The Cosby Tapes -The Last and First Word on Bill Cosby

‘Be wary of letting the heirs to companies and families that grew rich enslaving you define your Gods or your Devils.’ — Eldan

‘The race human, the ethnicity Nubian, the tribe local, The nationality American. That is the progression of your responsibilities from largest to smallest. The interests of a world must always super-cede those of a nation, as must our responsibilities to the people, transcend responsibilities of nation. Nations and companies are codified to serve the people, not the other way around. Somehow we have gotten that backwards.’

‘When you side with a man in the good times, you do not abandon him in the bad. When you side with a man you stick with him, and if you can’t do that you are like some kind of animal.’

‘What mesmerizes is this very 21st century idea that, really only seems to apply to people of color or liberals, specifically, that the evil of a man erases his good. This rush to demonize those you once lauded, is the behavior of a fool and a hypocrite. To remove their honors they have earned, does not diminish them, it diminishes the quality of your honors.

It makes your honors, and Hollywood stars, and doctorates, leaves to be blown away with the merest dissenting wind or mob decree. It makes your institutions whores, and their administrators slaves.’

A soldier earns a medal for a moment in time. Nothing he does in later, less honorable times, changes that moment. To strip him of that medal devalues not that soldier, but the medal, and every permanence it hopes to represent.

The founding fathers were bigots and rapists and slavers and murderers. They were, by the most rational definition… terrorists that won, yet their evil is given a pass because of what we define as their good. Recent presidents are responsible for more murders of innocent men, women, and children than all the mass murderers combined (those targeted bombings and drone strikes and invasions have a tendency of killing 99% collateral damage, innocents, for every actual target), yet their evil is given a pass for the presumed good of ‘operation freedom’ or whatever the latest platitude is for what Hitler best described as ‘breathing room’.

Your quickness to jump on the bandwagon, and stand in judgment of a man’s evil, ignoring your own, and obliterate blithely his good when you have done nothing in your life to equal his good, says far less about that person’s evil, and far more about your own. About your jealousy and pettiness over his achievements and greatness, that you could never equal. But now you hope to dash into the dirt and mud, down with you, those lofty highs , and like demons, find joy in bringing angels low.

You, the mob vigorously endorsing these witch-hunts, are what was in the wind in Salem when witches burned, and in Georgia fields, and from Alabama trees, you are the spear in the side, you are evil and you are a coward. And this fall you revel in in others, is your own. It is the fall of men who stood against despots, and spoke truth to power, and to get you the very people they fought for, to attack them like unruly dogs, somewhere the sons of slavers watch this witch-hunt… and laugh.

The mob says Cosby should be punished for some amorphous crime from mostly decades ago, he has been tried thoroughly in the media before ever seeing a day in court, and the judge has a conflict of interests, for crimes, that unfortunately in the scheme of American horrors, hardly moves the needle of public interest, except for the fact that Cosby is an icon on a pedestal, a Black icon, and his fall of major interests to a country that made OJs Simpson’s, in the scheme of things meaningless case, the crime of the century. In a nation where the common theme is murdered wives and husbands, the persecution and vilification of OJ is beyond the infamy we coat mass murderers or natural disasters or ethnic cleansings with. In Cosby we have another case of persecution and vilification beyond all scope of the actual crime.

These are modern day lynchings, done for old fashioned reasons. To help a scared and greedy minority of masters keep power in a world where people of color are not the minority. To push back progress.

And if you can use house slaves to help bring down escaping field slaves, use one so called minority to bring down another, well that is the Lynch doctrine in action.

I have come not to praise Cosby, but to bury him.

The mob tells us Cosby is villain, is predator, is monster, and this is an honorable mob. So surely this must be the case.

Because surely never before have there been witch-hunts in this country, and never before have many false voices come together, and many joined interests, to fan the fames of hysteria, and lynch mob justice.

Surely this is not just an updated 21st century lynching. Using less crude methods of rope and knife, for more far reaching methods of social media, and 24 hour news cycle.

 

We must stand with Bill Cosby,and against witch -hunts and the use of the media and social media to lynch, and mob-rule. If guilty, he is a man who has erred, and arguably deserves counseling rather than castigation. And his guilt or sin does not obliterate his accomplishments. Anymore than yours does.

 

We must stand together against this new tool of public lynchings, played by oligarchs  and those who profit from the fall of freedom fighters, and the mediocrity and small mindedness of the masses.

 

Here begins the lesson.

