I’ve been listening to a lot of music recently. Actual cds not mp3s, not rough compressions or rough approximations of the song, but the full CD sound spectrum of the song.
MP3s were never designed as a replacement for musical CDs, it is a sampling medium, great for helping you decide what is worth buying (or even audio books where for the most part all you are reproducing is a person’s limited conversational speaking range) but not suitable as a replacement for a full range music recording. MP3s get rid of extraneous info, the highs and the lows, the extremes, but oft I’ve found it’s those very pauses and extremes… that compression schemes such as MP3 would lose, wherein we are best found.
I’ve listened to everything from Rock to Rap, sampling all those voices from the near and far. And some of those CDs are very good, but only one recently has been inspired, has been revelatory. Revelatory as in revelation. Gregory Porter’s LIQUID SPIRIT is that cd. Not since stumbling upon the works of Terry Callier or Solomon Burke have I been so impressed with a new discovery. It’s not just his voice, or even the lyrics, which as stated are inspired, it is his phrasing, his delivery. Smooth and easy crooning, holding at bay… a night falling into day. It’s a very relaxed delivery, crooning to you, as the stars… dim.
Melancholy. That’s the word, there is a vein of melancholy in Gregory Porter’s Grammy acclaimed vocals, but melancholy that is tempered by a fervent romanticism. This is timeless music, as valid for an audience of 1920 as it will be for an audience of 2020.
This is today’s MUST BUY, not just the CD of the day, but a CD to enjoy from first song to last for far longer than a day. An essential CD.
In an age of Itunes when everyone is satisfied with listening to the distant echoes of music (mp3s) this is a CD that will prompt you to invest in, that nearly extinct device, a portable CD player.
However, it is the 21st century so thankfully we have alternatives to just having a portable CD player. You can, for a little more, buy a simple media tablet about the same size and weight as a portable CD player, but that allows you to play your MP3 cd-rs and cd-rws (as much as I rail against MP3 for music, for audio books or Old Time Radio it works just fine) as well as view DVDs! That folks is what we call… a win/win!
Price both the CD and a good portable media player-tablet, at the links below. You’ll be glad… for both.
Coby TFDVD7009 7-Inch Portable DVD/CD/MP3 Player, Black – nifty portable media tablet… now it appears Coby Electronics has gone the way of the dodo, so you may want to pick up these low cost DVD/CD/media tablets while you can.
Enjoy the links. And if you purchase through the links, I want to let you know it is always appreciated, and helps keep this Blog going. Thanks and enjoy the items!!!
And for those looking to catch Gregory Porter in concert, he has a pretty lively 2014 touring schedule, He’s currently tearing through Europe, but has a few stateside stops as well, to include, PA, New orleans, Colorado, DC, and a few more. View the whole schedule here!
PODCAST OF THE DAY: FATMAN on BATMAN 45
Okay combine the writings of living legend Alan Moore at his best, with the impassioned reading of Kevin Smith and you have something excellent to accompany you through an hour or two of work.
Smith has an excellent voice for radio/podcasts, and using it to recite one of Moore’s most imaginative tales, makes this podcast a must listen.
Whether or not you have any interest in comics, Kevin Smith’s passion for the subject, and masterful reading is just addictive and entertaining. Highly recommended!
Seeking missing Shadow radio episodes from 1943-1945. It appears only 1 Shadow episode exists for 1943, THE TOUCH OF DEATH.
No episode exits from 1944.
And only two REAL episodes exists for 1945. GHOST WITHOUT A FACE and DESTROYER (the episode’s of OUT OF THIS WORLD and BRIEF FAME OF JOHN COPPER that are floating around out there are recreations [Australian or British] done much later and sporting a campy sounding narrator and a pathetic sounding Shadow.
So that means for the years 1943, 1944, and 1945, from episodes #204(3 Jan 1943/ The Glowing Death) to episode #292 (30 Dec 1945/ Back from the Grave) , over 80 shows are completely lost. 85 shows to be exact, 85 performances, and pieces of history, and fun entertainment…lost.
As a collector and a lover of this crazy genre called Old Time Radio, especially THE SHADOW, that strikes me as a monumental loss.
However, thankfully episodes of once lost movies, manuscripts and even radio shows have a way of turning up when people really start looking for them. So I’m hoping the same can be said for the 1943 to 1945 episodes of THE SHADOW.
So I’m putting the call out there, this is a bounty on the head of all Shadow episodes from 1943 to 1945. And your reward while not money will be something perhaps more lasting… being part of adding to a medium and a nation’s cultural history.
Oooohhhh…. Deep.🙂. But seriously, let’s spread the word and do our part in making heard the silent, and found the lost. [If you uncover a SHADOW episode from 1943-1945 drop me a comment (comments come right to me and are not posted) and I’ll work with you to get the episode to the right OTTR/Old Time Radio Preservation Group.]
B-MOVIE CAST is easily one of my favorite podcasts. Every episode is a joy. Give a listen, you might find it becoming your favorite as well.
Listen to it here!
And view their website here!
And subscribe to their award winning podcast (they won the WELLES AWARD!!! An award which I’ll be dusting off and having a 2012 version of this fall) here!
