2016 and 2017 : Remembering Writers and Artist – Wrightson & Wollstonecraft and The Best Pen & Ink Artists!

Things lost in the Fire, may yet be  found in the Ashes

“There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we’re doing the same thing, over and over, but we’re got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we’ve done for a thousand years and as long as we know that and always have it around where we can see it, someday we’ll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.”
Ray Bradbury, Fahrenheit 451

“Whence arose all the horrid assassinations of whole nations of men, women, and infants, with which the Bible is filled; and the bloody persecutions, and tortures unto death and religious wars, that since that time have laid Europe in blood and ashes; whence arose they, but from this impious thing called revealed religion, and this monstrous belief that God has spoken to man? The lies of the Bible have been the cause of the one, and the lies of the Testament of the other.”
Thomas Paine, The Age of Reason

“Father… you speak with absolute assurance, completely convinced that your vision is the only proper way, and like all men who speak thus … you are mad.”
— Steve Englehart, MASTER OF KUNG OMNIBUS VOL 1

 

RIP to:

Bernie Wrightson, Len Wein, Rich Buckler, Darwyn Cooke, Steve Dillon – great creators lost in 2016/2017

They were not actors, and they were not sports figures, they were creators and myth makers working in an oft castigated medium, but delivering words and images and concepts, that would transcend their newsprint origins and outlive naysayers.

This installment is dedicated to Bernie Wrightson. Over a year into his passing and I wanted to reflect on Wrightson, the artist, again:

Bernie Wrightson had a suitably Baroque name for someone whose beautiful, exquisitely detailed and ornate artwork and sensabilities was the best of the Baroque meets the gothic. I’m an art lover, I own a large selection of art books from Dali to Duncanson, and Wrightson”s mesmerizing FRANKENSTEIN where he created full page plates to accompany Mary Wollstonecraft Shelley’s celebrated and cautionary tale, remains not just the only version of FRANKENSTEIN one needs own, but one of the most significant art books made in the latter half of the 20th century.

Wrightson quickly proving himself one of the preeminent Pen and Ink artists of all time, up there with the 19th century’s celebrated Louis-Auguste Gustave Dore and the criminally under-heralded mid-20th century Virgil Finlay.

Thankfully, Wrightson’s most lauded work, FRANKENSTEIN, often rumored of rather than seen, was republished by DARK HORSE BOOKS in the 21st century, in an even better quality version.

In this writer’s opinion it is a book, not just any American household should have, but all households should have. The myth of Frankenstein is old and oft told, but you will not find it better told in print anywhere, than in this pairing of Wollstonecraft and Wrightson.

 

Bernie Wrightsons Frankenstein

It is currently out of print, but I see this book as one that Dark Horse will bring back in print. Especially considering next year, 2018, marks the 35 year anniversay of the book’s initial release.

As far as Gustave Dore, here’s a nice affordable coffee table overview of his work:

The Drawings of Gustave Dore:Illustrations to the Great Classics

And Virgil Finlay,

Book of Virgil Finlay

This remains the best introduction and overview of his work, including many of his quality works that fail to show up in later versions. Unfortunately a softcover, however do what I do, pay a book binder to make a hardcover out of it.

And a few other departed genius that deserve mention in the above company… Segio Toppi, Franklin Booth and Basil Wolverton:

Sharaz-de: Tales from the Arabian Nights

The Collector

FRANKLIN BOOTH

Franklin Booth: American Illustrator

 

Creeping Death from Neptune: The Life And Comics Of Basil Wolverton Vol. 1

BASIL WOLVERTON WEIRD WORLDS ARTIST ED HC

And some living, breathing pen and ink geniuses that you should be seeking out, buying their books, hiring for projects? Glad you asked, they are:

Tim Bradstreet

Maximum Black
A very prolific and in-demand artist, Bradstreet’s MAXIMUM BLACK art book dates from the turn of the century. A new collection of his art, covering the work he has done in the two decades since, would make a welcome addition to this first book.

Oscar Chichoni

Chichoni: Mekanika – A game, film, and dimensional artist, Chichoni does very little printed work. This is his only art book to-date. That it is also one of the best artbooks, only makes it more pressing that he does another one. His art is that good.