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Church Shootings, South Carolina, President Obama, and Podcasts


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There is a line I quote a lot, but it’s because like many quotes, it’s a truth in it that endures, and is applicable to many. And it is definitely applicable to me.

I’ll quote it here again…

“You writers live too much out of the world.” –Graham Greene’s THE THIRD MAN.

Here’s the thing about the world, there is always some new atrocity the 24 hour news cycle is waiting to feed you. Someone’s misfortune that, with crocodile solemnity, they are eager to spread before you like some banquet, some forbidden feast, for you to put your snout in and snuffle.

I know people who make a home in-front the TV when the latest atrocity breaks, and they ‘tsk’, and ‘cluck’, and they make the expected exclamations of “horrible” this, and “what’s this world coming to” but you get the feeling it is more rote than real.

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That ‘real’ left town many atrocities ago, and they have yet to notice that what remains is something that watches for reasons less altruistic than information, and more hungry than concern.

I can’t do the 24 hour news cycle. I gave up on networked TV a long time ago and haven’t looked back, or particularly missed it. Too much of CNN or Insert News Station here, and I have to get away, I have to move, I can’t watch people suffer.

I’m old school that way.

I believe in heroes to rescue maidens, and Knights to slay dragons. And I’m fool enough to believe we can all be heroes… all of us. In small ways, and personal ways, and local ways.

But the 24 hour news cycle inundates you with a world’s wrongs, many wrongs too horrific and large and endemic for you to change.

So there becomes a war within you between the desire to change what you can, and the 24 hour news cycle that indoctrinates you, numbs you to a world beyond your time, or means, or scope to change… a news cycle that tells you “relinquish hope, relinquish the idea of days without horror, relinquish the lie of action, be a spectator, be a consumer. Live in the world we give you, the way we give it you.”

And reduce all your rebellions to a tsk here, and a shake of the head there. That’s what the 24 hour news cycle says to me if I watch it too long.

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I have to pick my battles. I have to pick my fights. I have to narrow my atrocities. And some days I have to have no atrocities at all. It’s the only way I can live without rage all the time.

I have to have the courage to change the things I can, the strength to accept the things I cannot change, and the wisdom to know the difference.

Not being a part of the 24 hour news cycle, using the Internet to consume news in my time in my way, means sometimes, if I’m embroiled with my life, and the people in it and around it, the real news, then I may not consume another man’s definition of the news… for days on end.

I find I’m a better man for not being suckled every moment on the teat, and rage, and hate, and horror of Rome the metaphorical. I find I’m a better, calmer man, and people find me a calming, even soothing presence, and it’s because the nightly news is not on the back of my eyeballs when I look at them, I look at them without the media’s biases or fears, I do not fall asleep to Rome’s tirade, and I do not wake to her gnashing.

And that has made all the difference.

I think too many, especially the young, who not yet having learned the value of their own life much less anyone else’s, internalize Rome’s madness, drink deep and long of it, and adopt the American past time of mass murder; as if it was no more than a fashion you could put on. Killing for hates handed down to them like ill fitting suits, and reasons not understood by them, killing with no real sense.

No real sense.

Not understanding really, that killing is easy, but the hole it leaves is large, and affects so many. That every life… even the most paltry, took a million million miracles to breathe air into, and you can never know how even the most unworthy life, might, if no more than via tangential fate, give us a painter or poet or astronaut or hero. And with one bullet you can unwind innumerable tomorrows, kill innumerable tomorrows, and we are all the poorer for all those doors closed. All those lives changed. All that unneeded pain, piled upon all our souls.

We are all… by these atrocities, broken and put back together, broken and put back together, broken and put back together. But each time there is less of us, and less of us, and less of us.

Until, we are so removed from every step we took toward the light, we find ourselves mad, hopeless animals, penned in a coliseum, screaming for the fall of blood. Our souls are fragile things, that can bloom or wither, depending upon what they are fed.

So resist the 24 hour news cycle. Resist assumptions. And seek out things that will feed the better angels of your nature.

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You might find the link below, a thing for feeding your soul. I did.

I must first state I am not a President Obama apologist. As an Independent I have taken him to task for what I feel is the dismantling of Liberties, and his paying back his corporate backers by selling generations of Americans into debt, to bail out a stock market comprised of companies that should have been allowed to burn.

That said, even with those we disagree… we must find that common ground where we can, so if we can not agree with their choices, we can at least perhaps understand the making of those choices.

If we can relate to each other as more than ‘them and us’, see politics as less bloody warfare, and more people all honestly looking to make their home, their neighborhood, and their nation better… if we can see ourselves as tied by our commonalities first, then our differences become strengths rather than sticking points, ripping our nation and our world apart.

