News you can Use!… And a RanT.

DISNEY QUIETLY DELETES ‘TOY STORY 2’ SCENE AMIDST ‘ME-TOO’ BACKLASH.

https://frompage2screen.wordpress.com/2019/07/12/disney-quietly-deletes-toy-story-2-casting-couch-scene-after-metoo/

 

This is a bit longer than I intended it to be, so feel free to read in pieces. I think there may be some grain of wisdom in the wildness of it. It goes hither and yon, but its heart is in the right place.

 

First I have never liked Disney.

I don’t.

I do not like their stance on copyright. I do not like their stance on creator rights. And I do not like that they famously, or infamously bought a news station, rather than being the subject of the news.

I do not like any company that is above the law. All laws. And masks their absolute earth shaking power, behind this facile facade of familial values.

But you do have to respect Disney.

Respect what they have done, and how they have done it.

But cheer-leading is another matter.

I think people who were championing for Disney to buy Fox, or this company, or that company. the mass of people without a stake in Disney, championing Disney so they can see fictional characters share the same screen, are morons who do not understand larger issues of monopoly, and wage manipulation and price fixing, and law making, that comes with allowing a company to get that big. Real tangible issues that affect the people and the quality of life of the people, not at the very top of that economic pyramid.

I think people who take an ownership view of how much billions more, billion and trillion dollar entities like Disney make (oh we have to get the Avengers movie over a Billion or to 2 Billion) are ignorant slaves, cooing for their masters to build a bigger house, and expand their plantation, when you barely have a pot to piss in.

I like the Marvel and Star Wars movies and think Disney has done well by them  (However I would have been happier if neither Disney purchase was approved, and they remained separate companies, because competition and a free market and quality of life and choice… is more important than getting a specific type of movie), and I want entertainment I consume to be good, but as far as being a cheerleader for how much more billions these movies make for their global overloads. I sincerely could not care less. If the movies lose money they lose money, if they gain money they gain money.

The fact that studios have helped destroy local theaters and distribution, that 40 years ago, that money a  blockbuster made would go into the local economy,. Into the Independent theaters, the distributors, the retail companies. That money a movie made, a nice portion of it, went back into the local economy. Not so any longer. Now a studio owns a stake in everything from the distribution company, to the chain of theaters it is shown at, to the theatrical equipment and media used. The Billions a movie makes, is literally billions moving out of the pockets of the many poor, and into the pockets of the few rich.

Only if you are a stock owner should you feel some tiny type of fiscal ownership or incentive in Disney’s financials, and I guarantee you most of the idiots who are clamoring for a movie to break this record or that record, do not own a single Disney stock. They are penniless slaves taking ownership in their masters house, rather than any ownership in their own.

So that is my background on how I feel regarding Disney.

 

Now onto them cowtowing to ‘Me Too’ mob.

 

This is the reason DVDs and Blurays can not be replaced by streaming, because of this tail wagging the dog syndrome, this knee-jerk reaction companies and politicians and courts are engaged in of cowtowing to the mob, and acting and punishing at the whims of the mob, before thinking.

We can have great intentions, but the 2nd those great intentions transcend due process or replace ‘innocent till proven guilty’ with ‘guilty till proven innocent’; you become a mob rather than a movement.

And businesses and courts and the media, cowtowing to this witchhunt atmosphere become part of that lynchmob mentality.

Let us start with the big picture and some historical perspective and work our way down.

A lynch mob mentality. That’s the type of atmosphere, where people lose their job and livelihoods and lives before their day in court, where books get banned and burned, and in the age of streaming, films get… altered.

So that’s the reason if you have a movie you love, you only truly own it, if it is in a physical format. Any item you own in the ‘cloud’ or even on your hard drive (if it is accessible to updates) is subject to this re-writing of content, this editing of content, to placate the unreasoning, scared, power-hungry mob.

Most people have good intentions.

To protect their communities, to support democracy, to fight against discrimination, to oppose sexual harassment, to protect children, to defend women.

But we have allowed people with bad intentions to weaponize these good intentions, with unthinking rigid slogans that replace and usurp the rule of law, and dispense and enact punishment before due process, popular American slogans such as “Make America Great Again aka Keep America White” or “Better Dead than Red” or “Me Too”, when you become a knee jerk defender of slogans over reason and due process, you move from a defender against crime, to a committer or crimes. A lynch mob and a witch hunt.

