Haul / Ebay Unboxing and Why Variant Covers are destroying the Comic Book Market / Experience!

THE BEST OF DC WAR COMICS AMERICA AT WAR  Edited by Michael Uslan

One of the great discoveries of 2018, in addition to me getting back into old back issue comics, and purchasing my first Golden and Atomic age comics, is my jumping into conflict or combat or war comics, with both feet.

The first conflict title that really grabbed me was OUR FIGHTING FORCES STARRING THE LOSERS. I have been reading comics for decades and somehow I managed to remain largely clueless to these comics. I mean I had seen war and western comics as a kid, and had no interest in them as most kids of my age at the time.

I think those books are very much something you have to grow to appreciate, much like the art of Jack Kirby.

But here many decades removed from that kid, this year I stumbled across the amazing run of Joe Kubert covers for OUR FIGHTING FORCES, and they just blew me away.

In an age where a lot of morons are using gimmicks like variant comics to sell multiple copies to a dwindling reader base , and publishers are playing into the gambling aspect of the speculators, who don’t even read the comics, they just oooh and ahhh over what amounts to pinups on the cover, rather than in the book where they used to be.

To the point where you have covers that are completely devoid of typography. Typography is part and parcel, of what makes s great, iconic cover. Another part of being iconic, is there being only one image,  per issue, a popular shared point of reference that an entire public can reference.

If you say Amazing Fantasy 15, or X-men 94, or Hulk 181, what makes all those issues so iconic, is they  bring up one agreed upon, and shared image in the minds of the audience.

Now covers have a minimum of 2 variants and often 10 times that many. At that point you have stopped selling stories, and are in the business of selling pin-ups. And if all you want is a pin-up, just download the damn cover images. Do not get me wrong there are some wonderful images being created for these ‘variant’ covers. But they are pin-ups or posters, they are not covers. They act against the very idea of a cover, which is a single, memorable image you can identify with that story. You weaken your own product, by dilluting and muddying the waters, with multiple covers, or multiple endings, or multiple versions. Plurality being the enemy of the iconic.

It is the reason modern comics are a speculator’s bubble, poised to burst. The whole market, much like the 90s, is built on speculation, and chasing the very transitory and ephemeral nature of what is hot. A lot of it is forced or manufactured rarity. Ooh this issue had a curse word in it, ooh this issue had a possibly risqué or controversial image.

It is completely manufactured market, based on very superficial minutiae, than in any way on content or quality.

DEATHSTROKE is consistently one of the best books DC comics is producing. Christopher Priest month in and month out delivering fantastic writing, with fantastic interior art.

Unfortunately all the speculator’s comment on is the cover variant.

While no doubt the creators are glad to have the numbers, having the readers is the real goal of this medium, and the real satisfaction of being a creator.

It is one reason that older comics, particularly from the Bronze Age, are getting so popular. The storytelling, the typography, the beauty, the singularity of vision, all stands out, especially in comparison to the lack of all of those things in most modern comic books.

Joe Kubert I really have grown such a HUGE appreciation for his story-telling, particularly his covers. He is such a master artist, and no-where is that more obvious than on his long and fruitful run in Conflict Comics.

Here without further ado are just a few of the must own LOSERS Joe Kubert covers (the complete essential run goes from OUR FIGHTING FORCES 123 TO 141. 19 issue run of AMAZING covers. And even though Kubert keeps doing the cover art till 151, I would say 141 is a good jumping off point for individual issues collectors.  After 141 DC would go for a more conventional , less experimental style, and those later issues lend themselves to just picking up in a collected trade format.

The more boring covers seems to coincide with the switch of Editors from Joe Kubert to Archie Goodwin. And then it would quickly bounce to Jack Kirby and Finally Murray Boltinoff who would see the series to its demise at issue #181. The series at its strongest, and the individual issues worth collecting, are issues 123 to 141.

Buy your issues here:

https://www.mycomicshop.com/search?tid=180611&pgi=101&AffID=200301P01

Use the link above, and get great deals, and help this blog keep putting out content.

 

Thanks!

 

You heard it here first!!! Forget about paying a fortune for the first issue of new book BATMAN DAMNED, a flash in a pan overpriced at cover price, book. And get something with real staying power, Joe kubert’s 1970’s run on OUR FIGHTING FORCES issues #123 to141!!

 

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TERRIFICON 2018 Review! In a word…. TERRIFIC!

TERRIFICON 2018!


Books I picked up at this year’s terrific Terrificon at the Mohegan Sun Casino in Uncasville, Conneticut!

 

Man, we had such a great time at this year’s Terrificon two weekends ago. We just made a weekend of it in Connecticut, and only spent one day at the con, but what a fun day. My better half, who is not the comic head I am at all, was surprised by how much she enjoyed it.

Part of it is the convention is very well laid out in the simply massive Mohegan Sun Casino Complex. The Con which was huge in terms of space, only took up a fraction of this massive Casino Complex. And there was huge room between booths and areas, so while well attended, you didn’t feel crushed in a crowd, like Awesome Con or New York Comic Con. Also the emphasis here was very much on Comics, so you just had a very laid back, yet fun crowd. The writers and artists were very much the superstars here.

Another part of the success is the panels. While the shopping was great, and I found great deals; walking around and shopping to me, is not enough reason for me to go to a con. And I am not really interested in getting anyone’s signature, and shopping alone I can do online and save the hotel fees and travel expenses.

I am someone who likes great panels, informative conversations with those creators who created what is best in this hobby, and their interesting behind the scenes stories . So I did my homework and new the panels to attend, and the time to get there for them.

