Bluray DVD Physical Media Label COMPLETE Overview : POWERHOUSE FILMS Indicator Boxsets

While a lot of people keep foretelling the death of physical media, since 2018 i personally have noticed an upswing in interest in physical media.

physical media seems to be getting, in the words of eric stoltz in the fly 2… “better!”. i think part of this upswing in physical media interest, has to do, strangely enough with streaming channels, namely youtube and youtube content providers, helping share knowledge and spur interest in these little known boutique bluray labels and releases.

i know personally youtube content providers, re-spurred my interest in physical media at the end of 2019, and is how i became aware of blurays to seek out and purchase.

further spurring this golden age of physical media releases, is (what we could consider) boutique labels making very  collectible and attractive physical media into something that is tactile art object as much as content, it very  much seems as the bluray medium has grown up, moving away from the hideous blue case branding of the bLU-RAYS (i have always hated the flimsy plastic blue ray cases), to now actual attractive, display worthy boxsets and individual titles.

it is as if physical media producers have finally realized, in the age of streaming, you have to emphasize the value of the physical media not just in the video and sound quality (which arguably streaming can compete with) but in the quality of the things streaming cannot compete with, packaging and associated specials features and booklets.

this installment we cover one of the best boutique bluray producers, and one i recently discovered at the end of 2019… namely powerhouse indicator label out of the uk.

The Indicator PowerHouse Blu-ray Boxsets, if you can get them on-sale, before they sell out, are actually one of the best deals in physical media. You can get these feature packed Blu-ray boxsets , that contain roughly 3 to 5 films per boxset for roughly $15 per film.

Which is just a fantastic deal, when you assess that you get the feature packed Blu-rays, with photographed filled and research packed limited edition booklets with each film, and the wonderful exclusive beautifully made slipcases for the films.

These boxsets are generally limited to 6000 editions. So in a planet of 7.8 billion people (according to the 2020 World Population clock) that is pretty darn exclusive. And even in the limited population of physical media lovers like myself, it is still a pretty exclusive and affordable collectible.

As of this writing PowerHouse Indicator has produced 15 boxsets and only 4 of them are no longer available. So as of this writing you can pick up the existing 11 boxsets for on average $15 per film, which is a STUNNING deal.

Here are the 15 Boxsets Power House Indicator has currently released as of this writing:

  • HAMMER VOL 1-5
  • WILLIAM CASTLE VOL 1-2
  • FIVE TALL TALES
  • RAY HARRYHAUSEN VOL 1-2
  • THE SINBAD TRILOGY
  • SAMUEL FULLER AT COLUMBIA
  • BLOODY TERROR
  • MARLENE DIETRICH
  • JOHN FORD

And for my money, while all are great to have, if you can swing it; the absolute best, and must have ones, in terms of beauty of the slipcase, quality of films, etc; in my opinion are the following (you can click on the pictures below to purchase):

 

HAMMER VOLUME ONE: FEAR WARNING! - LEHAMMER VOLUME FOUR: FACES OF FEAR - LEWILLIAM CASTLE AT COLUMBIA, VOLUME ONE - LEWILLIAM CASTLE AT COLUMBIA, VOLUME TWO - LETHE WONDERFUL WORLDS OF RAY HARRYHAUSEN, VOLUME ONE: 1955-1960 - LETHE WONDERFUL WORLDS OF RAY HARRYHAUSEN, VOLUME TWO: 1961-1964 - LETHE SINBAD TRILOGY - LESAMUEL FULLER AT COLUMBIA, 1937-1961 - LEFIVE TALL TALES: Budd Boetticher & Randolph Scott at Columbia, 1957-1960 - LE

Now regarding boxsets that have sold out. I do think Powerhouse Indicator will in due time re-release popular sold out boxsets such as RAY HARRYHAUSEN VOL TWO and THE SINBAD TRILOGY in subsequent editions with new artwork, just because it makes no sense for them not to.

Why leave the profit to the secondary market if the demand is out there? From a business standpoint, by changing the boxset artwork, they differentiate from the 1st pressing of the boxset, insuring the uniqueness of that first pressing for their die-hard fans, yet creating subsequent pressings that are unique and attractive in their own right to people who may have missed out on the first pressing.

Lets be frank, it is the boxsets that are the selling feature of Powerhouse Indicator. The individual Blurays by themselves, I don’t find them as compelling as Criterion releases or Arrow or Eureka or ScreamFactory Steelbooks, etc, but as boxsets, currently Powerhouse Indicator is the best Boxset maker in the business.

Well guys I hope you enjoyed that coverage of Powerhouse Indicator.

 

Please use the links provided above (click on the pictures of the boxsets), as they help you get great items, and generate a couple needed and appreciated pennies for this blog. Enjoy!

