YouTube vs Roku/Fire TV YouTube! CDs vs Records! And the de-evolution of America. Winner? MUSIC COMPANIES!

So i hate YouTube on the web.

I hate anything with an unmoderated comments section, that revels in talk show idiocy, or ‘attention through controversy’ or bad behavior.

But thankfully YouTube via streaming devices Roku or Amazon Fire TV, is actually devoid of those moronic comments and is more signal rather noise.

This week it has been brilliant helping me research and scratch my hifi/ audio need.

And by far, by far, the Youtube Channel I found the most useful of all, is the s)mply fantastic channel AUDIOHOLICS.

These guys can clearly call bs on the fuzzy thinking that makes up too much of hi-fi marketing and hype.

Such as the sillyness of various Youtube channels going on about the superiority of LPs over CD (I don’t care if you like LPs better, that is subjective. But LP/wax is an inferior medium, (I stress MEDIUM) that is not subjective, that is a fact.)

Talk about lossy system, LP is the original lossy system. It can’t handle the highs or the lows that CDs can, so has to be mastered in this very midrange sweet spot. Which is fine, in that midrange, if you’re good with that, and that sounds ‘warmer’ to you than a   CD, whatever. In the midrange if mastered right it can be perfectly fine. But one thing you lose in addition to those highs and those lows, that get clipped on wax, you lose the ability to reproduce the listening experience.

By that I mean, if you play a CD the first time, or the 500th time, and the hardware, the cd player, the speakers, amp, being the same; the quality of that recording will be the same as the first time you listened to it. That listening experience is reproducible.

Not so with wax/lps, like vhs tape or cassette tape, the LP playing experience is one of degradation. Everytime you play the medium, your start wearing it down minutely, and evertime you play it (though no one wants to think of it) it sounds worse than the previous time, because you are scraping into that signal, that medium.

I come from the analog generation, I played records, and vhs tapes, and cassettes until the quality noticeably started grinding down. And it didn’t then, and it doesn’t now, take too many plays, for that quality to start noticeably degrading.

So I have an experience with LPs and Cassettes, and in its time it was great, and it is still something to be said about large beautiful album covers and liner notes, the tactile process of it. But don’t confuse immediacy, with sound quality. And that immediacy doesn’t outweight the glaring flaws and problems with wax, in terms of sound quality, albums always getting futz on it,needles getting futz, the threat of warping, pops and cracles appearing out of nowhere.

We loved LPs because it was the best we had. But it was always a bit of a chore as anyone can tell you who grew up with them.

And I am not an LP hater. I think it has a place , and I still get the occassional LP, but generally these are recordings only available as LPs, or were mastered direct to wax.

The former being a lot of Quincy Jones stellar 60s and 70s avant garde film soundtracks such as the seminal IN COLD BLOOD. As far as the latter, I’m a purchaser and supporter of Jack White’s THIRD MAN RECORDS. This label goes to the stunning step of recording performances live and pressing directly to vinyl. You stilll lose some highs and lows when recording to wax, but in that midrange you get something very unique and original, you get a live concert experience unmoderated by overproducing.  That”s something very unique, and while I don’t see anything particularly superior in the sound, this at least has validity as something distinct from the CD. Unlike others taking tracks mastered for  a CDs range and just chopping off the highs and lows and slapping that on vinyl.

Vinyll can be great for these very unique niche projects. But as as additive to what should be a strong and healthy and forward looking digital market. To include CD and DVD and and SACD market.

It shouldn’t be this very cannibalizing either or scenario, in which music and choice….and the consumer… loses.

So when LD, CD, DVD came on the horizon it was then, and is now, a revolution, because suddenly you have something  you can buy that will rather than lasting 25 listens or views , if you are very careful and meticulous in keeping it cleaned and dust free,  before quality suffers, you have something that will keep its pristine quality, with just normal care for a minimum of 25 years. Not 25 listens like an LP… TWENTY FIVE YEARS! Minimum.

Now add greater dynamic range, larger capacity, and vastly increased lifespan and you have a medium,The CD/DVD, that by any definition is superior. And is by any measure the greatest boon to the video and audio consumer since the advent of recorded sound.

Now if a new generation gets sold on mp3 CDs and mp3 streaming and some badly mastered cds (and LPs can be equally badly mastered, any medium will have those who use it well and poorly. The difference being we have not yet exhausted the limits of how far we can take the CD and DVD and SACD. We are abandoning those formats before wecreach their limits. In favor of going backward to a medium, wax, whose limitations were always a source of frustration to audiophiles and engineers), and this young generation is bamboozled into writing off the most astounding and groundbreaking medium produced in the 20th century and goes backward to the flawed and not copyable ,and needing replaced often, analog medium, then who benefits?

I’ll tell you who… The RIAA and the music companies, who always viewed Digital with fear for the freedom it brought the consumer.

I tell you this new generation is giving away the baby with the bath water. Privacy, oh who needs that, put everything on facebook. Put surveillance systems in the guise of game consoles, and music players and smart devices in our homes.

Here’s the thing about smart devices and trusted computing, its about the companies being able to trust you, and not the other way around.

Conglomerates, are the ones benefiting from DVDs and CDs removed from the consumer and the return to records.This creates a model where the consumer owns music or video only on flawed, finite, non high-quality medium, and must go to the content provider for anything superior.

It is not only politically and morally and spiritually that America is devolving as a nation, but also in terms of technology.

 

My response… don’t let it.

Don’t buy the marketing and allow your rights to the future, be swept away by someone selling you the past. Continue to support full spectrum DVD, CD, and BluRay. And more than that let us continue to innovate, if people like the large LP format, lets give it to them, but in the superior medium.

