was okay, if unremarkable. However I’m glad to say Volume 2 is much better, as Hickman is finally starting to pull taut the threads of his story.

The art by Nick Pitarra does a lot of the heavy lifting, with fun sight gags and panels that makes this far more entertaining than arguably the words or script alone would convey. I point you to the panel of the oval office orgy (say that three times fast 🙂 )for proof of that.

So lifted up on Pitarra’s visuals Hickman’s MANHATTAN PROJECTS VOL 2 is finally starting to hit its stride. And while Volume 1 is okay to read, it is not necessary, you could just pick up Volume 2, as it brings you up to speed pretty quickly. Grade: B. Worth a Purchase.

The Manhattan Projects, Vol. 2 – Price your copy here



Helmed by relative directorial unknowns, Anthony and Joe Russo, there is a deft, assured hand steering this latest entry in the Marvel Studios movies franchise. CAPTAIN AMERICA THE WINTER SOLDIER from title to end credit exudes an easy confidence in this universe, these characters, this path.

It’s an easy relaxed pace that begins the film, a film that is not afraid to have you wear these characters for a while, rest in their lives. But when the action sequences hit, they are stellar set-pieces of jaw dropping scale. The post-conversion RealD 3D is nothing to write home about, but neither is it a liability.

And the action and character moments are tied together by a strong script, and rich performances by Chris Evans, Samuel L. Jackson, Sebastian Stan, Anthony Mackie, and Scarlett Johansson.

However particularly Scarlet Johansson I find stellar in her role as Natasha Romanoff, the Black Widow. She brings a combination of strength and vulnerability to her performance, that can be felt. Here as in the AVENGERS she brings an emotional core, a thread of consequence and fear and reality, that is surely needed in this fantasy of men and supermen. She brings a dramatic level of truth, to the lie, which completes it.

It’s a role that uses her beauty and considerable assets, but it is also a role that lets her give a more impressive performance than any number of dramas.

CAPTAIN AMERICA THE WINTER SOLDIER offers blistering action, enjoyable camaraderie, espionage, larger than life villains and heroes, diabolical world conquering schemes, humor, and even a bit of pathos and sacrifice, in short everything you want your ticket price to buy you. Add to that a brilliant end credit sequence and you have a film that earns its accolades. Grade: B+