So I ask you Republican, You Democrat, You Independent, You Man, You Woman… to listen to the following pod-cast.

And take away from it, the parts that will make you better.

I was feeling such insufferable rage in the wake of the Church Shooting and what I saw in the media’s handling of it… However, I listened to the below pod-cast, and the easy grace a President of the United States brought to a moment devoid of all grace… and I could breathe again, easy deep breaths. And I could see beyond the pumping of my own rage.

A long term fix? No.

But only death is long term. In life we must take the fleeting moments of grace when we can find them. And use that grace to empower us to end atrocities one person at a time.

You might find in the below pod-cast something hopeful.

WTF_-_EPISODE_613_PRESIDENT_BARACK_OBAMA.mp3

The Answer to FERGUSON

The answer to Feguson’s latest headline making descent into a Jim Crow south is the same as it was to that first headline. The answer is not simply protesting or marching or, worse, just taking to the streets as a mob.

No, the answer has to be something… better.

The answer is economics married to a good memory of the people in positions of authority in Ferguson, who have abused that authority. Ferguson is an overwhelmingly Black township. So this population speaking with their wallets and purses, boycotting any business that does not sign a petition calling for an immediate censure and removal of those involved (from officer, commanding officer, prosecuting attorney, presiding judge, mayor, and up) will elicit change that no amount of lipservice or tirades will.

And it’s about that population stepping up and once they have defined an economic base, forging a political base. The young people have to be the law enforcement, and the fire fighters, and the lawyers, and the politicians, because someone must hold the line, and if you would not have it be your enemy then you must fill those positions with yourself and your peers.

If you want to change the person always on one end of the gun, you must change the person… on the other.

Reprisals of a financial and political order.

Where Ferguson does your local Walmart, or McDonalds, or KFC, or mass transit or auto-shop or grocery… stand on this latest injustice? Find out, and boycott the ones not with you, and let the rest of America know and boycott with you.

Let them know… this far, no further.

Here beginneth the lesson.

Ferguson, Missouri, Palestines in the making , Apartheid States… And how to turn it all around!


Ferguson, Missouri.

I practice an unpopular habit these days, I try not to speak till I know.

So to get a grasp on what this sleepy little town is in today’s media, I wanted to get a picture of what it was before it made national headlines.

I feel perspective give us an idea of how we got here, and where we can go from here.

According to City-Data.com The 2012 census tells us Ferguson is a town of approximately 21,135 people (no doubt a few less since the hostilities), the median age is 33.1 years, the mean of salaries was $36121, housing prices were right around $91808, and Blacks made up 64.9% of the population. As opposed to Whites being 30.6% of the population.

Add in other ethnic groups, of Hispanic, Asian, Indian, mixed (an odd designation, since few in America that would not apply to) and the total Colored population of Ferguson, is nearly 70% of that total population of 21,135 souls.

And yet a cursory glance of the news feeds coming out of Ferguson, shows a law enforcement that does not at all represent that population, does not represent that 70% of Blacks and Asians and Hispanic. Rather you see a heavily armored, virtually all White, armed response unit, prepped with the latest in federal government provided killing weaponry making a show of being ready to kill (ironically enough kill a colored population, with weapons paid for by the taxes of that same Colored population. Something wrong in that).

The news feeds and any calm examination of the facts show us Ferguson’s local Law enforcement as ,rather than an outgrowth and a part of the community… happily protecting and serving, instead an occupying army, a hostile, invasive minority trying to maintain an untenable power-base of master and slave, majority and minority. Watch the news and you see an American Palestine, an American Apartheid regime, local law enforcement as occupying armies, rather than integral peace-keepers.

And like Palestine and like South Africa, there is no way to reconcile that disparity of rule by the few. Therefore the roads open to America, the idea, and to us, the people, become few… but clear.

We can, all of us, nobly win, or meanly lose… our freedom. Lose it or win it in an embroiled conflict that will keep the mass of the population divided and wasted, fighting wars that were worthless and stupid when our grand fathers were young, while a few, laughing at these crabs in a barrel (Black, and White, and Yellow, and Red), shake their heads with mirth and win the only true war that matters… the class war. The war to define your life and to put their hands in your pocket while doing so.

So how do we win this 21st century war? First we have to learn how to fight it in a 21st century way. And that’s not by tossing rocks at tanks and helicopters and killer drones, and it is not by just marching, it’s by making a fiscal choice, have a fiscal cost.

