Movie Trailers of the Day!

 

click for larger (if applicable) Trailer shows promise in this tale of cat and mouse.

The Hours Till Daylight (2015) I saw the first few images of this trailer, and turned it off. Because I was sold on seeing this immediately.

Camino (2015)The trailer plays a bit like THE WITNESS meets FIRST BLOOD. Definitely intriguing.

Extra Large Movie Poster Image for Bølgen

This THE WAVE (BOLGEN) Trailer made me go… Awesome. That’s pretty high praise for a trailer.

Extra Large Movie Poster Image for Black Mountain Side

 

I watched the first thirty seconds of this trailer, and turned it off. Why? Because I knew this is a film I would be trying for myself. So much of what sepArates good genre movies from bad ones, is do you care about the characters?

Most genre fiction gravitates to the annoying or stupid kids who go exploring usually where they shouldn’t. This trailer in 30 seconds showed more depth to these characters than most genre films ever pack into a full movie. So yeah, I was immediately intrigued by the isolated THE THING like vibe.

All movie trailers courtesy of my new go to spot for watching trailers… Amazon Prime via Roku!

 

If you dug this blog post, leave a like or send an IM, or better yet go here and purchase today’s DEAL OF THE DAY:

Movie Posters Re-Imagined: Alternative Designs for the World’s Favorite Cult Films

 

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THE CINEMA OF STATUES : The Films of Rainer Werner Fassbinder


“He was a personable looking man. First your eye said he’s not young anymore, he’s not a boy anymore. Then your eye said : he’s not old. There was something of youth hovering over and about him, and yet refusing to land in any one particular place… In short the impression was agelessness. Not young, not old, not callous, not mature – but ageless. Thirty Six looking fifty six, or fifty six looking thirty six, but which it was you could not say.”

FOR THE REST OF HER LIFE by Cornell Woolrich

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Have you ever watched a film, and mere moments into it been so captured by its construction, its strangeness, and its audacity that it earns a spot in your pantheon, your metaphoric showcase of worthy things? I’m guessing the answer for some of us is yes. I say some, because the strange, by its very nature, will not be the cup of tea of everyone.

MARTHA based on a Cornell Woolrich story “FOR THE REST OF HER LIFE” was my first introduction to the world of Rainer Werner Fassbinder, and what an introduction. I’ve been a huge devotee and fan of all things Cornell Woolrich since discovering his pulp fiction a few years ago. I own and have read a ton of Woolrich stories and novels. When I heard about this movie based (illegally it seems) on one of his stories, I had to try it.

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And MARTHA finally seen, I was blown away by the strange, nearly alien craft and audacity of that film, and that led me by fits and starts to today’s review of Fassbinder’s WORLD ON A WIRE.

I’ve watched movies all my life, I consider myself well informed when it comes to cinema. I’ve seen all the great genres, and most of the great directors. I can speak to you about German Expressionism, Film Noir, French New Wave, Italian Neo-realism, the Pan-African and Post-Colonialism movements. I can talk to you about blockbusters and straight to VOD masterpieces. And when you have seen as many films as I have, to get me through a movie these days… you have to either a/tell the familiar in a captivating way, or b/create something vibrant and unfamiliar.

Most movies and all Blockbusters are the former, they are variations on types of movies and a thematic structure that we have seen time and time again, since the dawn of cinema; what makes them successful is the ability to do the ‘rescuing the girl from the train track’ in a fresh and innovative way.

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Much rarer is the latter, films and filmmakers that fundamentally challenge and expand are definitions of the scope and pathways of cinema.

I’ve seen two of Rainer Werner Fassbinder’s films all the way through, and both of them have struck me that way. Now admittedly they are from phase 1 of the three loosely defined phases of his career. Phase 2 being his Melodramatic phase, Phase 3 being that melodrama morphed into his identity films, dealing with themes of national, sexual, and familial identities in collusion and in conflict. (for more on this and for an overview on the films of Fassbinder please see the excellent Film.com article by Daniel Walber here!)

