Youtube Channel of the Day : CEREAL AT MIDNIGHT and why Physical media Matters in the age of Digital!

 

https://www.youtube.com/channel/UCsVgZNzzvedehALS-dTIFhA

 

CEREAL AT MIDNIGHT –  Is the only Youtube channel devoted to physical media, DVDs, CDs, Blu-Rays, etc that I am subscribed to. Just a great channel, with a personable host, showing his love for physical media.Love his channel, highly recommend it for all fans of physical media. They have a nice recent episode, perfect for Halloween, and the films of the great Vincent Price.

For those of you saying either ‘what is physical media?’, or ‘boo! hiss!’ to physical media, here is me… about to break it down.

Here is the thing, streaming is fine, and VOD is fine, and Hulu is fine, and Spotify is fine, but at the end of the day, it is all vaguely out of your control. And we live in a Millennial age where the mob thinks nothing of bigger issues such as Anti-Trust and eradication of public domain and setting up a Monopolistic regime, with no viable competition, just as long as they get to see Avengers in the same movie as Fantasic Four. If you don’t understand that, do a search for Disney, and add all those words i just mentioned… and maybe when the searches return… a lightbulb will go off.

We live in an age where the masses think nothing about the loss of privacy and human rights, as long as they get to easily scream at people in their MMOGonline game.

 

Between you and your entertainment is various levels of gatekeepers, from your ISP to your cloud storage, to your streaming platform. And we live in a bullshit age of witch-hunts and ‘me too’ bs bandwagon jumping, where people can get fired and vilified before they have a day in court, and programs and movies  can be censored or altered based on the screaming of the uninformed mob, or soundtrack altered due to rights issues.

Where you don’t have to be proven guilty, you just have to be attacked like you are.

So suddenly that movie you love, may or may not be available depending on licensing agreements, and it may or may not be the same edit of the version you grew up with. It could be censored to comply with the sensibilities of fools, or the fear of companies , that faceless twitter trolls will say bad things about them.

‘I hate, hate, hate… Peter Pan!’ In my best Dustin Hoffman, Hook Voice.

God bless the child that has his own.

Here’s the thing, gatekeepers, businesses are always behind the curve, and seldom do anything for the good of the people, or posterity. They do it because of expedience and the bottom line, and that is contrary and in direct opposition… to culture. The health of it, and the growth of it.

We here in the 21st century have access to movies from the Silent age of cinema, and radio shows from the dawn of sound, and TV shows from the infancy of the medium, not because of businesses, but in spite of them.

It was collectors decades ago, when businesses could not perceive the idea of a radio show being listened to over, or a television show being re-watched, or a movie after its initial run being rescreened, it was collectors, just normal people like you and I, who preserved these things, when the gatekeepers, burnt the films, and erased the tapes, and recorded over the video tapes, it was collectors who saved much of the early history of mass media. And it was collectors who ultimately taught them, the gatekeepers, the businesses,  to value these things, if not for the love, then for the monetary value it could generate.

But still, for all the teaching, Businesses and the Gatekeepers, while they have definitely learned to monetize, and secure the rights to everything they create, they still have not learned to respect the creations.

The creations remain to them as mercurial and open to change as a ledger balance. While they control art, the gatekeepers and businesses do not understand art. And therefore art will always be at risk in such hands. Will always be at risk in the hands of accountants.

So end of the day, I love having all these shows and movies and music, available via gatekeepers, via VOD, and Hulu, and Spotify, and Itunes, etc.

But end of the day, have your hard media to fall back on, against the day that ISPY or AIRPLANE or HOUSE OF CARDS or insert show here, is not politically correct to view or hear or watch.

End of the day, do not trust the things you love… to gatekeepers. Own the shows you love in a form that no gatekeeper can edit at their whim, or remove, or bar you from.

So that is one reason I’m a fan of CEREAL AT MIDNIGHT. It is a reminder that physical media is still out there, and can be picked up affordably. And is worth picking up.

Here endeth the rant! 🙂

RATING THE DOCTORS: On William Hartnell THE FIRST DOCTOR & the First Season! 1963-1964!

This heat is kicking the proverbial posterior.

But hey I’m not complaining, I’ll take heat over cold, any day.

But you guys didn’t come here to hear weather talk, onto this installment’s insanity.

I’ve seen all 30+ seasons of Doctor Who, including the recreations (largely still shots and the audio recording of the shows) that exists through the hard work of dedicated fans, who preserved these shows for the love, when the suits couldn’t see any monetary value or re-watchability to these shows and could not delete the tapes fast enough.

