Roku Fire TV FREE VOD/STREAMING Channel of the Weekend : TUBI TV

TUBI TV is not a particularly easy to browse website, however their free streaming channel has one of the largest selections of movies outside of paid options such as Netflix and Amazon Prime, and even includes quite a few movies that are available on neither platform.

Here are some titles from TUBI TV that are available this weekend:

FINAL PRAYER- An okay found footage horror film. Third act goes off the rails a bit, but worth a look.

the-apartment-1960THE APARTMENT- One of my favorite Gene Wilder films, an endearing drama/romance starring two of the greats. Jack Lemmon has never been better and the late, great Shirley Maclaine has never been more radiant. A lovely movie. See it for free here then buy the blu-ray. This one deserves to be owned, complete with special features.

jack-lemmon-shirley-maclaine-the-apartment-1960

HENRY THE  V- Kenneth Branagh’s first film, and for my money still his best and most endearing. The quintessential adaption of this most rousing of Shakespeare’s plays.

greatexpectations46GREAT EXPECTATIONS- A 1947 David Lean masterpiece. Groundbreaking camera  work and lighting.

burrowersTHE BURROWERS – There are two great western-horror hybrids, BONE TOMOHAWK is one, and this is the other.

lifeforceLIFEFORCE- I remember seeing this movie as a kid, blew my mind back then. And as an adult there is much still to appreciate, especially a memorable gravity defying actress. 🙂 Well worth a look.

Haven’t seen the following but intrigued enough to give them a watch this weekend:

AFTER DUSK THEY CAME

HOWLING II

DARK CIRCLES

DAY OF THE TRIFFIDS

LAKE EERIE

BREATHING ROOM

HOWLING (2012)

ALL SOULS DAY

THE TERROR EXPERIMENT

THE BLACK WATERS OF ECHO’S POND

DARKROOM

THE PERFECT HOUSE

THE THIRST

Respond with your own TUBI TV favorites!

 

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Music Video of the Day??? Yep. Roku Vimeo Streaming VOD Style!

While the heyday of the music video was arguably 30 years ago, people are still cranking them out.  And without further ado here is one that I stumbled across today that is awesomely fun.

You can use the link below. Or, the better way to watch… If you have a streaming system such as Roku or Amazon Fire TV and the free Vimeo channel you can watch this on your big screen right now.

Strongly Recommended!

 

https://i.vimeocdn.com/video/614284207.jpg?mw=300&mh=168

SHY LUV – SHOCK HORROR feat Jones on Vimeo

 

Black Butter Records

Directed by bif
Produced by Riff Raff and Mill+

 

Currently Watching : HORRORS OF THE BLACK MUSEUM

horrors-of-the-black-museum-movie-poster-1959-1020672568

Watching this classic 1959 chiller courtesy of VIEWSTER’s Roku Channel.

Considering the DVD of this is a pretty penny:

 

Horrors of the Black Museum

Catching it courtesy of VIEWSTER is this weekend’s recommended watch!

And wanted to thank the B-Movie Cast for putting it on my radar in this episode of theirs from a couple years ago.

http://bmoviecast.com/podcasts/bmc142-horrors-of-the-black-museum-1959-toll-free-number-888-350-2570/

Well worth a listen.

 

BLU-RAY Movie of the Day : Antoine Fuqua’s EQUALIZER

“Progress. Not perfection.”

The Equalizer Movie Poster

I know in this day of streaming it’s all the rage to herald the death of physical media.

Allow me to be the voice of dissent.

Streaming is fine for sampling things, and trying things, but for things you love, and intend to watch again, revisit again, give me that feature rich DVD or BLU-RAY any-day, and twice on Sunday.

I love film. And I love cast and Director’s commentary. For films I love, after I consume the film, I like to go back and hear about the process, the experience of making the film.

For a beloved film, it just adds to the enjoyment.

And for cinephiles or hopefuls one day looking to work in some capacity crafting these once celluloid marvels, a commentary by Michael Mann or Ridley Scott or the late great Tony Scott is like being part of the best film school in the world.  It’s enjoyable AND informative.

