Podcast of the Day: Agony Column interview with Walter Mosley!

Podcast of the Day: Agony Column interview with Walter Mosley!

A great interview by Rick Kleffel with Walter Mosley in full on brilliant mode discussing his new GIFT OF FIRE omnibus novels. Covers everything from Philip K. Dick to Hegel to Christ to creation myths to Darwinism to Jazz to the American Prison System. Listen to it here and thank me and the Agony Column later! 🙂

Subscribe to the Agony Column podcast here.

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Recommended Writers and their most celebrated work: HUGH HOLTON and his Larry Cole Series

Proof positive I do this blog to educate myself as much as entertain anyone else, is this post on Hugh Holton.

I knew Hugh Holton was a high ranking, highly decorated Chicago Police Officer.

I knew he was a fantastic writer from owning and reading three of his books.

I knew he had passed in 2001.

I did not know he had as many books, above and beyond the ones I own. Given his responsibilities as one of Chicago’s Top Cops, that he was able to be as prolific (and going by the novels I’ve read, as consistently good) as he was, is quite amazing.

So without further ado, today’s Recommended Writer is HUGH HOLTON:

Police Lieutenant Hugh Holton was a twenty-nine year veteran of the Chicago Police Department. He authored several bestselling novels, including, Time of the Assassins, The Left Hand of God, and Violent Crimes. At the time of his death, at the age of only 54, Hugh Holton was the highest ranking active police officer writing novels in America.

1994. Presumed Dead
1995. Windy City
1996. Chicago Blues
1997. Violent Crimes
1998. Red Lightning

1999. Left Hand of God, The
2000. Time of the Assassins
2001. Devils Shadow, The

The following three titles were published posthumously, which is why they came as a surprise to me when researching this post. I’ve heard REVENGE was an early discarded rough draft of his, so it’s not up to Hugh Holton’s high standards. It’s something he would have tweaked/perfected had he known it was being published. So take that into consideration when reading it. It’s basically just an early draft, the publisher decided to put out there, so judge it as such, and not as representative of Hugh Holton’s usual great work.

2002. Criminal Element (Amazon – Alibris)
2005. Thin Black Line, The (Amazon – Alibris)
2009. Revenge (Amazon – Alibris)

I was turned onto Hugh Holton’s fantastic Larry Cole mystery series a while ago, and they are pulse-pounding procedurals and thrillers, grounded by the experience of someone who knows intimately the facts behind the fictions… he writes about.. My personal favorite of the three novels I’ve read so far is the juggernaut-like TIME OF THE ASSASSINS. In terms of pacing, and just keeping you racing till the end, it’s the strongest [the others I own are WINDY CITY, and VIOLENT CRIMES].

It was a great starting point for me to the excellent body of work Hugh Holton left us with, but I think I’ll now go back, pick up all the books I’m missing and read them all chronologically.

REVENGE, by all reports should not be considered part of the chronology, it’s something that (again according to reports) was not ready for publication, and was put out as a cash grab by the family and the publisher. It’s a curio, at best, and I would have less problem with it if the family had put their name on the novel(his Daughter I believe signed off on this version), rather than just Hugh Holton’s.

Being a writer, the idea of assigning sole responsibility to me, for something I didn’t have the chance to proof/edit… well that would bug me even in the grave. A writer’s books are his reputation.

And Hugh Holton has a well earned, and well deserved reputation as a great writer. Try the books for yourself at the links below! And tell’em HT sent ya!!!

The Thin Black Line: True Stories by Black Law Enforcement Officers Policing America’s Meanest Streets
Presumed Dead (Larry Cole)

Windy City

Chicago Blues (Mysteries & Horror)

Violent Crimes (A Larry Cole Mystery)

Red Lightning (A Larry Cole Mystery)

The Left Hand of God (Larry Cole Mystery)

Time of the Assassins

The Devil’s Shadow

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Pic courtesy Planet Preset

See more on this writer at SciFan.
As well as an informative interview with him, done shortly before his passing, here!

AVOID scumbag editors and fly by night publications that start with Q!!

“He took a cigarette from his platinum case and smiled grimly at his unwavering hands. They wouldn’t shake even in hell! But he was shaking inwardly, not in personal fear, but with dread of the horror that impended for the city’s millions.”
—THE CITY DESTROYER by Norvell W. Page

I want to take 2 seconds to rant here.

