Best Streaming TV Show Week 28 of 2019 Edition: Netflix’s BODYGUARD

Do not watch the trailer. Do not read anything on the show, just go to Netflix, and you will probably end up binging the entire 6 episode season of this show in a couple nights.

WoW.

What a show. The BBC knows how to make brilliant shows. Between this, RIPPER STREET, MUSKETEERS, and the first several seasons of SPOOKS, the British Broadcasting Corporation is producing some of the finest television around. Though to be fair they make their share of misses as well. However, on a whole I find their level of quality, how they are shot, their music, their broad themes, to be more daring than what you will find on traditional broadcast tv.

At their best, they are cinematic in their scope, and far reaching in their impact.

Such as… BODYGUARD.

This six episode season of BODYGUARD, left those of us viewing, after the last episode played,… FLOORED. This is TV on a whole different level to popcorn fluff such as LUCIFER, that some people would call the best show on TV.

Insert rant on LUCIFER here. 🙂

Lucifer is ok at best, it is a very well worn ‘police procedural with spice’ type show, in the vein of tons of other gimmick police procedurals, whether ROSEWOOD or ELEMENTARY or SHERLOCK or FOREVER KNIGHT (Vampire Policeman) IZOMBIE (Zombie Policewoman) or GRIMM. Of these the best is arguably GRIMM.

LUCIFER for me, falls somewhere in the middle of the pack.

Another quick aside about LUCIFER: I can definitely do without the tired dynamic of “lets make the initially strong character of color, a ‘Charlie brown, sad sack’ who we use as a foil and comedy relief for the protagonist, and keep pulling the ball away from like Charlie Brown, and he gets dumped by the girl… etc”.

I like to call it the Worf syndrome 🙂 as you see this in a bunch of shows from STAR TREK NEXT GENERATION to ANDROMEDA to BUFFY. Speaking of BUFFY, poor DB Woodside got this same Charlie Brown dynamic done to him in that show as well. It’s a little thread of minstrel show television that remains… and largely because Americans so little examine the stereotypes they ingest and regurgitate.

Thankfully that is changing because you are getting writers of color writing characters of color more organically, so you get non stereotypical shows like LUKE CAGE and POWER, where writers are not setting up their strong characters of color, just to take them down a peg later in the series.

Aside from that bit of tired, agenda writing. LUCIFER is harmless fun, but great television it is not.

End of LUCIFER tirade. 🙂

 

For great television go watch… BODYGUARD.

You will thank me later.

This one i hope to purchase on Blu-ray as soon as it is available. It is a show you do not want to leave its availability to the ever shifting waters of streaming licensing deals.  It is that good.

BEST SPY TELEVISION SHOW EVER: SPOOKS!


“I wonder if you can even remember the truth of what you were. You’re a killer John, who fell asleep, and dreamed he was a hero. Now it’s time to wakeup and remember the truth. The dream is over now, and the killer… is awake.”—SPOOKS Season 9

I just got done watching 9 Seasons of SPOOKS.

Wow.

What can I say, except… best cliffhangers ever!! And one of the most uncompromising and emotional shows that I’ve ever seen. And notice I say SPOOKS and not MI-5. For the love of God avoid the edited, censored US version of this phenomenal British show (one reason I refuse to watch anything on BBC America, I’ll just wait for the unedited DVD).

Get yourself a multi-region DVD player, buy the original PAL/UK DVDs and see this show as it was intended, in all its uncompromising, and at times anti-US glory. Or else don’t see it at all. Oh and avoid plot synopsis and reviews that give away reveals that are exceptionally important to really being flabbergasted by the series.

Like any series that runs this long, not all the shows are going to be home-runs. An occasional show is going to underwhelm, writing is going to falter become a bit too soapish and irritating (I think particularly noticeable in season 3). It’s a show that while no stranger to the cliches of the genre (to include at times a bit too much style over substance, the slow-mo walks and jittery camera work particularly in season 8 calls attention to itself… and not in a good way) manages to always transcend its missteps and crank it up and deliver and make you care.

The writers and particularly the actors are to be commended for making you care… oft deeply, for these tales of spooks and spies and private eyes.