Ferguson Government has staffed an all-White militarized police to in essence run rough shod over a mostly Black population that does most of the living and working and buying and selling and dying in Ferguson. Here’s the thing every one gets mastered, for better or worse, a society depends on codes of conduct, it depends on limitations of personal freedoms, it depends on sacrifice and responsibility, and it depends on heroes, and an understanding of right and wrong and holding that line. All of us either master and police ourselves, or we are mastered and policed.

The Black/colored population of Ferguson needs to use this incident as a wakeup call, to now put a new name up for mayor, a new name for chief of police (a step that I see, has been done by the Governor) a new name for city council. But it can’t stop there, if young people are going to be more than targets for the police, it is incumbent upon those with a sense of responsibility, to become the police for their neighborhoods; to be not an occupying army, but an integral part of maintaining the peace.

Until the person Ferguson residents call when they dial 911, is someone who respects and reflects them, bigoted and murdering police will continue to be the norm, rather than the exception.

And political and appointed offices do not live and run in a vacuum. Fiscal imperatives must drive people to do the right thing, must drive local police forces to demilitarize and be staffed by those from and representative of the neighborhoods.

The major banks in Ferguson are the UMB and U.S. Bancorp, so if you want to make people take notice of this outrage, you start there.

Get residents to close and pull all their accounts from the bank or bank that will not sign on for a petition requesting more diversity from Ferguson Law Enforcement. Same with the major schools or churches or department stores, any place where Black Dollars are consumed gladly, (which is most places), you petition them “show us you respect this population you make your money off of, sign this petition for more diversity, help us censor and change the Local Ferguson police and courts, or do without our dollars.”

Outrageous you say?

I would argue not.

We’re so removed from the age of strikes and civil disobedience, in our digital age, we forget, that the liberties most of us take for granted today, child labor laws, desegregation, 8 hour work day, were all won, not just by marching up and down meaninglessly, but were won by making bigotry and ignorance and evil… have a fiscal cost. It was won by making the cost of doing wrong, more trouble than the cost of doing right.

Ferguson, Missouri. Boycott any business that doesn’t employ people that look like you in significant positions. Create a petition, ask business to support it. Boycott the one’s that won’t. Boycott the targets, the kfcs, the mcdonalds, the walmarts, the libraries, the schools, the autoshops, the restaurants, the banks… and this doesn’t mean walk around carrying signs, you can do that if that’s your thing, but more importantly it means deny them your dollars, your patronage, YOUR RESPECT, and spread the word. The Montgomery Boycott was one of the most pivotal acts of fiscal reprisal, and we generations later are all benefiting from it.

Ferguson, it is now your turn to create your own fiscal reprisal. And by so doing, show the rest of America… the way.

Here endeth the lesson.

COMIC OF THE DAY: Al Ewing and Greg Land’s MIGHTY AVENGERS and the Black White Nick Fury?!


Marvel Comics.

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You know them? They are owned by Disney, they are brother to Marvel Studios that produces those box office shattering movies that have been all the rage for the last several years.

Well Marvel Comics while not the money maker of the film or video division, is the idea-space for those other mediums, and as such has an importance that belies its modest publishing revenue. As such, they are not going any place.

That said they could be doing better. But at every turn the publishing arm seems to be almost antagonistic to their customer base.

Tactics such as over-saturation of the market and expensive cover price of its titles ($4 is way too much to pay for an ad strewn comic with no additional content) translates into the audience (me) making a conscious choice to avoid all their books at best, and limit my consumption to one or two titles at worst.

Enter… THE MIGHTY AVENGERS.

THE MIGHTY AVENGERS by Al Ewing and the criminally castigated and underrated Greg Land is my favorite Marvel Comic, and the only one I purchase monthly.

Now don’t get me wrong there are other Marvel books I like, Aaron’s THOR, Remender’s CAPTAIN AMERICA and UNCANNY AVENGERS, the new MOON KNIGHT and IRON FIST has me interested, and if all those titles were $2.99 rather than $3.99 I would pick them all up. But I really do feel if any company can successfully ‘hold the line at $2.99′[an euphemism for not raising prices]… it is Marvel Comics, and their refusal to do so… is a misplaced arrogance, a belief that the entrenched fan-base will buy the books regardless.

It is a price gouging mentality, and I am proof to the contrary.

Rather than them getting $15 a month from me for five $2.99 comics, they get $3.99 for one comic. That greed, that one dollar extra cover price, has cost them $11 from me, $11 that now gladly goes to Image Comics or Dark Horse Comics.

