Favorite Modern DETECTIVE COMICS Covers! Vol 2!

Generally speaking, the 2nd volume of DETECTIVE COMICS which ran 50+ issues was not great. It began questionably and ended questionably. However in between there was some very good work done with cover design and typography. Here then are the best covers from that brief run!

GREAT Comic Book covers from the 2nd Volume of DETECTIVE COMICS!

Detective Comics #27ADetective Comics #30ADetective Comics #31ADetective Comics #32ADetective Comics #33ADetective Comics #34COMBODetective Comics #35COMBODetective Comics #36ADetective Comics #37ADetective Comics #37BDetective Comics #38ADetective Comics #38COMBO

Detective Comics #39ADetective Comics #40COMBODetective Comics #41ADetective Comics #42A

 

If you like or are missing any of the above issues and would likre to purchase them, feel free to use the handy great link below! You’ll get great books, and earn a couple of pennies for this blog. Also don’t forget to like and share this post if you would like to see more like it! Thanks!

https://www.mycomicshop.com/search?TID=22331625&AffID=200301P01

Best Combat Comic Book Covers of the Day!

Okay I was in TERRIFICON in 2018, and that among other things really launched my love for classic Bronze and Silver Age War Comics. Specifically DC, because with the combo of the great Joe Kubert and the great Robert Kanigher DC made the best war comic books, period. Especially during this very brief, sweet spot, when Kubert was Art Director/Editor for the line, the war books are the stuff of legend.

And you have many combat books from DC, OUR ARMY AT WAR (which becomes SGT ROCK), STAR SPANGLED WAR STORIES, GI COMBAt, and OUR FIGHTING FORCES.

This article concentrates, on OUR FIGHTING FORCES, while not the first, nor arguably the best of DCs combat books, it is the first one that woke me up in 2018 to the greatness of these classic combat books, I immediately became enamored and a rabid collector of OUR FIGHTING FORCES, largely for the exquisite cover design by Joe Kubert that ran from 123 to 141.These 19 issues, where Joe Kurbert is Editor and Art Director… and makes the typography part and parcel of his stunning cover design; are the high water mark of COMIC BOOK covers as art.

And with stories by the great and prolific Robert Kanigher and interior art by geniuses such as Ross Andru, Russ Heath, Joe Kubert and Sam Glansman this run of comics from cover to cover may just be the most underated and slept on comic book related gems… ever.

You can buy collected editions, but the individual issues, of these specific 19 issues, are art items in and of themselves.

 

The webpage will not show this image anonymously.The webpage will not show this image anonymously.The webpage will not show this image anonymously.The webpage will not show this image anonymously.The webpage will not show this image anonymously.The webpage will not show this image anonymously.The webpage will not show this image anonymously.

 

Get your issues here:

https://www.mycomicshop.com/search?TID=180611&AffID=200301P01

SATURDAY SLABS : Key/Investment Grade Comics – SGT ROCK/OUR ARMY AT WAR Issues 1 to 100!

SLABS –slabbing is slang for getting a comic professionally graded and encased in an un-openable hard plastic shell from CGC, PGX, or CBCS. A slab therefore is that graded comic, encased.

I’m not a big one for getting books encapsulated (the more technical term for slabbing), especially for modern books. But I do understand the benefit of third party grading, especially when it comes to older books. Ensuring the book is complete, annotaing any issues, and providing a grade from an outside third party, eliminates much of the haggling regarding condition that would otherwise occur when buying or selling a comic book.

So for reasons of liquidation, I see the benefit of comic book certification (including encapsulation), but again, I see the benefit as it relates to older or scarce books (real scarcity, and not this manufactured scarcity of variant covers on modern books). Now that said while I can see the use of grading and slabbing for select investment grade books, I DO NOT agree with the fad of pressing comics.

What is pressing comics?

It is a relatively new bit of snakery, people attempting to make the cover of their book look better, by actually applying moisture and heat to their comic, to ‘press’ out wrinkles, creases, folds, rounded spines etc.

And while it will make your cover lay better and arguably get you a slightly higher grade, based on a nicer cover, ‘pressing’ does this as the expense of the interior which in older books is newsprint. You can not apply heat and moisture to newsprint without shortening the life and speeding up the degradation of that pulp paper.

