COMIC OF THE DAY: Al Ewing and Greg Land’s MIGHTY AVENGERS and the Black White Nick Fury?!


Marvel Comics.

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You know them? They are owned by Disney, they are brother to Marvel Studios that produces those box office shattering movies that have been all the rage for the last several years.

Well Marvel Comics while not the money maker of the film or video division, is the idea-space for those other mediums, and as such has an importance that belies its modest publishing revenue. As such, they are not going any place.

That said they could be doing better. But at every turn the publishing arm seems to be almost antagonistic to their customer base.

Tactics such as over-saturation of the market and expensive cover price of its titles ($4 is way too much to pay for an ad strewn comic with no additional content) translates into the audience (me) making a conscious choice to avoid all their books at best, and limit my consumption to one or two titles at worst.

Enter… THE MIGHTY AVENGERS.

THE MIGHTY AVENGERS by Al Ewing and the criminally castigated and underrated Greg Land is my favorite Marvel Comic, and the only one I purchase monthly.

Now don’t get me wrong there are other Marvel books I like, Aaron’s THOR, Remender’s CAPTAIN AMERICA and UNCANNY AVENGERS, the new MOON KNIGHT and IRON FIST has me interested, and if all those titles were $2.99 rather than $3.99 I would pick them all up. But I really do feel if any company can successfully ‘hold the line at $2.99′[an euphemism for not raising prices]… it is Marvel Comics, and their refusal to do so… is a misplaced arrogance, a belief that the entrenched fan-base will buy the books regardless.

It is a price gouging mentality, and I am proof to the contrary.

Rather than them getting $15 a month from me for five $2.99 comics, they get $3.99 for one comic. That greed, that one dollar extra cover price, has cost them $11 from me, $11 that now gladly goes to Image Comics or Dark Horse Comics.

And more than that, I am now trained to wait. I’ll wait till a Marvel series gets collected and is available at my local library and I’ll read it for free. So yeah Marvel Comics, that $3.99 cover price… here is one concrete case where you have actually lost business because of it. So great job there.

And the one Marvel Comic that I do get, is Ewing and Land’s MIGHTY AVENGERS.

Al Ewing creating a frenetic and pulp-inspired book that every month delivers a satisfying story, and one of the only books on the stands that offers multiple characters of color, treated respectfully (rather than as punch-line’s such as other Marvel Books are doing. Example being ‘Nick Fury’ gate. :).

Movies made workable the character of Nick Fury, by using the popularity of actor Samuel Jackson.

Now Marvel Comics wants to integrate that successful character from the movies with the 1960s comicbook version. So the brilliant way Marvel Comics decides to do that is by labeling the Black Nick Fury as the ‘son’ of the White Nick Fury. Wtf? Really? :).

That’s the direction you’re going? Can you say demeaning, bigoted and stupid? Hey Marvel here’s a solution for you… How about they are both just Nick Fury, with no relationship to each. Nick Fury being a title, like ‘Christopher Chance’ that gets passed to whoever is worthy. Took me two seconds to come up with a better way for both Nick Fury’s to coincide without demeaning and denigrating the Samuel Jackson version.

Who would have thought it would be the movie Marvel Universe that would get it right, and the comic-book Marvel Universe that would increasingly be the disappointment.)

Which is why Al Ewing’s MIGHTY AVENGERS is such a treat and a surprise. Despite being hamstrung with having to participate in Marvel’s various events (could not be less interested in Marvel’s Crossovers) Al Ewing manages to use the handicap of the crossover as a springboard to tell his own highly imaginative and absorbing tales of werechickens (don’t laugh, it’s pretty cool)and inter-dimensional evils, while at its heart always being a very generational story. A book that is about… Fathers and Sons.

Add to this Greg Land, who has had to suffer the recriminations of people with not a fiftieth of his talent, self styled art ‘critics'(parrots jumping on a bandwagon) who unable to create art, and ignorant even of the process, yet think themselves schooled to heckle their betters.

If you think Greg Land uses ‘porn stars’ for some of his inspiration, I would say two things to you, 1/ who cares and 2/you probably watch way too much porn. :).

Every artist from Jack Kirby to Gene Colan had a little stock/trace file, for poses or buildings or cars or fashion. You know why? Because it is a bloody job and stock photography and images are tools, and drawing, making your deadlines, is a job. And being able to take those inspirations, regardless of where they come from, and craft a functional and beautiful story out of it, takes immense talent. Greg Land is an immense talent, and his work on MIGHTY AVENGERS is drop dead gorgeous, brimming as it is with 70s Indie Black Empowerment images.

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So from writing to art, there is a one-two energy Ewing and Land have going here, that hopefully will continue for sometime. But when and if MIGHTY AVENGERS goes the way of other Marvel Titles, here’s hoping these guys create a similar creator owned title at Image.

I would love to see Al Ewing creating his own pulp-inspired or sci-fi tinged characters, and Greg Land drawing them. For all the good things Image has, a book with a majority of ethnic characters is not one of those things.

Perhaps it is time there was such a book.

So Marvel for all my bashing on them has to be applauded for THE MIGHTY AVENGERS. But if all involved really want the series to grow, 1/add a letters page and back-matter, 2/focus on stand-alone stories primarily, and 3/making it a $2.99 rather than $3.99 book wouldn’t work.

But other than that a fantastic read, month in and month out.

Oh and Al and Greg, two more suggestions, One/change the preamble that starts the book to be something with a little more import and oomph, and two/ Let Luke Cage take back the name Power Man. It’s a good name, and it’s his.

Thanks for reading and if intrigued by the above you can buy back copies of the Mighty Avengers or the Trades here:

http://www.mycomicshop.com/search?TID=24852602&affid=200301p0
http://www.mycomicshop.com/search?TID=25358810&affid=200301p0

Enjoy!