And I’ll have no truck with that.

Too many people have been lynched in this country, both literally and most recently social media wise, to let anyone get away with mob justice, or mob punishment, as our new normal.

Someone is accused of a crime, guess what people… IT IS STILL AN EFFING ACCUSATION until proven in court. You should not immediately go from reading a headline to attacking that person, and calling for punishment and calling for them to be fired or banned or stripped of their earned honors.

(One thing on that — If an honor a university or organization has given to a person that has earned it, is removed at the behest of the mob, you do harm to the value of that honor. To the integrity of that organization.

What matters is not who the person you gave an honor to… becomes, or was in the past, but that you gave your word. If the reason the honor was given remains a fixed point in time, a fact, than that honor must likewise remain a fact, a fixed point in time.

We do not get to only immortalize a man’s falling down, his standing up, the reasons for those accolades must likewise be a fixed point. For accolades and honors to be removed with the mutterings of the mob, is to make those honors and the institution that gives them and takes them away… of no more value, than spit in wind. I’m looking at you Yale and Xavier and the Navy… to name a few.)

What we do not do, is 4 years before their date in court, pronounce them guilty, fire them, hound them, and generally destroy their life and livelihood on an accusation. That is the definition of a witchhunt and mob justice.

A man or woman’s bad, does not erase their good, and in this ME TOO slogan age, we seem to want to  make a person the one, and erase the other. And that is not how judgement works, or none of us will see the paradise.

Because if men who have done more good, than any twenty of us walking this planet, can be demonized by the mob in the blink of an eye, with none of that good taken into account, all those accolades edited out, and only the bad judged, then none of us, judged that way, will escape hell.

We must weigh the good a person has done against their bad, and only then can they be judged fairly. And they must be judged by people impartial, without axes to grind, or an agenda to put forward, else it is not judgement, it is crucifixion.

This censoring and editing of content, because ‘we’ no longer agree with an actor who is in it, or a joke that is portrayed, is a very slippery slope. And we have been here before, and it does not work out well for anyone.

A bit of an off-topic rant, but one that was brewing for a bit.

And shows how potentially widespread and damaging to every facet of our lives, cow-towing to the mob can be.

Final take away: slogans are for outside the court, not in place of it, and more trivial take away… if you have content you love, be it a book, a song, a movie, in this new digital/streaming age, while accessing it has become easier, so has altering and censoring it. So if you have something you love, own it in a form that can not easily be changed, a physical/tangible form.

 

Here endeth the Rant. 🙂

 

 

T-Shirt of the Day : Mario Bava’s DIABOLIK

For the movie fans among you, here is one of the coolest T-shirts of one of the best directed cult movies of all time!

 

In an age far removed from billion dollar Comic Book movies, cinematographer turned Director Mario Bava, best known for his primary colors drenched horror films, gave us this European take, on a superhero. Somewhere between James Bond and Batman, his Diabolik just riveted and impressed, and remains…. impressive.

Definitely light-hearted, and zany, and cartoony in the best sense of the word, this film is a MASTER CLINIC on crafting film. This film, like upcoming films represented in my T-shirt series, deserves to be owned as tactile DVDs/Blurays. Go ahead and sample them via streaming, but own them via DVD/Bluray, because these are films, and special features, and Director’s commentaries that any true fan of cinema, will come back to often. And now you can do it while wearing the coolest t-shirt!

 

 

