THE SHOUT (1978) – THE SHOUT is a type of horror film that the 70s managed to produce arguably better than any other decade (save perhaps our current streaming generation, the share bulk of content at our fingertips allows for a diverse range of content and experimentation). The eerie existential tale of foreboding; tales of protagonists beset from seemingly all sides by nameless and unnameable dreads that live disturbingly close to the fragile facade of our normal lives.
A culmination of sorts of the filmic movements before it (namely Expressionism, often called German Expressionism, and Film Noir) and the new dynamism of the conflicted post war, post age of Aquarius 70s; 70s Expressionist horror grafting the fatalism of Film Noir to Expressionism’s use of exaggeration and distortion to illicit an emotional response, to create a horror that was more about broader questions of what lives beyond the borders of the accepted, and the illusions… of control.
Films like DON’T LOOK NOW, IMAGES, THE ABOMINABLE DOCTOR PHIBES, AND SOON THE DARKNESS, THE DUNWICH HORROR, LEGEND OF HELL HOUSE, LET’S SCARE JESSICA TO DEATH, MAGIC, OBSESSION, PHANTASM, DEEP RED, THE SENTINEL, SUSPIRIA, ERASERHEAD, SHORT NIGHT OF GLASS DOLLS, GANJA & HESS, NEITHER THE SEA NOR THE SAND are marked by extreme directorial flourishes, bordering on surrealism, creating worlds of emotive rather than accepted reality.
THE SHOUT, features a stellar cast of burgeoning British Stars, among them Alan Bates, Susannah York, John Hurt and Tim Curry, all brilliantly directed by the legendary filmmaker Jerzy Skolimowski. His only film in the horror genre, THE SHOUT much like IMAGES (directed by another great, serious filmmaker Robert Altman), manages to be not just a great genre film, but one of the best films of Skolimowski’s lauded career.
Not the typical Horror movie, the best horror of the 70s resists and transcends easy classifications, and trite genre labels. Indeed THE SHOUT would be as justified in the drama or fantasy or art film designation as any other, but somehow horror seems to sum up best the creeping unease that these types of 70s films in general, and THE SHOUT in particular, provide.
This is horror not of the slasher or torture porn fodder that unfortunately passes too-often for horror in the 21st century, but something more… imaginative. While the 70s had its own knife wielding maniacs, that was often played as a facet of the horror, rather than the horror in total. The horror that the 70s dealt in was rather a call back to the existential roots of cinema, horror, and arguably humanity, the MR James and Wakefield definitions of horror… the horror, with questions that endure.
Jerzy Skolimowski’s THE SHOUT is a film that rewards repeat viewings. See it for yourself courtesy of Amazon Prime, or get the DVD here: The Shout [ NON-USA FORMAT, PAL, Reg.2 Import – United Kingdom ] or Blu-Ray here: The Shout (1978) [ NON-USA FORMAT, Blu-Ray, Reg.B Import – United Kingdom ]
BLOOD FROM THE MUMMY’S TOMB – This little horror flick from director Seth Holt is pretty much complete hokum. The biggest issue, there is not enough story to justify its 90 minutes. The director is not without talent, but it’s a case of subpar story and not a whole lot for the actors to do adding up to a yawn fest overall.
That said it is worth at least fast forwarding through to see Valerie Leon’s not inconsiderable assets, on display. She is pretty much the whole show here, her beauty being nearly mesmerizing. When she is not on the screen it is generally a mediocre watch.
For more on the Amazonian Valerie Leon go here (A fun website called CONFUSING THE POLARITY) or Ms. Leon’s own page here. Ms. Leon is thankfully very much still with us, so I urge you check out her site; as she has great items available.
Today’s classic comic cover (alliteration is your friend) is a Jim Aparo cover from writer Bob Haney’s crazy 1970s run on BRAVE AND THE BOLD. This is one of the best books DC was putting out back in the 70s, and even back then the stories were outrageous non sequiturs, diverging wildly from established DC tropes of storytelling and often character. I loved Bob Haney’s stories, and being even of their time the stories were out of their time, and therefore remain oddly timeless.
This particular cover and comic of the day is BRAVE AND THE BOLD #149, from 1979, starring BATMAN in conflict with the TEEN TITANS, and titled ‘LOOK HOMEWARD, RUNAWAY’. Both the absurd and highly entertaining writing of Bob Haney and fluid and graceful art of Jim Aparo are at full gallop in this fun story.
If interested grab a copy here!
Enjoy till next time!
As any casual visitor to this blog knows I’m a huge pulp fiction fan, so I’m always on the lookout for vintage or new age pulp covers that grab me. Under the heading risque Vintage Pulp Fiction covers comes the following selection of classic, caustic, and even calamitous covers from the defunct but rightly named SPICY DETECTIVE STORIES.
Take a gander and enjoy!
And if you’d actually like to read one of these stories (A Norvell Page!!) go here.
While picking the companions I disliked was easy. Narrowing down my five favorite companions is a LOT more difficult, because in 30+ years there have been some great companions. On the whole the good companions far outweighing the ones I dislike.