Andy Brase – This guy is going to be huge. Looking forward to his first artbook.

Stephen Bissette  & John Totleben ( yes I’m cheating here)- Bissette’s pencils married to Totleben’s inking, on DC’s revamping of floundering title SWAMP THING, with evolutionary writing by relative newcomer Alan Moore, and all of it mid-wifed into being by the late great Len Wen, remains, 30+ years later, seminal, ground breaking and unsurpassed work. And Bissette not only as instructor for new generations of creators, but as scholor and historian and reviewer and Indie Comic supporter remains an essential and insightful voice for the medium of words and pictures. His podcast interviews on a variety of shows, starting with the late Indie Spinner Rack, remains, like his artwork, top notch. I’ve sought out podcasts he has done, and each one reveals more about comics as hobby, as job, as calling, as artform, and as cultural touchstone.

Look for his podcast interviews on MAKING COMICS, INDIE SPINNER RACK, and DECONSTRUCTING COMICS to name some. And in addition he is a prolific reviewer and writer.

Teen Angels & New Mutants

Geof Darrow – When you think of detailed, intricate artists, Geof Darrow’s name comes up near the top of the list. Long before there was an IDW publishing doing tabloid sized treatments of famous artists, there was Frank Miller and Geof Darrow ‘s ground breaking tabloid work for Dark Horse Books. A superlative addition to any library.

Big Damn Hard Boiled

Big Guy & Rusty the Boy Robot (King Size B&W) (Big Guy & Rusty the Boy Robot)

 

Mark Schultz

Mike Hoffman

The Mike Hoffman Comics Reader: 300 Pages Volume One

Tim Vigil

 

Lucas Ruggieri

Predrag Djukic – I will be at the front of the line to get this gentleman’s first artbook

Art Adams

Like any list, this one is also a distillation of the writer’s biases, his experiences, his major passions, and his minor blindspots, as such it can by definition not be comprehensive, only revealing. Chalk up any omissions of your favorite pen&ink artist to my head and not my heart. Brevity demands limiting the list, but shine light on those I have missed, by leaving your comment of those past and those present… deserving of attention!

Thanks for looking!!

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CBS vs Paramount? Old Star Trek vs Confused Star Trek? ST Discovery = Epic fail? and JUSTICE LEAGUE?!

 

Some Times you wonder how what is seemingly obvious  is utterly lost on people in positions of power.

VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.

The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.

Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.

It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.

TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.

Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.

From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.

Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES  followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.

The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.

Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies.  People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.

And that brings us back to Star Trek.

 

Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.

Watching  the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.

You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.

The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry  of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.

And a lot of changes for change sake.

The change to the Kilngons… strikes me as… foolhardy at best. THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success.  The way the Original Series hit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.

You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.

Just poor, poor thinking.

Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.

I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.

But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.

Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.

PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.

For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.

 

 

 

 

 

The Annotated Stephen Bissette : SWAMP THINGS & TABOOS & TYRANTS

During my formative years I discovered this comic SWAMP THING by relative newcomers Alan Moore, Stephen Bissette, and John Totleben.

I was a kid, but old enough to realize even then that this was something special. Alan Moore’s words and Bissette and Totleben’s visuals even at the time, and it was a strange time because everything felt in flux and on the brink of changing, even at the time, getting these off the stands, the combination of these three men working together felt like greatness.

And some things are hot in the moment, but some things, some work that is rushed out for the masses, to meet deadlines for a castigated medium, some work screams greatness from the go, and time only makes it more great.

More Hallowed.

From pioneers like Stan Lee and Jack Kirby and Steve Ditko and Roy Thomas and Gerry Conway and Steve Englehart and Chris Claremont and Kraft and Giffen and O’Neil and Neal Adams and Jim Steranko and Bernie Wrightson there was a new generation building on the foundation they laid down.

Creators such as…

Don Lomax (who I had the pleasure to interview) would give us VIETNAM JOURNAL.