And more than that, I am now trained to wait. I’ll wait till a Marvel series gets collected and is available at my local library and I’ll read it for free. So yeah Marvel Comics, that $3.99 cover price… here is one concrete case where you have actually lost business because of it. So great job there.

And the one Marvel Comic that I do get, is Ewing and Land’s MIGHTY AVENGERS.

Al Ewing creating a frenetic and pulp-inspired book that every month delivers a satisfying story, and one of the only books on the stands that offers multiple characters of color, treated respectfully (rather than as punch-line’s such as other Marvel Books are doing. Example being ‘Nick Fury’ gate. :).

Movies made workable the character of Nick Fury, by using the popularity of actor Samuel Jackson.

Now Marvel Comics wants to integrate that successful character from the movies with the 1960s comicbook version. So the brilliant way Marvel Comics decides to do that is by labeling the Black Nick Fury as the ‘son’ of the White Nick Fury. Wtf? Really? :).

That’s the direction you’re going? Can you say demeaning, bigoted and stupid? Hey Marvel here’s a solution for you… How about they are both just Nick Fury, with no relationship to each. Nick Fury being a title, like ‘Christopher Chance’ that gets passed to whoever is worthy. Took me two seconds to come up with a better way for both Nick Fury’s to coincide without demeaning and denigrating the Samuel Jackson version.

Who would have thought it would be the movie Marvel Universe that would get it right, and the comic-book Marvel Universe that would increasingly be the disappointment.)

Which is why Al Ewing’s MIGHTY AVENGERS is such a treat and a surprise. Despite being hamstrung with having to participate in Marvel’s various events (could not be less interested in Marvel’s Crossovers) Al Ewing manages to use the handicap of the crossover as a springboard to tell his own highly imaginative and absorbing tales of werechickens (don’t laugh, it’s pretty cool)and inter-dimensional evils, while at its heart always being a very generational story. A book that is about… Fathers and Sons.

Add to this Greg Land, who has had to suffer the recriminations of people with not a fiftieth of his talent, self styled art ‘critics'(parrots jumping on a bandwagon) who unable to create art, and ignorant even of the process, yet think themselves schooled to heckle their betters.

If you think Greg Land uses ‘porn stars’ for some of his inspiration, I would say two things to you, 1/ who cares and 2/you probably watch way too much porn. :).

Every artist from Jack Kirby to Gene Colan had a little stock/trace file, for poses or buildings or cars or fashion. You know why? Because it is a bloody job and stock photography and images are tools, and drawing, making your deadlines, is a job. And being able to take those inspirations, regardless of where they come from, and craft a functional and beautiful story out of it, takes immense talent. Greg Land is an immense talent, and his work on MIGHTY AVENGERS is drop dead gorgeous, brimming as it is with 70s Indie Black Empowerment images.

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So from writing to art, there is a one-two energy Ewing and Land have going here, that hopefully will continue for sometime. But when and if MIGHTY AVENGERS goes the way of other Marvel Titles, here’s hoping these guys create a similar creator owned title at Image.

I would love to see Al Ewing creating his own pulp-inspired or sci-fi tinged characters, and Greg Land drawing them. For all the good things Image has, a book with a majority of ethnic characters is not one of those things.

Perhaps it is time there was such a book.

So Marvel for all my bashing on them has to be applauded for THE MIGHTY AVENGERS. But if all involved really want the series to grow, 1/add a letters page and back-matter, 2/focus on stand-alone stories primarily, and 3/making it a $2.99 rather than $3.99 book wouldn’t work.

But other than that a fantastic read, month in and month out.

Oh and Al and Greg, two more suggestions, One/change the preamble that starts the book to be something with a little more import and oomph, and two/ Let Luke Cage take back the name Power Man. It’s a good name, and it’s his.

Thanks for reading and if intrigued by the above you can buy back copies of the Mighty Avengers or the Trades here:

http://www.mycomicshop.com/search?TID=24852602&affid=200301p0
http://www.mycomicshop.com/search?TID=25358810&affid=200301p0

Enjoy!

MOVIE TRAILER ROUNDUP: SUPERMAN RETURNS vs MAN OF STEEL and the bigotry of ELYSIUM?!!

MOVIE TRAILER AND UPCOMING MOVIE ROUND-UP

GHASTLYTHE GHASTLY LOVE OF JOHNNY X- I gave this trailer a download. It’s a send up of 50s movies, especially of the drive-in, monster, teen angst variety. Not my beverage of choice. And it just wasn’t interesting at all. Save yourself the viewing time… avoid.