Danger: Diabolik/DVD

From The Grindhouse Cinema Database

< Danger: Diabolik

USA

Diabolikdvd.jpg
  • Region 1
  • STUDIO: Paramount
  • SPECIAL FEATURES: Audio Commentary by Bava Expert/Biographer Tim Lucas and Star John Phillip Law. A nicely put together commentary featuring lots of really great information from Tim. John Phillip Law tells us all about what it was like working with Mario Bava and the beautiful Marissa Mell on the film. | “Body Movin'” video by The Beastie Boys with Audio Commentary by Adam Yauch (MCA) the director of the video which was inspired by Danger Diabolik. | Danger Diabolik: From Fumetti to Film: Interviews with Diabolik fans featuring comic book artist Stephen Bisette, Director Roman Coppola, Composer Ennio Morricone, Musician Adam Yauch, Producer Dino DeLaurentiis and Diabolik himself: John Phillip Law! | Also included on this DVD: Diabolik Teaser and Theatrical Trailers.
  • PICTURE: Ratio: (1:85:1) / 16 X 9 Anamorphic Widescreen. This new transfer is simply beautiful. Diabolik looks the best its ever looked. Mario Bava’s super colorful cinematography and set designs are at the forefront of the film.
  • SOUND: Dolby Digital 2.0 Mono (English). Ennio Morricone’s incredible psychedelic score comes through like a dream. Turn this up on your home stereo system and feel the vibe deep deep down.

Unfortunately there is no Bluray of this film available, but the nearly out of print DVD, is top of the line and a must own for any fan/collector.Get it here:

https://amzn.to/2syKpfF

As far as the T-shirt… get yours here:

https://www.ebay.com/itm/Diabolik-movie-poster-1968-T-SHIRT-BLACK-all-sizes-S-to-5XL-PP/132448305023?hash=item1ed688bf7f:m:mZ4jd_tJhV8HzQpgO5bc_AQ

 

Tell em HT sent ya!

Favorite Purchase of the Day : NEGRO ROMANCE #1

 

Romance books as well as Comic Books in general really picked up steam in the post World War II years. The comics finding themselves picked up by everyone one from kids to teens to adults. GIs and their wives also making a regular audience for these comic books.

In the prosperous post World War II years America was riding high, and you can see it in everything from the cars to the boom in home ownership to the boom in the birth rate, to the boom in comic genres and publishers.

In an America where currently comics struggle to sell a 100000 issues, comics back then routinely sold upwards of half a million copies. The more popular titles in the millions.

Romance Titles were one of those lifted by the general explosion of comics. And mainstream comics, though another war had just been won, ostensibly for liberty and freedom, were still victim of an America cowtowing to Jim Crow restrictions. Books that had people of color,could not be sold in some southern states if those depictions were not jingoistic or demeaning.

Evenhanded or respectful depictions of people of color, would likely get your book banned from that particular retailer. It was an extension of the same restrictions movies dealt with, that led to the ‘race’ movies of pioneers such as Director/Producer Oscar Micheaux in the 1920s and the creation of Black Film Production companies, and more importantly a Black owned circuit of theaters.

However Comics, while more popular than today, were still a niche medium and attempts to break the Jim Crow mandated codes against people of color, while valiant and brilliant… were unfortunately short lived. Especially where legal protections against mob behaviour/lynchings were virtually non-existant.

So that the NEGRO ROMANCE comic  existed at all (much like the earlier ALL NEGRO COMICS) is down to the courage and talent of people who at the end of the day just wanted to tell good stories, without the Minstrel Show trappings of the time. That the book lasted two issues before being literally white-washed, removing characters of color and renaming it, is unfortunate.

But at least we had those two issues. And Thanks to Karl A. Therrian, after 70 years of being  lost from the light of day, these issues, along with ALL NEGRO COMICS are currently available.

I could not be happier to own these reissues, in FANTASTIC condition of these extremely rare comics. Get them while they last.

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https://amzn.to/2M5427P

I will cover the book in more detail in an upcoming post.

However, I would strongly suggest not sleeping on these books. Yes, you can buy them from various people, but it is apparent the love and care that Karl A. Therrian puts into his reissues that sets them above the competition.

Buy it while available.

Youtube Channel Roundup : On Harlan Ellison, DC Comics, Brian Michael Bendis, and SLEEPYREADER666!

This blog post is on a recent video courtesy of SLEEPY READER, via his excellent Youtube Channel. Watched it courtesy of the Youtube Channel on my Roku streaming device

SLEEPY READER 666 Vlog #76 I like the fact that Sleepy reader covers diverse content, rather than just showing you the latest comics, or variants. I like that his stories are a little deeper than that and more informed.

In his most recent episode he discusses the late great Harlan Ellison, as well as Brian Michael Bendis, and kinda wags his finger at them for being too self aggrandizing. Based on a bad meeting he had with Harlan Ellison when he was 24.

