The End of American Comic Books?

With the major two American Publishers (Marvel Comics and DC Comics) Marvel Comics (Real) | Spiderman animated Wikia | FANDOM powered ...Dc Logo Png Transparent - Dc Comics Logo 1976 - Free Transparent ...largely pricing themselves out of the periodic comic book market, ($4 for a 22 story page comic? Are you on crack?! 🙂 ) and failing to engage any sizeable readership in the sub-thirty market, and losing readers in their dwindling above 30 market, they are kept around largely to just be an idea space/loss leader for the actually profitable divisions of the multinational oligarchies that own them.

That is not to say there are not brilliant writers and artists that work for Marvel Comics and DC Comics, but unfortunately they are crippled by a few things.

First a pricing structure (over $3 for a couple dozen pages of comics. 10 minutes of reading entertainment is moronic. It is a poor value for dollar when compared to just about anything else) , second a quality structure ( abhorent paper and cover quality. Poor and obtrusive placement of ads, especially when compared to better Indy publishers. Marvel Comics is especially culpable in this) and third a flawed editorial structure/mindset ( lets inundate the MARKET, dilute the brand and confuse and frustrate the readership, with too much overlapping, and conflicting, and redundant books, and events, and storylines. Let us not give prospective readers one clear on-ramp to our comics, a single Batman book to follow, or Spiderman book to follow, when we can publish 20 poorly selling, and market-fractioning books instead. And let us not place the books or advertise the books, places where our demographic could actually find them).

All three of these ingrained ‘sales’ structures of major American comics, seemingly just designed by moronic frat boys, rather than capable professionals who really love and want to grow/expand the medium.

Marvel and DC comics for the last few decades since the 90s, proving themselves inept at selling American Comics to Americans or anyone else. Think about it, Marvel and DC comics, these publishers, their inability to sell 100 thousand comics in a nation of 300 Million people, is an unprecedented level of failure. Especially with the hard work of selling these characters to the mainstream already done by the movies and TV shows.

If I were the parent companies, AT&T and Disney, I would wholesale fire the Marketing and Editorial departments of both companies, and bring in fresh blood with fresh ideas. Because, clearly the people currently running these divisions have not the slightest clue how to sustain and grow their print model/readership.

Now on the Independent comic book publishing Front, there are still promising companies, IMAGE COMICS, and some of the smaller companies such as Alterna and Albatross etc. these companies are really challenging the ingrained pricing and content and quality deficits of marvel and dc. these companies resembling more the mad creativity and broad appeal of marvel comics in its bronze age glory days, before it lost its way. before the peter principle took hold of marvel and dc, and they grew past their best and most useful state.

WHERE I BUY JUST ABOUT NOTHING MONTHLY FROM THE BIG TWO (Exception being Christopher Priest’s DEATHSTROKE) I buy just about everything from ALTERNA, and ALBATROSS and a bunch from IMAGE. Dark Horse, IDW, Ahoy, Aftershock, Titan, all companies putting out great books.

However a recent rash of buyouts of Indy comic companies, by deep pocket Chinese companies may bode ill for true Indy American Comics. and may signal an end to this current golden age of american comics.

AND YES, I WOULD ARGUE THAT LOW SALES AND OTHER ISSUES TO THE CONTRARY, WE ARE IN A GOLDEN AGE OF COMIC BOOKS, graphic literature, slims. cause when you get away from the reprehensible shenanigans and mismanagement and flooding the market tactics of the big two, the comics themselves, have truly never been better, or richer, with nearly every genre of book being published, and across the board, a higher level of story and art then ever before.

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Ahoy Comics | Expect More

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i grew up in the bronze age of comics, i love the bronze age comics, and there were some great comics. but across the board the quality and creativity is better today. you just have to push a lot of that noise of the big two out of the way so you can see eric powell’s hillbilly and goon, so you can see brubaker’s criminal, so you can see rucka’s lazarus so you can see walker’s bitter root, so you can see dingess’ manifest destiny, and the list goes on. and even in marvel, great comics are being made,  ta-nehisi coates black panther and captain america, jason aAron’s thor, montclare’s moon girl and devil dinosaur, g. willolw wilson’s ms. marvel and the list goes on, it is just marvel has made these books (for reasons mentioned) unpalatable to pick up monthly. it is better to wait for the collected edition and read the story that way.