My favorite movies I might get introduced to on streaming, but providing they have that commentary and special features, I will always buy in Blu-ray/DVD format.

The Equalizer Movie Poster

Antoine Fuqua’s THE EQUALIZER is one of those movies. First the Blu-Ray picture and sound quality is stellar. No buffering issues, or making sure you haven’t gone over broadband quota issues, or weather related or ‘time of day’ issues that can all affect your enjoyment with streaming. No the Blu-Ray, as long as you have your player and power, will be there for you, in the same spectacular quality.

Now moving on to the film itself, while I liked the TV show well enough, I too was incredulous when i heard about a remake. Add to that the odd choice of Denzel Washington to helm a big screen version of a mid-tier show, best known for the Britishness of its protagonist.

But I’m happy to say AntoinE Fuqua and the writers and Denzel Washington do the impossible in making this 80s small screen show, into galvanizing big screen entertainment. From the first frame the story is told, of a man of regimented routine, of  necessary order. Peace, found in the adherence to the space between seconds. A dragon allowed to sleep. Until one day something shatters that routine, that peace, and the dragon must wake.

Fuqua is a director, whose first couple of efforts left me cold, but I have to say he has grown into a great Director. There is such a beautiful patience in this film, that it makes the action scenes when they come, so much more devastating. And a large part of that is Denzel Washington, he brings a laconic, measured weight to the doors he steps through, a gravitas, that really sells the moments he must… wake.

Coming out the same time frame as JOHN WICK, both films share a common theme of men of extreme skillsets being forced back into using those skills. It’s lovely how the same theme of vengeance can be handled so differently, and so well in those differences.

JOHN WICK is a balls to the wall, action extravaganza,  EQUALIZER offers a bit more measured approach, but somehow manages to make every person’s fall more personal for that measured response. Fuqua’s EQUALIZER takes the time to watch the light go out of a man’s eyes. And there is something sobering and frightening about that. I love JOHN WICK, and looking forward to JOHN WICK II, but I love EQUALIZER just as much. The only misstep to EQUALIZER is the poor choice of a rap song for the closing credits, but other than that a home-run of a film.

It is a phenomenal film. Made even more so by the VENGEANCE MODE that the Blu-Ray offers. All in all a grade ‘A’ film, well deserving of owning in Blu-Ray.

 

Get your copy at the link below:

The Equalizer [Blu-ray]

Recent Streaming Movie Watch Disappointments and Winners!

LOSERS

Movies that initially grabbed me because of the poster or reviews, but turned out to be disappointments:

  • DEEP IN THE DARKNESS- Loved the poster, but unfortunately from an initial good build up, just came to an underwhelming end.[NETFLIX] https://i1.wp.com/pics.filmaffinity.com/deep_in_the_darkness-300967339-large.jpg
  • AS ABOVE SO BELOW – Another film that started with an interesting premise, but simply squandered it, in a derivative and uninteresting film.Extra Large Movie Poster Image for As Above, So Below (#1 of 2)
  • DARK FLOORS – It fails the stupid test, ie ‘Would a rational person do this, given this’. More often than not, most Horror movies, fail the Stupid test. And once you fail that Stupid test a few times, I lose any interest in caring about the protagonist or wanting to finish the movie. 40+ minutes in, leaving your kid, with someone who has already made a threat against your kid, in a survival situation. Who the eff would do that? No one! I’m out![AMAZON/HBO] https://i2.wp.com/img.moviepostershop.com/dark-floors-movie-poster-2008-1020440808.jpg
  • THE FOREST – This tale of a missing twin… YAWN. Bored to death in 15 minutes. [AMAZON/HBO]Extra Large Movie Poster Image for The Forest (#3 of 7)

WINNERS

These films rocked!