And that got me thinking about the impressions we make of a person, the life long animus, or bad impression we somehow cement of a person, based on a cursory meeting in our youth. When you might have been catching your idol on a bad day.

Evidently seeing Ellison being bombastic and vocal, an impression of Ellison was created,  a definition of Ellison based on that one meeting, that some can carry through an entire life.

It is a common mistake that young people do (I have done it), imagining that one moment is the man. A lot of people go to conventions or meet their heroes, and because the hero doesn’t say what they wanted him to say, or respond how they expected him to respond that creator is suddenly for all time, and in all things, an asshole, or pompous, or whatever.

And most of the time it is that the person may have have a bad day, or a bad interaction, or a bad lunch, or a rude fan before you, or his mind is on a personal issue at home, so perhaps he doesn’t fully pay attention to the 200th person in the line, asking  him the same stupid question, or make the same inane joke as 50 people before.

Most of us barely are able to get along with the small circle of people who make up are 9 to 5. A celebrity mutiplies those interactions by the thousands arguably, and even if he is on most of that, 99% of that time, that leaves 1% he is not going to satisfy, or be at his best for.

I’m saying that basing your view of a person on one peripheral incident, that that person arguably has forgotten, five minutes after it happened, if he were to bump into you the day after he would likely not know know you from Adam, yet for you that incident of decades ago has become a defining , enlightening moment on that person’s personality for all time.

And all of us have done this at times. It is the reckoning of someone very young, and the mistake of someone very young. We who are older, who have been on both sides of that being disappointed, and disappointing a person, should hopefully grow to know better.

 

People have bad days. You call em on it, or you don’t. But either way you let it go, and you do not try and define a person you really do not know, based on just that one incident at a convention or party.

An idol doesn’t owe you the approval of his character, he produces work, an if the work speaks to you, he’s done his job. The judging of his soul or his character is not a part of that contract we develop with those who amaze up.

I’m one of those who grew up on the work of Asimov, Bradbury, Baldwin, and Harlan Ellison. Along with a good helping of Stan Lee, and Bill Cosby and Edgar Allen poe and Electric company.

What I gained from all those influences, those creators remain. I’m an immesurably richer person for the creativity of people I know only through their work for the most part.

And if later time finds them in places far from the heroic heights we met them on, it does not change the great things their work did for us, and many like us.

It’s the concept that is lost on a witch hunt America, that a man’s evil does not erase his good. No matter how our culture of championing falls, would like it to be so. 

I think sometimes, particularly in America, we raise people up, just to tear them down. That is arguably not the way, I’m not a bandwagon guy.   Judgement not by the consensus of the media or Social media, or one cursory interaction.

We all make up opinions on people, but perhaps those opinions should be as cognizant of our own… fallibility, as we can make it. And look at the supposed sins and failings of others, always in relation to our own sins and failings.

Something I absolutely do not think is currently happening in the media.

Was Harlan Ellison a prickly, abrasive, off-putting, and arguably contrary and combative person? As someone who has listened to just about all his recordings as well as read and listened to his writings… I believe Harlan Ellison would be the first one to say Yes!!!

He famously said, something to the effect ‘I’m a snake on a rock, don’t mes with me I’ll leave you alone. Mess with me i’ll bite you and hang on.’

That was Harlan Ellison. He suffered not fools. And he believed, he believed the wrong things should be railed against.

And that fire permeated his work, like the fire of invention. Harlan Elision changed the landscape of fiction, with an almost incendiary mirror to the fallacies of our age. His DANGEROUS VISIONS, written before I was born, and that I discovered as a teen, is (I think) for most who read it… the defining anthology of an age.

And in the decades since its publication that anthology and its sequel, continue to be the standard bearer by which all future anthologies are measured.

Harlan Ellison has been chastised for having been self aggrandizing, for his ‘look at me, aren’t I great’ attitude.

I, for one, think Harlan Ellison was a great writer. And his body of work will remain… great and essential, and oddly timeless.

He in many ways was some odd ying to Ray Bradbury’s yang, both of them being the voice for reason, in a world embroiled in madness. They both were masters of the cautionary tale, and their shadow looms large in the works of popular culture to this day. Like Poe they were the masters of the short story, and those short stories will only grow more beloved and adapted in the years to come.