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for monthly comics I really like the Alterna model in terms of pricing, and seeking old fashioned newstand distribution. And hopefully other companies can follow their homegrown lead so we continue to have American comic book companies not potentially censored by allegiance to foreign interests.

Hope you found the above slight tirade useful. It comes from a place of love for the medium, and love that a home grown, domestic comic book company… can endure.

If you want to buy the back issues of any of the books I mention, or subscribe to books (preorder new books, I highly recommend it) use the below link. You will get great books, and it will earn a few pennies for this blog. Enjoy!

https://www.mycomicshop.com/?AffID=200301P01

 

Movie News: GUARDIANS OF THE GALAXY is it worth seeing in 3D?


Marvel Studios 10th feature film, GUARDIANS OF THE GALAXY, is breaking on American shores this weekend, and the decision people have to make is… ‘is it worth seeing in theaters and more specifically, is it worth seeing in 3D?’

Well, dealing with the broader questions first, whether or not you are a fan of the Marvel Movies, you really have to tip your cap to Kevin Feige and the whole Marvel Studios machine for really doing what seemed if not impossible, highly farfetched; namely creating a critically and commercially successful movie empire based on the shared universe approach of comic books.

It, in many ways, is the return of serial movies, the type popular in the 1930s and 1940s, but done on a massive scale, undreamed of by those low budget quickies of yesteryear.

And Marvel Studios films have managed to be not only popular, but entertaining, sometimes impressively so. I would list their movies from best to worst as:

AVENGERS
CAPTAIN AMERICA WINTER SOLDIER
CAPTAIN AMERICA
IRON MAN
HULK

IRON MAN 2
THOR
IRON MAN 3
THOR 2

And now their 10th film, GUARDIANS OF THE GALAXY, is poised to carve out their place on the above list. I find myself largely uninterested in the film. Nothing about the premise, the characters, or the one trailer I’ve seen intrigues me at all. Add to that they have an unimpressive ‘Before the Window’ 3D rating from CINEMA BLEND, like all previous Marvel Movies, and it is no incentive to see this in 3D.

But what does stand out in opposition to all that disinterest is the director, James Gunn. James Gunn like many of the directors Marvel picks, lacks any pedigree in the action or blockbuster genre, but like other directors chosen, they have a personality to the films they have directed, and a way with actors and characters, they have glimmerings of potential.

I enjoyed James Gunn’s SLITHER and I do think Marvel Studios helmed by Kevin Feige have been nothing short of phenomenal in picking talent both in front of and behind the camera. For all the heat their choices engender prior to the film, their unconventional choices have proven movie after movie, to be great.

And it is hard to argue with great. I have no interest in GUARDIANS OF THE GALAXY as a concept or as characters, but I am interested in seeing James Gunn do a big, fun, space hopping action picture.

So verdict: I’ll catch GUARDIANS OF THE GALAXY on a matinee, or 2nd run, without 3D

Hopes this helps anyone on the fence, and feel free to chime in with your opinions. ENJOY!

2012 MOVIE Review : THE Verdict is in! AVENGERS… Avenged!!! :)

You are reading this either because you saw the film and want to compare your experience with others, or haven’t seen the film, and want to get a general idea of what people thought of it. I’ll answer both demographics, without going into details about the film.

I think most of you coming to this blog know, my grumpy persona aside I’m not a contrarian. I’m not one of these IMDB idiots who rate all films either 1 or 5 (on a 5 star system, I use a 4 star system), the concept of grading and gradations seemingly lost on them.

That said neither am I a bandwagon jumper who is going to praise a film when it’s trendy to do so, and eviscerate it when it is trendy to do so.(SUPERMAN RETURNS and TITANIC being two movies with more than their share of flip-floppers).

I often listen to pod-casts, and it is amazing how often you can hear one person excited by a film, but then his friends don’t like the film, so you can hear the person backtrack from his/her position, so they can be in line with the likes of their ‘friends’.

An anthropologist might define it as a clannish race survival technique (“Bubba let’s go lynch that thar 12 year old boy, for looking at that thar white woman.” “Why Bubba Senior, that thar’s a fine idea. Hyuck. Hyuck. Hyuck.”), I’ve always just defined it as cowardice.

I’m saying my good opinion or my bad is not formed by the whims of the mob.

Never has been. Never will be.