The Black Panther panel was a definite hit, being able to see three generations of Black Panther writers on the stage. Don McGregor and Christopoher Priest were the name draws, and were excellent but I think everyone was wowed by newest Black panther artist and writer Afua Richardson. She was just a joy, and her talk of how she laces symbolic and linguistic meaning into the covers she did for Black Panther has I think everyone who left that talk.. on the hunt for her work.

 

The girl power vibe in the room was strong. 🙂 But so was the Christopher Priest vibe, this guy is one of my favorite writers, the only monthly DC book I buy anymore is his Deathstroke, and he has written some of my favorite runs. Quite frankly he was a huge reason I attended this con. Him and Roy Thomas. Getting to hear both of these legendary crreators speak, a win, win.

In addition there was the mellifluous John Suintres (from the WORD BALLOON podcast) as MC, Jim Starlin the always stoic Larry Hama, the slightly bemused Michael Golden, and Paul Kupperberg.

So a fantastic set of panels oh and some great food and shopping. The Mohegan Sun Casino offering world class food and shopping options. We stopped at Bobby Flay’s Burger and it was awesome.

And without futher ado, onto the comic book shopping. Here are some of the books I got at Terrificon 2018. All of my shopping for the con was between 50 cents and $2.50 per book. The following books averaged $2 a book, and as you can see are in great mid-grade condition. Fine  to VF condition. Why on earth would anyone pay over $3 for new books, when you can get great bronze and silver age comics , with great stories and art for that same price or less???!!!!. Shame on you Marvel and DC . Instead for new comics replace Marvel and DC with Canadian company Chapterhouse and American company Alterna. And preorder from Image, Dark Horse,  IDW to also get their new books for less than $3.

All in all just a great experience. Along with Heroescon and Baltimore it is considered one of the best, most enjoyable true Comiccons.

I definitely look forward to going next year.

Go ahead and like and subscribe to this post. I have pics of the panels, with Christopher Priest, Roy Thomas, Jim Starlin, etc…so if this post gets enough likes, and new subscribers I’ll add additional pics and content.

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Thanks and be well out there!

COVER GALLERY : Favorite Flash Comic book Covers! 1959-1970

COVER GALLERY : Favorite Flash Comic book Covers! 1959-1970

If you have watched television recently, you probably know the very popular FLASH TV series. After some misgivings regarding the show, I’ve grown quite fond of it.

What you might not know, is the comic book series.

The Flash is a comic book series that has had several incarnations; and without doubt, one of the most popular ones is the silver age series, that introduced the scarlet clad Flash, Barry Allen.

The silver age series ran from the late 1950s to about 1970. Here is a selection of my favorite FLASH comic book covers from that period. The covers (as were the interiors) overwhelmingly were the vision of one man, Carmine Infantino, who was the art director of all of DC’s comics, and (at the formative years of an oft maligned medium) defined the look of what an exciting comic book cover was.

His artwork, while perhaps crude and simplistic compared to the more refined and rendered artists of today, has a sense of design, the placement of text and graphics, and the art of getting you excited, that is still head and shoulders above most artists today.

flash123

Flash_v.1_137

Flash_Vol_1_139

Flash_155

Flash_v.1_156

Flash_v.1_159

Flash_Vol_1_163

Flash_v.1_164

Flash_v.1_171

Flash_174

Carmine, at the end of 1967 with his workload as art director/executive editor increasing, after almost 8 consistent years as the sole artist of the Flash, passed on the reigns of cover and interior artist to talented newcomer Ross Andru.

Ross Andru after some initial growing pains proved himself a talented artist, growing into a strong cover artist in his own right. His issues get progressively better.

Flash_Vol_1_184

Flash_v.1_188

But by far the best covers of this period are the haunting, almost baroque covers by the great Joe Kubert. Paired with stories by John Broome and the always great Robert Kanigher, these issues are a must own for any fan of great art and story. Some exemplary Neal Adams and Gil Kane covers round out the list of best covers as 1970 closes out the silver age of comics.

Flash_v.1_189

Flash_v.1_190

Flash_v.1_191

Flash_v.1_195

Flash_v.1_197

Flash_v.1_198

Flash_v.1_199

Flash_v.1_200

Flash_v.1_203

Hope you’ve enjoyed this tour of the best of Silver Age FLASH Comic Book Covers! Drop us a line and let us know some of your favorites!

And to own these issues yourself? Well the bad news is most of these have not been collected yet. The good news is brand new collections are on the way. The first one, THE FLASH OMNIBUS was released last year, is hardcover, full color, and contains over 800 pages!! At $60 it is not cheap, but considering you get reprinted tens of thousands of dollars of comics, it’s a deal.

Get it The Flash Omnibus Vol. 1
here!

Best Bronze Age COMIC BOOK COVERS! Spider-Man! Morbius!

Best Bronze Age COMIC BOOK COVERS! Spider-Man! Morbius!

With the new Spider-Man movie on the horizon (which I have no interest in. The cast and the story-line looks uninteresting, no matter how many trailers they try, and yet another Imax 3D post conversion, that looks awful in the trailers) I thought it was a good time to examine one of the better Spider-Man spin-offs, the character known as Morbius, The Living Vampire!

The following are GREAT bronze age covers from the 1970s, with some nifty interiors as well.


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To purchase any of these books (which have not been collected in color, and they need to be) go to the following link:

Buy ADVENTURE INTO FEAR:THE LIVING VAMPIRE comic books here!