It’s why I’ll side with the so-called file-sharer or collector or peer to peer proponent who does it for the love, over suits any day. Because I KNOW how much of our history (television shows, radio shows, silent and sound films, books, manuscripts) still exists not because of the money grubbing corporation who would (and have) let everything burn if they couldn’t make a penny off of it; but exists because of the dedicated fan and collector.

I’ve said that before, but it bears, particularly in our current environment, constant repeating. That the people who profit off a thing, are not the people that should be trusted with the preservation of that thing. And history bears out, that it’s necessary to have the dedicated collector out there doing for the love, what corporations will fail to do in the absence of monetary incentive.

Our cultural history owes much to the dedicated collector, that are being criminalized by the ‘Johnny-come-lately’ corporations, who have finally wised up to the fact that… people are interested in this old stuff.

Case in point, I still await official SPENSER FOR HIRE DvDs, or the full seasons of the live-action ADVENTURES OF SUPERBOY that have been unavailable for over 20 years, and these things should not be sequestered away until some suit can find a way to profit off of them. In the absence of someone making them available, the collector is there to make them available. So thanks to great collectors… there’s a rumor that I may actually own both series :).

And if that rumor is true, I’ll hold onto those collector DVDs, at least until such time as the studios get off their ass, and release official high quality versions/DVDs, which I will be more than happy to support/purchase. But in the interim… to all the suits/companies out there, support and work with fans/collectors… they are the heart of your business. And more than that, they are the heart of the preservation of culture and art and history… in the absence of business. Give them their due.

Okay, off my soap box.

*****

The reason I got on that soap box is because, I have been rewatching Doctor Who, and much of that series has been lost through corporate stupidity and short-sightedness, but almost all of it has been preserved and recreated, even the pretty much devastated Patrick Troughton years (which I’m currently re-watching), and you can not watch those shows without being extremely mindful and extremely thankful, for the fans and collectors, who preserved those shows to the best of their ability.

I mean, now, today the BBC gives a damn about Doctor Who, because the show is making them a boatload of money, but you have to care about preserving culture and art… even in the absence of money, and that is what collectors do.

So yes, I’m thankful that we have shows such as:

William Hartnell’s four seasons as the doctor.

He’s remembered, unfairly I think, for flubbing his lines. However, what he should be remembered for is being the man who set the template, the tone, and the consummate “play this for real” passion that allowed the show to be a success.

Think about it, if Hartnell or those first companions did not make the premise work, the show would have been canceled in that first season and NO ONE would today be talking about Doctor Who.

Patrick Troughton gets a lot of praise for ‘saving’ Dr. Who, when it became necessary to replace Hartnell due to his deteriorating condition.

For continuing Doctor Who, I would agree, but for saving it? … no. The show would have gone on with or without Troughton. It was that popular. Hartnell had help make it that popular.

Don’t get me wrong, Troughton was a great actor and he made a fantastic 2nd Doctor, and the very, unavoidable medical issues with Hartnell pushed the writers and producers into coming up with one of the most brilliant and iconic ways to keep the series going… ie the idea of ‘Regeneration’.

I mean that idea, that was born under pressure and calamity and potential cancellation, remains one of the greatest ‘hail marys’ of television history, as can be seen by a whole new generation, wowing to the adventures of yet another whole new Doctor.

But had Hartnell and crew, not made DOCTOR WHO a success out the gate, no one would have been pressed to try and keep the show alive. They would have done the normal thing, canceled the show and put something else on, and DOCTOR WHO becomes, like many shows of the time, a forgotten footnote.

But Hartnell was a GREAT Doctor Who, an iconic Doctor Who, who loved and championed the show. And he did four seasons of the series, back when the workload was a YEAR ROUND weekly series, basically performing the shows in a live-run, like a play, performed beginning to end, no time for retakes, you hit the mark at the beginning of two hours, and at the end of two hours, they filmed the entire show… JUST LIKE YOU SEE IT AIRED!

With filmed segments cut in on queue, and effects and sound done live in camera….the amount of pressure and work, is beyond ANYTHING that television actors, or indeed directors, editors, crew are doing today. It was the work of master actors and crew, to basically have to learn and crank out a play a week, under budget restrictions and time restrictions that can only be called… crushing.

And William Hartnell did this. For going on four Years, largely without vacation, with seasons FAR LONGER than the laughably short seasons the BBC has today… William Hartnell did this. While suffering with what today we would call early signs of Dementia or Alzheimers.

