“We love only heroes. Glorious
death in battle. Scaling walls, burning bridges behind us, destroying
all ways back. All retreat. As if
some things were fixed. As if the moon
would come to us each night (&
we could watch
from the battlements). As if
there were anything certain
in our lives.”
— excerpt from “THE DEATH OF NICK CHARLES” by Amiri Baraka (available in the great anthology BLACK VOICES)
I have been listening all day to an old time radio program called CRIME CLASSICS. From the 1950s it is absolutely riveting half hour based shows, that dramatize infamous places in history. It dramatizes our crimes. From Lizzie Borden to Billy the Kid to others who I have never heard of. It tells of places deep and dark and devious, that can only accurately be called the human heart. It is brilliantly directed/produced by Elliot Lewis, written by Morton Fine and David Freemen, and captivatingly introduced by Lou Merrill portraying Thomas Hyland and performed by some of the best radio actors of the day, from Paul Frees to William Conrad to Bill Johnstone.
I don’t know how to sell someone on audio dramas, anymore than I know how to sell someone on reading. To me it’s analogous to having to sell someone on breathing or sex. It is something people should be, of their own volition, racing toward… racing to do, racing to consume.
Audio dramas, the best of them, are such a pure medium. Such an interactive one, while still being a completely solid vision/narrative.
And Old Time Radio is a very reflective medium, it can teach, by that distance of time, of old oaths that we have turned our back on, and old follies that we have embraced.
I highly recommend this show. And you can find it here. I recommend getting it quickly as the shows have a tendency to disappear as greedy corporations and venal lawyers and their lobbying… erodes the concept of Public Domain… erodes the concept of The Public. It is a great show. Enjoy.
“His name is…
Will it ever come to me? There is a grand lapse of memory that may be the only thing to save us from ultimate horror. Perhaps they know the truth who preach the passing of one life into another, vowing that between a certain death and a certain birth there is an interval in which an old name is forgotten before a new one is learned. And to remember the name of a former life is to begin the backward slide into that great blackness in which all names have their source, becoming incarnate in a succession of bodies like numberless verses of an infinite scripture.
To find that you have had so many names is to lose the claim to any one of them. To gain the memory of so many lives is to lose them all.”
—From Thomas Ligotti’s GRIMSCRIBE short story collection
I find Ligotti an acquired taste. I’ve read several of the stories in GRIMSCRIBE in his more comprehensive collection, THE SHADOW AT THE BOTTOM OF THE WORLD, and I wasn’t particularly taken by them there. I thought the GRIMSCRIBE selections were the weakest part of THE SHADOW AT THE BOTTOM OF THE WORLD (an uneven, but worth having anthology, because the stories that do work, four come to mind, are worth the price of admission). But I found the above excerpt from Ligotti’s introduction to GRIMSCRIBE quite compelling.
“Formal business has certainly decayed in the city centre, with empty shops, boarded-up office blocks. Maybe a Black guy will buy a shop and start selling pap, the local food, but there’s been no boom of Black businesses- prices are still high, and because of the Group Areas Act it’s mainly Asians who own the shops and warehouses. There are plenty of traders and hawkers in the streets now, ladies doing other ladies’ hair for money and services like that. There are big working-class taxi ranks because the public transport is so bad. But the general economic trend is very clear: the rich have got richer and the poor poorer. Under the ANC, South Africa has now surpassed Brazil as the most unequal country in the world. According to Statistics South Africa, the average African household has got 19 percent poorer in the past five years, and the average White household 15 percent richer.”
—Trevor Ngwane discussing the current conditions of South Africa, from Tom Mertes’ A MOVEMENT OF MOVEMENTS.