15 Best YOUTUBE Comic BOOK Channels!

While relatively new to the Youtube Comic Book watching scene, I’ve been a collector for a very long time.

And while I don’t know everything that is right. I know IMMEDIATELY when something sounds wrong.

I’m listening and watching these Youtube videos/channels on Comic Books, and these channels are fantastic. I watch it courtesy of Roku on my Big Screen, and I spend more time watching these YouTube channels, than regular TV most days. Much to the chagrin of my better half, who has seen more of these videos than she would like. 🙂

It is just great to see collectors of various ages and backgrounds sharing their passion and finds and tips, on a hobby I also get a lot of enjoyment out of.

Channels like:(You can find any of the channels just by searching for their name on Youtube. Tell them HT sent ya!)

  • SILVER AGED DAVE (best comic book room tours, and essntial info on insurance, budgeting, preserving your books, and generally enjoying your collection, along with great hauls)
  • EARL GREY (best coverage of European comics, as well as deep dives into select creators and genres)
  • MERCENAUT (very informative, and great selection of books to be on the lookout for)
  • GEM MINT (great coverage on Omibus and collected editions)
  • REGIE IFBBPRO (great hauls and stories, and passion for this hobby)
  • LEEKIRBYDITKO (hands down the best golden age coverage on Youtube, and recently become very interested in Golden Age)

  • THULE (Another great Golden Age channel)
  • AFTA COMICS (I love listening to this guy. He sounds like the late, great Adam West. May he rest in peace. So yeah, I listen to him tell his stories in his Adam West voice, and I’m entertained, and reminded of the late great Adam West. Really like this channel. Covers great Westerns.)
  • COUGARCOMICS, WE LOVE COMICS,
  • CHYCHO – I like his laid back, ASMR (autonomous sensory meridian response, a belief that sound can soothe, and in addition create states in the listener where information is more readily absorbed) delivery. Nice coverage of everything from Golden Age to moderns. And his overview and understanding of economic systems, reinforced some things I knew, and really opened my eyes on some other things. His post PERSONAL FINANCE:CURRENCY,MONEY,ECONOMY,P2:GOLD should really be required viewing, by pretty much everyone.

  • LUTHER MANNING – Like his CGC hauls
  • ALEX THE COMIC HOARDER- like his upbeat coverage of hauls
  • WINDY CITY COMIC BOOKS (great coverage of classic comic book magazines)
  • GORE VIDAL- Great coverage of Independents, magazines, and hardcovers, with a love for the Spanish and Italian artists. His multi-episode coverage on Dark Horse’s CREPAX is essential viewing. He stopped broadcasting a bit mysteriously a month ago, anyone with his contact info just let us know he is all right.

  • GABE INFINITY WATCH – I like his coverage of IDW Artist’s Edition. There is another guy Capn something something that comes up more often on Artists Edition, but cant stand that guys very uninformed opinions, or the trumpian confusion that derision is a replacement for discourse. To everyone out there who has an issue with Social Justice Warriors, first learn to use the whole word and not the acronym, second you may want to choose a different medium if you don’t like Social justice Warriors. Because if you are reading Superhero Comics, the first social justice warrior is Superman. Followed quickly by Batman, Shazam, and all the others. The whole of Superhero Comics built on this bedrock of vigilantes, sticking up for the little guy, and taking it to the fat cats, and the corrupt, system. Social Justice Warrior defined.

Well that in a nutshell is the 15 channels that have been wowing me this month. I highly recommend taking the rest of April and exploring these guys channels, all of whom have a solid catalog of videos. If you are like me I can’t watch them on my laptop. I have to use the Youtube channel courtesy of Amazon Fire or Roku.

So yeah, loving the positive, fun youtube channels, and ignoring the haters. However one thing not  so easily ignored is the aforementioned ever present  conversation of people ‘cleaning and pressing their comics for CGC slabbing.