I did some work recently for an online publication. A once well known property beginning with a Q and ending with R, but their site looked, quite frankly, stagnant. But I was told by the editor that they were looking to revamp and relaunch. For whatever reason I had my doubts, but after a few email exchanges I allowed myself to be swayed that this was something professional. I did the work, he received and published the work, only compensation requested was comp copies. And needless to say after telling me I would be receiving them, they have never been received.

What bothers me so much, is not the comp copies, it’s the lying to me about the comp copies. It’s me investing my time to help your magazine, because I believe in the concept, and then being pretty much taken advantage of.

I should have followed my first instinct that just screamed at me there was something scammy and shady about the whole deal, and the guy who was presenting the deal.

Well now I know.

And I will not forget, what an Editor’s word is worth. 🙂

MONARCHS OF MAYHEM Update! VOTE HERE!! & TOTAL RECALL trailer

Yeah I know my MONARCHS OF MAYHEM schedule for April is completely shot. I do get all the comments, even the ones that I don’t post… everyone of them. And yes, I know you want the Durham and Wrath and Fortier installments.

They are here gals and guys, along with three other writer interviews (including the great, inimitable Charles Saunders) as well as three more that I’m still waiting to come in.

So trust me Heroic Ones, I’m working hard behind the scenes here. In the words of the one true Robin Hood show (the magical tinged ROBIN OF SHERWOOD)… Nothing is forgotten. Nothing is ever forgotten.

Robin of Sherwood: Series One

So yes I remember I owe you more great MONARCHS OF MAYHEM entries, and kudos to all of you who continue to frequent the old episodes. Derrick Ferguson’s and Richard Gavin’s entries are particularly popular.

Kid’s when you go to these entries, don’t just read my admittedly excellent words :), use the links and patronize the items mentioned.

The artists will thank you, and this blog will thank you. I hate doing a donate button like other blogs and sites, I much rather you use the links, and purchase something you wanted anyhow, And by doing, with no effort or extra expense on your part, also support the artists (where applicable) and this blog.

Definitely a win/win.

So far I’ve managed to be really consistent with WEDNESDAYS WORDS and that pleases me to no end.

The numbers skyrocket (as well as people subscribing) every Wednesday because of that consistency, and I’m going to try and do the same thing with MONARCHS OF MAYHEM. So I’m putting this out for a vote, what day should MONARCHS OF MAYHEM go up… on a Monday or a Friday?

Leave your comments they’ll come right to me, without getting posted unless you specifically mention you want your comment posted. thanks! The day that gets the most votes… will be the day. 🙂

As always pat yourselves on the back for being just great supporters of this blog, and of something more, great supporters of this fancy that we call Art.

Oh, and before I duck out, a word on TOTAL RECALL….

First, I think the poster for the TOTAL RECALL film, like most posters these days is boring and unimaginative. Posters in the 21st century being either a close up of the actors face, or a profile shot, generally they are just insipid and boring.

The marketing guys who come up with today’s lazy, poorly photo-shopped posters should be fired. There was a time, not too long ago, when posters were works of art as well as being an ad for the film. These days more often then not they are just boring and bankrupt of any allure. So yeah, poster of TOTAL RECALL gets a huge… fail.

However, that TOTAL RECALL trailer…. AWESOME!!

Okay I was never a huge fan of the original TOTAL RECALL, though I liked it well enough. I saw it when it first came out, in a theater in Garmish, Germany. Garmish is wonderful, southern Bavarian tourist town, and made all the more wonderful when you’re young and in love. And at the time I was both. Yeah, me young, go figure.

But yeah, the original was an enjoyable enough movie. Nothing great, but definitely fun. But the concept of a remake seemed… silly and uninspired.

And perhaps the idea is still that, but I have to tell you… that trailer looks GREAT!. If the movie lives up to the trailer, it is (Mars or no Mars) going to be better than the original.

I mean I’m not a Colin Farrell fan, but I did quite enjoy the one film I saw of this movie’s director, Len Wiseman, his DIE HARD: LIVE FREE OR DIE. I mean honestly that’s a sequel that you can argue is just as good, and perhaps even better than the original.

I think Len Wiseman has the chops to make his TOTAL RECALL a better film than the original. That’s right, you heard it here first. 🙂

For those who haven’t seen the trailer view it here.

Okay, now I’m out of here.

This installment is brought to you by this week’s sponsor. please visit his store here:

STORE OF THE DAY

EVERYONE OF YOU who enjoyed this post (yes I’m talking to you hiding in the corner) go to the store and buy something.