So if I give you a review you can be sure it is my review, my considered opinion… and I stand behind it.

So my considered opinion on the AVENGERS movie?

Joss Whedon, whose other film this year CABIN IN THE WOODS I wasn’t a fan of (more due to the first time Director on that film, than to Whedon’s script), here in his role as Director and Writer, knocks this film out of the park.

THE AVENGERS is… I’m trying to avoid hyperbole here, leaving that to everyone else, but it has to be said… it is a FANTASTIC film.

It’s as smart as CABIN IN THE WOODS, but with Whedon behind the camera you also get characters and moments you really care about. You get the pathos to go with the pomp and circumstance.

I mean how do you pull this off? The culmination of all these films, all this planning, all these actors, how do you pull it together and make it work and make it live up to expectations? It is really an amazingly ambitious film, a daunting prospect, and Joss Whedon… does it.

It’s really rare for me to laugh out loud in a film, I laughed out loud numerous times in this film, just because it is so knowing, and so sharp, and so biting, and so friggin fun!!!

I’m so glad I went into this film without watching a bunch of trailers or features, or ruining any surprises because I just had a ball. And along with the fun, Whedon gave space and weight to the tragedy, something that is glossed over sometimes in epic films. The weight and cost of this battle. Whedon never loses sight of the street level view, the common men and women caught in the midst of a war of Gods and Monsters.

The humanity he imbues the attack scene with is reminiscent of Mimi Leder’s phenomenal direction in the criminally underrated Clooney action film PEACEMAKER. Where every loss and every life… was felt.


The Peacemaker (Widescreen Edition)

And going along with that, for a big, loud, blow stuff up action flick on par with Bay’s TRANSFORMERS:DARK OF THE MOON (which the battle scenes bear a resemblance to) everyone gets a chance to actually act and emote in this film. Whedon’s TV/Buffy dialog/experience serving the film well.

Every principal actor really gets a chance to shine, Scarlett Johanson, Samuel L. Jackson, Mark Ruffalo (Who I didn’t think could fill Ed Norton’s shoes, is phenomenal. Both as Banner and the Jade Giant he has some of the great scenes/lines in the film), Downey, they all bring it. And big kudos to Tom Hiddleston who plays Loki as more than one dimensional, but with charm and depth to match his machinations.

Anything more would be me… gushing. Suffice to say, if my math is correct this is the 6th Marvel Studios film, the culmination of half a dozen years, and their shared Universe experiment, and they pull it off. Creating a cinematic climax to this multi-year and multi-film storyline that is actually bigger and better than the films leading up to it.

I’m seldom the guy to tip my hat to MARVEL, but you have to give them their due. STAR WARS couldn’t do it (RETURN not quite living up to the greatness of EMPIRE), STAR TREK every other film is bad and they are all one off stories, BOND also is one off stories, INDIANA JONES no, MATRIX… no, LORD OF THE RINGS … no, but Marvel Studios managed to end their ambitious story… even stronger than they began it (Though it is worth noting that the heart of this whole AVENGERS cinematic concept, starts with one writer, Mark Millar of WANTED and KICK-ASS fame. His vision is what Marvel Studios followed from page to screen. And in the dozen years since his ULTIMATES comics, his involvement is perhaps not credited as much as it should be).

The AVENGERS storyline that began with the first IRON MAN, went out on a high-note with this film. Arguably only Harry Potter could claim to have as effectively told a story over multiple films. Plus they give us a great teaser at the end, can you say…. awww but that would be telling! 🙂

Go see the film. It’s earned its praise. Highest Recommendation A+.

And read more about the Avengers, here [Definite spoilers :)]:

The Ultimates: Ultimate Collection

The Ultimates 2: Ultimate Collection

Ultimate Comics Avengers by Mark Millar Omnibus

Avengers: Kree/Skrull War

And these books will get you up to speed with the teaser at the end of the film:

Essential Warlock – Volume 1

Essential Captain Marvel, Vol. 1 (Marvel Essentials) (v. 1)

Essential Captain Marvel, Vol. 2 (Marvel Essentials)

Infinity Gauntlet

Five FAVORITE AVENGERS Posters!!

So I was at the post office flirting hard, with the fetching postal worker behind the counter. And to her credit she was throwing it back pretty capably, and we got on the subject of the AVENGERS movie. She has no interest in the AVENGERS movie or any superhero or action flick.