Phase 1 is arguably his most experimental and innovative films, here you’ll find the genre infused stuff, tinged with film-noir, horror and scifi trappings, the genres that I enjoy. Pro-active genres. I find myself generally not the audience for his phase 2 or 3 films, I’m not a fan of melodrama or just statement films. But with most of these later films not yet tried, I’m open to being pleasantly surprised.

But Phase 1, his cinema of statues and stylization, static but wonderfully composed frames, filled with actors who are at times more statues than men, and when they are animated it is often in very jerky, stilted ways. His women, leading ladies, are variations on a theme, big eyed, statuesque but often emaciated to the point of boniness, strawberry blonds, odd beauty bordering on the antithesis of beauty, mannequins and masks, and a wonderful use of angles and reflections.

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In pieces the movies should not work, stilted, unnatural performances, what is generally considered signs of amateurish or bad acting. However in WORLD ON A WIRE (WELT AM DRAHT, 1973), that ugliness and unease, the uncomfortable pauses, the shots held too long, the awkward pacing, inappropriate and at times overbearing use of music, things we typically identify with bad films and bad filmmakers, in these two films of Fassbinder all these flaws are stylistic choices and become instead function, negating themselves and becoming calling cards of a fundamentally different definition of cinema.

WORLD ON A WIRE, which virtually nobody talks about, is this outrageous and ambitious and way long mini-series of a movie, equal parts science fiction, mystery, and avant-garde film, that has this incredibly intriguing and prophetic premise about a world in which they create not just an artificial intelligence, but an artificial world peopled with artificial intelligences.

WeltAmDraht_Poster

The intelligences are programed to be perfect representations of people, and have a based in time and motion relation to each other, and capable of sex and love and procreation. So an AI universe that is self propagating, and more predictive, as the world is designed to be on a 20 year curve, so the shopping habits and economic changes and housing changes and conflicts that occur in the artificial world today, will be predictive of what happens in our world in 20 years.

It’s a brilliant, mind blowing concept, that you’ll find in better science fiction stories, but not in movies; particularly not in movies of the period, the early 1970s. On top of which the AI universe is viewable and interact-able by means of downloading someone into one of the AI inhabitants of the AI world. What??? That is mind blowingly brilliant and audacious premise for a film, even today in 2016 in an age of avatars, much less for a film made nearly 50 years ago.

And all of that, is not even what the movie is mostly about: it’s a film-noir movie. With a scientist trying to get to the bottom of his coworker’s disappearance. And then there is all the Fassbinder weirdness going on this movie, that just adds yet another level to the movie.

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The doll like women who never seem to blink, random moments of strangeness, [a party scene, where people seem not to move, and the few who do, do the same movements over and over again. A scientist called into his bosses office for serious conversation which they have while not looking at each other and spinning in circles in their chair. a night club with mostly nude attractive Black Men and women dancing while the clothed patrons walk past feeling them up… it is just craziness that comes out of nowhere, but all of it leaves you gobsmaked and off-kilter and not knowing what is coming next.} And it’s not comedy, Fassbinder isn’t just taking the piss or going for laughs here, he is telling a straight story, but he is using a crooked path, fueled by dream logic, he wants the delivery not to be what you are expecting and in WORLD ON A WIRE he succeeds.

Fassbinder, very much the spiritual predecessor to later avant garde filmmakers such as David Lynch and Lars Von Trier, was a young maverick director who died way before his time at the age of 37, however in less than a score of years (before his untimely departure) he would make 44 films, 39 of those being feature films. It is a staggering body of work to have produced by the age of 37. How many of us will ever make one film, much less 44 of them. And to make such across the board unique films, love them or hate them, is a great testament to someone who obviously ate, drank and slept cinema.

600full-rainer-werner-fassbinder Image courtesy of film.com

I can see people not liking or dismissing Fassbinder’s 3+ hour Sci-Fi epic as just flawed. And it is flawed, like I said previously, Fassbinder likes the mistakes, the mistakes of time, mistakes of gender, mistakes of intention, mistakes of moment, and out of all these mistakes with WORLD ON A WIRE he makes, at least for me, something composed of the old, that feels endlessly new.