  • LIGHTS OUT aka DANS LE NOIR/IN THE DARK – Loved the short film, and the director managed to knock it out of the park for the feature length version. I’m waiting for a DVD/Blu-Ray with Director’s or cast commentary. That’s how much I liked this film. A solid GREAT.   Lights Out Movie Poster
  • NO ONE LIVES- This puts a nice little spin on the standard slasher flick, by having the victims be ruthless criminals. I’m not a slasher fan for the simple fact I have no interest in watching bad guys terrorizing young women. But bad guys taking out bad guys, seems a bit more fair to me. And this one has a quality director and is much better made than the typical genre fare.A solid VERY GOOD. Extra Large Movie Poster Image for No One Lives (#4 of 5)
  • KEANU- This Key and Peele film is surprisingly good. Lots of fun. A solid VERY GOOD.
  • THE REVENANT – Dicaprio earned all accolades for this role, as does the director, Alejandro G. Inarritu who has proved himself with a handful of films to be one of the best Directors in the world (up there with directors such as Alfonso Cuaron of CHILDREN OF MEN fame). This film is the definition of harrowing, I had to fast forward the middle of the bear scene, I couldn’t watch that, it was that intense and grueling a scene. And the film is one long crawl, that unexpectedly opens up to moments of stark beauty amidst the horror. I do think the film veered a little into self important territory, especially with that ending, but overall it does what it sets out to do. It stuns. Fantastic camera work, makes this a must see. That said it still isn’t in the same league as JERIMIAH JOHNSON from the 1970s. But the REVENANT, minor issues mentioned, is a solid GREAT and MUST SEE.
  • BATMAN THE DARK KNIGHT RETURNS PT 1 – A fantastic and very faithful adaption of the Frank Miller classic. A solid GREAT.
  • DEADPOOL- I had my doubts about the hype, but the hype was warranted. A solid GREAT. Deadpool Movie Poster
  • BATMAN V SUPERMAN DAWN OF JUSTICE – I read quite a few less than stellar reviews of Zack Snyder’s Theatrical version of this film. But finally seen, some wonky bits aside, I thought it was fantastic. Ben Affleck’s BRUCE WAYNE/BATMAN I thought was great, as were all the other actors. I loved Jesse Eisenberg’s portrayal of Luthor. He joins a host of talented actors to portray the character and all of them bring something unique to their take. A solid GREAT! I liked it so much I’m buying the ULTIMATE EDITION which has 30 more minutes and is generally written up as an improvement on the theatrical.
  • THE CELL- Speaking of great directors, TARSEM SINGH is one of the foremost visualist Directors working today. His films are sumptuous visual feasts. The problem is the stories tend to be lackluster at best. THE CELL marries a basic police procedural, very much Michael Mann’s MANHUNTER in places, to a wacky excuse… to bring in screen filling visuals by Singh. The marriage works, as sporting solid actors, I think it is Singh’s best film to date. If you like THE CELL another visually sumptuous film with surrealist and dream laden imagery to try is RITUAL III. All in all THE CELL is a solid VERY GOOD! The Cell Movie Poster
  • 28 DAYS LATER- This pseudo Zombie/Crazies film is just plain good. Some definite parallels to WALKING DEAD in its beginning, complete with the protagonist waking up in a deserted hospital. I quite like it, especially the ending, that flies in the face of the general trend of these movies. 28 Days Later Movie Poster
  • INSIDIOUS III – I was a huge fan of the first INSIDIOUS film, and quite disliked the 2nd film. It was just a misstep, most notably in the useless killing of the character of Elise Rainier played awesomely by Lin Shaye.
  • Well this film, a prequel corrects this, by putting Lin Shaye’s character very much on the front lines. When she steps up in the third act I loved it. Initially I had my doubts about this film, the stupid kid doing what she has been told not to do, wears thin on me, real quick. Thankfully the film quickly jumps over that and moves at a quick pace to the heart of the story.
  • And this movie unlike the majority of horror films has actors who can act, and is wonderfully directed/edited. For in a horror movie, like with comedy, timing is everything; and the timing and pacing in this film works wonderfully to deliver the scares. Wonderful end credits. Great music by Joseph Bishara. A solid Very Good.

Insidious: Chapter 3 Movie Poster

10 BEST CAR CHASE/ACTION SCENES of all Time!!

https://i1.wp.com/imgc.allpostersimages.com/images/P-473-488-90/40/4031/LWBLF00Z/posters/bullitt-french-movie-poster-1968.jpgBULLET – A classic, and on everyone’s list for a reason.

