Currently Watching : Criterion Blu-Ray THE CRANES ARE FLYING (1957) by Mikhail Kalatozov

Letyat zhuravli (1957)

“I believe in poetic cinema. Poetic cinema is the cinema created in especially vivid form… by great masters like Eisenstein, Pudovkin, and Dovzhenko. In my own work I strive to affect a viewer’s consciousness and soul by means of poetic cinema.”
-Kalatozov in a 1961 interview. Available on the Criterion Blu-ray

Tatyana Samoylova in Letyat zhuravli (1957)

Tatyana Samoylova in Letyat zhuravli (1957)

THE CRANES ARE FLYING (1957)-Three things period Russian films do just about better than anyone else, is tragedy and beauty and grandeur, and Director Mikhail Kalatozov’s THE CRANES ARE FLYING is overflowing with all three. You get the deep focus cinematography immortalized by Orson Welles married to a balletic, spiraling, intimate ground breaking, “you are there” camera movement, that is uniquely Russian. what kalatozov himself would call— poetic cinema.Letyat zhuravli (1957)

Almost 7 decades later and without any need for CGI, and 20 years before the invention of the Stedicam – the cinematography in this film (by the equally acclaimed Sergei Urusevesky) remains— both unbelievable and sublime. It is a film that draws you in from frame one, and holds you and the characters like a lover— deeply, afraid to be parted.Aleksandr Shvorin in Letyat zhuravli (1957)

All in all, a transfixing and haunting viewing experience, greatest of which is the beauty of Tatyana Samoylova, whose beauty captured here for all time, is so great –- and her performance so affecting—- that at times looking at her – is like looking at the sun.

One of the great Russian beauties, she becomes the mythical Helen – whom all young men seek to impress with war; and ‘changed by the war’ young men; seek only to hold in peace. THE CRANES ARE FLYING is up there with I AM CUBA/SOY CUBA (another Kalatozov cinematic achievement, with this time a stunning Cuban beauty) as a milestone of Russian cinematography, and by extension a milestone of world cinematography; up there with Welles CITIZEN KANE and Lean’s GREAT EXPECTATIONS. There is no putting this movie on, and not being captivated by it.

THE CRANES ARE FLYING is another masterpiece lovingly provided by the Criterion Blu-ray label. I am on a hunt now to see the other available Kalatozov directed films, as well as Tatyana starring films. Kalatozov,while IMDB lists 20 directing credits for him, most of those appear to be documentaries or shorts or state sponsored work. It really appears he only has 6 or 7 feature films to his name, all coming toward the end of his career, especially once he found a kindred spirit in his cinematographer, Urusevesky.  So I look forward to adding THE FIRST ECHELON, LETTER NEVER SENT and RED TENT to the list of Kalatozov films to add to my collection. Grade: It is a simple enough story, but the visuals just make it, cinema undeniable— A+.Aleksey Batalov in Letyat zhuravli (1957)

Click the image below to get the best price on the feature rich Blu-ray, and you also earn a few very appreciated pennies for this blog! A win-win!

Letyat zhuravli (1957)

THE FIFTH HORSEMAN IS FEAR

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The Fifth Horseman is Fear
Facets video
1964 / B&W
2:35 anamorphic 16:9
100 min.
…a páty jezdec je Strach
Street Date July 25, 2006

Starring Miroslav Machácek
Cinematography Jan Kalis
Production Designer Milan Nejedla
Film Editor Miroslav Hájek
Written by Zbynek Brynych, Ota Koval, Ester Krumbachová from a book by Hana Belohradska
Produced by Studio Barrandov
Directed by Zbynek Brynych

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THE FIFTH HORSEMAN IS FEAR- To go by reviews on IMDB and AMAZON as well as various critics sites this Czech film is supposed to be a masterpiece. The recently departed Roger Ebert who I agreed with in some things called it.. “a near perfect film.”

Having watched it I have to say… not so much.

While I understand its historic significance in being an early filmic examination of life under an oppressive regime, I found its execution falling far short of its acclaim.

And as someone who is a fan of classic cinema and consider films such as THE THIRD MAN, and ODD MAN OUT and THE CRANES ARE FLYING, historically significant and brilliant films, THE FIFTH HORSEMAN IS FEAR is not a brilliant film. It has moments of interesting cinematography that unfortunately gets lost in the unfinished bones of a movie, a movie that is more exercise and experiment than finished film. I found THE FIFTH HORSEMAN IS FEAR tedious rather than engaging; and the screeching and overwrought performances and dialogue, felt false and empty.

I respect the film’s courage for trying to say something of import, given the perilous nature of when and where the film was made, but I have to say I don’t think the film says it well. Not today, and not even upon its release.

A film that by all means view if you can see it for free, but not something that I think you will be particularly enriched or intrigued by in the viewing. GRADE: If you can see it for free… fine, otherwise avoid. ** out of ****.

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