Okay I’ve known about slabbing for years, has never been my thing. But the Youtube Channels have actually made me interested in some slabbed books for some of the more significant titles, for my ‘security deposit box’  books. So from having a total of 0 certified books 3 months ago, I now have nine. Not a tremendous number, but I domn’t have the need to have a tremendous # of slabbed books.

Now I haven’t pulled the trigger on having any of my personal collection slabbed, the aforementioned 9 slabbed books, were bought slabbed. For me not having to wait, or pay the cost of grading makes already certified books attractive. Particularly, when I’ve been able to buy already certified books, for basically the price of the raw book in most occasions. And plus I did look into it, and the time, and cost of slabbing, right now it is more cost effective to buy certified editions,

My only concern about slabbed editions is the people who are into cleaning and pressing comics.

Common sense tells me that heat and moisture added to newsprint speeds up the decay of newsprint. So you add moisture, and heat to newsprint, and seal it in plastic you have started a process of increased deterioration that is now pressed into the fibers of the paper and will continue at an enhanced speed, INSIDE the now slabbed book.You are creating a product that when unslabbed in the future will be in SUBSTANTIALLY worse condition than a mylar protected but uncleaned/pressed book. In an attempt to get an inflated number on the book, you are actually shortening the life of the book.

And all that is best case scenario, when you do the drycleaning and pressing process correctly.

http://www.thecomicdoctor.com/comic-book-pressing-faqs/

There are a lot of third party services out there who are absolutely destroying comics and calling it cleaning and pressing. I’ve seen some Youtube videos of people, who press comics as a money making business that apply water to the book in their cleaning process. THAT IS A NO NO!!! Then heat the book. Then get it slabbed and sell it. That is why I’m happy to have the majority of my gold, silver, bronze collection well preserved with fullbacks, mylar, and microchamber paper. So everything CGC offers you, but without pressing and dry cleaning.

And the above discussion I’m talking about Gold, Silver, Bronze age books primarily. Slabbing newer books is what CGC makes the bulk of their money on, because of the huge # of Wednesday Warriors speculators, immediately having any new book they think has a cool cover or a number one appearance slabbed to get a 9.8 in hopes of being the next WALKING DEAD #1.

Hey if you have the money and that’s your thing, go for it. However be aware of the break even point you have now set for that modern book.

Because here’s the issue, the fact that you have more people certifying the same new books, and getting the same high grades, means you are killing the scarcity of that item, meaning the likelihood of it ever being WALKING DEAD #1 much less AMAZING FANTASY 15 is slim to none, In fact most hot slabbed and variant covers, have a very short hotness span, before they start diving in value, and are worth less than your initial investment.

Now that is true of most comics, but it becomes even more egregious when people are paying multiples of cover price for a brand new book, and on top of that than pay for slabbing. That book now out of the gate is more prone to fall and lose value. It is very much a version of the speculator fever that led to the crash of the 90s.

The good news is there is no bubble to pop at this time. Comic Books are not selling millions of copies like they were in the 90s, creators and companies are not getting rich off comics, like they were in the 90s, and speculator fever has not hit the mainstream. There was a sizable precipice in the 90s for everyone to fall from. Not so today, the uptick in interest is mostly lapsed fans, and a few new fans, and their speculation and double and triple dipping is actually keeping aloft a medium that is happy to cater to their speculator fantasies.

If you can’t sell to more people, sell more copies to the audience you have. So the current speculator fervor, Publishers and retailers are happy to buy into it; because it is not a bubble, it is a lifeline keeping them afloat, in a market where $3.99 cover prices have priced comics out of adaption by anyone but the converted.

That’s why I stick to books that already have a proven value outside of the slab.

So yeah that is my post.

Give love to the channels I mention and be wary of cleaning and pressing a comic. If your comic book is a 4.5, It is a 4.5. The attempt to make it a 5.5 in the short term, can be speeding up the process of making it a 1 in the long term.