Enjoy and tell them HT sent ya!!
WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.
While I found the NY list more interesting than the Amazon list, both were a bit more miss than hit for me. The majority of their items wouldn’t be on my purchase list. What would be?
Glad you asked. Behold:
Dogsbody[Paperback] – Book Description
Publication Date: April 12, 2012
The Dog Star, Sirius, is tried – and found guilty – by his heavenly peers for a murder he did not commit. His sentence: to live on the planet Earth until he can carry out a seemingly impossible mission – the recovery of a deadly weapon known as the Zoi. The first lesson Sirius learns in his lowly earthly form is that humans have all the power. The second is that even though his young mistress loves him, she can’t protect either of them. The third – and worst – is that someone out there will do anything to keep Sirius from finding the Zoi. Even if it means destroying Earth itself. This funny, heartbreaking, stunning book features an introduction by Neil Gaiman, an avid fan of Diana Wynne Jones.
Fire and Hemlock [Paperback] Publication Date: April 12, 2012
Polly Whittacker has two sets of memories. In the first, things are boringly normal; in the second, her life is entangled with the mysterious, complicated cellist Thomas Lynn. One day, the second set of memories overpowers the first, and Polly knows something is very wrong. Someone has been trying to make her forget Tom – whose life, she realizes, is at supernatural risk. Fire and Hemlock is a fantasy filled with sorcery and intrigue, magic and mystery – and a most unusual and satisfying love story.
Widely considered to be one of Diana Wynne Jones’s best novels, the Firebird edition of Fire and Hemlock features an introduction by the acclaimed Garth Nix – and an essay about the writing of the book by Jones herself.
About the Author
Diana Wynne Jones was the multiple award-winning author of many fantasy novels for children, teenagers, and adults. Her book Howl’s Moving Castle was made into an Academy Award-nominated major animated feature by Hayao Miyazaki. She received the World Fantasy Lifetime Achievement Award in 2007. Married to the medievalist J. A. Burrow, with whom she had three sons, she lived for many years in Bristol, the setting for many of her books. Diana Wynne Jones passed away in March 2011, after a long illness.
The Incredible Adventures of Doc Atlas: The Doc Atlas Omnibus (Doc Atlas Omnibus) – Publication Date: October 7, 2011 | Series: Doc Atlas Onmibus
Set in the era of the 1940s and 50s, this collection of pulp-style novellas follows the adventures of the mighty Doc Atlas and crew from the jungles of Central America to the frozen tundra of the North Pole. Whether they’re prowling the streets of Manhattan, investigating reports of a killer gorilla (with the purported brain of an executed criminal) or a crashed flying saucer in a small town named Roswell, New Mexico, Doc and company always see the investigation through to the end. Written with historical hindsight, these tales combine the best elements of the pulp era with actual historical figures and events.
– I’m not a Doc Savage fan. So a Doc Savage homage, is generally not something that is going to get my attention. I would never even have stopped on the page, accept the cover. It had a striking Geoff Darrow cover. So that got me to stop, read the description and decide… yeah it sounds worth a look. And that would neveer have happened without a great cover. I can’t stress this enough, with ebooks and print on demand and specialty presses there is a lot of product and competition out there, make it easy and attractive for your book to stand out and get picked up… pay the money, get a great cover. I see so many books, and I’n a cover guy, so if you send me a book, and the cover looks like a two year old drew it, I don’t care how good the book is purported to be…, I’m just not going to take the time to read it. An awful cover, to me, shows a lack of concern on the writer’s part, for their product, not to package it as pleasingly as possible. And if the writer doesn’t care… why should I? So people, if you spend months or years on a book, don’t short-change yourself… spend the money and have a nice cover drawn up. And that’s exactly what writer Black and Lovato do with this book, and as you can see by me highlighting their title… having a good cover helps. It won’t make up for bad writing, but it will at least get people to open the book and judge for themselves the quality of the writing.
Tales from the Deed Box of John H. Watson, MD: Three Untold Tales of Sherlock Holmes– Publication Date: January 20, 2012
Three previously unknown accounts in the case files of Sherlock Holmes, discovered and transcribed by Hugh Ashton: The Odessa Business, the Case of the Missing Matchbox and The Case of the Cormorant.- I like these theme books, and Hugh Ashton’s stories are getting good reviews.
For other writers who do a fantastic job of writing original Holmes stories, some superior to the originals, I have to direct you to the fantastic audio dramas by the folks at IMAGINATION THEATRE. Jim French with wife Pat French since 1952 have been working in radio drama, and since 1995 with Transmedia have been producing and broadcasting IMAGINATION THEATRE.
Starring John Patrick Lowrie and John Gilbert as Holmes with Lawrence Albert as Dr. Watson, their long running Sherlock Holmes radio series is not just good Holmes, it’s one of the best adaptation of Holmes… period. Better than the BBC productions, better than the Downey movies, better than the new Sherlock tv series (SACRILEGE!!!).
