Streaming VOD Movies, TV shows and Youtube Videos of Week 2 of 2020! SHUDDER Edition!

 

 

 

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These 4 films, which I have watched since starting my SHUDDER subscription (something like $2.49 for the month, for the next 3 months) are all FANTASTIC, films, in very different ways. But all of them have soared to the top of my MUST BUY List!

MANDY I raved about in a previous post is just a brilliant primary color tinged nightmare of a dream quest/revenge story committed to film.

THE HEAD HUNTER, is a claustrophobic, incredibly tense, incredibly rousing,  actioner/creature feature mash-up.

THE WAX MASK is one of the most sumptuously filmed and strangest Italian Giallo’s, being both a period piece and a Hammer studios homage, a stunning directorial debut.

And then we come to Lucio Fulci’s CITY OF THE LIVING DEAD. I am not a champion of the nonsensical, gore filled films that most remember Fulci for, like THE BEYOND and THE HOUSE BY THE CEMETERY and this one, CITY OF THE LIVING DEAD. I think all of these are the films he made when the audiences  neglected his true masterpieces, to some extent when he stopped caring about making great films, and just decided to pander to the lowest common denominator horror crowds. When Fulci cared, he was one of the most imaginative, talented and stylish filmmakers of his time. He made some of the best Giallos, some of the best westerns, one of the best Hitchcock homages, and one that was his stab at a serious film/period piece. It was that film’s failure that soured him on film and audiences, and made him a gun for hire, and by reports misanthropic to his cast, his crew and the audience, and a churner out of his gore films. That said while I do see these films as Fulci no longer being that filmmaker whose westerns would inspire John Woo’s Blood Ballets and dove motif, despite these films being set-pieces of gore… loosely supported by a story, they are despite all that… still very, very compelling and entertaining. He builds moments of tension and dread and horror, as well as a good smattering of WTF!. Just the audacity of these films, particularly CITY OF THE LIVING DEAD, is impressive. So while not a champion of this film like I am of his earlier films, even lesser Fulci… is jaw dropping. This movie has story structure issues, it doesn’t hold together as a cogent film, it is haphazard and at times silly, but all that aside it is always visually arresting and cinematically audacious. And once seen, you want to own the BluRay to see the making of features and here the interviews and commentary because you definitely want to know what the cast thought of him, after making them do some of the things he had them do in this film.

I’ll be doing an upcoming piece on Fulci, but I guess it says everything about Fulci, is that even what I consider his ‘slapped together/whatever’ film phase, consists of many films, such as CITY OF THE LIVING DEAD, that are must watch films. Even his films of derision, are dripping with imaginative talent.

 

Streaming VOD Movie of the 2nd Week of 2020 : MANDY Shudder Amazon Prime

 

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MANDY (2018)– Finally catching this 2018 released film courtesy of SHUDDER. And I have to say… stunning. A lurid and at times lucid nightmarish primary color tinged, cosmic fueled descent into the Maelstrom; a revenge flick that goes to damnation and beyond. Panos Cosmatos has created a singular vision of the places that wait beyond our reason, places horrid , and awe-inspiring, and unrelenting. And all we must offer up… is everything.

A stunning film by Cosmatos, fueled by a great score by (I have just found out) the late and uber talented Johann Johannsson (composer of one of the best scores of recent memory, SICARIO… he will be missed), and powered by transformative performances by all; but particularly by Nicholas Cage, who takes us into the maelstrom with him, into hearts of darkness.

Nicolas Cage has really been taking some rough roles, brutal roles recently. That will take much out of any actor, and he does it again here, but going further than anyone should have to, into places dark and demanding. And it is so great to see the legendary Bill Duke in a film, he just raises the bar of everything he is in, and does so here. Panos Cosmatos (the son of George Cosmatos who directed one of my favorite films, TOMBSTONE, also an iconic film, with revenge, pushing the wrong man too far, at its core conceit)  with only his second film, the first the equally magical realism imbued BEYOND THE BLACK RAINBOW, has cemented himself for me, as a director to seek out, and to purchase his films when available.

And Kudos to producers Elijah Wood and Daniel Noah for helping champion these criminally underused (and in one case, seemingly blacklisted) visionaries, and working with them to get their films out to a wider audience again. MANDY is very much a gift, from a filmmaker who we have not heard from since 2010. Also very much looking forward to their collaboration with Richard Stanley.

Final thoughts on MANDY… Hypnotic and an experience, that is… compellingly watchable and re-watchable. It is a rabbit hole, and will suck you in. Highly recommended!

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When you have viewed it courtesy of streaming, ‘tried before you buy’ so to speak, and are as impressed as I am, then I suggest buying on Bluray. However I would hold out until they release a steel-book or digi-book with special features to include commentary. The Bluray on the market now lacks any commentary or really notable special features, which I think is a big misstep, to release a bare-bones disc. These days I do not buy a disc, unless it is loaded with special feature to include a commentary track.

In the age of streaming you really need to step up your game with the special features to make the Bluray worth it. Here’s hoping a full fledged disk will be released soon, this film deserves it.