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Star Trek vs. Star Wars?!!

David W of BadAzz Mofo, the publisher of the FANTASTIC BadAzz Mofo Magazine of the same name, also runs a way cool blog, that I need to visit more often.

Why?

Here’s why:

Hilarious! Read his whole blog here!. And while there pick up his books and mags, they come recommended! And tell em HT sent ya!!!!

Odds and Ends and Insulting Ramblings

It will be four years before this day comes again. Odd how that fact does not fill me with confidence in the Julian Calendar system… among other things.

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Language interests me. Possibly because I’m so bad at picking up new languages. It interest me the things that are lost and changed in translation.

The Uncanny X-men in Spanish becomes La Impossible Patrulla X, which does not mean ‘The Uncanny X-Men’. It translates literally into The Impossible Patrol X. Patrulla meaning Patrol, a small detachment of soldiers to secure the safety or peace of a place.

So the X-MEN though translated, is changed in the translation, to PATROL X. A subtle change admitted, but change none the less.

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Closing out Black History month, I have to remark I really hate the term African American.

It’s right up there with morons using the term political correctness instead of the word respect.

Just use respect whenever you rant about political correctness, and you’ll realize what the eff you’re really complaining about. Racist bastards.

Now back to African American.

Nationalistic boundaries have no place in an ethnographic designation. It’s been removed from the unifying way it was first broached in the 60s, to a moronic misnomer. What is wrong with Black or Colored or Moor or Nubian or hell even Pan-African, all of which are inclusive terms that define your ethnicity regardless of whether you live in Canada or France or Brazil or China or Honduras or Haiti or Senegal.

How such a stupid term is not only in general parlance, but is on federal forms just goes to show you how poorly most people in America reason. And don’t even get me started on separating Black from Hispanic. What the eff are you talking about? How do you separate blood from blood? Keep your divide and conquer nonsense.

“Just like the Spanish, raping the Black and Indian women and creating Latinos!”— Immortal Technique

If you’re walking around and defining your ethnicity based on your nationality, which may work in homogeneous society but does not work in a heterogeneous society, then you sir and mam… are doing something moronic.

And you may want to stop and think, and scratch out that stupid line on federal forms that says African American, and write instead… “Eff You! I Wont Do What You Tell ME! ” (Yeah, that is from RAGE AGAINST THE MACHINE).

Think… better.

It’s the only salvation you have.

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Reasons why any self respecting person should hate X-MEN FIRST CLASS :)

“Along with me I’m gonna need a scientist, an engineer, and of course, a black person to sacrifice himself in case something goes wrong.”
– Eric Cartman, SOUTH PARK, season 9, Cartman’s Hippie Exit Strategy 2006

I don’t even like/watch South Park but that quote is funny and sad because it’s true.

Here it is 21st century and writers/filmmakers from Frank Miller (SIN CITY) to Matthew Vaughn and Jane Goldman (X-MEN FIRST CLASS) are still crafting films that still perpetuate this bigoted vaudeville/black-face denigration of minorities, particularly Blacks as either victims/sacrifices, hors, criminals, or comedy relief or some effed up combination of the four.

I hear all these people saying X-MEN FIRST CLASS was the best movie of 2011. Are you effing on crack?! This goes to prove what Leroi Jones/Amiri Baraka said in an early age… if you live all your life with lies it becomes hard to see anything that has nothing to do with those lies.

I’m saying a population that watches American Idol and thinks X-MEN FIRST CLASS is a good movie and that their country is a democracy, the cowboy on the white hat, has perhaps lived with lies too long. And therefore can’t see the concentration camps paid for with American Tax dollars, and the 24 hour propaganda machine, and how many of us are being herded into new millennium Dachaus.

I’m saying that twisted facts are easy offshoots… of twisted fictions. The dream being father to the reality.

So needless to say Matthew Vaughn’s new X-MEN FIRST CLASS movie will get as much theater money out of me as his first one, which is to say none. I’m drawing the line in the effing sand, I refuse to pay theater prices for any movie made after 1970 (revival films being excluded) that a/ has less than two characters of color and/or b/has characters in boring, tired stereotypical roles.

Which means I’m not going to see effing DIARY OF A MAD BLACK WOMAN or PRECIOUS either. I don’t need that crap. Give me instead more OBSESSED and more TAKERS and more BLACK DYNAMITE and more BLOOD AND BONE. Any of those movies are worth a dozen times predictable crap like X-MEN FIRST CLASS (I caught it on DVD from the library, if anyone was wondering).

And what makes me the maddest about that movie is it plays lipservice to liberty and inclusiveness, using Kennedy’s speeches for God’s Sake, and invoking the age of the 1960s, while presenting a completely 50s based message of ethnic characters ‘get in the back of the bus’. And the horrible thing is so many eyes can see this film, and not see it, not see its messages, its bigotry, its failings. Can honestly crank out odious crap like that and think they are somehow being liberal??? Absolutely amazing.

It concerns me that a whole generation is growing up, somehow blind to how off the beam America isn’t just getting… but is. Even to shows like COMMUNITY (see my discussion of) which is dazzlingly bigoted. And the onus isn’t just on the creators, it has to be on the stars. Seemingly the ethnic actors these days are devoid of the social conscience of a Poitier or a Belafonte or a Williamson, and this new generation just takes roles without any larger conversation/consideration about being used as a modern step and fetchit.

Sure you risk being fired if you speak up, but you risk something worse if you don’t. Your soul. You risk walking around like all these sheep, raised and reared on lies, and unable to see anything… if it has nothing to do with those lies.

Here endeth the rant.