Period.

No ifs, no ands, no buts. Heat+moisture+newsprint = nothing good. That comes from the Library of Congress.

Now no specific long term studies have been done to show the damage of ‘pressing’. In 10 years when you open up that sealed book, will you find it is more degraded and corrupted then a say non-pressed book? Have those previously white pages started to brown rapidly due to the excess moisture pressed into those pages? have you induced mold growth into your valuable collectible.

There is no science to pressing comics, no agreed upon heat settings, or moisture exposure times, or drying times, it is a bunch of disparate people making it up as they go along, giving you short term results, at the expense of the longevity of your book. Why on earth would you let your collectibles be the guinea pig for such untested experiments.

Just say no to pressing your comic book.

That public service announcement out of the way, onto this installment’s investment grade books.  Out of the first 100 issues of the ground breaking DC War Series OUR ARMY AT WAR, here are the issues worth adding to your collection… and why.

 

 

15 MUST OWN ISSUES OF OUR ARMY AT WAR!

 

Our Army at War 1 - Dc - Superman - National Comics - Sword - Battle - Carmine Infantino

You do not expect sophisticated storytelling from a nearly 70 year old comic book, but this debut issue of OUR ARMY AT WAR offers up just such a compelling and surprising reading experience. Particularly in the story ‘DIG YOUR FOXHOLE DEEP’. OUR ARMY AT WAR #1 is a pricy acquisition, but one worth acquiring if you have the disposable income.

Next of the must have issues would be #15:

Our Army at War 15 - Explosive Battle Action - Fire - Thunder In The Skies - Sunday Walk - Fifteen Minute War

Just based on that striking cover with its beautiful use of yellows and purples.

For similar reasons, the following issue, #46, makes the must own list:

Our Army at War 46 - Soldier - Army - War - Action - Explosive

 

Next up, #50:

Our Army at War 50

This issue is notable in that, from here forward, the cover art gets far more sophisticated. It is also the first taste of the letterbox covers that would come much later,

The next 50 issues, from 50 to 100, with one or two exceptions, are all worth owning.Standouts being:

53,54,56,57(1st Grey Wash Cover), 61(Wonderfully desperate and emotive faces by Frank Robbins I believe), 71(Great, you-are-there pov camera angle), 74,75,80,81,82,83,87,89,90,92,94,95,96!

 

Our Army at War 53 - Dc - Tank - Soldier - Machine Gun - WarOur Army at War 54 - Gun - Sword - Jan No 54 - Grenade - Battle Line - Joe KubertOur Army at War 56 - Joe KubertOur Army at War 57 - Bullets - Machine Gun - Helmets - Men - ExplosiveOur Army at War 61Our Army at War 71 Our Army at War 74 - Bullet - Face - Head - Fear - AirplaneOur Army at War 75 - Blind Night Fighter - Airplane - Gunfire - Double Length Story - GooglesOur Army at War 80 - Tank - Ruins - No 80 - Tank Bait - SoilderOur Army at War 81 - Dc Comics - The Rock Of Easy Co - Gun - Nazi - HelmetOur Army at War 82Our Army at War 83 - Gone With The Gun - Flying Machines - The Trooper - Big Guns - The WarfareOur Army at War 87 - Battle Action Comic Book - Vintage Army Comic - Easy Company Army Stories - Wwii Tank Warfare Comic - Chute Dragging Soldier Into TankOur Army at War 89Our Army at War 90 - Easy Company - Dollar Comics - Superman - National Comics - Approved By The Comics Code Authority - Joe KubertOur Army at War 92

Our Army at War 94 - Target Easy Co - Combat Happy Joes - Battle - New Two Part - Fight - Joe KubertOur Army at War 95 - Battle Of The Stripes - Barb Wire - Gunfire - Crawling - Battle - Joe KubertOur Army at War 96 - Tank - Building - Panzer - Gun - Dc Comics

Well those are my collectible/investment picks for this installment.

Now you can actually pick up some of the aforementioned issues via one of my current favorite comic book stores, LONE STAR COMICS. Better known by there website presence, MY COMIC SHOP. Please use the link below to order from them, and when you do you will earn this blog a few pennies, that will be greatly appreciated and go back into the blog, and more content you can use.