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Grade: B+. It is definitely not for everybody, but if you like directors who are creative with cinematography (not just 360 degree shots but 540 degree shots), adventuresome in storytelling, and loyal to their actors (Fassbinder works with the same actors repeatedly, including actors of color, such as El Hedi ben Salem, rarely done for the period, and still too little done today) then this is a film for you. Recommended.

The Fassbinder Collection Two – MARTHA

World on a Wire (The Criterion Collection) [Blu-ray]

Speak to Me of Death: The Selected Short Fiction of Cornell Woolrich, Volume 1 (Collected Short Fiction of Cornell Woolrich)

Movie Throwdown : EX MACHINA vs THE UNCANNY

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While Alex Garland’s debut film EX MACHINA was the AI film receiving all the acclaim in 2015, it was the relatively unseen film the UNCANNY by Matt Leutwyler that I found the superior film.

Now while visually it is the sexy and sleek and futuristic visuals of EX MACHINA that are poster memorable, it is The story of THE UNCANNY, that I find is the more compelling, haunting and ultimately daring and rewarding film.

uncanny

While I liked EX MACHINA, particularly the great performance of the unrecognizable Oscar Isaac of STAR WARS fame, and enjoyed its beautiful visuals; it is the UNCANNY that I really enjoyed, and see myself coming back to. But both films are great additions to the genre, followers in the footsteps of ShellEy, and are wonderful cautionary takes on the ramifications of the unchecked hubris of science.

 

Final Grades:
EX MACHINA – B- Ex Machina (Blu-ray + Digital HD)

UNCANNY – B+ Uncanny DVD on Sale!

Both films are available to try before you buy, EX MACHINA is on Amazon Prime and UNCANNY is on Netflix.

Enjoy!

STREAMING VOD Channel of the Day : TUBITV!


Okay faithful blog reader we’re going to launch a new installment… Streaming VOD Channel of the Day!!!

Okay the name needs work, but stick with me here.

theothersidemovie

This is the golden age of choice, with more books, more music, more movies, more television, more video games, more product, more diversions at your fingertips than ever before in the history of mass-media. But the downside of all that choice, all that content, is determining what is worth your time, wading through the mire to find the marvels.

Theodore Sturgeon’s oft cited quote, ‘90% of everything is crud’ is one of the understood barometers of the digital and Internet age, and while I don’t think Sturgeon himself believed that pessimistic number (90%, that’s a bit pessimistic, I think more like 75% :)), it is true enough. There is at any given moment a lot of dreck to sift through, and limited time.

That’s where this article comes in.

Every installment we are going to examine a Streaming Roku VOD channel we think is deserving of your time, and cite specific examples you should check out from that channel.

So without further ado, this installment’s STREAMING VOD Channel of the Day (SVODCOTD for short :)) is (drumroll please)….

TUBI TV!!!

Okay, yeah it is not a name that rolls off the tongue, but let’s ignore that for the moment, the oddly named channel has some solid content and ok quality. Their content can be viewed at TUBITV.COM and the channel added to your Roku by going here.

And currently it has the below list of interesting content available. Many of the below are not available even on pay sites such as Netflix and Amazon Prime. However the negatives are:

1/ the quality needs to be better. TUBI TV needs to kick in for more bandwidth as quality can severely fluctuate during a film.

2/ the interruptions while relatively short are WAY too many! There is easily ten of them in a typical 90 minute movie. Interruptions need to be kept to less than four per 90 minute movie,

3/ Where commercials do interrupt the movie, they do so at the worst possible moment. A smarter placement of interruptions has to be devised

So a channel not without issues to overcome. But it looks like a channel that is trying to improve. So here’s the list of content you can checkout today on TUBI TV:

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DOGTOOTH
CHOKING MAN
THE MILL AND THE CROSS
SCALENE
THE LOCAL
LANDSCAPE NO. 2
MORLANG
BE WITH ME
THE UNJUST – Harrowing 2010 Korean crime film
OPEN CITY -2008 Korean film pitting an international pickpocket ring against Korea’s version of the FBI. Sounds very interesting.
BLOOD RAIN – Violent, Supernatural mystery from Korea
BLEAK NIGHT – Well regarded Korean Drama not on Amazon Prime or Netflix
ARAHAN – Well regarded 2004 Martial Arts comedy not on Amazon Prime or NetFlix
ANTARCTIC JOURNAL
GOOD MAN TOWN
OCEAN OF PEARLS
LIVING IN SEDUCED CIRCUMSTANCES-seemingly all the festival reviews state that this bit of venomous and divisive horror is overlong at 75 minutes, so someone listened as it has been cut down to 61 minutes for streaming
DR. BRONNER’S MAGIC SOAP BOX
AFTER PORN ENDS
THE STRIKING TRUTH
HE’S ON MY MIND
COLOUR FROM THE DARK
THE OTHER SIDE
NUMBER 13
NIGHT FEEDERS
FUGUE – I knew nothing about this film, but I’m glad I saw it. Director Barbara Stepansky creates a captivating drama/mystery/thriller with a supernatural tinge.
BAD TASTE
SHE BEAST
WALK OF THE DEAD/VENGEANCE OF THE ZOMBIES
THE HOUSE WHERE HELL FROZE OVER
STREET LAW
ICY BREASTS
MEET THE FEEBLES
KNIFE OF ICE
RETURN OF THE STREET FIGHTER
SISTER STREET FIGHTER
ZOMBIE A-HOLE
All this plus some intriguing content such as Fitness Classes. Find out more at TUBI TV.

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streetlaw

unjust

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scalene

morlang

afterporn

choking

striking

magicsoap


Streaming Movie of the Day : Paul D. Hannah’s THE LAST LETTER [2013]

Streaming Movie of the Day : Paul D. Hannah’s THE LAST LETTER [2013]

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The film initially showed promise. A solid cast, well photographed, passionately performed, but unfortunately it’s sabotaged by a script and character actions that are insultingly stupid. I could choose a more elegant word, but stupid and idiotic and nonsensical sums up the problems with this script.

Well before halfway, the brain dead actions of everyone involved, and the complete unlike-ability of every one involved completely eradicates any interest in the movie or concern for the characters. And a movie where you have lost interest in all the characters is the definition of boring and a waste of time.

And it’s a shame because I do applaud Paul Hannah’s attempt to broaden the Black cinematic experience beyond the ghetto of dramas, comedies, relationship bashing, or Gospel/Christian/message movies they unfortunately tend to be relegated to.

Black themed films desperately need more action films and thrillers and horror movies and scifi and fantasy, however they need to be good. And unfortunately THE LAST LETTER isn’t. However with a better script (it would be hard to be worse) there’s potential for future Hannah thrillers to be better.

Grade: D-

Available to view this month on Netflix Streaming.

Slims vs Comic Books! Diamond Preorders for books shipping July 2014!

The internet has made buying anything, a process far easier than I think we truly grasp. The technological leaps ahead that we have done in a few scant decades, taken for granted, underplayed and underacknowledged by a population seeking to numb itself from its horrors, by conversely meeting with jaded cynicism its wonders.

Reading is likewise much changed in the age of the atom.

This post particularly, concerns itself with reading slims (my name for the product hard-headedly referred to as a comic-book. Hardheadedly because it is neither typically humorous or a book).

The term ‘Slim’ poises it correctly as something periodic and sleek and a bit sexy and just as well suited for grownups as Dvds or books or paintings.

Today’s recommended Slims are:

Slims suffer from a bit of a distribution issue. For the most part you are not going to find them in the spinner racks of convenience stores any longer, nor in the big box superstores of say a Target or Walmart. So while Graphic Novels have never been more popular or influential in our society, the serialzed, periodic form of the Graphic Novel, the Slim, suffers from a visibity issue. They are hidden away for the most part in niche stores, called “direct market comic stores” that our misnomers that will not attract anyone but those already in the know, or nostalgia seekers.

It is an insular inbred model that does not shine its light beyond its own living room, and as such is not new reader friendly. Which is a shame, because as someone who has grown up with this oddest of hobbies and artforms, here in 2014 the width and breadth of story and art of the medium has never been better.

From scifi to mystery to historical drama to horror to humor to instructional to spy thriller, you name a genre and there is a writer, artist producing great work in this medium of Slims, of graphic literature.