Was Harlan Ellison self aggrandizing. It is the poor creator who isn’t , if he wants to sell his work.

Some creators are bad or uncomfortable with it, and hire others to do it for them. Some are great at it.

Harlan Ellison in addition to being a great writer, was arguably just as great a performer and showman. Like Jim Steranko he had the circus in his blood from a young age. Likely the way such men came up, kicking down doors is the reason the world knows their name today.

So to expect them to be something meek, because you are not comfortable with their breed of strong, is both inane and arrogant.

I love reading Ellison’s Books  for the very brashness of them. and their elegance, and the breath of his imagination, all  imposed by a hard early life, where dreams and the scraping, and shouting, and biting for them was all that made them real.

The very  ‘center of attention’ nature of Ellison, that so can put off others,  is the very thing that galvanizes me to him. And is one of the reasons listening to him perform his works makes them even richer.

He was a natural performer, and one of the best audio performers. Which is surprising giving his slightly nasally voice, but him performing was the audio equivalent of the energy Jack Kirby brought to his panel breaking drawings. It was raw energy and emotion and passion.

If you only know Harlan Ellison’s fiction from just reading, pick up the audio books.

He was one of the best audio actors of the 20th century, right up there with Orson Welles, Vincent Price, James Mason, Roddy McDowell, David Birney.

The thing about Ellison, he earned the right to be proud of his work. As did Bradbury, who had his own very good tv series. And there were plenty, and remain plenty to sing the praises of Ellison’s work. i own his 50th anniversary tome. An updated followup to it, containing the newsletter and other work he did prior to his passing, I definitely look forward to.

So to bring this back, if anyone does not like people who they feels push their importance’ that is their right.

But for every one who for whatever reason finds that behaviour bragging or pitiful, there are a lot that find it neither bragging or insincere, but simply informative, and the person’s personality.

And for me, Ellison, the personality I saw as a fan, was a great personality. And God knows we could use more of his take no bs personality  now, in a world of sheep meekly being bled to death by corporate gleed and malfeasance.

I’m sure he saw in this 21st century, everything he railed against in his fiction.

People also to do a sharp, awkward pivot off Harlan Ellison to accuse Brian Michael Brendis of disappointing publisher DC  Comics, because he misled them by , like Ellison, over-hyping himself.

That is to paraphrase some complaints I have heard. I like the work of Bendis, but he is no Harlan Ellison. The two do not fit in the same sentence. But you can get the gist of the thematic comparison Sleepy was making, by checking out his channel, and the video in question at the link below.

And to be clear, i like Sleepy Reader’s channel. I think it is very informative and you should subscribe. I have enjoyed just about all his shows and find him a highly intelligent, informed and informative person, providing a wealth of great information to this niche community of Comic Book fans on Youtube.

I take the time to write this post not to highlight how all of us in this talk show age, even the most intelligent of us, have started to internalize the sloppy thinking that has brought us to an America, that is regressing rather than progressing.

 

I am reminded of an Alan Moore line, that highlights the discrepancy between the truth of who we  were as angry young men, and who we hopefully grow into being.

As angry young men we have monologues rather than a conversation.  ‘Monologues  we have mistaken for the world’ to quote Alan Moore.

In closing HUGE FAN of Harlan Ellison here, as I mentioned, I hope they will releases a 70th anniversary anthology to follow up his 50th anniversary book.

 

For those reading this who want more from the late, great Harlan Ellison, as well as some of the other greats mentioned please use the following links:

https://amzn.to/2KNsJDA

Originally published in 1962 and updated in later decades with a new introduction, Ellison Wonderland shows a vibrant young writer with a wide-ranging imagination, ferocious creative energy, devastating wit, and an eye for the wonderful and terrifying and tragic. Among the gems are ”All the Sounds of Fear,” ”The Sky Is Burning,” ”The Very Last Day of a Good Woman,” and ”In Lonely Lands.” Though they stand tall on their own merits, they also point the way to the sublime stories that followed soon after and continue to come even now, more than fifty years later.

https://amzn.to/2MDGrLa

 

https://amzn.to/2MeAHv9

A Lit Fuse is an unguarded, uncensored, unquiet tour of the life of Harlan Ellison.