BORDER COP – The first few minutes of this 36 year old movie had my mouth agape. As It sports an unexpected and insane car chase sequence by anyone’s definition. Whatever they were paying the stunt man/men was not enough. The only car chase sequence in the film, it’s good enough on its own to earn a place on any list. BORDER COP is so many different and warring things together, it jumps genres so unexpectedly from a jaw dropping car chase movie in the first few minutes, to a low key drama, to a harrowing expose of business and cruelty both of the animal and human variety on the bloody US/Mexican border. A nearly 40 year old movie that sadly, and disgracefully is as relevant today as the day it was made. A solid movie.

 

Extra Large Movie Poster Image for The Raid 2: Berandal (#4 of 6)RAID 2 – Written, Edited and Directed by Gareth Evans there is much to recommend RAID 2. It’s a great Martial Arts movie, sporting some of the most brilliantly choreographed fight and knife scenes ever put to film, it is also an incredibly violent (and convoluted) crime/gangster movie. In addition it also showcases one of the most bad-ass car chase scenes. Starting at about the 1hour 50 minute mark, when most movies have already finished, RAID 2 is just warming up.

Dirty Mary Crazy Larry Movie Poster

DIRTY MARY, CRAZY LARRY– The quintessential 70s American Car Chase movie, this whole film is one long chase. A great car chase film, and a great film.

 

Cotton Comes to Harlem Movie PosterCOTTON COMES TO HARLEM – Predating Friedkin’s FRENCH CONNECTION by a year, Director Ossie Davis’ 1970 Action/Comedy Adaptation of Chester Himes COTTON COMES TO HARLEM showcases a great car chase scene. The scene, that involves a van and a bail of cotton, originates some chase sequences that Friedkin would appropriate for his own film, and filmmakers have been using since. Age not withstanding the car chase scene in COTTON COMES TO HARLEM is better than its imitators… and a lot more fun,

 

https://thisisnotadvertising.files.wordpress.com/2011/07/hire_wp-728059.jpg?w=444THE HIRE– What do you get when one of the most respected car companies gets together with some of the most respected action directors to craft a series of ads/short films…. you get THE HIRE, iconic short films that revive and improve upon the heyday of the car chase film. Short Films that would inspire the feature length TRANSPORTER series. Arguably the short films are better.

 

The Seven-Ups Movie PosterTHE SEVEN UPS – Philip D’ Antoni’s film, seen as something of an unofficial followup to FRENCH CONNECTION, sporting many of that film’s cast and crew and themes, is by far the superior film to the Academy Award winning FRENCH CONNECTION. The fact that the mediocre FRENCH CONNECTION has an Academy Award reiterates my thesis that the Academy has a tendency to reward films that reinforce or refresh for a new generation these racist mindsets and mentalities, often in heroic lights; From A BIRTH OF A NATION to THE JAZZ SINGER to GONE WITH THE WIND to MONSTERS BALL to FRENCH CONNECTION, the Academy is always happy to reward Minstrel Shows, films with Black Faces that are there to reinforce and present White Messages. THE SEVEN UPS Thankfully is not that type of film, and concerns itself strictly with telling a compelling crime film. Which it does in spades, complete with a car chase that starts around the 52 minute mark, and runs 12 minutes, that is easily the superior to the one in FRENCH CONNECTION; and THE SEVEN UP car chase can easily be ranked as one of the best of all time.

Extra Large Movie Poster Image for Sabotage (#3 of 13)SABOTAGE – One of the latter day, post-governor Arnold Schwarzenegger movies, SABOTAGE is surprisingly a home run. David Ayer, a director I tend to feel is too heavy handed, here finds a story and actors and a co-writer that tend to ameliorate his often too unlikable protagonists and world view. Here Schwarzenegger leads a DEA strike force, up against their deadliest enemy. Besides being a solid action thriller this film also sports an insane 10 minute car chase scene. The actors really sell this 10 minutes and make this a chase scene that holds up.