In fact there are only two other adaptations I rate as highly, the Jeremy Brett television series… which is seminal entertainment, and (not the Rathbone radio series) the John Shirley 1940s radio series when written by two particular writers whose names are escaping me at the moment. But that’s it, those two and French’s adaptations, a Californian, An American production, are the tops.
French’s IMAGINATION THEATRE, for hundreds of weeks, producing quietly without the attention it deserves the best Holmes Original stories and Adaptations, of our time.
I wish however they would put together thematic sets of their Holmes audio dramas. They have a fantastic 3 or 4 episodes with a villain, that transcends Moriarty in terms of craziness, but it is spread over multiple seasons. They need to make that trilogy/quadrilogy a boxed collection onto itself, and that would make a fantastic introduction to IMAGINATION THEATRE and their Holmes dramas.
But do they listen to me… no. Oh well, until such time as they do, make do with the following:
The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!
If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.
And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.
Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!
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We’ll begin this with a definition of pulp, pulp heroes, and pulp writing, then get into my list of favorite pulp characters and pulp runs.
The perceived definition of a pulp character tends to be a character that takes place in the 20s to 40s, in an America besieged by the spectre of War, and consists of slam-bam action, and a colorful larger than life hero and outlandish villains.
It’s with the cementing of pulp heroes to a specific milieu, a specific time, that I take issue with that definition. Characters such as THE SHADOW and DOC SAVAGE and the AVENGER were pulp sensations AT THE TIME OF THEIR PUBLICATION because they spoke to present fears and issues, in colorful imaginative ways.
But now the nostalgia bunch wants to calcify the definition of pulp adventure to a particular time frame or particular writers. I don’t think pulp heroes need to be set 80 or a 100 years in the past, that’s not what Marcel Allain, Norvell Page or Walter Gibson or Paul Ernst (writing as Kenneth Robeson) or any of the pulp writers we idolize today, were doing.
Now I’m not saying ignore the pulp heroes of yesterday, or not set new pulp stories in the 20s or 30s if you want. But what I am saying is… you’re largely missing the point of what the pulp writers were really doing. They were putting these heroes in a world that really needed them, the present world.
I am saying the pulp fiction of Warren Murphy’s REMO WILLIAMS or Marc Olden’s BLACK SAMURAI or Don Pendleton’s MAC BOLDEN are far truer representations of pulp fiction, pulp heroes, than today’s current writers who are making nostalgic re-workings of 1920s, 1930, and 1940s stories.
Again I have no problem with modern writers setting stories in that time frame, I quite enjoy and have championed many of them, but there seems to be this faulty conclusion in the minds of modern writers and readers that setting them in a specific past time frame, makes it pulp. No. Nothing could be further from the truth. Setting it in that time frame makes it a pastiche.
If Gibson or Page or Allain were writing today their heroes would be set in today, and their horror and villains… expressions of timely concerns. Allain’s FANTOMAS or Gibson’s SHADOW would be hanging the president of Exxon or Shell out of a window, saying “You want to explain those gas prices to me now?”
That’s why I love books like BLACK SAMURAI and THE DESTROYER because they are the pulp aesthetic continued, and have original things to say and original menaces to say it to, rather than simply the tendency to nostalgia, and aping dead writers.
When pulp heroes of yesterday fought nazis and gangsters, that wasn’t simply kitschy entertainment, that took some balls. Because gangsters were very much real things, and Nazis a very real threat, and nobody wanted to touch these topics. The way no one today wants to deal with topics of Guantanamo Bay, or Middle Eastern massacres, or corporate over-lobbying of representatives.
Pulp fiction of the 10s (the wonderful, and horrifying Fantamos),20s and 30s and 40s… was timely and controversial. Pulp fiction (and pulp heroes) was about giving the common man a hero who could stand up against the evils of the day, be those evils foreign or domestic. That is pulp fiction, not this nostalgic, safe, hermetically sealed, removed from any relevance of today, pastiches that people want to sanctify.
True pulp fiction, is a fantastic, white-knuckled, adrenalin inducing and entertaining tirade against the evils of its time. Sometimes in-dispute evil.
People forget there was a portion of America, the loud vocal right wing that were pro-hitler and pro the nazis, right up to and even after Pearl Harbor. So for these books to come out in the 1930s with Nazi Villains took balls. It was controversial. They got their share of grief from the Rush Limbaugh’s of the day.
So when people say “Well, true pulp fiction/pulp heroes needs to be set in the 20s to the 40s”, to that I say “only if you’re living in the 20s to the 40s”. True pulp heroes are an answer… an answer to the truths and the lies of your nightly news.
So while it’s wonderful we have this resurgence of so many writers doing pastiches in the pulp vein, it’s unfortunate so few modern writers are actually doing real pulp novels ala Warren Murphy or the late Marc Olden or even the late Ian Flaming.
So few current writers are doing books with great, even salacious covers, breakneck speed, thrilling action, and larger than life protagonists in conflict with outlandish villains, set in a present/timely context. That is the definition of true pulp fiction, and true pulp heroes… and what we are in dire need… of more of.
-to be continued-
Part II will bring you the list of 15 favorite pulp heroes. Your jaw will drop!!!🙂
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