PACIFIC RIM- I keep watching this trailer, and I keep being impressed. “Today we are canceling the APOCALYPSE!!” Delivered as only Idris Elba can deliver it! This summer blockbuster hits screens in July. And I’ll definitely be in the crowd.

NOWYOUSEEMENOW YOU SEE ME- “First rule of magic, always be the smartest guy in the room.” A stellar cast, and an inventive and surprisingly original feeling trailer (no small feat for a film to seem original, given how many caper and heist films I’ve seen) makes this film one that I’m interested in seeing on the big screen when it hits on 31 May.

man_of_steelMAN OF STEEL- The latest full trailer is out and looks very good, though I have to be honest it doesn’t excite me the way the SUPERMAN RETURNS trailer of several years ago did. And I know it’s envogue these days to hate on that movie, but the young and foolish forget how well received that trailer and the movie initially was. That plane sequence alone having people cheering in the theaters. And while the pimply set in hindsight dismiss SUPERMAN RETURNS because of some pacing issues and I think some weaknesses with the casting, particularly the Lois character, it was, warts acknowledged, a good movie, with a great trailer. So far MAN OF STEEL merely has a good trailer, let’s hope that translates into a great movie. Being a fan of Zack Snyder (not so much Christopher Nolan) I’ll be in the theaters to find out.

THOR II- I’m watching the 1st trailer for this film and I’m not particularly gripped by the ‘story’ of the trailer, but I’m thinking how awesome it is that we can produce movies on this scale. Super-hero movies are possible due to CGI and advances of technology that can make a man swinging around and hitting things with a big hammer prop look awesome rather than stupid. That said,the absence of Branagh as director worries, as I couldn’t find anything close to an interesting story in the trailer. But it is just an early trailer, perhaps the movie has more depth to it than the trailer hints at. This one is a wait and see.

ELYSIUM- This scifi trailer is for a film by Neill Blomkamp ,the director of DISTRICT 9, and starring Matt Damon. That is strike 1 and strike 2. I disliked DISTRICT 9 for its pretty blatant Nigerian bashing, and am not a fan of Matt Damon. ELYSIUM is based on a great short film by Ricardo De Montreuil’s THE RAVEN, which sports a Black/Hispanic protagonist, almost a christ parable, taking the fight to the powers that be in a drone plane/terminator oppressed future, ELYSIUM seemingly takes everything edgy and original and challenging about THE RAVEN, and literally whitewashes it with a Dutch/South African director and a White savior in the form of Matt Damon. Compare the short film THE RAVEN (my review and a link to the film here) to the ELYSIUM trailer and I think it is clear which one is the far more interesting. ELYSIUM is a definite wait for DVD, if that, and is yet another glaring example of the bigotry and programmatic and exclusionary nature of Hollywood sanctioned films.

MANOFTAICHITHE MAN OF TAI CHI- Keanuu Reeves is one of those actors like Nicolas Cage who takes a huge amount of crap from Western critics for his acting style, or perhaps more precisely utilizing the same style regardless of project. Whether that assessment oh his acting ability is true or false, in Asia Keannu Reeves is HUGE, again like the aforementioned Nicolas Cage. And that Pan-Asian popularity seemingly has to do with their looks (since their acting/voices are dubbed by Asian actors). Asians being a, seemingly, very homogeneous society like supporting their own, and both Reeves and Cage are of the necessary dark hair and build and perhaps presence to be adopted by Asian audiences. So it makes perfect sense that Reeves’ directorial debut should be geared to that part of the world market that has always embraced and made profitable his films. The trailer for THE MAN OF TAI CHI is out and it sports glimpses of impressive fight choreography. Whether there is a story to go with it remains to be seen, but it definitely interest me enough to look for it on DVD

Okay that’s all for this segment. Join us next time for more!

Exclusionary TV: Whites Only Television? MADMEN, PAN-AM and REVENGE

Provocative title huh?

Well, it’s not quite as provocative as it seems. The premise of this article isn’t that shows such as MADMEN, PAN-AM, and REVENGE are in and of themselves bad or bigoted shows.

They may in and of themselves be good shows. But shows, dramas or scifi or action, that are predominantly White, when not off-set by any shows that are predominantly Black or colored, true to the definition of predominant… create an environment, a medium, that is about the ascendancy, importance, influence, authority of force of one group.