She was much more psyched by THINK LIKE A MAN and WOMEN THOU ART LOOSED and other relationship tinged flicks. I must admit I died inside a little to know my future wife has no interest in slam, bam action flicks, but oh well. Diversity they say makes a happy home. 🙂

On a serious note, taking a page from her book, I’m glad the AVENGERS movie is finally here, and I’m glad Joss Whedon is helming it, but I’m not really that wowed by the trailer I’ve seen, or the poster.

Of course I’m going to go see it, and I hope it’s great as everyone thinks it’s going to be, but I’ll be happy with good. Let’s put it this way, on anticipation level, not crazy about the default AVENGERS poster, this one:

The poster just bothers me, because it’s so un-artfully done, if you take my meaning. I can’t quite define what grabs me the wrong way about it, but it does. It definitely puts me off. It is so bad it actually has me worried about the movie. 🙂

If you can’t take the effort to make a decent poster it just hints at sloppiness or laziness somewhere else in the film. I’m hoping that’s incorrect and the buck stops with a lazy marketing department (which is far from an isolated thing in Hollywood, unfortunately.)

So I went searching for AVENGERS posters that did look good, and found these top 5! (Some of the best ones are fan created) Enjoy!

First the honorable mentions. The solo posters with Scarlett Johansson for obvious reasons 🙂 :

Now counting down to the best, #5:

#4

#3

#2 A great poster from Australia!

And my #1 favorite AVENGERS poster, is this simple but sumptuous use of open space and duality in this Japanese poster. I show the logo and logo free posters. It’s great!

Well I don’t know about you, but I feel better for having seen those nice looking posters! Easily pleased aren’t I? 🙂

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Favorite AVENGERS Comic Book Covers! Pt 3 of 3: The Years 1977 to 1996

Working on the next MONARCHS OF MAYHEM in-between real life stuff, it’s going to come out tomorrow 14 Mar 2012, just because it’s going to take more hours to get ready. These posts take a LONG time, In the interim enjoy the following:

Podcast of the Day: John’s Old Time Radio Show #9! It’s a great podcast. After listening swing by John’s site leave him some good words and tell him where you heard about him. Thanks! -HT

And wrapping up my favorite AVENGERS covers from the original series, is pretty easy. Because after 1977, with very few exceptions the covers are just uninteresting at best and plain awful at worst. Much like the book itself, it was just stumbling from weakness to weakness.

Here then are the best covers in the last 20+ years of the books original run:

George Perez’s finest AVENGERS cover, and one of the most iconic covers of all time. Would make a great poster! This is the last GREAT A+ Cover of the AVENGERS!


Memorable.


Fun.

It says a lot that the numbers jump over a hundred issues, before I list another cover. And this is gimmicky mess, but it was better than all the previous 100 covers. It just clarifies how bad the book got.


A mercy post.


The last one I could find even something remotely interesting in.

So needless to say you want great AVENGERS covers (and comics) stick to issues #181 and before. At least for the first Volume.

In 1998 creators Kurt Busiek and George Perez would launch a new AVENGERS series that largely just pays homage to the great years of the series, You can look at them almost as a remake of the Jim Shooter and George Perez run, that I mentioned in the previous post. But it’s done well enough by Busiek and Perez to be entertaining in its own right.

And then later would come the Bendis’ years, But that is a story for another installment. 🙂

Revisit the earlier posts here:

PT 1 of 3
PT 2 of 3

Favorite AVENGERS Comic Book Covers! 2nd Decade Pt.A 1973-1977!

Per the previous post, in keeping with the upcoming AVENGERS movie, I’ve decided to cover my favorite AVENGERS comic book covers of all time. And this is part 2:

Okay I had intended to tackle all the great covers in the 2nd decade of AVENGERS comics, however that’s not going to happen, there are just too many great covers. So this post will cover the first five years of the 2nd decade of AVENGERS comics. The years from 1973 to 1977.

Enjoy!

AVENGERS 117- I believe this cover is by Sal Buscema. He was drawing the DEFENDERS and this issue is part of a great AVENGERS/DEFENDERS crossover.

AVENGERS 127- Another great Gil Kane cover.

AVENGERS 131- Fun LEGION OF THE LIVING Frankenstein monster cover is pretty fun. At a guess I’d say this is also a Gil Kane cover.