 

Mission: Impossible - Rogue Nation Movie PosterMISSION IMPOSSIBLE ROGUE NATION – As much as James Bond in its 50 years is known for car chases I couldn’t find one strong enough to surpass the car chases in the MISSION IMPOSSIBLE franchise. Notably this one from ROGUE NATION is the best MISSION IMPOSSIBLE car chase. From cars to bikes, just an astounding and fun 8 minute sequence.

 

Bad Boys II Movie PosterBAD BOYS II – Michael Bay is often vilified, for reasons that seem to me to amount to people upset that his movies are populist entertainment. Of the 13 feature films he has done in the last 22 years, five are devoted to a toy franchise, and the majority of the rest standard summer action fare. But action fare done really, really well.

Michael Bay at the top of his game is a great filmmaker, and I think nothing highlights this as well as his first feature BAD BOYS and his last 13 HOURS.

BAD BOYS II however is neither of those films, being neither popular nor successful. It is definitely a misfire, it is too long and the comedy misses more often than it hits, leading to overlong cringeworthy scenes you want to fast forward past rather than laugh at. Trying to emulate the success of the first film, they get the mixture of comedy and action wrong. That said, even when the comedy fails, the action and visuals never do. I have always loved Michael Bay’s use of the camera, he uses a lovely panning, roving style that is simply exquisite. Michael Bay understands the essence of the Heroic and is able to convey that in the panning of a camera. And arguably it is in this flawed film that Michael Bay crafts some of the best and most beautiful action set-pieces of his career.

Woody Strode who spent a career in films directed by legends such as John Ford and Fernando Di Leo and Richard Brooks and Stanley Kubrick, always considered his favorite director and his favorite moment on screen, was his wordless, almost cameo appearance, in the opening of Sergio Leone’s ONCE UPON A TIME IN THE WEST.

Michael Bay is that type of director, a painter of romanticized heroism, of images that galvanize and rouse, and unfortunately a lot of that talent was buried for the last decade filming CGI robots, BAD BOYS II is a great reminder of what Bay can do when filming captivating actors and captivating places.

BAD BOYS II is a flawed movie, but it has moments of greatness in it. And the 10 minute car scene alone is worth marveling at more than once and is Michael Bay at his blockbuster best. And more than than is one of cinema’s best car chase scenes.

THE LAST WORD : SUPERMAN II Richard Lester Theatrical Version vs SUPERMAN II Richard Donner Cut!!

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Netflix is showing the theatrical cut of SUPERMAN II. Anyone who tries to tell you the Richard Donner cut of SUPERMAN II is better than the Richard Lester theatrical version is quite frankly deranged.

Okay maybe that’s a bit harsh (no it is not) but while there are pieces of the so-called Donner Cut that would be nice added into the theatrical cut, most notably the Marlon Brando scenes in the fortress of Solitude are essential, and the extended scenes with Luthor and Ms. Teschmacher are just a lot of fun (I strongly recommend getting the DVDs of both and cutting those scenes into the Theatrical cut to create something I call the improved cut. It will wow you).

as a whole the theatrical cut of SUPERMAN II is vastly superior and more satisfying then the Donner cut. Full stop.

The opening is vastly superior in the theatrical cut, as is the reason for Zod’s escape from the phantom zone. And the ending of the Donner cut, SUPERMAN turning back time again, is just lazy and stupid, from a creative level, and makes the memory wiping kiss in the theatrical version look like a stroke of genius.

And yes the theatrical version takes liberties with Superman’s powers, force beams, mirage powers, using the shield on his suit as a net, but I never had a problem with these scenes… because they were fun. And really, in for a penny… in for a pound, once you sign off on heat vision and cold breath, then mirage powers, and force blasts, and memory wiping… seems like just enjoying the ride.

Both versions skate over the final reckoning of the defeated villains, so neither version is perfect, but of the two the theatrical version is head and shoulders better. In my opinion Donner wanting to end the 2nd movie with the same unsatisfying gimmick he ended the first film with, like I said, is just lazy writing and unimaginative thinking. I could clearly see based on that, why the studios replaced him.

Final verdict?

The Richard Lester SUPERMAN II theatrical film, trounces the Richard Donner SUPERMAN II Cut by a mile.

Get your copy here:

 

Superman II (Two-Disc Special Edition)