Also, If you’re interested in sponsoring future posts please leave a comment with your contact info. It doesn’t get posted, it comes direct to me, and I’ll respond to you.

New sponsors are always needed. 🙂 .

Okay, now I’m really out of here! Bye till next time.

THE TOP 3 Actor Ad-Libs of All Time!!!

To paraphrase Rodney Dangerfield, Actors, their salaries aside, tend to have to put up with more than their share of disrespect. Generally from people that don’t have anything close to talent, and their only joy is pushing people from pedestals. The unwashed masses that have nothing but venom to spout about the personal lives of the Cruises or the Woods or the Gibsons.

As long as someone’s personal life isn’t affecting my life, or is not changing the laws or policy I have to endure, I don’t give a good darn. Someone wants to be a Scientologist or Mormon or the last Scion of Zion… more power to em.

I tend to give people more leeway than most. Mostly because though I don’t believe in much, I do believe that ‘let him without sin, cast the first stone’. So Romney needs to shut the eff up. :).

And getting back to actors, in particular, they are often seen as primadonnas, who get paid much and bring little. And no doubt there are the ones for whom that belief is completely accurate. But on the whole I think it’s something of an impressive calling.

To give everything, your hurt and your joy, to crowd and stage and screen.

Writers particularly tend to view Actors adversarially, ‘Don’t you dare change my line!’.

But when you have a committed actor, feeling the part, living the role, being the moment…their ad-libs, their additions…. can be priceless. Can be in certain cases, the most memorable lines of a film.

Three standout cases come to mind.

And counting down….

#3!!

PAT GARRETT AND BILLY THE KID- I’ve mentioned this before, but can never get enough PAT GARRET & BILLY THE KID. 🙂

R.C. Armstrong, born in 1917, (95 years ago, and by all reports still going strong) delivered one of the quintessential lines in Pekinpah’s PAT GARRETT & BILLY THE KID. As is well documented, Pekinpah had a way of riling up actors to get a performance out of them, he did that with the 6’3″ mean as a rattlesnake R.C. Armstrong and Kris Kristofferson had the bad luck of being the object of that realism. :). R.C. bringing his fundamental upbringing into the crafting of this line…

“Your problem is you don’t know about Jesus! I’ll show you! I’ll take you for a walk across Hell, on a Spider Web!”

What an awesome line, next up….

#2!!!!

THEY LIVE- Roddy Piper’s biggest step from the squared circle, into the lights of Hollywood came with this John Carpenter film, and the wrestler turned actor attacked it. Giving a great performance in a great film, opposite the always impressive Keith David. But even more than his performance, it’s probably this line he added, that stood out for a whole generation of people seeing the film—

“I have come here to chew bubblegum and kick ass… and I’m all out of bubblegum.”

heh, heh, heh, I never get tired of that line (A really close followup to that, from the same movie is..“Life’s a b*tch… and she’s back in heat!”. Aww that roddy Roddy Piper! 🙂 And the number #1 Actor Added Line of ALL Time IS!!!!!

Rutger Hauer in Blade Runner!!!!!

BLADE RUNNER- Rutger Hauer seeing the climatic scene of Ridley Scott’s chaotic production needed something, came up with this, my favorite bit of ‘not in the script or the book’ writing, that anyone has brought to the table—

“I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I’ve watched C-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time, like tears in rain. Time to die.”

Well all three actors take a bow. Your Awards are being kept safe for you, until you ask me for them :).

As far as you writers, you can all stand suitably chastised. And all you film fans… go out there and treat yourself to a classic flick!!

Enjoy!!! And remember (leaving you with one more Actor Added line)…

Who Loves Ya Baby? 🙂

Today’s Recommended Podcasts

Today’s Recommended Podcasts:

Agony Column Podcast News Report : Time to Read Episode 038 C. J. Box and Tim Dorsey : Force of Nature and Pineapple Grenade – The Importance of setting to writers. Listen here.

SFF Audio presents ‘Beyond Lies The Wub’ by Philip K. Dick. Listen here.

HORROR ETC Episode 239 – Cursed Films– Posted by Horror Etc on April 3, 2012- A look at the legends behind supposedly cursed films through history. Listen here.