In such an environment it is impossible for me to buy into, relate, follow, view, or otherwise enjoy such shows. Now in an environment where a show such as PAN-AM is counter-pointed with a show on The forming of AIR JAMAICA or the Black Stuntmen’s Union or the Black Coyboys’ Union or any adventure or thrilling show with a predominant cast of color; then PAN-AM rather than being indicative of a color and ethnic bias in every show in tv, can be seen as one voice in a chorus, rather than the same voice, everywhere.

So that’s the problem I have with shows such as MADMEN and REVENGE they paint everything with the same trite and pale brush (take the series REVENGE, based on a book by the son of one of the most famous Black men, and the cast is all white. Explain that to me? Along with that it always rings false that we have yet to see a THREE MUSKETEERS that represents the ethnicity of the author Alexandre Dumas, or the ethnicity of the inspiration for all Dumas’ heroes, namely his father, France’s most famous and most feared soldier, the elder Alexandre Dumas, (inexplicably called Thomas-Alexandre in recent writings), the Black giant, the warrior Moor, Napolean’s most feared and brilliant General. The COUNT OF MONTE CRISTO is directly inspired by how his father was betrayed by Napolean, imprisoned, and killed. And rather than anyone ever tell that story, it becomes in REVENGE about a blond woman, mad about something. Forgive me if I have no interest in that retelling.)

So, What’s the solution?

We’ll get to it. First indulge me, with a brief trip to yesteryear.

In the late 50s, into the 60s and 70s television and cinema in the US, and indeed throughout the Western World, made great strides in becoming more representative of the class struggle going on throughout the world.

That’s a fact, it just is. So let’s begin there.

As countries from Congo to Cuba to Korea to the West Indies to Brazil all were dealing, at various stages, with the shattering of traditional Colonial ties. With populations of repressed people, embracing the concept, both with artistry and arms, of “not eating at another man’s table” but creating their own table.

It was a staggering period not just of revolution, but potentially evolution… for the world and the west.

Rather than mass media that explored and showcased only the fantasies and the fears of the white and the male you began getting shows that took place in a world reflective of the movements changing the landscape of our cultures and our time. Civil disobedience, and sit-ins, and Black power, and Native American rights, transcendentalism and free love, sexual and religious experimentation, and of course war and the search for peace and self identification.

And all these growing pains, all of this stew of change, could be seen in the entertainment of the age.

DANGER MAN, MISSION IMPOSSIBLE, PROFESSIONALS, GOOD TIMES, SANFORD AND SON, the rise of Soul Cinema, and the rise of Hong Kong Cinema, and Neo-Realism in Italy, and the New Wave in France, and the didactic films out of Russia, and Brazil, and Cuba, and Senegal, all of this making its way to newly born film studies programs in the states that gave birth to a whole generation of entertainment makers excited and influenced and inspired by this time of change and challenge.

So suddenly you had Patrick McGoohan in the DANGER MAN TV show 50 years ago globe-trotting and going to different countries and different people, and exploring issues of colonialism, and civil war, and terrorism, and governmental oppression, and doing this with a changing ethnically diverse cast. Dealing with issues of Middle East tensions and modern slavery. And this kind of informed and humanistic film-making came from the creators down. And all the shows of that period, while not DANGER MAN ground breaking, to greater or lesser degrees were that informed and representative of a culturally diverse and changing world.

Move the clock forward 50 years, and suddenly you have no community owned or locally owned cinema, much less production companies. That’s not an accident, that’s a very pointed, and very considered monopolization and marginalization.

You have the end of virtually any locally or regionally owned newspaper, radio, or television station. So you get the end of people and community created movements, and art and music, and you get instead corporate construction of reality and ‘art’ in things like AMERICAN IDOL and its ilk.

You have cinema and television that is in retreat from ideas… like diversity and the rights of man, and instead seeks a return to the exclusionary, blinders on, cinema of the 50s. Not just in terms of content and cast in front of the camera, but talent and crew behind the camera.

As, in reality, the mad military war machine of billionaires undoes the local determinism of countries like Haiti and Liberia and Libya, so too is our entertainment,no less the tool of billionaires, undoing the strides made toward multiculturalism. A return to “Whites only” television from MADMEN to PAN-AM to REVENGE.

And those shows while they hold no interest for me, would be fine if they were counterpointed by an equal number of US made shows with a majority of Black or Brown or Asian or a combination thereof, of actors in front the camera, and talent behind the camera.

And the talent is there, as screenwriters such as John Ridley discuss in numerous interviews. Even more talent than was available in the 60s and 70s is available now, the difference is, the cinemas are bought up, the advertising is cost prohibitive, and quite frankly the doors are closed.