That said there is, as in any medium, a lot of garbage out there, particularly in the most visible genre of Slims… the Superhero comic. A genre hampered by monopolistic collusion to the point the very term Super-hero has been jointly trademarked by the colluding companies of Marvel and DC. An idiotic trademark, attempting to own a term as much a part of the cultural venacular as God or myth or justice. But it is the choices of fawning to uncreative monopolistic interests that results in flooding the medium with a lot of noise, a lot of bad books.

The rising popularity of digital gives new options to find books, which is a great thing, however it also increases the odds that the books you come across will be bad, will be the noise rather than the signal.

And with Slims being $2.99 at best and $3.99 on the worse end, you can’t afford to experiment at this price point. This is no longer the day of 25cent comics, so each purchase of $2.99 or $3.99 has to justify itself. The $2.99 or $3.99 has to earn its value against a world rife with options from gaming to streaming to dvds to itunes to traditional books.

Which is why preordering is a pretty fantastic idea. Diamond is the monopoly that distributes Slims. Retailers order from them two months in advance. Customers like you and I preorder from Retailers. The benefit of preordering from your retailer… discounts of typically 35% to 40% off!!! WooHoo! Sign me up! :).

Now that said, that discount only means something if you’re ordering a great book. For a crappy book even getting 99% off is not reason enough to get the book.

So the following are books you can order by the end of May, at a discount, for July shipping. I’ve done the homework for you! 🙂

MAY140044
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1 @ $0.60 = $0.60*1 FOR $1 MIND MGMT #1 (O/A)*
MAY140047
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1 @ $0.60 = $0.60*1 FOR $1 STAR WARS (O/A) (C: 1-0-0)*
MAY140048
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1 @ $0.60 = $0.60*1 FOR $1 THE MASSIVE #1 (O/A)*
MAY140050
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1 @ $0.60 = $0.60*GOON OCCASION OF REVENGE #1 (OF 8) *Special Discount*
MAY140010
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1 @ $1.75 = $1.75*GHOST #6*
MAY140062
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1 @ $1.79 = $1.79*GREAT PACIFIC #18 (MR)*
MAY140707
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1 @ $1.79 = $1.79*MANIFEST DESTINY #8*
MAY140712
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1 @ $1.79 = $1.79*MERCENARY SEA #6*
MAY140713
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1 @ $1.79 = $1.79*OUTCAST BY KIRKMAN & AZACETA #2 (MR)*
MAY140719
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1 @ $1.79 = $1.79*REVIVAL #22 (MR)*
MAY140723
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1 @ $1.79 = $1.79*SAGA #21 (MR)*
MAY140726
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1 @ $1.79 = $1.79*STAR WARS #19 2013 ONGOING (C: 1-0-0)*
MAY140085
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1 @ $1.79 = $1.79*WALKING DEAD #129 (MR)*
MAY140744
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1 @ $1.79 = $1.79*SIMPSONS COMICS #213*
MAY141127
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1 @ $1.94 = $1.94*LOW #1 (MR) *Special Discount*
MAY140566
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1 @ $1.99 = $1.99*RAGNAROK #1 *Special Discount*
MAY140444
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1 @ $1.99 = $1.99*USAGI YOJIMBO COLOR SPECIAL ARTIST ONE-SHOT *Special
Discount*
MAY140055
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1 @ $1.99 = $1.99*TAROT WITCH OF THE BLACK ROSE #87 (MR)*
MAY141233
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1 @ $2.07 = $2.07*BLACK SCIENCE #7 (MR)*
MAY140696
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1 @ $2.10 = $2.10*LAZARUS #10 (MR)*
MAY140709
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1 @ $2.10 = $2.10*MANHATTAN PROJECTS #22*
MAY140711
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1 @ $2.10 = $2.10*MASSIVE #25*
MAY140071
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1 @ $2.10 = $2.10*SKULLKICKERS #29*
MAY140730
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1 @ $2.10 = $2.10*SOUTHERN BASTARDS #4 (MR)*
MAY140731
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1 @ $2.10 = $2.10*STRAY BULLETS THE KILLERS #5 (MR)*
MAY140734
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1 @ $2.10 = $2.10*HALLOWEEN EVE ONE SHOT CVR A (O/A)*
MAY140640
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1 @ $2.39 = $2.39*MIGHTY AVENGERS #12*
MAY140795
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1 @ $2.39 = $2.39*MIND MGMT #24*
MAY140070
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1 @ $2.39 = $2.39*BEAUTIFUL WAR #2*
MAY140447
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1 @ $2.59 = $2.59*CALIBAN #4 WRAP CVR (MR)*
MAY141073
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1 @ $2.59 = $2.59*SIMPSONS ILLUSTRATED #12*
MAY141129
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1 @ $2.59 = $2.59*WEIRD LOVE #2*
MAY140541
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1 @ $2.59 = $2.59*ENORMOUS #2 CVR A CHEGGOUR*
MAY141626
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1 @ $2.79 = $2.79*TUKI SAVE THE HUMANS #1*
MAY141240
*
1 @ $2.79 = $2.79*BLACK KISS 2 XXXMAS IN JULY SPECIAL ONE SHOT (MR) (C:
1-0-0)*
MAY140601
*
Go here to order : http://www.dcbservice.com/
Tell em HT sent ya!