MONARCHS OF MAYHEM: AN INTERVIEW WITH RICHARD GAVIN

“It is only proper for a man to taste misery in his thirty-third year, Nathaniel decided. While waiting in the airport lounge Nathaniel realized that, in some small way, he was approaching his own customized Golgotha. Though he doubted that the effects of his journey would ever equal those of the messiah, he nonetheless found himself wondering whether Venice would bring him peace or a sword.”
—‘Strange Advances’ by Richard Gavin

Omens[Hardcover]Richard Gavin- Omens is a collection of twelve haunting tales by Richard Gavin, whose work is reminiscent of the subtle supernatural tales of Robert Aickman, and also of the eerie and unsettling tales of Thomas Ligotti. — I like collections. I think the short story format can, when done well, offer variety and freshness, that can sometimes be hard to sustain over the course of a novel. Some of our most acclaimed writers, those who remain relevant generations on, Poe, Lovecrat, Howard, etc., do so because of their short stories. Because of their ability to in scant words get to the heart of a story and of ourselves. Richard Gavin does that in these stories, that while it has beeen alluded to Aickman or Ligotti, the stories are more visceral than Aickman and more satisfying than Ligotti, are uniquely Richard Gavin.

 

If you’ve been coming to this blog in the last month you can not help but see how enamored I have been with Richard Gavin’s short story collection, OMENS. His Sophomore collection, the 2nd in now four collections, was my introduction to the writer. Based on the strength of which, all of the writer’s works are now on my radar.

Whether it’s the Gothic meets ghostly underpinnings of ‘Pale Lover’ or the implacable, creeping horror of “The Bellman’s Way” or subtle and sumptuous tales of the existential and the lost such as ‘Strange Advances” you will find it all in Gavin’s OMENS. But mostly you will find a use of language that cradles you like a lover, before riding you like a fiend.

And this writer of the strange and the dessicated and the boundless loss, was kind enough to consent to some words and some time. The reason I do this MONARCHS OF MAYHEM segment is because I think it is endlessly fascinating not just how the most imaginative people think, and their loves, and influences, and challenges, but the differences in their views and passions when contrasted with their peers. Richard Gavin brings a rich, depth to his responses that I think will both enrich and enliven you, as much as it did me. Again it comes down to that term, endlessly fascinating, and Richard Gavin… is that. Enjoy.

MONARCHS OF MAYHEM: AN INTERVIEW WITH RICHARD GAVIN

HT: We’ll start with an easy one. What is your favorite genre or genres?

RG: The Gothic and weird strains of the Horror genre, followed closely by 19th century Decadent literature.

[for those of you like me who want to read more about 19th century decadent literature, this GUARDIAN article and the comments are intriguing.]

HT: What is the favorite thing you’ve written (both long form (novel) and short form (short story) and feel free to do detail and discuss why if you choose)?

RG: Probably my novella THE ELDRITCH FAITH, which will be published in my forthcoming collection. I consider it a very “pure” work because it was written with no public considerations whatsoever. I wrote it for myself.

It’s a 25,000-word meditation on a nightmarish reality. Consequently, some readers may roll their eyes and dismiss THE ELDRITCH FAITH as an over-the-top mood piece, but so be it.

HT: Name 5 classic or genre writers who inspire or impress or influence you?

RG: I will cheat a little here by listing five authors from history and five contemporary ones:

Past masters: Algernon Blackwood, Hanns Heinz Ewers, H.P. Lovecraft, Edgar Allan Poe, and Comte de Lautréamont.

Maldoror and the Complete Works of the Comte de Lautréamont

AndrĂ© Breton wrote that Maldoror is “the expression of a revelation so complete it seems to exceed human potential.” Little is known about its pseudonymous author aside from his real name (Isidore Ducasse), birth in Uruguay (1846), and early death in Paris (1870). LautrĂ©amont’s writings bewildered his contemporaries but the Surrealists modeled their efforts after his lawless black humor and poetic leaps of logic, exemplified by the oft-quoted slogan, “As beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella!” Maldoror’s shocked first publisher refused to bind the sheets of the original edition… and perhaps no better invitation exists to this book which warns the reader, “Only the few may relish this bitter fruit without danger.” This is the only complete annotated collection of LautrĂ©amont’s writings available in English, in a superior translation.

“LautrĂ©amont’s style is hallucinatory, visionary… this new fluent translation makes clear its poetic texture and what may be termed its subversive attraction.” — New York Times

“Alexis Lykiard’s translation is both subtle and earthy… this is the best translation now available.” — Washington Post Book World

Contemporary masters: Thomas Ligotti, Clive Barker, Gemma Files, Ramsey Campbell, and Caitlin R. Kiernan.

