Streaming VOD Roku Fire TV Channel Watching Guide For Feb 2019 : HULU Edition!

HULU

 

1st Kudos to Hulu for, in an age where Streaming Services like Netflix are going price-hike crazy, actually offering a price reduction. Applause to HULU! This and Amazon Prime in my opinion are the best two Streaming services, in terms of both content, value, and ease of use/quality of the surfing experience.

Netflix lags FAR behind both channels, in my admittedly biassed opinion.

 

Okay onto the stuff you need to catch this month on Hulu (both old and new content):

https://cdn3-www.comingsoon.net/assets/uploads/gallery/legion-season-2/dxqfn3rxkaa06zq-jpg-large.jpgThe first season of LEGION was nothing short of game changing television. Writer/Producer Noah Hawtey with this and the 2nd season of FARGO proving himself one of the best writer/producers of this new Golden Age of Television. [To that list of best writer/producers of this new Golden Age, I would add creator Drew Goddard for DAREDEVIL Season 1 (Was not a fan of Seasons 2 and 3), and Cheo Hodari Coker’s brilliant and criminally underrated LUKE CAGE Season 1 and 2. While DAREDEVIL Season 1 is the better Action Show, LUKE CAGE is the better show, both writing and importance, for reasons way beyond, one person hitting another.]

I am looking forward to Noah Hawley’s feature film directorial debut LUCY IN THE SKY (slated for this year), but until then I will be enjoying the 2nd season of LEGION on Hulu.

 

 

John C. McGinley, Nate Mooney, Deborah Baker Jr., and Janet Varney in Stan Against Evil (2016)

The Boondocks (2005)

Into the Dark (2018)

INTO THE DARK? A hulu curated series of feature length Horror Movies?? Count me in!!!!!

Dwayne Johnson in The Titan Games (2019)

THE TITAN GAMES is definitely inspired by AMERICAN NINJA WARRIOR, and while not as compelling as that show, this is still a very good mid season fill-in for AMERICAN NINJA WARRIOR.

I had my doubts about ATLANTA, but the first season made me a believer. A modern day renaissance man, Donald Glover is a creator to watch. And season 2 is now on HULU. This show and WAYWARD PINES are two shows that get painted with the TWIN PEAKS brush, as a measure of their strangeness; but both shows are far better than TWIN PEAKS ever was.

David Kellman, Robert Shafran, and Eddy Galland in Three Identical Strangers (2018)

Ted Allen in Chopped (2007)

Cities of the Underworld (2007)

The Tesla Files (2018)

 

Aldis Hodge and Jurnee Smollett-Bell in Underground (2016)

 

The first episode of UNDERGROUND Blew me away! Fantastic use of anachronistic music, and camera movements to tell this tragic and triumphant tale of horror and holocaust. It is of course not easy viewing, but is rewarding and essential viewing. I did not like and do not rewatch the film ROOTS, but the film SANKOFA which covers the same story of the slave trade but does it with such heartbreaking beauty and incredible visuals, it becomes an undeniable work of art, rather than simply a dry recounting of facts, or a pity party. That is what UNDERGROUND also brings to this shameful part of American history. The struggle of those who fought against the accepted horror of their time.

In that way, how much more heroic are they… than we. I look forward to completing season 1 and 2 this month on HULU!

 

Rick and Morty (2013)

RICK AND MORTY- much to my surprise is animation genius. LOVE IT. Right up there with the VENTURE BROS. Looking forward to season 4 showing up on HULU.

Lakeith Stanfield in Sorry to Bother You (2018)

Called both the best and worst movie of 2018, depending on which reviewer you listen to, I’m really looking forward to watching SORRY TO BOTHER YOU sometime this month. And based on the track record of certain critics, I think this one is going to end up in my loved it pile.

The Sisters Brothers (2018)

Joseph Sikora, Omari Hardwick, Naturi Naughton, 50 Cent, Lela Loren, and Sinqua Walls in Power (2014)

I LOVE this series, POWER, and am way behind on it. So HULU this month will give me the chance to finish season3 and watch season 4.

Scott Grimes, Penny Johnson Jerald, Seth MacFarlane, Peter Macon, Adrianne Palicki, J. Lee, Mark Jackson, and Halston Sage in The Orville (2017)

I loved the first season of the ORVILLE. Season two started off great, but the second episode written by Wellesley Wild and directed by Kevin Hook, wow, that was a stinker.