Doug Moench, a pioneer in his own right, off of MASTER OF KUNG FU (issues 38 and 39 remains the best two parter ever) would do some of his most heartfelt work in Moon Knight (that first 21 or 22 issues is gold, everything from dealing with the death of John Lennon, to familial abuse)

Frank Miller would give us DARK KNIGHTS and RONINS and YEAR ONES.

William Messner Loebs would create a frontier masterpiece, unfotunately a hidden gem to most, with JOURNEY.

Bruce Jones – With his TWISTED TALES would almost singlehandedly give birth to a new EC inspired golden age of Horror Comics, but making comics that were horrifying to a Reagan era age.

and of course… Alan Moore.

Alan Moore would birth many such works, particularly in the waning decades of the 20th century. SWAMP THING was one of his earliest successes and remains one of his most iconic works. And for me one of his most beautiful works, working with the art team of Bissette snd Totleben, they were visual storytellers that could really add and evolve and enrich the scope of Moore’s script, throwing in their own ideas and visuals.

It is very much the work of three young men riffing on their loves, and remains now 30 years later still very seminal work.

Bissette in the years since has become one of the most respected instructors, teaching at the celebrated Center for Cartoon Studies in vermont.

One thing you may not know about him, and I first discovered listening to an Indie Spinner Rack podcast episode (that great now defunct show) is he is a FANTASTIC speaker. He is such an engaging and erudite and interesting wealth of information on this beloved hobby and artform and the personalities behind it.

And I love podcasts to begin with, so combining this walking encyclopedia of not just comic lore, but film and film journalism, books, the art of creating, of self publishing, of blogging, and for me… that is entertainment.

So ever since I’ve listened to him, whenever I catch him interviewed on a podcast.

So here without further ado is hours of audio greatness with one of the best artists in Comics, and one of its most engaging speakers.

INDIE SPINNER RACK #79 8 May 2007 – My first introduction to Stephen Bissette post SWAMP THING, this put him on my radar as just a fantastic and informative speaker. A great interview/conversation.

Talkcast #102 8 Oct 2011 – Very annoying hosts makes this one almost unlistenable, but fast forward to where Bissette finally gets to speak about fundraising and HP Lovecraft.

LOST IN THE STATIC #99 -25 Nov 2013- Fun informative hosts lead inro a really compelling interview on Bissette, that includes Edgar Allen Poe, Greg Irons, Skull #6, Moore, Veitch, Totleben and the Saga of the Swamp Thing. Indie work on Gore Shriek, Shriek, and the ground breaking Dave Simm funded TABOO. Structure of TABOO inspired by Harlan Ellison’s brilliant DANGEROUS VISIONS and AGAIN DANGEROUS VISIONS. Bruce Jones TWISTED TALES, X-MEN’S Brood Saga. TABOO designed by Bissette to be taken seriously, and push the envelope and make people ‘drop it on the ground’. Kirby Awards. A must listen podcast.

Adam Greenfield’s great podcast MAKING COMICS has had Stephen Bissette as a guest three times, and all three are brilliant, with nice Vincent Price/Poe Intros. Well worth hunting down. Oct 2014,2015, & 2016.

DECONSTRUCTING COMICS #465,#500 – Sept 2015, June 2016

POD SEQUENTIALISM #2 – October 2015

TV GUIDANCE #228 – May 2017

RADIODROME #323 – Mar 2017

UNDER CONSTRUCTION – Come back as I flesh out the content in all the interviews and conversations!

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7 Best Podcasts of Jan 2016!

7 Best Podcasts of Jan 2016!

Knifepoint-HorrorKNIFEPOINT HORROR ‘These tales of supernatural suspense by Soren Narnia adhere to the most primal element of storytelling: a single human voice describing events exactly as it experienced them. The stories, stripped of even proper titles, spill forward as taut, uninterrupted confessions. Knifepoint Horror leaves nothing but the story’s riveting spine to compel and chill you to the core. Music by Kevin MacLeod.’

bookriotBOOK RIOT‘Book Riot – The Podcast is a weekly news and talk show about what’s new, cool, and worth talking about in the world of books and reading, brought to you by the editors of Book Riot.’