AVENGERS 134- Gil Kane up to bat again, with this cover featuring the always popular golden age Human Torch.

AVENGERS 136- The floating heads is always a nice touch. And even without Gil Kane signing his work, those elbows at jaunty fighting angles even in repose, screams Gil Kane. 🙂 (turns out the floating heads are done by a different artist, John Romita, and that’s what was making some of these covers hard to call as completely Gil Kane)

AVENGERS 139- Here’s another example, the main drawing with that exagerrated action (somebody gets hit and their knees fly into their chest, and elbows shoot out)is vintage, powerful Gil Kane. But those floating heads are by Spiderman artist John Romita. A favorite comic as a kid, so that may be swaying my appreciation for the cover, which is not Kane’s best. I’m going to have to start grading harder or I’m going to end up listing every cover Gil Kane does. 🙂

AVENGERS 141- There have been many face off covers, this is one of the standout ones. A nice Gil Kane cover, his typical hard angles, lessened a bit, being inked by Jazzy John Romita.

AVENGERS 142- I promise you I’m grading harder, but what can I tell you, 1975 and Gil Kane was just knocking these covers out of the park. Add cowboys to it, or people in normal clothes and Gil was in his element. Notice the difference between this cover and the previous. The inker here was more faithful to Gil Kane’s hard angles and musculature, which I think looks more striking. Great cover.

AVENGERS 145- What?! Do you see this cover? I’m trying to avoid anymore Gil kane covers but that’s like trying not to give the MVP to Michael Jordan when he’s playing. It can’t be done. Great Kane cover, inked by Dan Adkins. Wonderful use of word balloons and typography. Something you don’t see too much in modern comics.

AVENGERS 146- Tell me this cover doesn’t have ‘buy me’ all over it? It’s a great design. However you notice how it’s rounded a bit, inked by Al Milgrom, you lose some of the angularity and power that Kane’s pencils are full of. But even subdued Kane is great.

Don’t worry Gil stops doing covers with this issue, so we should be able to jump ahead a few years before we get any more covers this good right? WRRRRRROOOOONNNGGGGG!! Cause the artist they bring in to replace him on covers is…..

AVENGERS 147-148 Last time he made this list was all the way back in issue #20, Jack the King Kirby is back doing the covers! Definitely with 148! 147 however is attributed to Buckler and Adkins, but what I’m seeing in 147 is Kirby and Milgrom.

So I’m going with my gut and attribute the penciling on both of these to Jack the King Kirby. He’s not as sophisticated as Gil Kane or John Buscema, but there is just so much life and energy in these covers, so much going on, that they are just a joy to a young kid stumbling across these issues in the libraries back issue bins or on newsstands.

And the interiors were done by Steve Englehart and Jim Shooter on scripts and George Perez and John Byrne on pencils, from this point till issue 166, almost twenty issues, they are mostly home-runs. I guess the best way to put it in perspective is… all of the comics I’ve mentioned previously… I’ve sold. This run from 147 to 166, are not for sale. In the age of digital these are the comics that are worth having as paper. 🙂

I won’t list all those covers here are the standouts:

As mentioned 147-148 are great, we bypass 149-150 (these are credited to George Perez, possibly George Perez’s earliest work. Look nothing like his great work now, quite frankly they are not good) and from 151-158 we get great Jack Kirby Covers. The best being the following:

158 being Kirby’s last cover for the AVENGERS and he goes out with one of my favorites of his run!

159 So Kirby leaves or is let go, it’s unclear which, who the heck can they bring in till a new regular cover artist is chosen. Who else but the best? Gil Kane returns, and like he always does… he blows the doors off the place! Look at what he’s doing in this cover. It’s just a clinic on great art. Add to that the interior art by George Perez and story by Jim Shooter and you have… classic defined.

162-163 After a couple lackluster covers, George Perez steps in to knock it out of the park with great covers to match his great interior art.

164-166 There’s a lot of nonsense about great comics out there. Here’s the straight dope… this three part storyline, issues 164-166, is the best AVENGERS storyline. Full stop. With Jim Shooter as writer, George Perez on covers, and John Byrne on interior art, they together created the throwdown for the ages. People like to use the term wide-screen entertainment to define something blockbuster in scope, these three issues from the summer of 1977… were wide-screen entertainment before the term existed. If you own only three Avengers comics… make them these three. Highest recommendation. Now that said, while all three of the covers are at least good, only one is great. This one:

AVENGERS 164- And with that cover the legendary John Byrne created the last great AVENGERS cover of 1977!