*****

For nearly four years he bled and sweated and carried Doctor Who, when his younger companions were folding left and right under the pressures and issues of a financially challenged, somewhat ghettoized show. Hartnell’s tenure as the Doctor saw him with the most companions (A whopping TEN companions. And every departure cut Hartnell like a knife, who saw the show as a familial thing), and having to ride the most tumultuous time in the history of the show, when it was figuring out, on a weekly basis, what it was, and who the characters were.

That he was able to play the series as long as he did, when suffering from a condition known to cripple, says everything about the nature of Hartnell’s professionalism, his “the show must go on” ethic. I just think a lot of people focus on the occasional flubs, when he was given tons of gobblydeggok to say, and he made it work. I don’t know of any actors today, in their full health and prime, who could have done week in and week out what Hartnell did, producing basically live televison in a fantastic setting.

Which is far more difficult than just soaps, because you have the additional hassle of effects and costumes and elaborate monsters and cut in scenes, and hitting marks, it’s really a big budget type cinematic production, done on a shoe-string budget and with no retakes and no time, and everything music, etc… done in camera.

Actors today would piss themselves.

I just have a tremendous amount of respect for Hartnell as a performer, and he could really perform and act and emote, and bring it when he needed to… which more often than not… was always. Add to all of that he also had some of the best episodes under his tenure, namely:

SEASON I 1963-1964

AN UNEARTHLY CHILD- PILOT- It does everything a first episode needs to do. Incredibly ambitious, for the time. A time ship, bigger on the inside than the outside, and looks like a simple police phonebox. It is just a genius conceit, even 50 years later. GRADE: B+.

100,000 BC- 3 episodes- It’s not a great episode by today’s standards but it is a necessary one, as they are still defining the Doctor, and his crew of travelers. And it is pretty brutal for a kid’s program. GRADE: B-/C+.

THE DALEKS by Terry Nation, directed by Christopher Barry and Richard Martin- 7 episodes- Terry Nation’s script and idea, fleshed out and realized, made concrete by the producers, and designers and voice actors, resulted in an immediate worldwide sensation… The Daleks. And the story, is quite good, quite ambitious, though of course hampered by the budgets and limitations of the time.

It is a great intro to one of the great iconic creations of television history. The serial falls apart in the last episode, the whole “live” thing, the director just couldn’t pull it all together, so it’s a bit of a mess. But the serial is strongly recommended in-spite of that; and it highlights, the rare times when it goes wrong, just how masterful the cast and crew was, to enable it to go right… most of the time. GRADE: B.

INSIDE THE SPACESHIP aka The Edge of Destruction- 2 episodes- This is another example of them not really having the time to make the story come across, it’s a bit of a confused mess. But it’s an intriguing watch, and is available with a nice commentary with the actors. The commentary worth the price of admission.

Marco Polo- seven episodes- A recreated episode, stills and audio, watched this recently it’s quite good. From the few shots of sets in color, it was quite an elaborate period piece.

The Keys of Marinus- 6 Episodes- Terry Nation returns, this is a great, exciting serial. Even with a bit of implied rape. Terry Nation always wrote excellent scripts that explored not only man against the alien, and man against nature, but far more interestingly man against man. His scripts and the crews performance transcends dodgy sets and questionable effects. GRADE: B+.

The Aztecs- 4 episodes – One of the best Doctor Who stories! This historical episode, sports great acting, great sets, and a great story. And wonderful direction. This is available with commentary, and I highly recommend it. One of my favorites. GRADE: A+.

THE SENSORITES- 6 episodes- This is one of the most successful of the scifi themed serials (the first season nearly equally divided between the historical episodes and the scifi/fantasy episodes) for season I. As it allowed some growth for the character of Susan, and real thrills for the rest of the characters. Lots of fun. Grade: B/B+.

THE REIGN OF TERROR- 5 episodes- This Dennis Spooner penned tale is quite enjoyable. The last two episodes are recreations (stills, audio) but is perfectly understandable and builds to a fun end. GRADE: B.

Those are my grades for season #1. Counting the pilot, Thirty eight weekly episodes!!! Wow! Episodes I didn’t grade are worth a look, for historical reasons, but may not be the show at its best.

Stay tuned for upcoming season reviews!

Doctor Who: The Beginning (An Unearthy Child / The Daleks / The Edge of Destruction)

Doctor Who – The Aztecs (Story 6)

Microsoft, Apple, Marvel, DC, Boom Studios, FBI, HTML Comics and suing customers to own them

On my mind

A few things.