 

 

Movie of the Day and Performance of the Day : THE BEAST

Rabbit Days (2016)

I LOVE, LOVE, LOVE a film that is an experience, that you do not know from the first frame, where the last frame will bring us. Blockbusters are by necessity a predictable commodity. They have to some extent give the audience what it is expecting. It has to inherently be predictable, so it can appeal to the largest possible audience, and bring the highest possible return.

There is nothing wrong with that, I love blockbusters as much as the next person. But there is something to be said for a film that does not live with our expectations, or perhaps even our world. Especially when it is done superbly well, when it is clear from the first frame you are, wherever the road takes you, in the hands of a visionary, a master filmmaker.

https://i1.wp.com/filmthreat.com/app/uploads/2019/03/REV-TheBeast-1.jpg

That is the case with the LeBoeuf Brothers’, Ryan & Cody, THE BEAST. But any script hinges on a central performance, and Clarence Gilyard’s unhinged performance is nothing short of jaw dropping. At once so unhinged, and so good, and the other actors as various forms of straight men to him, also do a great job. Add in the atmosphere, and you are left with a nightmare landscape of a film, that eschewing sense, is brilliant.

The ending perhaps feels truncated, but perhaps is also just right. Depends on your patience for the surreal and absurd. But for fans of the films of Lynch and Bunuel, you will feel in THE BEAST… rewarded.

Grade: I loved it. Your Mileage may Vary. 🙂

Another home-run of a discovery courtesy of AMAZON PRIME. And hopefully we can expect a DVD or BLuray version, complete with Directors/Actors commentary. Streaming is great, but as a film fan, I love to own the films I love… in a less ephemeral and transient format than streaming.

Read the following after you view the movie. No real spoilers, I just feel going into this movie completely unprepared is the right way to go, to get the most impact out of it….Ok you’ve watched the movie! Great! now you can read the rest. 🙂

First, I am glad they changed the name of the movie, as the original one was too on the noise, and would have worked against the air of mystery they were building. This movie for me, has nothing to do with that original title (until possibly the very end), which made the appearance of carrots all the more bonkers and inexplicable and intriguing. I was picturing, something un-picturable as the menace throughout. And that worked to the movie’s benefit. BEAST therefore working much better as a title.

And regarding the lead, I knew he seemed/sounded familiar,  something about his voice, and his manner, but it wasn’t until after the movie that I placed him. Clarence Gilyard Jr, starred for years on WALKER TEXAS RANGER. He is almost unrecognizable, but  what really comes across is how fantastic of an actor he is here, and while always great on WALKER, you do get the feeling he was definitely underused on that show. His performance in THE BEAST shows an actor who should have been acting on the big screen for decades, rather than underused in a procedural. Though what we fans lost, the educational system gained with Gilyard being a lauded professor. And he has been keeping his hand in on the theater circuit.

Case in point, it is great to hear that he and other WALKER costar Sheree J. Wilson recently reunited to do a theatrical run of DRIVING MISS DAISY (what? these young-uns?!).  More on that here: https://www.thespectrum.com/story/entertainment/2018/04/03/tinseltown-talks-walkers-sheree-j-wilson-clarence-gilyard-jr-together-again/482336002/

Clarence Gilyard Jr as James Trivette and Sheree J.

Looking forward to more from these directors, and these actors.

And finally for more on THE BEAST, check out this podcast : https://www.piecingpod.com/2018/10/22/special-episode-the-beast-ryan-cody-leboeuf-interview/

The 20 Best HORROR Movies on Amazon Prime for May 2017!

Before May rolls out and June rolls in, make sure to catch (if you haven’t already)these 20 great Amazon Prime HORROR flicks.

These movies are not available on Netflix.  And they all come with trailers, again unlike Netflix, so Amazon makes it easy to ‘try before you buy’ so to speak. A trailer is an easy indicator if you really want to spend any more time watching the full movie.

The following movies are worth the time:

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2013: Day 11- 15 Best Movie Remakes! Remakes that are better than the original!

Okay, here is a list of Remakes for people who think they don’t like Remakes

or

FIFTEEN movie remakes that are superior to the original.

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John Carpenter’s THE THING
Daniel Craig in CASINO ROYALE
Francis Ford Coppola’s DRACULA
Tony Scott’s MAN ON FIRE

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David Cronenberg’s THE FLY
Zack Snyder’s THE DAWN OF THE DEAD
Al Pacino in Brian DePalma’s SCARFACE
Sturges’ MAGNIFICENT SEVEN
Scorsese’s THE DEPARTED

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Branagh’s HENRY V
Eddie Murphy’s THE NUTTY PROFESSOR

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Bogart’s MALTESE FALCON (The third film attempt, finally got it right!)
I AM LEGEND, while I have a lot of respect for the Vincent Price and Charlton Heston versions, Will Smith’s I AM LEGEND moves it into big scale territory with out losing the intimate horror inherent
Cameron’s TITANIC
THE MAN WHO KNEW TOO MUCH Hictchcock Improves on himself in this Stewart and Day remake of his earlier film