Ending this on a positive note you 15 channels are always showing my your hauls and recommends, which I greatly thank you for. You’ve put some great books on my radar. Wanted to return the favor. Below is my list of must own comic books, that I think are WAY undervalued and you can still buy incredibly cheaply and will only go up.

Enjoy!!!

 

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DAREDEVIL 126 & 127 – One of the best two parters of all time. I read this back in the day and it still stands up as one of my favorite non-Frank Miller DAREDEVIL comics. TORPEDO is a great bronze age character, and this is him at his best. Sporting great Gil kane covers, and a story by Marv Wolfman (who was also Executive Editor at the time, and art by Bob Brown and Klaus Janson. Wonderful visuals.

THE UNTAMED – Is a beautiful sword and sorcery graphic novel by Sebastian A. Jones and Peter Bergting and Darrell May. From STRANGER COMICS. A quality and very little known collected edition.

DEFENDERS 52- Best Gil Kane Cover. Best done in one story. Best Hulk vs Sub-Mariner fight. One of the Best Keith Giffen and David Kraft co-scripts. From about issue 42 to 52, these guys were on FIRE! Best depiction of the Hulk. Best depiction of Sub-Mariner. Done, done, and done.

ADVENTURE COMICS 431-440 -Michael Fleisher’s stories starring the Spectre, with Jim Aparo art have quite frankly never been surpassed. They are for me, the definitive take on the Spectre as a vengeful Wrath of God, with a more than demented sense of perverse punishments. A lurid and legendary series.

THE SINISTER HOUSE OF SECRET LOVE #1- Dark Shadows meets the House of Mystery? How do you not love that title and that cover. A must own.

I SPY 1-6 – The 60s pushed the envelope in terms of entertainment, writing and scope. Bringing globe trotting adventures into our living room. I SPY along with DANGER MAN/SECRET AGENT MAN and MAN WITH A SUITCASE were some of the best TV shows of the period. to have that great Cosby and Culp series, also as a comic book is a must own. Great photo-covers.

You can get any of the books listed using the link below. And using the lin earns this blog a few pennies to keep the lights on.

 
Buy comic books here!
 

Hope you enjoyed this post. if you did, spread the word.

 

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MOVIE REVIEW: G.I. JOE RETALIATION

MOVIE REVIEW: G.I. JOE RETALIATION

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G.I. JOE RETALIATION- A good, if flawed popcorn flick. A brisk running time, and strong action sequences makes up for haphazard plot, script, and largely half baked performances.

Not giving you time to ponder too long the film’s shortcomings (the whole Storm Shadow and RZA subplot is so under-written/poorly written it seems almost to belong to a different, unfinished movie) is a definite strength of this film. Taken at speed, and not too seriously, it’s a fun and at times adrenalin inducing 90minutes, and one of the few films to do a good job of utilizing REAL 3D.

Usually not a fan of 3D, however this time a combination of good theater, and I think a well converted 3D film, makes for a film that is fun to see in 3D, rather than a chore. Dwayne Johnson largely carries the film, being the most likeable and engaging actor in the movie. GRADE: B! Enjoy!

Favorite Golden Age Captain America Covers! The best of the first 50 issues!


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WIZARD WORLD Philadelphia 2012 Convention! Pt 2 of 2!

Well finally the much prophesied final part of my Wizard World Philadelphia 2012 coverage is here. You can see the first part here.

First some sights of us gassing up and on the road to Philly:

So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!

One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :))

So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.

So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.

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Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.

This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.

On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.

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My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.

With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)

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One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.

Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.

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I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ’em HT sent ya!

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One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.

You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :)) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.


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Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! 🙂

Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. 🙂

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In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!

And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.

Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.

WIZARD WORLD PHILADELPHIA COMIC-CON 2012 Convention Coverage

Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.

But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.

That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.

However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. 🙂

Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. 🙂

There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.

But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.

The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.

Next installment will bring you some of those discoveries.

But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. 🙂

But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.

But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.

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The 2nd and Final Part of the convention coverage has been posted and you can find it here! Enjoy, I had a blast putting it together!