We’ll start with 2:

1/Marvel and DC trademarking the term Super-Hero and 2/The “Task-Force” of comic companies that unleashed the FBI on HTML comics.

Stick with me, we’ll get to the other stuff. But a lot of it begins here.

With comics.

On the first point, Marvel and DC trademarking the term Super-Hero, yes, as quiet as it is kept these 2 companies have trademarked that term. Originally done in 1978 an odd time, when the field was looking ripe for the plucking. With Charlton on its last legs, and soon to sell their superhero interest to DC. and Time/Kinney/Warner in all its various names having owned DC since 1967, with the Superman Movie on the horizon, the TW/Kinney/WB suits smell… that finally they can make some money from these stupid comic properties. And bringing that studio mentality of trademark everything they’ll let you get away with, they do just that, even partnering (out of necessity) with the only other big player on the field, Marvel Comics, to push their trademark claim through. And having recently (smelling a new generation of superhero money in the water) renewed that trademark.

Trademarking the term super-hero when both companies are quite aware they have no claim to that term. Here is how you know the validity of that trademark. Would DC have been able to trademark the term Superhero without Marvel objecting (and I think successfully spoiling any trademark attempt)? No.

Would Marvel have been able to trademark the term Superhero without DC objecting (and successfully spoiling any trademark attempt)? No.

So if individually neither company has a valid trademark claim, why together should their claim be any more valid?

Answer: It’s not.

I understand they are thinking in terms of 25 year plans, and the new money-making viability of concepts such as comics and superheroes, that were considered, just a decade ago, as beneath notice.

But that mindset taking into consideration, it still takes some fing balls to try and trademark that term, just as it takes a monumental amount of ignorance (or greed) on the US Trademark Office’s part to actually award such a trademark.

But make no mistake, these companies have no more right to trademark that term then they have to trademark the word man or dog or adventurer or witch. It’s part of the popular lexicon and is used by companies besides the so-called “Big 2”. Used before the so-called “Big 2”., and it is used by other companies today. Small startups like Marvel and DC used to be.

If I’m a comic company in the business today, Like BOOM or IDW or Dynamic Forces or Dark Horse or Image, then one of my goals would be putting out a superhero book every other month, or something with superhero on the cover every other month.

Not because you particularly care for Superhero books or have any real interest in that market, but because you one day may have an interest, and you don’t want to, on that day, have to beg Marvel /DC to use that term. You make an issue if it now, because you do not want to roll over for that ideological land-grab by these two companies .

That trade-mark is bs, and any creative person at marvel and DC, is aware it’s bs.

But it is a funny thing, we tend to cede our better natures to the storms that carry us. So while a company may boast talented, creative, and astute, humanitarian people, the actually company they work for may be one step away from barbarism. And because of the storm, they don’t even think of questioning their companies policies (providing they are in positions to do so. Though none of us should be so lowly at a company that we can’t share a constructive viewpoint on that company. If you are unable to, that may be a sign you need to find a different company).

So whether that storm is Marvel or DC or Germany of 1937 or America post 2001, what is best and rational in us, tends to remain quiet to the insane storms that decide to see how far they can blow every so often. But I find that you have to hold your ground, sometimes I think that’s even what the wind is looking for, a man who will stand up to it, until it can put its heavy weight of howling down.

So comic book companies of today would be well served by challenging that particular trademark and getting it thrown out while there is still plentiful proof of prior art, and living reminders to the fact that Marvel and DC did not invent, nor do they own the term super-hero.

*******************

But it never fails, companies that only gained popularity and market share due to certain freedoms, use those freedoms as a ladder, than start outlawing and destroying those freedoms, they burn the ladder, for others. Like robber barons of oil, or rubber or transportation who only gained their status by taking liberties of the most heinous nature, now having the temerity to use their clout to get declared illegal the very practices they used to gain market share!!

Amazing, and predatory and nothing remotely resembling free enterprise, at least not in any sane definition of that term.

In a free enterprise system Linux and not Microsoft would be the major operating system being used. It’s benefits over Microsoft are just staggering, and on a side by side comparison, the best Linux distros, blow Microsoft away!

But what does Microsoft do when they can not out innovate a problem, or buy it out? They get in bed with the movie studios, and they lobby to make various codecs (software) illegal. Like record companies, and every other company these days, they don’t want to earn your business by creating a better product, they want to force, sue, intimidate, and lock, you… their supposed customer, the person they are supposed to be working for, into paying.