wtf_logoWTF

11oclock11’OCLOCK COMICS ‘VinceB, David Price, and Jason Wood talk comics and stuff.’

bmc960-37kB-MOVIE CAST ‘The B-Movie Cast is a website podcast and forum devoted all things B-movie and cult move related.’

blacktapesTHE BLACK TAPES PODCAST ‘The Black Tapes is a weekly podcast from Pacific Northwest Stories and Minnow Beats Whale, and is hosted by Alex Reagan. The Black Tapes is a serialized docudrama about one journalist’s search for truth, her enigmatic subject’s mysterious past, and the literal and figurative ghosts that haunt them both.’

cgsCOMIC GEEK SPEAK ‘Comic Geek Speak (CGS) was started in March, 2005 when Bryan and Peter decided to try their hand at the then-new world of podcasting. They quickly invited their friends to join them and then the show was complete.

CGS is far more than just a few friends in a room with microphones. CGS is now a worldwide community of comic fans that helps to foster and grow the love of comics that is vital to the industry’s success.’

2015 Podcasts the Year in Review: Old Favorites ended and New ones discovered

 

Looking back over the ten year history of this blog I’ve praised my share of podcasts, and seen quite a few shuffle off this mortal coil.

2015 seemed to be a volatile year, with many of my long standing podcast favorites either no longer releasing episodes on a regular schedule or hanging up their mics.

Among some of the great ones that seem to be on hiatus or done are:

 

  • HORROR ETC
  • SIDEBAR

 

 

All of these shows are and were great, and will be missed. And join other great departed podcasts such as:

 

  • INDIE SPINNER RACK
  • GEEK SYNDICATE
  • MONDO MOVIE
  • FREQUENCY OF FEAR

 

But I completely understand, these podcast and blogs, while dearly loved, require HUGE expenditures of time and energy, and sometimes… life gets in the way. And considering most of these podcasts are not a revenue stream, it is understandable that when the effort exceeds the rewards… it’s time to stop doing it. What is amazing is that some of these shows have gone as long as they have.

All that said, you may or may not still find old episodes online. I recommend grabbing them if you can. SIDEBAR particularly interviewed some great artists, and for those interviews to be not easily accessible, seems… a loss.

INDIE SPINNER RACK  had the best interviews with both Alan Moore (One of the greatest and most influential writers in the comics/graphic novel medium – it is a crime that companies, marvel and dc, are releasing books missing his name , and shorn of his insightful interviews. the reasons for this are both well documented and trivial. yes, alan moore can be something of a bridge burner, but his brilliance makes him worth the effort to mend those fences. when he passes off this mortal coil, as we all must, no one wants to be remembered as the company that stole his characters, and froze him out of work. pay alan moore and get him at least authorizing director’s cut versions or writer approved versions of his most celebrated works. it’s one of the reasons i will not part with my swamp thing paperbacks, it is because later introductions are devoid of his introductions, which are as entertaining and informative as his stories. )

and Stephen Bissette (Who remains to this day, with his run on swamp thing, one of the greatest and most influential artists to work in the medium).

 

So the above are the podcasts lost in 2015. Here are some select podcasts enjoyed in 2015:

 

Head over to the German Music Magazine GROOVE and pick up two of the best mix tapes of 2015:

 

DECONSTRUCTING COMICS – anytime you get the chance to hear Stephen Bissette speak, take it. Not only one of the great superstar artists of the 80s with his game changing work on Swamp Thing, but simply an informed, erudite speaker on a number of topics.. including the history of horror and cinema. This Sept 2015 podcast is a recommended listen. They also have an episode of huge interest to any fan of either Edgar Allen Poe or Richard Corben. They also offer a Transformers episode that offers reviews on recent transformer comics.

 

 

THE DOLLAR BIN (Also a show that appears to be on indefinite hiatus) had a couple intriguing episodes in 2015, one covering HIP HOP FAMILY TREE, and one with Golden Age artist Allen Bellman:

 

And if these guys really are  done producing new shows, some of their classic shows that you want to get, while avaiilable, are:

I grew up on Steve Englehart comics and you don’t get today’s sophisticated comics, without first going through him. One of the first to help transition comics from kids entertainment to college and beyond entertainment.