For those of you who have never seen this series, I envy you the journey. Just start with season 1 of SPOOKS, and keep on going.

I have the last season yet to see, but I tend to take a break after every three seasons, mixing up my DVD binges with book binges, so I’ll probably get to season 10 sometime this spring. Plus I’m hearing mixed things about the last season, so I’m in no rush to get to it.

The show for a decade has managed to keep reinventing itself every season, in a way I did not think would be possible. But it just goes to the strength of the British talent pool, that every irreplaceable actor… could indeed be replaced. That goes to the truth of the fiction the show crafts.

What elevates this show is the courageousness of its scripts, that for the most part resists the simple black and write, good guy, bad guy, lowest common denominator story-lines you would get from a US show. Best spy show ever? I cannot think of one better.

Highest Recommendation. A-.

LUTHER DvD Review II: Praise for actresses Nicola Walker and Indira Varma

[Contains minor spoilers for Season 1 of Luther]

I’m rewatching season 1 of Luther in preparation for watching season 2, which I just got in the mail.

The strength and magic of LUTHER is grounded in it not being the standard cop show about the serial killer or the case, those are ancillary to the real story. which is about Luther trying to make all the dysfunctional pieces of his life, particularly the women in his life… work, to be right.

His greatest challenge not surviving the serial killers, but something far more deadly and relate-able, trying to emotionally survive and make happy the women in his life, from his boss, to his wife, to his… arch-enemy/friend. And it’s only when the writer loses that plot, that heart of the story of Luther, that it suffers… badly, and devolves into its sub-par 1st season conclusion.

See my previous review, for my detailed list of problems with season 1, but in brief, a poorly written and cliched final episode (couple of episodes actually) that marred an otherwise tremendous, and amazing series.

Now that said, perhaps I didn’t give enough love to the first 4 (4.5) episodes. Those episodes are really powerhouse television, the quality of which you seldom see.

And a big reason is the quality of the actors. Idris Elba of course is phenomenal, as is Ruth Wilson who plays the red-headed Alice, as well as the rest of the principal cast. But I wanted to give attention to two actresses that I saw in this series first, and have since come on my radar for other work they’ve done.

One is the gorgeous Indira Varma, who plays Luther’s less than faithful wife. She also played the cheating wife in the first season of ROME. She seems to be making a career of playing cheating women as well as playing women who do not end well, with this series, ROME, and MOSES JONES (ugggh— traumatized me. A good series, but one that is too violent for its own good). She’s a convoluted character here in LUTHER, as his estranged wife she is in many ways more damaging to Luther, by far (in her hot/cold nature), than any of the monsters he has to face. She doesn’t set out to be cruel, though there is a bit of that there, but mostly it’s more a half hearted indifference, which is all the more crushing. It’s another strong performance by Indira Varma.

But the 2nd actress I want to give praise to, and the one I really wrote this post to mention, starred in only one episode of Luther, but left an indelible impression. I’m speaking of Nicola Walker, who stars in episode 4’s tale of a purse fetish serial killer. The salacious and slightly silly description of the killer, doesn’t really do justice to the uneasiness of the episode, or the wrenching, and episode making performance of Nicola Walker.

Following seeing her on LUTHER, I caught her earlier work on SPOOKS, and in that she was equally… brilliant. She brings a very unique presence to the screen, something thoughtful, and considered, and deeply heartfelt, she is so… there. In a world where so many people are shutdown, from themselves and others, there is something so rich and full and impassioned and human about her in the noblest most caring definition of that word. She’s not the ravishing beauty of say Indira Varma, but she has something that can only be called… more. Something within, a stillness, a sense of depth, something both furtive and fathomless, fragility married to something slightly frightening, her intensity, kept subdued… just out of sight, something haunting.

To put not too fine a point on it… I adore this actress’s presence, her performances, her ability to channel humanity– definitive, in a world that is anything but… humane.

So yeah that’s the refresher on LUTHER, and a couple actresses who deserved mention. I’ll post on season 2 soon.

Luther

Luther: Season 2

[Season 2 Review: Contains Spoilers]

Addendum: I just watched season 2 of LUTHER, if you can call 4 episodes a season. It’s utter rubbish!