21st century companies have become some twisted version of protection rackets selling liquor at the point of a gun. You have to buy their overpriced, and shoddy product, whether you want to or not, or else.

And corporate talking heads, suits, will justify this predatory and clearly immoral business model, as being true to their responsibility to increase revenue for their shareholders.

Anyone who tells you that is full of utter crap.

Fuck the bs about working for shareholders, the purpose of even having shareholders is only to earn money to better innovate and serve your customers. Your real customers! A shareholder is only a means to an end, not the end.

The satisfaction of your customer, and continued improvement of your product is the end. And the fact that companies and wall street have lost sight of this is why, particularly, the American economic outlook is so dire.

It is run by people who increasingly have no fucking common sense. People who lose sight of why they even started a business to begin with.

It wasn’t to crush other companies, and to stifle and outlaw innovation and civil liberties.

Was it Jobs? Was it Gates?

No you started the paltry startup, because it was the fucking wild west, and there was no Microsoft or Apple to legalize you out of the game, and because you were young, and you were having fun, and you had a product you thought was the bomb (yes, I did just say Da Bomb :)), , and the world looked like an endless tomorrow. I was there, I remember.

Microsoft and Apple.

My God, from where you two began how did you get to where you are. Into someplace, odd and petty, and somehow while grandiose and large, somehow… stinking of fear, and afraid of tomorrow.

So that fear at work, Linux basically is legalized into being a crippled system. Competition is legalized away. Law enforcement and the legal system again as thugs, always as thugs, for the deepest pockets.

Companies seeking to take an adversarial approach to their customer base. They seek to maintain and grow their dominance by governmental protections and indeed enforcement of their status qua. That is not free enterprise, this concept of grandfather clauses, and law enforcement and the FBI as the attack dogs of companies from Movie Studios, to Apple and Microsoft, to now the comic book companies.

This recent case of comic companies siccing the FBI on a bloke for offering scans of comics online. And everyone is rushing to roll over or attack or disparage this person’s claim of being a library, or to call it immoral.

Are you fucking kidding me?

I heard someone on a podcast saying “you can’t just call yourself a library.” Why the fuck not? You just called yourself a podcast didn’t you?

Where is your license to do that ?

You don’t need one right now do you? Same with a library.

So shut the fuck up before you do.

It’s getting to the point in this world, because of people who roll over like these fucking podcasters (and yes I like podcasters. But for the love of God, think before you talk), that you are going to need a license even to breathe.

Even to breathe.

The dictionary definition of Library is (if you need one. Or here’s a thought, be original. Define yourself) : A collection of books and a place where books are collected.

It says nothing about you having to be licensed by any particular governmental agency.

It pisses me off when people just roll over and take the side of whoever can pay the press to tell you something. Just cause someone with a badge says it’s wrong don’t make it wrong. Been a long time in this country since the law and right were the same bloody thing.

So the man says he had a library, that’s good enough for me.

Now that said, that definition of his service, does not free him from his responsibility to remove material others feel they have a right to. If indeed he received cease and desist letters for particular works he was holding (that’s another thing that pisses me off, lawyers and their fucking cease and desist letters. Come to someone like a person, before you turn the fucking lawyers loose. You might get someplace that is better than where we’re going, if we can settle things without lawyers first) he should, finding the request valid… comply.

But from what I understand a lot of the site was public domain comics. So I’m not seeing a reason to throw the baby out with the bathwater, and go after this dude civilly and criminally for, bottom line, being a collector.

Maybe not the brightest of collectors, but a collector none the less.

And the lawyer who commented on this case, like lawyers do, is trying to say it’s about sending a message, and a moral victory. Don’t ever say the word moral and the greed of companies (or the culpability of the FBI) in the same sentence. A lawyer has nothing to do with morality.

********************

I like collectors, always have.

I come from a people who believe in Sineaters. Believe there are those who perform a vital, if not always loved or lauded duty, to the health and functioning of a society. For the Sin-eater it was assisting with the passing of the spirit, clean, into the other world.

I think the collector, while no such spiritual heavyweight, still serves still a most significant function in our culture. Particularly the American culture, because we’re in such mercenary hands, where everything is in flux. Buildings, neighborhoods, stadiums, all having a relatively brief life before they are torn down for something else.

That’s not healthy. Never has been. Never will be.

A collector, seeks to maintain things, that the bankers of a culture, may not find value in, but things that should persist, and still have a life, beyond a mercenary and fleeting view of value. Things that in and of themselves… are beautiful or artistic.