I was a huge fan of Laser Disc, which works very much like a record, but using a superior medium, and a laser pickup instead of the horrible wax and needle medium.

Lets offer that as the 21st century version of records, to those who want Analog playback but with the benefits of digital transport/reproduction. That is a record I could get behind. 🙂

 

 

 

 

 

 

p.s. And avoid youtube morons attempting to review speakers and amps by just playing music (uh, moron, if I could hear the quality of your system just by listening on my system… they would call that magic. How do you not realize that?)

This is the lack of common sense mentality  that has idiots ditching CDs for flawed LPs, and spending thousands to try and make those LPs reach a dynmaic range, that is beyond them.

 

Okay here endeth my rant!

 

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Currently Listening to Marc Maron WTF #837

It’s funny that the best analysis of America you won’t find on Fox or Abc or CNN, you will find on an interview show. Marc Maron’s preamble to this August episode on the sound of an Authoritarian America… must listen.

Here’s the website:

http://www.wtfpod.com

And here’s the link to the show:

http://www.wtfpod.com/podcast/episode-837-kareem-abdul-jabbar-phil-stutz

 

BROTD: Binaural Recording of the Day! Installment One!

Binaural recording is a 100 year old, mostly underused method, for providing immersive 3D sound recording AND playback with no need for consumer post processing or decoding, ala Dolby Surround.

I discovered Binaural recordings probably 10 years ago, and have been a fan ever since. The early Stephen King MIST CD (love the story and audio book, hate the movie, mostly due to Frank Darabont’s changes and excesses in group dynamics, creating caricatures rather than characters) and Clive Barker’s INHUMAN CONDITION sold under the moniker 3D Audio, being my first introduction to the wonders of Binaural.

 

“Suspended in a haze of terror, humanity makes its last stand against unholy destruction!

Stephen King’s sinister imagination and the miracle of 3-D sound transport you to a hot, lazy day in a sleepy all-American town — where a sudden, violent storm leaves behind a mysterious mist that traps you in the supermarket with dozens of others, cut off from your families and the world.

The Mist is alive, seething with unearthly sounds and movements. The Mist has you in its grip, and this masterpiece of 3-D sound engineering surrounds you with horror so real that you’ll be grabbing your own arm for reassurance. To one side — and whipping around your chair, a slither of tentacles. Swooping down upon you, a rush of grotesque, prehistoric wings. In the impenetrable mist, hearing is seeing — and believing. And what you’re about to hear, you’ll never forget.”

—THE MIST in 3D Sound

I immediately became hooked, but aside from those two audio books, and a handful of special effects and music CDs, Binaural never became embraced by the music or audio book market.

I always related that locking out of binaural with Dolby having defined the defacto surround standard for the theatrical and home markets; and receiver and CD and DVD and speaker manufacturers, having a vested interest in selling dolby post processing hardware and equipment.

Whereas with Binaural, you can cut all of that out, replace all of it on the consumers end, with nothing more than a pair of regular headphones.

Thankfully through the internet and other binaural lovers recording and sharing their city soundscapes, binaural has stayed alive. Allowing any person with the desire to download and a pair of headphones, the ability to experience, relive, a moment in someones’s walk through the streets of Paris, or Sweden, or New York; to experience what Alan Moore called “dream cities of the mind”.

And showing  everything old is new again, Binaural is finally being embraced (for its cost benefits and 3D soundstage) by virtual headset manufacturers and game designers, who are seeking an effective way to add surround sound  to their headsets without licensing or reguiring expensive post production decoding.

Add to that a new wave of affordable binaural microphones (the one part of Binaural that is not cheap, is cost of the recording heads. You can see some pricing here. So these new cost effective mics, come as a real boon.) and binaural recording is well on its way to being far more accessible.

VERGE coverage on Binaural for 2016!

So BROTD will be a reoccuring feature of this blog, shouting out impressive Binaural recordings or sites I’ve come across. And without further ado, this installments winner is (drumroll please)….

SOUNDLANDSCAPES BLOG – This website features various recording of Paris street life, and these are excellent recordings. You close your eyes and you are there, virtual reality of a sort, without the million dollar price tag. Just a stereo recording of microphones placed where the human ears woud be, and the motion through, or within a crowd, and listened to via headphones… and you have something not quite unlike magic.

 

Listen to this site’s great recording in your podcast player of choice using this RSS feed: https://soundlandscapes.wordpress.com/feed/

And a great recording to start with is the latest episode in their feed, described below by the Blog owner and recorder… Des:

Every Tuesday, Friday and Sunday an indoor market, housed in the 19th century Grande Halle, opens for business and an outdoor market appears on Place Jean-Jaures and in the surrounding streets.

Marché de Saint-Denis

The outdoor market is rather like an African souk selling everything from clothes and fabrics to a range of footwear, cosmetics, bags, clay cooking pots and other assorted household goods, tools and plants, as well as some high-end, branded goods at suspiciously low prices.

But for me, the indoor market inside the Grande Halle is the main attraction. With its sights, sounds and exotic smells, visiting the Grande Halle is a multi-sensory experience not to be missed.

The sound recording is fantastic, and i higly recommend you subscribing to Des’ site via the above feed. Oh and if unsure what podcatcher to use, on the tablet side PODCAST ADDICT is a good one, on the laptop/desktop side GPODDER is a very good one.

If you liked this post and want to see more Binaural coverage toss me some likes, and use the links below to get some great binaural recordings (every purchase helps support this blog and is greatly appreciated. You get introduced to great items, and we get a couple pennies 🙂 ).

 

The Mist Movie Tie-In: In 3 D Sound

From the Caves of the Iron Mountain