HT: Name some current or new writers, whose work you’ve recently read or discovered and blew you away.

RG: In the interest of full disclosure I must admit that I am irritatingly picky when it comes to modern fiction, genre or otherwise. I read very little of it because a lot of contemporary writing leaves me cold for various reasons; the most common being lifeless, pedestrian prose. The modern writers I mentioned in question number three are ones I consider exceptions because they produce daring visions and, more importantly, unique and rich language.

Many current writers seem too plot-minded. Atmosphere and startling word-selection take a back seat to rollicking story-lines, or worse still, to postmodern genre mash-ups (werewolf detectives, love-starved vampire spies, etc.) I’ve spoken to a lot of genre writers who believe that unusual words (by which I mean words that one might not use in the course of everyday conversation) are simply pretentious, silly, or are distractions from what must always be a rip-roarin’ read. None of this resonates with me. My tastes run to the Decadent and the grotesque and the weird, to fiction that doesn’t read like fiction but rather like a lost account of some truly awesome occurrence.

Beneath The Surface

Nightingale Songs

Bearing all this preamble in mind, I would say that Simon Strantzas is a writer who with each passing year needs less of an introduction to readers who love moody, enigmatic short stories. Laird Barron creates Horror fiction that is deeply atmospheric and genuinely frightening. I’ve also been delighted by the extraordinary work I’ve read from Livia Llewellyn, Daniel Mills, and Orrin Grey.


Engines of Desire: Tales of Love & Other Horrors

HT: Going along with the above, name an author(s) (either new or old) who you think does not get the attention they deserve, and everyone should be reading.

RG: There are plenty of writers who are now all but forgotten because their work is no longer en vogue. On the one hand this is sad, but on the other hand, for the die-hard connoisseur there is a singular joy to digging into the genre’s past and “unearthing” these obscure writers. It’s akin to wandering in a foreign land and suddenly encountering someone who speaks your language. Such discoveries keep people seeking for rarer and rarer treasures, so I’ll leave the reader to unearth these old companions on their own. Obscurity in the contemporary field, however, is a different animal. This kind of attention-deficit can do real harm to a writer’s sense of self-worth. I know a little something of this myself. One current writer whose work is criminally overlooked is Matt Cardin. His short stories and essays are superb examples of the kind of thoughtful, deeply textured Horror that I personally love. Matt’s collection DARK AWAKENINGS was one of the best I’ve read in years.

Dark Awakenings

Revenants

HT: Name 2 or 3 of your favorite horror, fantasy, genre, etc., short stories

RG: “Professor Nobody’s Little Lectures on Supernatural Horror” by Thomas Ligotti, “The Hound” by H.P. Lovecraft, “The Willows” by Algernon Blackwood.

[ The wonderful folks at Lovecraftzine have an audio reading of ‘The Hound”. Swing by and give a listen here.]

HT: Anthologies are usually theme based, so you have your Poe anthologies, or Lovecraft etc. If you could do a short story for such an anthology, if you could decide/choose, what would the anthology be about.

RG:I would love to see a hefty anthology that features not short stories, but accounts from various writers, past and present, detailing their most vivid, unworldly nightmares. It would be a kind of frightening and intimate dream journal, but by many dreamers instead of one.

HT: Name 5 Favorite films, horror or otherwise.

RG: I’ll squeeze in six titles if I may. Films that have had a lasting impact on me are BEYOND DREAM’S DOOR, BORN OF FIRE, DIVINE HORSEMEN: THE LIVING GODS OF HAITI, ROSEMARY’S BABY, MEETINGS WITH REMARKABLE MEN, and Carl Dreyer’s VAMPYR.

Divine Horsemen:The Living Gods of Haiti: A Film by Maya Deren

Beyond Dream’s Door (Special Edition)

Vampyr (The Criterion Collection)

HT: What do you think can or should be done to get more writers producing genre fiction, and more importantly to get more of the public reading genre fiction

RG: Nothing whatsoever. In fact, I don’t want ANY writers producing genre fiction. This may sound hypocritical coming from a writer who has always identified himself as a Horror writer, but the Horror fiction that is most valuable to me is the kind born of Horror writers, not of writers who sometimes wrote Horror as a mere literary convention.