In the words of a long remembered poem, “Against the day of trouble, lays by some trifling thing, a smile, a kiss, a flower, for sweet remembering”. That’s what a collector does. It’s an odd calling, neither loved nor lauded, but necessary. Oh so necessary.

This guy was/is a collector.

It’s because of guys like this that we have today copies of films such as Metropolis or The Third Man or any number of beloved Film Noir movies, saved from the bonfires of Studios that did not forsee a financial worth to old films beyond their cinema release, Companies that burned their films, and ordered theaters to do the same, when the films cinema life was up.

Thank god, for collectors, who gave a finger to big companies back then, and said, “you know what, I like this movie, and I want to keep it around, regardless if you think it has no financial value anymore”. Fast forward a few decades and those saved films now become money making DVD releases by studios that in their short sightedness would have let them burn.

Same thing for Old time Radio shows. I love listening to Old Time Radio. I was not around when that stuff came out, but today I love listening to it. I love listening to stuff like THE SHADOW, or SUSPENSE or ESCAPE, etc.

These shows didn’t survive because of the companies that produced them, or the stations that aired them, these shows survived because of collectors.

Because of collectors.

So when people start ragging about so-called “bootleggers” or “scanners” or whatever, I’m always very mindful that it was these often single minded individuals that kept alive much of what otherwise would have been lost to time and neglect.

When the production companies were erasing old tapes because they could not foresee a financial value to them, it was collectors who often, copying this stuff off the air, preserved much of these classic radio programs, and by so doing preserved not just entertainment for a new generation, but a historical record of a time, and a place in a younger America. The same goes for music.

And the same with comics. The comics medium, has survived extremely lean years, because of rabid collectors like this man they have loosed the FBI on.

“A task force to protect their rights.” really?

A man and his family being raked over the coals, because the suits smell money in the water. And they want to play RIAA. And sheep like you just bow your heads, and say “yes massa” and regurgitate words like “copyright infringement” like dogs being taught to beg.

You make me sick. And you know who you are.

Hell the companies finally caught on, years after the fact, to the viability and need for scanning because of collectors. Now I understand companies, finally pulling their head out of their ass and seeing the viability of digital distribution, may see free labors of love, that offer comics for free, as a barrier to their money making schemes. I get that.

I don’t necessarily agree with it.

I think much of the product companies claim is owned should be in public domain.

I think this continued erosion of public domain, by companies that continually push for extension of copyright is utter crap.

I think all concepts that have persisted for 50 years, should be in the public domain.

Because it means these concepts have been around long enough to be part of the cultural language, the cultural conversation and as such, have been both enhanced, diluted, and changed by that conversation.

I think there is a great beauty in anyone being able to do an Edgar Allen Poe story, I think the world is invaluably richer because we have a million different takes on Edgar Allan Poe tales, From Roger Corman to Marc Olden to Jan Svankmajer and the list goes on. We are enriched as a society by everyone being unhindered to use this common concept, that has made its way, survived as part of the cultural conversation.

So I think Superman should be in the public domain, it is a public domain concept, period. So is Batman, and Mickey Mouse, and Captain America, and the Shadow to name a few. And the fact that companies are disputing the public domain status of concepts such as these is just plain criminal.

They all need to join Frankenstein and Don Quixote and… it shows you how bad the 20th century was for the concept of Public Domain, in that you really have to go back to the 19th century to get unchallenged concepts that are in the public domain. And we as a culture and a society are poorer for it.

All that brings us back to the law being used by companies… poorly.

It is being used to deprive the individual and the culture of rights, at the behest and to the benefit of corporations.

When the last days of America are written, that will be the reason. Is the reason.

Corporations are lobbying our supposed representatives to deprive us of rights, so they can make a nickel more.

Comics were immune from this attention for a long time, but with Hollywood dollars focused on the medium, it means we now get Hollywood type “protection” or “hired thugs” whichever you prefer.

We get the F of the B of the I.

We get one of those pleasant acronyms, designed to make us… relent.

Never relent baby.

Never relent.

So in closing my support is always with the Collector. Not the companies, and not the FBI. Because these companies, these bankers of our age, gray men, with gray souls, seeking to make a gray world, do what they do for petty monetary reasons, no different from their earlier versions that burnt films or smashed records, they do nothing for beauty’s sake.

And because of that, nothing these gray men do… will last. Because in the end, even if beauty fades, the things we do for beauty’s sake… will not. These and these alone… persist.