Come back next time as we finish off the 2nd decade of AVENGERS comics. the years from 1977-1983, and we also tackle the third decade, the years from 1983 to 1993.

Ya’ll come back now ya here!

p.s. As far as purchasing issues, per my previous post (scroll down) Marvel has the first 30 issues available in their oversized hardcover format they call an omnibus. It’s a good deal. However they don’t have omnibuses out for issues 31-164, so getting these issues is a little more difficult. You would think with Marvel’s AVENGERS movie due out this year they would capitalize on interest and release Omnibuses for most of these early issues. But… Noooooo. So failing that look at the links in the first post and this:

Essential Avengers, Vol. 7 (Marvel Essentials)

Essential Avengers – Volume 8

The above two are black and white collections, which is just about sacrilege, the color being such a part of these issues, but if you can’t afford the original issues, and can’t wait for the expensive hardcovers or omnibuses… they are a cheap way to read a bunch of issues.

Hold the presses!!! Here are some better color options to read these issues:

Avengers: The Coming of the Beast – Avengers (1963) #137-140, #145-146

Avengers: The Serpent Crown – Collecting AVENGERS (1963) #141-144 and #147-149.

Avengers: The Private War of Dr. Doom- contains Avengers 150-156, Annual 6; Super -Villain Team – Up 9

If you do choose to buy, please support this blog by using the links provided. This blog generates a couple dimes from each sale, so you guys using the links is definitely appreciated and definitely necessary to keep the blog going. Thanks!

Favorite AVENGERS Comic Book Covers! The First 10 Years 1963-1973!

Well with the AVENGERS movie on the horizon, I thought a nice posting would be on (come’on you can guess) my favorite AVENGERS comic book covers. And plus it’s a nice look at how typography and art styles change over time.

What typically defines a great cover for me is, is it something I would pay to have as a poster. Surprisingly enough, most covers fail this criteria.

Take a gander at the ones that don’t 🙂 :

AVENGERS 20- While you can make an argument for a lot of the early issues because of nostalgia, this one I think stands out, primarily because of Jack Kirby’s great use of perspective to make for an exciting cover.

AVENGERS 44- This is the next standout issue, by big John Buscema.

AVENGERS 63- Excellent Gene Colan Cover!

Avengers 66- Beautiful John Buscema cover. Dig that crazy perspective. 🙂

AVENGERS 92- I used to own this issue. Early cover art by Neal Adams.

AVENGERS 96- Another great Neal Adams cover.

AVENGERS 99- Another great cover, mixing excellent typography with the artwork of Big John Buscema.

AVENGERS 107- Great Rich Buckler cover.

AVENGERS 110- And cometh Gil Kane. A series known for its great covers and artists, and here was Gil Kane blowing them all out of the water. Decades later and it still remains one of the great covers of all time.

AVENGERS 113- The art isn’t the greatest here, but the typography and storytelling of the scene makes this an attractive and attention getting cover by Rich Buckler and Joe Sinnott.

The Avengers Omnibus, Vol. 1- This collects the first thirty issues of the AVENGERS in a deluxe hardcover format. These tend to sell out quickly.

More omnibuses are not available as of yet, so if you want to get issues 31 to 113, outside of buying individual issues (prohibitively expensive for most of us) the two ways to get the issues are:

I. MASTERWORKS- Masterworks are highquality hardcover (and lately sc) books that collect on average 6 issues on quality, glossy paper. So can be a bit pricey trying to get a lot of issues in that format, so it’s best for just getting specific must have issues.

Such as these:

Marvel Masterworks: The Avengers Volume 10 (Marvel Masterworks) Deluxe hardcover edition collecting The Avengers, nos. 89-100. These guys tend to sell out as well, and prices can go up when that happens

Marvel Masterworks: The Avengers Volume 11- This volume of the Avengers Masterworks reprints issue numbers 101-111, and Daredevil #99, from July 1972 to May 1973, Including issue#110 mentioned above

II. DIGITAL COMICS

40 years of the Avengers on DVD Rom- These tend to sell out quickly as well. So pick them up before they sell out and the price goes up

Well that’s all for this installment. Come back next time as we tackle the years from 1973 to 1983!