The Horror-as-genre mentality creates a very tepid construct, one that overflows with cliches and stock images. A great deal of Horror is unreadable to me because I can tell when it’s been written by a jack/jill-of-all-trades writer who paid a quick visit to that dark country for whatever reason (to amuse themselves, there was an open market, they just need to write every day, etc.). They write something “scary” (often
trying to achieve little else) and then they leap back to space operas or social realism or dragon fantasies or what have you. It’s all just genre-jumping. Many writers are praised as being diverse for doing this,
but I don’t care about diversity. I want a singular vision. I don’t want to hear from the tourists of Horror who found the setting strange or quaint. I want to hear from the lifelong residents, the ones who were born there.

Personally, I don’t toy with genre elements or try my hand at dozens of styles as a creative exercise. When I write, I am conveying reality as a I see it. Period. Yes, of course there are obvious dramatic embellishments, and yes, I have the same drudgery in my day-to-day routine as you do, but ultimately I view the world through a glass darkly, if you will. For as long as I can remember, my psyche has resided in the Underworld. I’m quite happy this way. My stories are a manner of “dramatic footnote” to my life experiences; a more public communication perhaps, but not fundamentally different from the diaries and dream journals I keep.

I never try to “write dark.” I experience the world in a Gothic manner and I write what I find moving and beautiful and eerie. Therefore, the writers with which I feel the strongest resonance are the ones who spent their lives conveying *their* vision of reality — Lovecraft, Baudelaire, Ewers, Maupassant, Ligotti, et. al. Thomas Ligotti once referred to these writers as “mutants,” which is as good a description as any. I don’t care if your personal vision is scary or not. Just don’t be ordinary.

The Nightmare Factory

Of course this is not the best stance to adopt if one hopes to strike it rich as a Name Author. The less conventional your fiction, the greater your chances of professional disaster and heartache. But I honestly have no interest in producing fiction simply to entertain. There should be engagement and pleasure, yes, but not pat amusement. If there’s no fire behind the story, I simply won’t write it.

In short: I’m glad I have a day job.

HT: While book sales have been steadily declining, specialty presses such as subterranean and centipede press continue to sell out of their lavishly illustrated, high quality tomes/reissues of writers of weird fiction. Proving that even in the age of ebooks there is an un-lessened demand for collectible books with spot illustrations and art-books.

So keeping this in mind a/what are some of your favorite book covers and b/what artist would you like to do a cover and spot illustrations for one of your books?

RG: I’ve been extremely fortunate as far as cover art goes. My books have been graced by the work of two of my favourite contemporary artists: Harry O.Morris and J.K. Potter. Harry has actually done two of my books and we just may be pairing up yet again in the near future.

In terms of other artists, I’d love to collaborate with the American baroque painter Michael Hussar one day. His work is stunning and I think we share a similar aesthetic.

HT: And finally in closing with less than 9 months left in 2012, a/What can we look forward to from you this year and b/what are you looking forward to this year(could be anything, your call)?

RG: This fall Hippocampus Press will release AT FEAR’S ALTAR, my fourth full-length collection of fiction. The book is being edited and Introduced by the preeminent weird fiction scholar and critic S.T. Joshi. To be working with S.T. is definitely a watershed moment for this writer.

I’ve stories coming out in the Lovecraftian anthology AKLONOMICON, a Thomas Ligotti tribute anthology called THE GRIMSCRIBE’S PUPPETS, and another entitled SEASONS IN CARCOSA, which is an anthology of stories set in the
mythos of Robert W. Chambers’s THE KING IN YELLOW.

[Go here to read the writer who influenced Lovecraft or buy the books here: The King in Yellow and Other Horror Stories

The King in Yellow (Mystery & Supernatural) ]

There are a few other pieces in-progress, but I’m a very slow writer, so I don’t think there will be much more to add to the list for this year. Anyone who is interested in my comings and goings can visit my website at www.richardgavin.net.

Thanks for letting me blather on like this.

Charnel Wine – Memento Mori Edition

Omens

The Darkly Splendid Realm


I want to thank Richard Gavin first for his time, and second for the depth and richness of his responses. He has given me and, I believe. you dear reader… much to explore, to discover, to enjoy. Pay it forward by running out and supporting the writer’s past and upcoming books (definitely frequent his website as his upcoming work isn’t on Amazon yet, so keep checking his website), and feel free to use the attached links and treat yourself to books and films and the languid fictions that this week’s Monarch of Mayhem recommends.