So Thanks to anyone who supports this blog, and this specific post, via the following link:

https://www.mycomicshop.com/search?TID=180591&AffID=200301P01

Thank You for looking and come back next Installment for more great selections!

Excelsior!

RIP To Stan Lee 1922 to 2018.

Haul / Ebay Unboxing and Why Variant Covers are destroying the Comic Book Market / Experience!

THE BEST OF DC WAR COMICS AMERICA AT WAR  Edited by Michael Uslan

One of the great discoveries of 2018, in addition to me getting back into old back issue comics, and purchasing my first Golden and Atomic age comics, is my jumping into conflict or combat or war comics, with both feet.

The first conflict title that really grabbed me was OUR FIGHTING FORCES STARRING THE LOSERS. I have been reading comics for decades and somehow I managed to remain largely clueless to these comics. I mean I had seen war and western comics as a kid, and had no interest in them as most kids of my age at the time.

I think those books are very much something you have to grow to appreciate, much like the art of Jack Kirby.

But here many decades removed from that kid, this year I stumbled across the amazing run of Joe Kubert covers for OUR FIGHTING FORCES, and they just blew me away.

In an age where a lot of morons are using gimmicks like variant comics to sell multiple copies to a dwindling reader base , and publishers are playing into the gambling aspect of the speculators, who don’t even read the comics, they just oooh and ahhh over what amounts to pinups on the cover, rather than in the book where they used to be.

To the point where you have covers that are completely devoid of typography. Typography is part and parcel, of what makes s great, iconic cover. Another part of being iconic, is there being only one image,  per issue, a popular shared point of reference that an entire public can reference.

If you say Amazing Fantasy 15, or X-men 94, or Hulk 181, what makes all those issues so iconic, is they  bring up one agreed upon, and shared image in the minds of the audience.

Now covers have a minimum of 2 variants and often 10 times that many. At that point you have stopped selling stories, and are in the business of selling pin-ups. And if all you want is a pin-up, just download the damn cover images. Do not get me wrong there are some wonderful images being created for these ‘variant’ covers. But they are pin-ups or posters, they are not covers. They act against the very idea of a cover, which is a single, memorable image you can identify with that story. You weaken your own product, by dilluting and muddying the waters, with multiple covers, or multiple endings, or multiple versions. Plurality being the enemy of the iconic.

It is the reason modern comics are a speculator’s bubble, poised to burst. The whole market, much like the 90s, is built on speculation, and chasing the very transitory and ephemeral nature of what is hot. A lot of it is forced or manufactured rarity. Ooh this issue had a curse word in it, ooh this issue had a possibly risqué or controversial image.

It is completely manufactured market, based on very superficial minutiae, than in any way on content or quality.

DEATHSTROKE is consistently one of the best books DC comics is producing. Christopher Priest month in and month out delivering fantastic writing, with fantastic interior art.

Unfortunately all the speculator’s comment on is the cover variant.

While no doubt the creators are glad to have the numbers, having the readers is the real goal of this medium, and the real satisfaction of being a creator.

It is one reason that older comics, particularly from the Bronze Age, are getting so popular. The storytelling, the typography, the beauty, the singularity of vision, all stands out, especially in comparison to the lack of all of those things in most modern comic books.

Joe Kubert I really have grown such a HUGE appreciation for his story-telling, particularly his covers. He is such a master artist, and no-where is that more obvious than on his long and fruitful run in Conflict Comics.

Here without further ado are just a few of the must own LOSERS Joe Kubert covers (the complete essential run goes from OUR FIGHTING FORCES 123 TO 141. 19 issue run of AMAZING covers. And even though Kubert keeps doing the cover art till 151, I would say 141 is a good jumping off point for individual issues collectors.  After 141 DC would go for a more conventional , less experimental style, and those later issues lend themselves to just picking up in a collected trade format.

The more boring covers seems to coincide with the switch of Editors from Joe Kubert to Archie Goodwin. And then it would quickly bounce to Jack Kirby and Finally Murray Boltinoff who would see the series to its demise at issue #181. The series at its strongest, and the individual issues worth collecting, are issues 123 to 141.