Not one, but two interviews with one of the most elusive, and one of the most talented and innovative writers in comics, Christopher Priest (His SPIDERMAN VS WOLVERINE remains one of the joys of my collection, as well as his excellent run on BLACK PANTHER and QUANTUM AND WOODY).

 

A Bob McLeod interview (Made important because Bob McLeod’s work on the NEW MUTANTS is burned into my brain. That fight with the New Mutants and the Sentinels in a mall, blew my mind as a kid. And as an adult, those images still define for me what great artwork and storytelling should be.)

So quite a few of my favorite podcasts slowed down or completely stopped in 2015. However when one door closes another, as they say, opens.

So some podcasts I started listening to in 2015, and have added to my subscriptions are:

 

  • THE COMICS ALTERNATIVE- Their monthly preview episodes helped me all last year put in my monthly comics order
  • INKSTUDS- Interviews with Comic Book  Creators… some really indispensable interviews.
  • READING LIVES- Interviews with Writers… LOVE IT.
  • WTF- I think without argument the most listened to and successful podcast, with guests from  comedians, musicians, actors, and now a sitting president, Marc Maron out of his garage has created podcast as both high art, and passionate conversation.
  • FILMSPOTTING:SVU- Reviews for the streaming age
  • GILBERT GODFREY PODCAST – I do not find Gilbert Gottfried funny, but his knowledge and love for classic film and television, means he interviews people I want to hear, and he has had some GREAT gustd this year. Thankfully co-host Frank is there to get the podcast back on track when Gilbert starts amusing himself and no one else
  • FAT MAN ON BATMAN- Kevin Smith’s love for the creative process and all things Batman… is an addictive listen
  • HOUSE TO ASTONISH – A comic book podcast from across the pond

AND WRAPPING UP MY 2015 REVIEW, WANT TO GIVE ACCOLADES TO SOME OF MY FAVORITE, AND LONGEST RUNNING PODCASTS THAT ARE STILL GOING STRONG. ALL AWARD WINNING PODCASTS (they all won my Welles Award a few years back, and in my mind have been award winners every year since):

  • CGS – Comic Geek Speak -one of the oldest podcasts, and with great losses, and welcome additions, still an eagerly awaited listen
  • 11′ OCLOCK- One of the most informative and jam-packed and fun of any podcast. The chemistry these three have… works.
  • B-MOVIE CAST – Love this podcast on classic, crazy, genre cinema. Wonderful chemistry between the hosts.

Well folks, that is the podcast scene here as 2015 ends and 2016 takes the stage. Please use this list to see what was special about those shows we lost, and to jump aboard and support those we still have.

Thanks for reading and be well!

FAVORITE & THE BEST : Favorite July Podcasts! Part 1 of 2!

July’s FAVORITE podcasts Part 1 of 2!

B MOVIE CAST– A great 2+ hours of B-movie celebration. A long running and well enjoyed favorite, that I have praised for years, that I look forward to every week. Consistently one of the best!

COMIC GEEK SPEAK – One of the earliest podcasts and still one of the most popular and enjoyable, this one is a bunch of friends letting you in on their love of all things comics. With closing in on 1500 episodes, this show has seen many changes and many moments memorable and heartfelt. Dedicated to Jamie D, this show will always be one of the best.

FILM SPOTTING – One of the newer movie podcasts I’m trying, after the hiatus of a couple other movie podcasts.

FILM SPOTTING SUV – For those of us who have cut the cable bill and have embraced all things streaming this is an informative listen, keeping you abreast of the latest movies and shows to watch… courtesy of streaming.

HORROR ETC – Another long running show, this Canadian horror movie podcast is up there with B MOVIE CAST as being one of the best, while still being very unique. Always a highly recommended listen.

SIDEBAR – A trio of impressively versed art lovers, helm this excellent process show, with interviews and commentaries of some of the most acclaimed cartoonists, pencilers, painters, etc. A must have addition to anyone’s podcast rotation!