CBS vs Paramount? Old Star Trek vs Confused Star Trek? ST Discovery = Epic fail? and JUSTICE LEAGUE?!

 

Some Times you wonder how what is seemingly obvious  is utterly lost on people in positions of power.

VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.

The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.

Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.

It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.

TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.

Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.

From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.

Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES  followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.

The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.

Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies.  People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.

And that brings us back to Star Trek.

 

Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.

Watching  the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.

You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.

The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry  of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.

And a lot of changes for change sake.

The change to the Kilngons… strikes me as… foolhardy at best. THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success.  The way the Original Series hit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.

You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.

Just poor, poor thinking.

Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.

I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.

But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.

Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.

PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.

For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.

 

 

 

 

 

Advertisements

Music Video of the Day??? Yep. Roku Vimeo Streaming VOD Style!

While the heyday of the music video was arguably 30 years ago, people are still cranking them out.  And without further ado here is one that I stumbled across today that is awesomely fun.

You can use the link below. Or, the better way to watch… If you have a streaming system such as Roku or Amazon Fire TV and the free Vimeo channel you can watch this on your big screen right now.

Strongly Recommended!

 

https://i.vimeocdn.com/video/614284207.jpg?mw=300&mh=168

SHY LUV – SHOCK HORROR feat Jones on Vimeo

 

Black Butter Records

Directed by bif
Produced by Riff Raff and Mill+

 

Movie Original vs Remake : THE TOWN THAT DREADED SUNDOWN

THE TOWN THAT DREADED SUNDOWN (1976) VS THE TOWN THAT DREADED SUNDOWN (2014)

town_that_dreaded_sundown2

town_that_dreaded_sundown

I recently watched the original THE TOWN THAT DREADED SUNDOWN FROM 1976 and to my surprise rather than a simple exploitation film, I found a compelling, harrowing, and somehow (despite it’s matter of fact “pseudo documentary” style) eminently watchable film. An unexpected examination into the American heart of darkness that manages to linger and haunt long after the credits role.

I really had no interest in the 2014 ‘remake’, largely because I saw it incapable of transcending that original film’s “of its time” power. Thankfully the filmmakers had the same respect for the original and rather than attempting to remake it, they created an unexpected sequel to it that manages to speak to a 21st century audience, while invoking the unyielding ghost of that 20th century nightmare.

However, the true saving grace and the the true validation of this sequel lies in its director Alfonso Gomez-Rejon, who creates one of the most stylish and inventively directed thrillers of recent years.

And even though the film falters a bit at the end (you get the feeling the scriptwriters didn’t really know how to end the film, as the reveal and conclusion stumble a bit, in a way the original film didn’t), still the momentum that Alfonso delivers is enough to leave you impressed and satisfied.

Final Grade: Both films are available for streaming [The Town That Dreaded Sundown (2014)] and both are worthy of owning, but the one that I am personally excited about adding to my Blu-Ray collection (when it hopefully quickly becomes available) is the Alfonso Gomez-Rejon version, simply because of some of the superlative direction and cinematography involved. It is the calling card of a filmmaker to watch.

Scratch that. Having seen the specs on the Shout! Factory Blu-ray version of the original THE TOWN THAT DREADED SUNDOWN, and its load of special features, I now proudly proclaim it as a must own Blu-Ray. For all the dazzle that the newer film offers, there are moments of pure horror in the first film that it does not come close to touching. One attack in particular, in the original film, will stick with you, about a woman and a cornfield and its unbelievable outcome, that is simply jaw dropping in its true life power, and makes pale in comparison some of the cinematic histrionics of the newer film. Decide for yourself here: The Town That Dreaded Sundown (BluRay/DVD Combo) [Blu-ray]

THE FIFTH HORSEMAN IS FEAR

fifthhorsemanisfear

The Fifth Horseman is Fear
Facets video
1964 / B&W
2:35 anamorphic 16:9
100 min.
…a páty jezdec je Strach
Street Date July 25, 2006

Starring Miroslav Machácek
Cinematography Jan Kalis
Production Designer Milan Nejedla
Film Editor Miroslav Hájek
Written by Zbynek Brynych, Ota Koval, Ester Krumbachová from a book by Hana Belohradska
Produced by Studio Barrandov
Directed by Zbynek Brynych

fifthhorseman

THE FIFTH HORSEMAN IS FEAR- To go by reviews on IMDB and AMAZON as well as various critics sites this Czech film is supposed to be a masterpiece. The recently departed Roger Ebert who I agreed with in some things called it.. “a near perfect film.”

Having watched it I have to say… not so much.

While I understand its historic significance in being an early filmic examination of life under an oppressive regime, I found its execution falling far short of its acclaim.

And as someone who is a fan of classic cinema and consider films such as THE THIRD MAN, and ODD MAN OUT and THE CRANES ARE FLYING, historically significant and brilliant films, THE FIFTH HORSEMAN IS FEAR is not a brilliant film. It has moments of interesting cinematography that unfortunately gets lost in the unfinished bones of a movie, a movie that is more exercise and experiment than finished film. I found THE FIFTH HORSEMAN IS FEAR tedious rather than engaging; and the screeching and overwrought performances and dialogue, felt false and empty.