Buy your issues here:

https://www.mycomicshop.com/search?tid=180611&pgi=101&AffID=200301P01

Use the link above, and get great deals, and help this blog keep putting out content.

 

Thanks!

 

You heard it here first!!! Forget about paying a fortune for the first issue of new book BATMAN DAMNED, a flash in a pan overpriced at cover price, book. And get something with real staying power, Joe kubert’s 1970’s run on OUR FIGHTING FORCES issues #123 to141!!

 

Why Marvel Studios is Successful and Marvel Comics is Suffering! The Last word on Diversity!

Marvel Studios under the brilliant leadership of Kevin Feige has become an unparalleled success because of amazing producers, writers, directors, casting agents, and actors, who take material made often for a juvenile audience and made it work for an adult and non-comics audience, while also satisfying comic die-hards like myself.

And as movies from the 1st film (IRON MAN) to the 18th film (BLACK PANTHER) show, the reason for this is Kevin Feige’s willingness to embrace Diversity. Diversity is not just the makeup of America, contrary to the Trumpian and XM hate radio mob  who who would preach dissension. and hate, it is the makeup of the world. And when you stop running and hiding and sticking your head in the sand, trying to wind back the clock to a Jim Crow America, you realize it is also the makeup to success.

Marvel Comics however has floundered for decades now and continues to flounder with diminishing sales. And while the vocal minority of morons and closet Nazis and talk show radio supporters would blame diversity.

The truth, that common sense and reason would tell you is, appealing only to existing readership has led to a diminishing readership, that can barely get a hundred thousand people, to buy even their most popular book. The people who grew up in the news-stand and comicshop and subscription model of comics,, is an aging and diminishing audience. We are picking up new readers, in large part due to the diversity initiatives and book store and libraries, MS MARVEL and MOON GIRL AND DEVIL DINOSAUR being some of Marvel’s biggest books in collected format. Doing HUGE in Libraries. However while we are picking up new readers in book format, the periodical format continues to lose across the board, for all comics Marvel is producing, whether they put a White, Black, Asian or other character in the comics, and I would argue Marvel is making quality comics across the board, what they suffer from is pricing.

They have in an age of growing options for entertainment dollars, with options of tv, streaming, video games, virtual, and regular books and magazines, priced themselves out of the market. $4 retail for a 20 page comic, that typically is filled with ads and does not give you a full story… it is for most of us an insupportable expense.

Even Die-hards like me have to pick and choose, and generally speaking, the choice is to not support Marvel in the monthly format, not at their $4 and up retail price point. I have not bought a Marvel Comics in years, only their recent diversity push, a good thing rather than the curse word Rush Limbaugh morons would make it, when they finally had Black writers and artists on staff, got me to buy their monthly books again.

I’m speaking of BLACK PANTHER and the short lived POWER MAN AND IRON FIST which was a relatively self-contained title, by dream creative team of David Walker and Sanford Greene. But I stopped getting it when Marvel decided to try to screw with the success of that book by making it into three books. Trying to over-milk their audience. With BLACK PANTHER they quickly started additional titles and crossovers that you had to get to get the whole story. Better and cheaper to just get the collected edition. And when Power Man and Ironfist ended, so did my buying Marvel Comics.

So Marvel’s floundering sales, is a relatively steady study in decline, and has notching to do with diversity. That they have not floundered more is due to their talented and diverse creators and characters. If someone on Youtube or a blog or the media is blaming diversity, you are dealing with an idiot and a bigot and a liar. And you should unsubscribe from their channel and or feed, because stupid people are a waste of time.

Diversity is not Marvel Comics problem. Their problem #1 is pricing. $4 they charge per issue, or $3.99 as they like to call it, you have gone past the threshold the market will bear, or that even your die-hard already converted audience. Particularly when in comparison to other publishers who give you more for that same $4. Other publishers give you less obtrusive ads, letters pages, back matter. And some like CHAPTER HOUSE comics and even DC COMICS (prior to Bendis, hopefully Bendis doesn’t support the same price hike that he supported at Marvel) realize that $2.99 retail is the breaking point for comic book adoption and growth.