In the 60s and 70s, Hollywood saw the need for an influx of diversity to save them from the rise of Independent Cinema (an outgrowth of viable and healthy local cinemas, local determinism), and there were a good number of people in the studios who were happy and excited for that diversity. They were part of the changing times, and part of changing it.

Today Independent Cinema has no way into the theaters, because the locally owned theater circuit, and indeed the community controlled mass-media circuit that served America, particularly Black America from the 20s to the 70s, has been bought out, legalized away, and generally dismantled.

For what was gained, more was lost in the compromise of integration.

The problem with the doctrine of separate and equal, was the fact that is was NEVER separate and equal, it was always separate and UNEQUAL. The Black Power movement and Black Panther movement was about making it SEPARATE AND EQUAL. Was to make the lie into the truth. And that is the reason we have integration today. Because the idea of separate and equal, scared the powers to be to their very soul.

They saw in the more moderate integration model of Martin Luther and his ilk, a compromise that could become a massive victory. They retreated from Separate and (Un)equal and embraced Integration of a sort, “you can now use our Bathrooms, you can now to an extent come into our house, but… you have to lose your house. You have to lose your radio stations, your movie theaters, your stores, your farms, your wallstreets, your sports teams, your attempt at self determination”.

Of course it wasn’t presented like that, but a few decades later that’s absolutely what has happened. The thriving economic base of Black America that thrived even under the odiousness of Separate but unequal, wherein they could still provide for themselves and be self sufficient, has been completely gutted under the together but even more UNEQUAL system of integration. And that robbing of local determinism has extended to all America. Has shown itself to be the most significant volley in a class-war that has America trillions of dollars in debt, and slaved, to corporations gross and immoral.

And television and cinema is the clearest example of this wholesale pillaging of a peoples economic potential.

So that’s what I see when I see shows like MADMAN or PANAM or REVENGE or SMALLVILLE (past season 4) I see prejudice and bigotry and class warfare… codified.

So you have a television and a cinema environment that has turned back the clock, and is again solely about showcasing the fantasies and the fears of the white and the rich, to the exclusion of all else.

It bores me to go backwards. To learn from the past is a great thing, to repeat the past is not. And we have a whole generation of studio execs and heads, who think they are doing something new by embracing the old, and all they are doing… is wasting time.

In a multi-cultural society, an increasingly multi-cultural society, these dreams of exclusion cannot stand, they will become unsatisfying, they always do. And in the end we will have to waste years just getting back to the same point of diversity as the 1970s. Getting back to the starting point from which we should be… evolving.

So let’s cut out some of the time wasting. Contact these studios signing off on this exclusionary television, the creators and producers, twitter them, facebook em, call’em, even write em, let them know the show doesn’t represent you, and to create a show that does. And let the advertisers know, say “this show boycotts me and mine. Since you are asking me to support your product, I want you to produce a show that supports me.”

It’s economics people. For all their crushing of competition, ultimately the decision makers and gate-keepers still need to create a product you want to buy. Let them know they are failing at that mandate.

Let them know you want to see more shows, that are both smart and diverse.

Day Break – The Complete Series- Do not buy the 2disk version, get the 4 disk version

55 Degrees North – Series One & Two – 5-DVD Box Set ( Fifty Five Degrees North ) ( 55 Degrees North – Entire Series 1 & 2 ) [ NON-USA FORMAT, PAL, Reg.2.4 Import – United Kingdom ]

Kidnapped – The Complete Series

Secret Agent AKA Danger Man: The Complete Collection (Slimline Packaging)

The Philanthropist: The Complete Series

Kings – The Complete Series

Blood & Bone

I Am Cuba: The Ultimate Edition

Let them know you want to see more DAY BREAK with Taye Diggs and Moon Bloodgood, more 55 DEGREES NORTH with Don Gilet, more KINGS with Eamonn Walker more BLOOD AND BONE with Michael Jai White, more James Purefoy and Jesse L. Martin in THE PHILANTHROPIST (the spiritual descendant of McGoohan’s DANGER MAN); more shows that look forward to solutions, rather than backward to evasions.

Challenge the creators, challenge the studios, challenge the advertisers, challenge the performers, and challenge yourself to go not marching backward, but to go forward… into the mystery. And ultimately we will as cities and a nation, have to eschew outside control, and embrace again local production of items and local determinism.

And it starts as simply as recognizing and calling out the prejudiced the exclusionary and the destructive when we see it.

Here endeth the lesson.