1978 | Heroic Times

THE SHOUT (1978) – THE SHOUT is a type of horror film that the 70s managed to produce arguably better than any other decade (save perhaps our current streaming generation, the share bulk of content at our fingertips allows for a diverse range of content and experimentation). The eerie existential tale of foreboding; tales of protagonists beset from seemingly all sides by nameless and unnameable dreads that live disturbingly close to the fragile facade of our normal lives.

A culmination of sorts of the filmic movements before it (namely Expressionism, often called German Expressionism, and Film Noir) and the new dynamism of the conflicted post war, post age of Aquarius 70s; 70s Expressionist horror grafting the fatalism of Film Noir to Expressionism’s use of exaggeration and distortion to illicit an emotional response, to create a horror that was more about broader questions of what lives beyond the borders of the accepted, and the illusions… of control.

Films like DON’T LOOK NOW, IMAGES, THE ABOMINABLE DOCTOR PHIBES, AND SOON THE DARKNESS, THE DUNWICH HORROR, LEGEND OF HELL HOUSE, LET’S SCARE JESSICA TO DEATH, MAGIC, OBSESSION, PHANTASM, DEEP RED, THE SENTINEL, SUSPIRIA, ERASERHEAD, SHORT NIGHT OF GLASS DOLLS, GANJA & HESS, NEITHER THE SEA NOR THE SAND are marked by extreme directorial flourishes, bordering on surrealism, creating worlds of emotive rather than accepted reality.

THE SHOUT, features a stellar cast of burgeoning British Stars, among them Alan Bates, Susannah York, John Hurt and Tim Curry, all brilliantly directed by the legendary filmmaker Jerzy Skolimowski. His only film in the horror genre, THE SHOUT much like IMAGES (directed by another great, serious filmmaker Robert Altman), manages to be not just a great genre film, but one of the best films of Skolimowski’s lauded career.

Not the typical Horror movie, the best horror of the 70s resists and transcends easy classifications, and trite genre labels. Indeed THE SHOUT would be as justified in the drama or fantasy or art film designation as any other, but somehow horror seems to sum up best the creeping unease that these types of 70s films in general, and THE SHOUT in particular, provide.

This is horror not of the slasher or torture porn fodder that unfortunately passes too-often for horror in the 21st century, but something more… imaginative. While the 70s had its own knife wielding maniacs, that was often played as a facet of the horror, rather than the horror in total. The horror that the 70s dealt in was rather a call back to the existential roots of cinema, horror, and arguably humanity, the MR James and Wakefield definitions of horror… the horror, with questions that endure.

Jerzy Skolimowski’s THE SHOUT is a film that rewards repeat viewings. See it for yourself courtesy of Amazon Prime, or get the DVD here: The Shout [ NON-USA FORMAT, PAL, Reg.2 Import – United Kingdom ] or Blu-Ray here: The Shout (1978) [ NON-USA FORMAT, Blu-Ray, Reg.B Import – United Kingdom ]

Grade: B+.

Netflix Streaming MOVIE OF THE DAY : THE WILD GEESE [1978]

Directed capably, if unexceptionally, by Andrew V. McLaglen, what elevates this tale of aging mercenaries and an off the book mission, is a surprisingly incisive script, that includes three or four exchanges, about Africa, and colonialism, and war, and ethnic cleansing, and bigotry and apartheid, that still resonate today.

Based on a novel by Daniel Carney, the exceptional screenplay is by Reginald Rose of 12 ANGRY MEN fame and involves the rescue of a deposed African president called Limbani (loosely based on the real life Lumumba). Add to that a stellar cast that includes Richard Burton, Roger Moore, Richard Harris, Stewart Granger and a host of great British character actors, and you have a movie that exceeds expectations. Strongly Recommended. Grade: B+.