In late 2011 Harlan Ellison the multi-award-winning writer of speculative fiction and famously litigious personality did two uncharacteristic things. First, he asked biographer Nat Segaloff if he d be interested in writing his life story. Second, he gave Segaloff full control. The result is the long-anticipated A Lit Fuse: The Provocative Life of Harlan Ellison. The expansive biography, which is the first such project in which Ellison has permitted large portions of his varied works to appear, is published by NESFA Press.

Segaloff conducted exhaustive interviews with Ellison over the course of five years and also spoke with many of his friends and enemies in an effort to get inside the man and pin down the best-known Harlan stories. Their wide-ranging discussions cover his bullied boyhood, his storied marriages, his fabled lawsuits, and his compulsive writing process with more depth and detail than has ever before appeared in print. But it also delves deeply into the man s deeply held principles, his fears, and the demons that have driven him all of his 83 (so far) years. Friends, colleagues, and admirers such as Neil Gaiman, Patton Oswalt, Peter David, Robert Sawyer, Michael Scott, Edward Asner, Leonard Nimoy, Ed Bryant, Alan Brennert, Robert Silverberg, and many other notables add their voices.

Along the way the reader is treated to an analysis of the Connie Willis controversy, the infamous dead gopher story, allegedly pushing a fan down an elevator shaft, and the final word on The Last Dangerous Visions. What emerges is a rich portrait of a man who has spent his life doing battle with his times and himself, always challenging his readers to reach for a higher plane and goading himself to get them there. It s funny, wise, shocking, and well, it’s Harlan.

https://amzn.to/2Me0vY7

Rediscover the Early Ellison. This collection restores to print fifteen never-collected tales from the first dozen years of his career. Hard-hitting crime stories like “Thrill Kill,” “Girl at Gunpoint,” “Kill Joy,” “Knife/Death” and “Burn My Killers!” share the table of contents with stories of betrayal, including “Death Climb,” “Riff,” “Mac’s Girl,” and “The Honor in the Dying.” And, together for the first time, Ellison’s three detective stories featuring insurance investigator Jerry Killian. Toss in the solo outing of a diminutive private dick named Big John Novak (of whom Ellison expected to write much more, but never did) and a sexy Western called “Saddle Tramp” and you’ve got quite an assemblage of tales from the seamier side of life. All that, plus “The Final Movement,” a never-before-published story from the mid-1950s. Better than a poke in the eye with a white-hot bone of Amenhotep, I think you’ll agree.

 

https://amzn.to/2Oyn6vw

Harlan Ellison is probably best known as a script writer for sci-fi and fantasy movies and TV series such as the original Outer Limits, The Hunger, Logan’s Run, and Babylon Five. But his range is much broader than that, encompassing stories, novels, essays, reviews, reminiscences, plays, even fake autobiographies. Essential Ellison includes contains 74 unabridged works, including such classics as “A Boy and His Dog,” “Xenogenesis,” and “Mefisto in Onyx.” Includes black-and-white photos.

https://amzn.to/2KQ2Z9I

 

 

Best to any one reading this!

 

Currently Watching: PANELLOGY 85 & 86!! Watch these episodes before buying your next expensive hardcover!

I have recently found quite a few great Youtube shows courtesy of the Youtube channel on Roku.

A new favorite is Earl Grey‘s simply superb PANELLOGY. Two of his older episodes that I just watched are episodes 85 and 86, and as someone who purchases quite a few hardcover books, especially of the graphic novel or collected edition variety, his two episodes are essential viewing.

https://vignette.wikia.nocookie.net/marvel_dc/images/0/07/Batwoman_Hydrology.jpg/revision/latest?cb=20121218200628

Get your copy here:

http://amzn.to/2BQ8Qf4

 

And can potentially save you quite a bit of money as they point out binding issues/defects to be on the look out for

Earl Grey, you definitely should do more of these ‘issues with collected editions’ type shows.