It is some of the worst television I’ve seen since the 4th season of HELL ON WHEELS. Meaning really god awful, editor-less and rambling and self indulgent, please-fine-me-the-remote-fast-forward television. :). The odd thing is with just a less heavy handed delivery, no need for multiple hit us over the head holo-deck scenes, it could have been a good episode. the message was sound, the delivery unfortunately over indulged.

I will be very pleased not to see the name Wellesley Wild or Kevin Hook on any upcoming Orville episodes. 🙂 . Because other than that misstep, it has been a great and balanced show, not over doing the comedy and letting the drama shine thru when called for. And the visuals/ set and ship design and CGI, are just stellar.

It is the best STAR TREK on TV since the turn of the century. Wow. Let that sink in. 🙂

Castle Rock (2018)

Runaways (2017)

Kelsey Grammer, Russell Hornsby, and Rachelle Lefevre in Proven Innocent (2019)The premise of this show, addressing wrongful convictions, is I think very timely, and intriguing. Particularly in a witch-hunt/social media lynching America where people are found guilty and punished BEFORE trial, much less a verdict. In such an America where corporations the jury and the judges, rubber stamp social media verdicts, and special interests weaponize social media… a show about wrongful convictions… I’ll take a look.

Now the above are some of the top shows on or coming to HULU in February 2019, and reasons to give HULU a look this month.

So those of you who came just for the February 2019 STREAMING TV guide can leave now.

For those of you who want one of my inconveniently timed and inappropriately placed rants, 🙂 keep reading.

 

 

That last mention above, regarding the show PROVEN INNOCENT, made me ponder upon that subject.

One of the most idiotic postings I read recently, was this commenter piling on some guy accused of harassing a woman.

This guy was calling for the usual things the mob calls for, the accused to get fired, the accused to get stoned, etc. To which was pointed out that he knows neither the ‘claimed’ victim nor ‘claimed’ accuser,  that before taking sides and handing down his verdict, maybe this should go thru due process. Due process defined as If criminal… a court of law, if civil or corporate, a board of inquiry or a federal HR complaint.

When pointed out that there is a process for proving an actual crime or wrong doing, that perhaps has nothing to do with stirring up lynch-mob justice on Facebook or Twitter, and attacking someone who should be innocent till PROVEN guilty…. this guy’s response was….

 

“I TRUST WOMEN!!!!”

That was it.

Some woman he does not know, claims some horrendous deed was done to her, last week, 5 years ago, 20 years ago, and this guy takes it as gospel and attacks wherever she points.

You know where that also happened.

Salem Massachusetts in 1692 and 1693.

As well as the United States from the age of reconstruction through the 1960s, where many a body swayed from many a tree.

“ME TOO’, may be a great movement for healing wounds, and improving conditions.

However, it has no place deciding guilt or innocence.

Only facts should do that, not the baggage of the mob.

Here endeth the aside. 🙂

CBS vs Paramount? Old Star Trek vs Confused Star Trek? ST Discovery = Epic fail? and JUSTICE LEAGUE?!

 

Some Times you wonder how what is seemingly obvious  is utterly lost on people in positions of power.

VALERIAN movie? Great concept on paper , great visuals, the leads are as interesting as watching paint dry. I would not in a million years have chosen those two people to helm that movie. They have no visual interest.

The latest Universal bomb in THE MUMMY, completely predictable. White Egyptians, unless they are Boris Karloff, just never a good idea.

Casting and visuals and chemistry is still a HUGE part of what makes a film or show work and why it is dead on arrival.

It is one reason the JUSTICE LEAGUE movie is despite everything they are trying to course correct and do right, can’t fix intrinsic issues they have done wrong. The comic book decided to put CYBORG in the comic, not because he is a good character, but because he hit three demographics they throught would make for both multiple diversity streams and good merchandising. He was a Black crippled robot.

TRANSFORMERS has proven that robots sell, all day long. On top of that being able to add a character of color to the blindingly white DC universe, ticks that box, and making him a cripple, ticks the handicapped audience. A lucrative and growing segment condsidering how many young men and women this country sends overseas to mutilate and get mutilated.

Here is the issue though. It doesn’t make sense for CYBORG to be in the Justice League, beyond tokenism and a blatant money grab.

From a story point it makes NO SENSE in the comics, and it makes no sense in the movies. I’m all for characters of color toning down the lilly whitness of the Justice League, but not awful characters. The JUSTICE LEAGUE UNLIMITED cartoon has shown a great character of color that deserves to be in the Justice League and works great in the Justice League… John Stewart, The Green Lantern, And you know what, he also has kick ass powers and is more than a walking toaster. The late great Dwayne McDuffie made John Stewart a great character, and the Justice League a great AND diverse team without sacrificing quality or common sense. They were great BECAUSE of that diversity and love that Dwayne imbued that series with, that made it great.

