So a new trailer just broke 15 minutes ago called BRIGHTBURN, labeled as produced by James Gunn.
Here is the trailer:
MOVIES -from best to worst-
SUPERMAN 3- What an odd choice to add Richard Pryor to a Superman movie. D-.
SUPERMAN 4 – unwatchable
ADVENTURES OF CAPTAIN MARVEL SERIAL(1941) – Not a Superman movie, however this great serial decades before the Christopher Reeve movie, sported impressive flying scenes, and surprisingly brutal action sequences. Lives up to its billing as one of the greatest serials of all time!
The opening is vastly superior in the theatrical cut, as is the reason for Zod’s escape from the phantom zone. And the ending of the Donner cut, SUPERMAN turning back time again, is just lazy and stupid, from a creative level, and makes the memory wiping kiss in the theatrical version look like a stroke of genius.
Where some people only saw ‘stalker’ Superman, those of us acquainted with reason, saw an obvious moral quandary tackled head-on. You want a being that can hear you when you call? The price and burden of this means he is always listening and always watching. So the film plays wonderfully with this idea of mensh unt Ubermensh. Of Man and Superman, and the burdens and trials of both.
The film does lose itself toward the end, but not enough to keep the journey from being rewarding, and memorable and fun.
[possible spoilers]Too bad Bryan Singer didn’t get to follow this up, as I would have liked him exploring the dynamics of a SUPERMAN with a family, and a kryptonian impervious to kryptonite, and just some of the other ingenious ideas touched on in this film.[spoilers done]
And considering the movie was not shot in 3D, and only post-converted, and the post conversion is getting poor to mediocre responses, I’ll wait till I can catch this running in 2D at a time convenient for me, or wait till it hits the 2nd run theater circuit.
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This is a special Wednesday Words Review as opposed to our normal coverage. Enjoy:
SUPERMAN ACTION COMICS by Grant Morrison- Starts off impressively, but true to just about everything I’ve tried by Grant Morrison it loses its way in the middle, and completely falls apart into uninteresting storytelling by the end. The first chapter is very strong. The second chapter is strong till the last few pages. The third chapter, again strong, but loses it in the last few pages as Morrison tries to build his overarching story, which I’ve come to the conclusion he’s not really good at. He’s a great idea guy, but going from imaginative idea to compelling and satisfying storyline/wrap-up is a leap Morrison has always, in my estimation, failed at doing. He’s the X-FILES of comics.
From issue #4 up is all the over-arching, high-idea storyline, and the problem with it is… it is incredibly uninteresting. And it stays uninteresting till it limps to what has come to be a norm for Grant Morrison, a poorly told, to the point of near incoherence ending. And it is not a point of not getting Grant Morrison, as his cult is quick to jump to, it’s a point of his writing stops being in anyway a compelling and fun story, and feels like a chore and dissertation that the writer himself has long lost any interest in. And the variable art quality doesn’t help. Another Morrison D-. The only real saving grace of the series is the enjoyable, exquisitely written and beautifully drawn backup strips by writer Sholly Fisch and artists Brad Walker and ChrisCross. The backup strips are an easy B+. I wish Sholly Fisch had written the main story rather than Grant Morrison.
Final Grade: D- for the main Grant Morrison storyline. B+ for the Sholly Fisch back up stories. So can’t recommend buying the book but if you can get it for free from a friend or the library, the backup strips are worth a look.
A look back at some really old comics by an even older comics fan
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