Informative stuff!

https://www.youtube.com/channel/UC1ZtauWih38Lr1aVEXuZybw

 

 

 

 

MUST LISTEN Audio Books for BLACK HISTORY Month and every other month! :) Part 2 of 2

The 2nd must listen audio book for Black History Month or any month is the mind breaking MUMBO JUMBO by the great Ishmael Reed.

Ishmael Reed, who was honored with the MacArthur “genius” award, is a Pulitzer Prize finalist and two-time nominee for the National Book Award. Mumbo Jumbo, a literary masterpiece, is an ironic and unconventional detectivestory infused with African-American cultural heritage. A strange psychic epidemic called “Jes Grew” is spreading through the country, affecting millions. PaPa LaBas, a HooDoo detective, is trying to find the origins of the JesGrew – not because he wants to cure it, but because he’s ready for a new kind of society.

mumbojumbo

Composed of the memorable personalities and the little remembered tragedies and triumphs of the roaring 20s, MUMBO JUMBO weaves these truths into an overarching fictional narrative that goes from the beginning of civilization to the fall of man.

But the fiction is so peppered with essential truths, like the best of all fiction, that it will change fundamentally how you look at everything, from museums to curse words to bull fights. If MIDDLE PASSAGE is my favorite audio book, MUMBO JUMBO  I think , in opposition to its name, is the most enlightening and powerful audio book I’ve ever listened to, for the  way it opened up my mind to… broader definitions of history and broader definitions of ourselves. Magnificent.

Version:

Unabridged
Author: Ishmael Reed
Narrator: J. D. Jackson
Genres: Fiction & Literature
Publisher: Recorded Books
Published In: July 2005
# of Units: 8 CDs
Length: 8 hours, 30 minutes

Get your copy here:

 

Mumbo Jumbo

GRAPHIC NOVEL Corner : This Week’s 17 MUST OWN Graphic Novels or Collected Editions!!

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Shang-Chi: Master of Kung-Fu Omnibus Vol. 1 (Marvel Omnibus: Shang-Chi Master of Kung-Fu)

Shang-Chi: Master of Kung-Fu Omnibus Vol. 2

Deadly Hands of Kung Fu Omnibus Vol. 1

S.H.I.E.L.D.: The Complete Collection Omnibus

The Uncanny X-Men Omnibus Volume 1 (New Printing)

The Uncanny X-Men Omnibus Vol. 2 (New Printing)

The Uncanny X-Men Omnibus Vol. 3

Uncanny X-Men Omnibus Vol 3 Variant

X-Men – Volume 2 Omnibus (Marvel Omnibus)

The Fantastic Four Omnibus Volume 1 (New Printing)

The Fantastic Four Omnibus Volume 2 (New Printing)

The Fantastic Four Omnibus Volume 3

The Mighty Thor Omnibus   [MIGHTY THOR OMNIBUS] [Hardcover]

Fantastic Four by John Byrne Omnibus – Volume 1

Captain America by Jack Kirby Omnibus (Marvel Omnibus)

Werewolf by Night Omnibus

The Avengers Omnibus Volume 2

 

Averaging almost $100 a book, no one is going to confuse Marvel’s Omnibus line of high quality, oversized chronological reprints of their most popular and coveted books with cheap.

But for those with a fondness for these four color adventures of yesteryear these collections are a definite boon and a must have. Collecting between 20 and 40 issues of comics, including the letters pages for some, roughly 600 to 1200 pages of comic goodness, the cost is a deal compared to trying to get these issues individually, especially considering in some cases… original issues can run thousands of dollars.

And while these are reprints, they are reprints offered in a quality, oversized format signifigantly superior to the original cheaply produced issues.

From Stan Lee and Jack Kirby’s game changing work on the FANTASTIC FOUR (collected in 3 Omnibuses) to Doug Moench and Paul Gulacy’s seminal work on MASTER OF KUNG FU (70s Kung Fu and Spy Goodness at its best! To be collected over 4 volumes) to the gold standard of comic craft with Chris Claremont and John Byrne and Paul Smith’s THE UNCANNY X-MEN , these are the books and runs… that are deserving of this top of the line production!

Any of the 17 books listed, sell themselves, as noted by how quickly and often these pricey books sellout. Don’t sleep on these 17 books. Get your issues before they become unavailable or prices go up!

 

Tell em HT sent ya!!