Greatness is a thing that seldoms gets said in the same sentence as JUSTICE LEAGUE. Unlike the AVENGERS that has a few notable stories you can hand people to sell them on these characters for live action movies, most notably Mark Millar’s THE ULTIMATES  followed by Steve Englehart’s, Gerry Conway’s, Jim Shooter’s and Kurt Busiek’s runs; the JUSTICE LEAGUE has very little that holds up, or is of appeal to a movie going audience. Outside of deconstructive and apocalyptic stories, the twilight of the Gods type mythology such as KINGDOM COME, and some Morrison work, there are almost no great JUSTICE LEAGUE comic stories. The best the JUSTICE LEAGUE has ever been is in the McDugffie helmed cartoon.

The current comic and the current movie unfortunately, has learned nothing from the late McDuffie’s lead.

Add to that the Cyborg and Flash costumes are crap (didn’t you learn anything from the GREEN LANTERN train-wreck about CGI costumes) and you have a movie that could have been great, crippled by by people who are going to lose dollars to save pennies.  People ignorant or uncaring of the part visual chemistry plays in whether a thing works or not.

And that brings us back to Star Trek.

 

Looking at the cast photo of Star Trek Discovery… that cast has no visual interest, no chemistry. The same issue suffered by THE ENTERPRISE cast, and to a lesser degree the VOYAGER cast. There was no joy or interst or chemistry in this combination of people.

Watching  the latest STAR TREK DISCOVERY Trailer, I find the trailer interesting, however the jury is out on whether that translates into good. There was no excitement in that trailer, a bunch of uninteresting looking people, no visual chemistry or excitement to them, and a general air of uninterst and lack of joy in the whole.

You are in effing space, that should be awe-inspiring to the cast and to the viewer. But all that comes across in that trailer is how dreary everything is. The one male lead, who I know to be a good actor, he perhaps has never been the most rousing actor, and whether lead or not, you need somone immediately that grabs your eye, and you can say, yep, here is a hero or man of action, or somone who can command a screen and command the attention of viewers. Without a doubt great scenery chewing actors is the hallmark of great Star Trek, whether it is William Shatner, or Leonard Nimoy or Patrick Stewart or Johnathan Fraker or Avery Brooks or Michael Dorn.

The star of this series, is a lead actress, and she is clearly charismatic, but you can’t act in a bubble, without that chemistry  of clicking actors around you and fun plots, it is just dreariness. And that’s what came across in the trailer… dreariness.

And a lot of changes for change sake.

The change to the Kilngons… strikes me as… foolhardy at best. THE NEXT GENERATION hit a home run in being able to make an interesting but crude visual race of the Kilingons… better. Not just better, but a rousing transcendent success.  The way the Original Series hit a home run with the Vulcans and the Romulans, the Next Generation hit that Home Run with the Klingons.

You don’t fix what isn’t broken. And in this case DISCOVERY’s redesign of the Klingons just seems change for change sake, that tears down a success, and what could have been an easy inroad to the series for fans craving the popular Klingons, becomes instead a detriment.

Just poor, poor thinking.

Along with that the idea of trying to make American audiences pay to see this series that initially needs as much groundswell of support it can get, is just idiocy. Out of the gate you set an antagonistic relationship between show and audience.

I will, needless to say, not be paying for this show, no more than I had any intest in paying to see VALERIAN or THE MUMMY.

But I will keep abreast of it through online reviews and podcasts, and I hope it can prove me wrong. But if Paramount stick to the visuals and that tone and that cast, that seems clearly set in stone for the first year….you may have an interesting SciFi show, but you arguably wont have a good show, and you definitely won’t have a great Star trek show.

Paramount instued of suing the AXANAR fan film, should have gone with that filmmaker to produce their new show. It is obvious that the fan films have more heart, intelligence, and fun, and understanding of what makes good Star Trek than Paramount has.

PARAMOUNT’s rebooted STAR TREK films, a case of diminishing returns, from the excellence of the first one, to the too self indulgent but still great second film, to the atrocious third film; points to a company that is in desperate need of course correction. And that same folly and arrogant stupidity that highlights their dealings with the fans, mars their handling of this latest television show.

For more on this, I want to direct you to a MIDNIGHT’S EDGE YouTube video, that revealed some of the reasons for Paramount’s mishandling of the latest Star Trek property and where CBS fits in. It’s a riveting and informative bit of reporting.