I respect the film’s courage for trying to say something of import, given the perilous nature of when and where the film was made, but I have to say I don’t think the film says it well. Not today, and not even upon its release.

A film that by all means view if you can see it for free, but not something that I think you will be particularly enriched or intrigued by in the viewing. GRADE: If you can see it for free… fine, otherwise avoid. ** out of ****.

and-the-fifth-horseman-is-fear

WIZARD WORLD Philadelphia 2012 Convention! Pt 2 of 2!

Well finally the much prophesied final part of my Wizard World Philadelphia 2012 coverage is here. You can see the first part here.

First some sights of us gassing up and on the road to Philly:

So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!

One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :))

So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.

So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.

************

Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.

This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.

On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.

************

My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.

With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)

************

One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.

Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.

************

I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ’em HT sent ya!

************

One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.

You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :)) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.


************

Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! 🙂

Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. 🙂

This slideshow requires JavaScript.

In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!

And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.

Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.

WIZARD WORLD PHILADELPHIA COMIC-CON 2012 Convention Coverage

Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.

But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.

That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.

However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. 🙂

Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. 🙂

There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.

But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.

The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.

Next installment will bring you some of those discoveries.

But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. 🙂

But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.

But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.

****

The 2nd and Final Part of the convention coverage has been posted and you can find it here! Enjoy, I had a blast putting it together!

Art Book of the Day: GRAPHISTES WORLD ARTBOOK 01! CONTEST– Win this Book!

This is a review of the GRAPHISTES WORLD ARTBOOK 01, subtitled BOOK OF CREATION, it is published by Oracom Editions and compiles selected artwork from a French on-line artists collective.

First impressions, presentation. It’s a sizable SC book at 11″ x 9″, and feels substantial at 220+ pages. Nice striking cover image, on a nice pull out gate-fold cover. It’s a matte type paper stock on both the cover and the interior pages, and utilizes a sewn binding (initially had thought it was glued, but is a sewn binding. Pretty spiffy for a soft-cover.).

The Matte paper stock, I can appreciate its use on the darkly illustrated cover to help minimize finger-prints, however on the interior pages I’m not a fan of it, as I think a gloss paper stock would have better worked to showcase the images on the interior. I’ll go into that in more detail in a bit,

Now getting into the content, the actual images themselves, there’s more than a bit of crossover in terms of style and theme and subject. The images are mostly computer generated imagery, a lot of video game like landscapes. Much of it is a bit dark for me, in terms of actual brightness not content. I think this is the printing job, rather than the images. Because the images viewed on-line look great (as in the ones I post with this blog), but in the actual book the images appear muddy and un-dynamic.

It may be what the artists are going for, but I’m inclined to think it’s printed a bit dark. So that is where a glossier, brighter, higher contrast interior paper stock could have helped the images come alive, and not fade into the background as much.

It’s definitely a preference argument, but generally I feel glossy paper works much better for art books, and that this particular art-book, because the images are so dark, would have benefited from a higher-contrast glossy paper stock.

Mainly because the dark muted images, lots of purples on blacks, one after another tends to reinforce the need for a more varied palette. The detail in the images just get lost. There are a lot of images I think I would like, if I could see the detail in the images.

But just when you think the similarity is getting to you, you turn the page and there is a burst of artistry and an unexpected, thematically intriguing image to bring you back into the book.

Among such standouts are [the creator or studios nickname is listed with the image, but the table of contents gives their full name] :

28162 has a lush and beautiful and vibrant image with PINK DREAM and SANS UN DEFAUT

Kiko has a wonderful, futuristic landscape scene with IN THE MORNING, but I do think it looks a bit dark, muddy

Mr. Xerty has a nice collage like work with JING

Pim does the lovely LIGHT PULSE

3mmi Design has several intriguing images with DELIVRANCE and TONIGHT IN HELL

Maliciarosenoire offers us the nicely composed INCERTAIN

Graphic Traveling bring us the imaginative NYX

Grivetart’s NEW YORK 2030 and EXPLORERS are both quite excellent

Graphaddict’s offers us the well composed and lit SPACE MOUNTAINS

Pezcado’s MAINS DANS LA MAIN is quite ingenious

BeautifulReal brings us the sumptuous and strange LAST TRAVEL

KarimDesign’s offers us the attention getting LAST BREATH

Aiven’s 5 PAR is likewise imaginative and compelling

Todavia’s DEATH OF A SIREN

Lord K’s POLAR SUMMER

So these are some of the ones that stand out, and make the book well worth a viewing, despite my issues with the printing. Beyond the brief French introduction, the book consists of all images, so it can be enjoyed by all. Final Grade: B-.

******

CONTEST! WIN THIS BOOK!

This book isn’t currently available on Amazon US, but is available from Amazon UK and Amazon FR. It’s like $50.

But wait a minute! For being a Heroic times follower, I’ll tell you how you can win it for free.

It’s really, really easy to win this review copy they sent me.

Be the 15th person (follower, you have to be a follower of this blog)to comment on this post, you win the book.

Put contest in the comment, include your email address so I can get in touch with you. Comments do not get posted if you put contest in it, and they come right to me.

The 15th person, maximum of 3 attempts per person and consecutive attempts not counted. 15th person (follower) to leave a comment saying “you want this book and love Heroic Times”… wins the book.

Pretty simple.

Okay, that’s all folks. Go hug somebody.