VOD Streaming Film of the Day : Roger Corman’s X starring Ray Milland on Amazon Prime

 

I’ve seen this before, in passing quite a while ago. I did not remember it being this good. It is quite a fascinating and surprisingly dire film. Not a great movie, but a very good one, with one of the more impactful endings. A homerun by Roger Corman.

 

“What do you see?”

“This city, as if it was unborn, rising into the sky with fingers of metal, limbs without flesh, girders without stone, signs hanging without support, wires dipping and swaying without poles.

A city unborn, its flesh disolved in an acid of light.”

 

 

Check out the comments, as the brilliant Derrick Freguson, excellent Writer, Reviewer, general Renissance guy drops the knowledge on the ending! Also released today, coverage on the film, by great youtube channel SOLITARY RONIN at the link below. Watch the movie before checking out both, though.

And if he sells you on getting the Bluray like he did with yours truly, then get your copy here:

Deontay Wilder vs. Tyson Fury 2 fight : Prefight Pick and the Last Word!

Have 20 minutes before this fight starts.

 

My prediction? To quote Mr. T in ROCKY III…. PAIN!

Wilder Fury Ppv Banner On Tv

All joking aside, while I do not have a dog in this fight, I am one of those who thought the decision of the first fight, a draw was a good decision.

I also think Wilder proved, even being outweighed by 50lbs, he is the harder puncher and the stronger man. Fury proved he is the quicker, more effective boxer.

Coming into this rematch, the winner will be the one who can learn from the first fight and adjust. If Wilder puts the fight on Fury’s chest, doesn’t headhunt but just bangs the body, over and over, the body and arms, keep it an inside fight, and negate Fury’s movement, Fury’s hands will drop, and he will be knocked out.

If Fury can keep Wilder at a distance, and exploit Wilder headhunting, he can outpoint him, and potentially open him up for a knockout of his own.

My prediction… I do not bet, however my gut, I like Wilder. He’s the fresher, more exciting fighter, and if he brings the fight to Fury’s body, rather than headhunting, this could be his night.

 

Okay… LETS GET READY TO RUMBLE!!!!

 

RESULTS ARE IN: Fury winner by TKO. Looking at the brief clips, it appears to break down to what I thought above, the one who learned and adjusted from the previous fight… won.

From the brief clips it appears Wilder was headhunting, giving Fury the space to dictate and control the fight from the outside, rather than setting up camp inside his guard and attacking the body. And then once he was concussed it looks like he didn’t have a gameplan.

I will say in the clinches Wilder should have headbutted the eff out of Fury, sometimes you have to get a little dirty to get respect. Fury was crossing the line, in one of the more disgusting displays in a boxing ring, Wilder needed to dissuade that kind of behavior, and a good headbutt or low-blow (generally has no place in a boxing ring, but neither did some of Fury’s antics), is always a pretty good dissuader. 🙂

But bottom line, Wilder and his corner appear to not have course corrected and had a plan to negate Fury’s speed and reach. You have to give it to Fury , he executed his game-plan, and he made the puncher, try and box. I’d love to see these guys do it again, which they are going to have to, as both men, particularly Fury, emphasize an issue with the Heavy Weight division.

Which I will get to below, in my rant section.

 

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I’m going to rant here.

Feel free to ignore this part. 🙂

These guys are super heavy weights, not heavy weights.

There is a reason we have weight divisions to make the fight competitive. Generally speaking if you are 15 pounds more than the next guy you are in a different weight class.

Since the days of Ali and Foreman, when Foreman was the real Ivan Drago (Bigger, stronger, meaner than anyone else in the division. An unbeatable man, a monster. Until Ali in the rematch somehow found a way to beat the unbeatable man) the issue of Super Heavyweight was percolating.

Generally when you did have these super heavy weights, with the exception of Foreman, they were not real contenders, real boxers. You get to the age of Lennox Lewis in the 90s, and then Klitschco in the 2000s and you are suddenly in this period of the super-heavy weights. And it is a bit of a stagnant, unexciting period, because legitimate heavy weights, are blowing themselves up trying to match the natural weight of a super-heavy weight, and just can’t match the reach. So you have a period where the few anomalies, 6’8 guys who can box and punch, super-heavy weights, are holding and stagnating the heavy weight division.

Move to today and we have 3 or 4 of these at the time unbeaten talented super heavyweights, so the division is exciting. But with only 3 or 4 of these guys, the same thing starts to occur, the heavy-weight title stagnates due to lack of competition.

If you are over 225lbs you should be fighting in a different weight class, not the heavy-weight division. That allows the age of future Marcianos and Alis and Holyfields to still happen. And you will always have competitive interesting fights and an influx of a lot of new talent, at that weight class. Above that you then have the super heavyweight division, which is where fighters like Fury and Wilder and Butterbean should be in. But not stagnating the heavy-weight division.

That has been boxing’s issue with the heavy weight division since the late 90s, and will continue to be an issue, until we create a distinction between heavy-weight fighters and super heavy-weights.

 

My 2 cents.

 

Fanfare for a Death Scene (1964) and best Cinematographers!!

Today’s recommended movie FANFARE FOR A DEATH SCENE (1964)

fanfare

This is a forgotten little 1964 made for TV movie, that sports the phenomenal camera work of the great Conrad L. Hall. The opening sequence alone is reason enough to view this film.

You can view the film courtesy of Amazon Prime.

Click here for Fanfare For A Death Scene

When it comes to the great camera men of cinema, Conrad Hall, in terms of bravura visual styling and seminal impact, is right up there with the best of cinematographers.

The best of them being Karl Freund (the father of cinematography in many ways, creating much of the visual techniques and language of cinema in ground breaking films such as METROPOLIS and DRACULA) Karl Struss (SUNSHINE) and Freddie Young (LAWRENCE OF ARABIA), James Wong Howe (SWEET SMELL OF SUCCESS), Vilmos Zsigmond (two great collaborations with Robert Altman, IMAGES and THE LONG GOODBYE), Geoffrey Unsworth (2001, SUPER MAN), Bradford Young (MOTHER OF GEORGE, AIN’T THEM BODIES SAINTS, PAWN SACRIFICE, A MOST VIOLENT YEAR, SELMA), Guy Green (GREAT EXPECTATIONS), Lisa RInzler (MENACE II SOCIETY), Sergey Urusevskiy (I AM CUBA), John Alton (his wonderful collaborations with Anthony Mann, such as T-MEN, RAW DEAL), and Yoshio Miyajima (particularly with his collaborations with Masaki Kobayashi in films such as HARA KIRI and KWAIDAN).

For more on FANFARE FOR A DEATH SCENE there is a wonderful article on the production by Stephen Bowie here!

Come back next time for more VOD picks and reviews!