So narrowing down all those great companions to my five favorite, very difficult, and very subjective. But as stated, having recently watched all 30+ seasons of the show, you can call my choices informed subjectivity.
So without further ado:
I have some issues with Russell T. Davies as discussed in my worst companions posting, but one thing you can’t fault him with is in building up the dynamic/relationship between the Doctor and his female Companion, and doing a great job of casting that companion role… well, and writing it… well.
I think one of the common complaints many actresses who played a companion to the Doctor had, was in the writing of their roles. Davies with the characters of Rose and Martha created companions who had it all, beauty, brains, guts, and adventuresome spirit, and a personality, an aura… magnetic. And roles that complemented the Doctor.
So while I really love a lot of the companions that have been in and out of the ship of time, the two I come back to the most, which is a way of saying the two who are great characters, brought to life by great actresses, and they have great stories under their belt, and a great complement to the doctor… in other words they have it all…
Martha Jones played by the stunning Freema Agyeman and Rose Tyler played by the effervescent Billie Piper. They get the one, two spot.
Sarah Jane- I don’t think any list of best companions would be complete without Sarah Jane, played by the fantastic Elisabeth Sladen, who brought such a caring, and humanity, and belief to her role, and whose tenure bridged both Jon Pertwee and Tom Baker.
Liz Shaw, played by Caroline John, acted opposite Jon Pertwee’s Doctor. And she brought beauty, brains, wit, sophistication to the role, and at the time they thought that was too much. She was too capable, and she was replaced in a single season, with a dumbed down companion Jo Grant(that’s not a kick against Kathy Manning, who played Jo Grant, she quite made that role her own, and made that dynamic work, and became a great, woman of action companion for the bulk of Pertwee’s run). However, it was still an unfortunate replacement because she was a fantastic companion. And you look back at the handful of stories she did and they all stand out as fantastic Doctor Who episodes.
The last spot is a tie between Leela and Ace.
Leela- I really liked the character of Leela, playing opposite Tom Baker’s Dr. Who. Played wonderfully by the beautiful Louise Jameson, I thought she was a very interesting character, but her relationship with Tom Baker’s Doctor, and seemingly Tom Baker himself, was seemingly frictious and dismissive. Possibly because she was such a strong and striking character, and a strong and striking actress, and Tom Baker at the time wanted no competition for the spotlight. But despite the less than stellar dynamic between them, they still were in 2 or 3 of the best story-lines in the history of the series.
And tying her for fifth place was Ace played by Sophie Aldred. Ace was just a fantastic companion, and had a great relationship/chemistry with Sylvester McCoy’s Doctor. And they were in some amazing stories together. Their REMEMBRANCE OF THE DALEKS being easily in the top ten of any list of best Doctor Who stories.
Honorable mentions are:
Ian Chesterton – played by William Russell from 1963 to 1965 with William Hartnell
Barbara Wright – played by Jacqueline Hill from 1963 to 1965 with William Hartnell
Susan – played by Carole Ann Ford from 1963 to 1964 with William Hartnell
The first companions, if they had failed, if their chemistry had failed, we wouldn’t still be talking about the show.
Jamie – played by Frazer Hines from 1966 to 1969 with Patrick Troughton
His chemistry with Patrick Troughton, was a great, almost vaudevillian dynamic.
Brigadier Lethbridge-Stewart – played by Nicholas Courtney from 1968 to 1989 with all the “old” Doctors apart from Colin Baker.
While not a companion, Nicholas Courtney’s reoccurring role as Brigadier Stewart, head of the UNIT, was a great addition to the Who mythology, particularly during the earthbound Pertwee era. He’s just a fantastic straight man for the Doctor’s craziness.
Jo Grant – played by Katy Manning from 1971 to 1973 with Jon Pertwee. She took the ditzy role she was given, and made it into a courageous character who would risk anything for the Doctor.
Peri – played by Nicola Bryant from 1984 to 1986 with Peter Davison and Colin Baker.
Let’s be honest, Nicola Bryant was brought in, by hit-and-miss producer Nathan Turner, for T&A… to sex up the show in hopes of salvaging the lackluster Peter Davison years. She was brought in for her huge breasts, and they were paraded prominently.
(Oh come’on don’t get offended, we’re all adults here, and that’s absolutely the truth. They were real, and they were fabulous. :). Oh, I’m joking! )
With the exception of Davison’s last episode, the only thing that was watchable about his tenure, was Nicola Bryant. But surprisingly enough, she was more than just a pretty face and a stunning body, she was a solid actress, and she was exceptionally likable, and this became very obvious during the Colin Baker Doctor years.
Colin Baker off-putting pompous portrayal of the Doctor, only made somewhat palatable because of Nicola Bryant’s Peri. I quite liked her, and unfortunately she was saddled with questionable characterization by the writers of her and her Doctors. But despite that she does manage to be part of 2 or 3 stories that transcended those issues, to be quite entertaining.
So that’s it for this installment. Five favorite companions and the honorable mentions! Feel free to mention your favorite companions.