Well, why don’t I tell you how I really feel? 🙂

The main problem with season 2 is it veers sharply to the irrational, and soulless, and more than just a little bit trite and tired.

Trite uninteresting villains, once smart cops inexplicably made moronic, including the lead Luther. And it makes the mistake, that the original series initially didn’t, of concentrating on the villains, and losing all the intriguing personal ties that made LUTHER interesting and captivating television in the first place.

Unlike many shows LUTHER originally understood something seemingly lost on most crime shows, the fact that criminals are a boring lot, and it’s the procedural and the dynamics of Luther’s life and the extended family around him that was the draw.

Season 2 undoes all that originality, and just makes Luther and all the cops incompetent, feckless caricatures rather than fleshed out characters. Add to this the fact that the new cast I just don’t care for, and you have a show working at a significant disadvantage; a show that plays, while you are watching it, as just so tired, and so disappointing and irresponsible, and so worthy of fast-forwarding.

The best way to describe it is that it performs as if writer Neil Cross had 4 episodes worth of story for season 1, and after that completely ran out of ideas and anything close to originality, for the ending of season 1 and the entirety of season 2 (With the exception of the very ending of Season 2, the coda if you will, I thought that was a nice scene to go out on, but everything leading up to that 5 minutes was largely rubbish, from the overlong plot of killer twins, that was nicked from a far better episode of Tom Fontana’s HOMICIDE, to the completely annoying and useless characters from Erin Gray, as the new detective, to the mother, to the killers. It’s just a lot of hackneyed and overwrought, and unforgiveably tedious characters, that just don’t remotely interest).

I have seldom seen such a sharp fall from grace from the same writer in such a short period of time. Bottom line: Season 2 of LUTHER is just plain awful, which is unfortunate for a series which in terms of performances and look and sound is laudable and had such potential.

Final Grade: D-/F.

Like a Believer… SPOOKS Season 1


Tom: I pulled him.

Harold: You what?

Tom: He’s not reliable.

Harold: The great Peter Salter not reliable??

Tom: It was the way he said… “Obedience to the State”

Harold: What way?

Tom: Like a believer.

–From Season 1 Episode 4 of SPOOKS

SPOOKS was one of the wave of anti-terrorist shows that proliferated in the wake of September 2001.

And to a man, I had no interest in those shows then, and less so now. For the most part they were then, and are now the worst type of jingoism.

Very lowest common denominator, circle the wagons, storytelling.

However, SPOOKS offers something a bit more complex. The distance of the pond, the distance from America, offering a more mature level of storytelling that shows like THE UNIT or NCIS. or any variety of CIS or LAW & ORDERS, can’t touch.

That said the first episode was okay, but didn’t wow me. I wasn’t crazy about the casting or the general feel, so had definite doubts, a B- episode.

But with episode 2, I became a believer. As that episode, showed with decisiveness, this was a show that was taking no prisoners. One of the best episodes of Season 1. A-.

Episode 3- Sees a Turkish Embassy held hostage. Well done episode. B.

Episode 4- The team looks to crack down on any demonstrations during Bush’s visit. An episode that could have been awful, made strong because the strength of the show isn’t in the specifics of the case, but in the lives of those who must walk the line. B+.

Episode 5- A meandering episode, the main story never manages to quite captivate, about illegal arms dealing. However, The interesting part is the side stories, as both the Zoe and Danny storyline (my favorite part of the whole episode), and the Tom storyline take sharp turns to compelling and save this episode from a lower grade. B+.

Episode 6- Is where a lot of plot threads come together an excellent episode, about MI5 caught between two enemies, the old and the new, with a fantastic ending. B+.

Episode 7- The night of the long knives continues, as in the wake of last episodes insanity, the stakes get raised even more. An amazingly packed, dense episode that feels like a 2hr season ending movie, rather than just the standard episode. Very good. B+.

Episode 8- MI5 must find and stop angels. A nest of angels. The threat of suicide bombers in the heart of London. Man that was harsh. In previous episodes Tom has been through a lot, and this continues his… “long day’s night”. Great episode. B+.