Marvel Comics is also big enough that they can support a price of $2.99 retail for their comics. That would take care of their major problem. their second problem,relying on Diamond totally for their periodical distribution. Marvel used to offer mail order subscriptions at a nice discount, that’s how I got some of my books, you would use the ad in the magazine and subscribe to get your comics in the mail. I loved this model as a kid. I used it in addition to the comic book stores.  I think it is a great model unfamiliar with dealing with the Diamond pre-order model. And the third and most important thing, if a title is successful as a single, standalone title, don’t break it by being greedy and stupid. See previous comment on POWERMAN AND IRON FIST.

All those three points come down to Marvel Comics being better managed and better run, if not, no amount of crossovers or character changes or fabricate storyline outrage, will correct Marvel Comics dwindling sales.

 

Here endeth the Diversity Discussion.

:).

 

Today’s Tech Tips!

Using Windows 7 or Windows 8 or Windows 10 or OS X and a bit frustrated? If not and completely satisfied, then ignore this post. However if not…

Give Linux a try.

At work I support Windows and Mac machines.

At home I use exclusively Linux for the last decade or so, and it has only gotten exponentially better in that period, till today Microsoft is incorporating Linux pieces into their newest versions of Windows, including giving away Windows 10 for free and collusion with hardware vendors in an attempt to make using Linux more difficult.

And despite all that… Linux Distros just keep getting better.

It’s fun. It’s loaded with apps and utilities and the ability to download same for free.

There are tons of tutorials to help you every step of the way.

And did I mention it was fun. 🙂

Now the biggest thing about Linux on the laptop/desktop is which version do you choose.

Distrowatch which has just celebrated its 15th anniversary, is the best place to learn about and find new Linux Distributions.

Two good ones they have recently covered are:

Gentoo Linux’s new LIVE DVD is a great place to start (The livedvd-x86-amd64-32ul-20160514 ISO which will work on 32-bit x86 or 64-bit x86_64 systems)
http://distrowatch.com/?newsid=09415

and

Debian
http://distrowatch.com/table.php?distribution=debian

Use the links to try them!

Now, I do think it is a shame that hardware vendors are releasing new laptops, that while they give us a slimmer size, do so at the expense of DVD/CD players and more importantly longevity and stability. I’ve had the chance to support these newer laptops that are coming out and they are almost across the board, ready to fail in the first year.

It’s close to criminal.

In a future update I’ll review some newer laptops that are still worth your money, but honestly get yourself an older generation Dell Latitude 6430 ATG series, wipe it and put Linux on it, and you have yourself a tank in the form of a computer that will last you years. Like a tank it’s not slim and it’s not the lightest, but hey that’s what your tablet is for. However for getting down to work, it is a reliable desktop replacement (particularly when using Linux) in a portable size.

Now that we have the basic of what you should be using, here are today’s tweaks!

Firefox version 46.0.1 is out and I probably do not have to sell anyone on using this browser.

However two features that do not come activated out of the gate that you may find useful are:

1/ The DO NOT TRACK ME feature

https://www.bestvpn.com/blog/8499/make-firefox-secure-using-aboutconfig/

and

2/ Block Tracking Attempts

Mozilla launches Tracking Protection feature in Firefox Nightly

And beyond those helpful tips, the biggest tip I can give you for security while surfing the web, keep Javascript disabled for all but trusted sites.

Your webmail, bank, paypal, school site, vendors you buy from. Firefox has an exception list you can use to just give Javascript access to those sites you trust, and the rest you let eat cake. Makes a huge difference in your browser’s vulnerability, by closing down the default attack vendor of giving everyone javascript/programming control of your browser.

If you have found this post helpful, pay it forward by supporting the Electronic Freedom Frontier and becoming a card carrying member.

https://www.eff.org/

If you use the internet, whether via desktop, laptop, tablet, or your refrigerator, these are the guys and gals fighting to keep your digital and therefore physical world, just a little more free.

I’ve been supporting them for three years now, and it’s every year some of the best money I donate. These people are Daniel’s fighting in numerous Lion’s Dens. They are doing noble work.

You can view and support them here:

https://www.eff.org/

Well that’s all for today’s Tech Tips!

Website of the Day: https://www.whatismybrowser.com/

Try it both with and without Javascript turned on and you will see a drastic difference.

Thanks for reading and safe computing!