Netflix Winners and Losers : DAVID O’ REILLY vs ROSALIND LEIGH in our Movie Throwdown!


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In this installment of MOVIE THROWDOWN let us start with a film from Netflix that falls solidly in the worth missing category:

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THE POSSESSION OF DAVID O’ REILLY- The audacity and body horror aspects of this film paints it as a decidedly different haunting/possession film, AMITYVILLE HORROR by way of Cronenberg-lite, but that’s not enough to offset the weaknesses of this film, Namely contrived overzealous performances, and a script that ignores the basic rationale of the protagonists not either committing or kicking out anyone behaving so mental.

It comes off as a manic exercise in filmic irrationality, that quickly wears out its welcome along with any modicum of sense. Grade: An intriguing premise that begins well, but quickly devolves into a hysterical mess. Avoid. D. The debut feature film of Andrew Cull it hints at definite promise, if he could reign in the excesses of script, acting and directing.

Of a similar type to THE POSSESSION OF DAVID O’ REILLY, even down to the nomenclature heavy title, but far better is…

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THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH- Directed by Rodrino Guidino, this is also a debut feature film, but you could not tell that by viewing it. The film has the assured look and deft touch of a master filmmaker. Impressive, grand opening sequence; beautiful use of visuals and sound. “Despair is an affliction of the godless.”.

Wonderful set design on the titular character’s cabinet of curiosities, filled as it is with religious iconography. If you are going to set a film in primarily one location, as this film does, it behooves you to have or create a location that will keep your audience captivated, and this film manages to pull that mandate off and then some.

Fluid and engaging camera work, such that it’s difficult not to stay rooted to the screen for fear of missing any of the striking imagery. The camera moves like a preternatural thing, and marries with the sound-work and set design, both of which are stunning, to create an engrossing experience.

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If a fan of HOUSE OF THE DEVIL you will adore this film and its uncoiling pacing. The unseen neighbor… very creepy. In fact this film is filled with wonderful voices, bringing to mind that this and PONTYPOOL use sound, specifically spoken word, so effectively they nearly create a whole new sub-genre of horror film.

I found THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH ultimately a very, no pun intended, haunting and sad and lovely film, which is an odd thing to say of a horror film, but this is no ordinary horror film. I highly recommend it. Grade: A-.

This is one you can sample via Netflix, and then if you are as impressed with it as I am, buy the DVD (currently a bluray does not exist) to watch this film in the highest quality possible and to be able to listen to the director’s commentary to have him walk you through what was on his mind as he composed these shots, composed this sumptuous study in bravura film-making.

So this installment’s loser is THE POSSESSION OF DAVID O’ REILLY and the winner is THE LAST WILL AND TESTAMENT OF ROSALIND LEIGH. Both films are currently available for viewing on Netflix, and the winner available for purchase here:Last Will and Testament of Rosalind Leigh

Tell em HT sent ya! And come back for more Movie throw-downs next time!