This Summer & Fall’s selection of movies is pretty uninteresting.
Pirates- don’t care. Harry Potter- don’t care. Green Lantern- trailer looks awful. Hangover- Don’t care. Panda2- Don’t care. Cars2- Don’t care. X-men First Class- Trailer has me completely uninterested.
So yeah, summer is sequel heavy, and I am not spending my money on most of em.
Also ones that sound interesting and they can go either way, being either okay or terrible, are:
STRAW DOGS- As I’ve previously mentioned I have my qualms about this remake, and having just seen the trailer it only increases my doubts about this film. First the trailer basically is the entire film, and 2nd the film is a pretty formulaic reduction of a far more complex original, and 3rd the actors as I’ve previously discussed. Basically the trailer has actually decreased my interest in this film. The lack of a decent poster at this late stage, illustrating the lack of this films identity when compared to the original, that has one of the great, iconic posters of film. So based on all this, currently no plans to see this remake in the theater if at all.
VIVA RIVA- This congo film is seemingly getting some attention, but from some conflicting reviews it sounds like it might be more exploitation flick, gansta rap than I care to be interested in.
I liked CITY OF GOD because there is a vein of decency and humanity and redemption that grounds it. VIVA RIVA has me concerned that it’s just a lowest common denominator, abuse women gangsta want-to-be flick, and that doesn’t interest me in the slightest.
I have a low tolerance for watching women get abused, or the glorification of ignorance, not my idea of something to pay to see. If reviews come in and paint this as something better than what I think it is, then I’ll catch it on DVD.
ADDENDUM: I just saw the trailer to VIVA RIVA… it looks good. So yeah, if I can catch this at a local theater I’ll check it out.
ABDUCTION- I keep wanting to like the films of John Singleton, but the thing is typically I just don’t.
BOYS IN THE HOOD was okay, a nice debut, but is ever in the shadow of the superior MENACE II SOCIETY by the Hughes Brothers. The former feeling dated even upon release, and the latter being ever timeless in its stylish, existential and gothic examination, of hearts of darkness. But very few films can compare favorably to the Hughes Brothers debut, but taking that out of the equation Singleton’s followup films from SHAFT to FOUR BROTHERS also tend to underwhelm, to go through the motions of having a story but tend to lack either momentum or direction.
So adding to my misgivings of Singleton as director, is my complete disinterest in watching his TWILIGHT star, that is the lead in ABDUCTION. I don’t mean any harm… but that is one odd looking kid, but I guess the teen girls find something in that look. However me being not a teen girl, I require out of the star and the director, the ability to carry a film and make me care about it. And I’m completely uninterested in watching this actor. And the trailer does nothing to change my reservations.
So failing any additional feedback ABDUCTION will probably be a DVD rental if that.
Now the ones that do interest me enough to pay theater prices? Glad you asked 🙂 They are:
SUPER 8- looks like a cross between ET and CLOVERFIELD, and considering it’s a collaboration between Spielberg and JJ Abrams, that particular feel is obviously by design. I hated CLOVERFIELD but JJ Abrams coming off his impressive STAR TREK reboot, has built up some good will with me, so I’m willing to plunk down money and try this one in the theater.
TRANSFORMERS DARK OF THE MOON IMAX 3D- For reasons previously discussed, very interested in this film. And will be the only movie I pay IMAX 3D prices for, for the rest of the year. Michael Bay shot this with the Cameron 3D cameras, so the 3D should look as good as AVATAR. Plus the trailer just looks great.
THE LEDGE- Matthew Chapman’s first film as director in over 20 years, it’s an intriguing premise about a man compelled to committ suicide. Stars Terrence Howard trying to put his career back on track post the Iron Man debacle. This and another 2011 film LITTLE MURDER, directed by Predrag Antonijevic, starring Howard and set in post-Katrina New Orleans has me interested.
1 July 2011
THE PERFECT HOST- A criminal chooses the wrong house to hide out in. Not typically the kind of film I would pay to see in the theater, but the trailer looks good. Definite maybe.
5 Aug 2011
RISE OF THE APES- There’s only two trailers for the rest of the year that really made my jaw drop and made me exclaim “I have got to go see that!”.
One is the TRANSFORMERS DARK OF THE MOON the other is RISE OF THE APES.
Just like any other kid who grew up in the 70s I liked the Original PLANET OF THE APES films, largely due to the performance of Roddy McDowell one of my favorite actors, and Kim Hunter who I only recently realized was the Kim Hunter of STREET CAR NAMED DESIRE and THE 7TH VICTIM (If you had to define my perfect woman, what I’m attracted to, it would be very close to Kim Hunter in those two roles, her looks and the strange aura she gives off of both vulnerability and sultriness).
So shorn of these two actors to center such a out there scifi film, I had doubts about any remake. Particularly given the awful Tim Burton attempt. However this trailer is going for a different tact, and the Universal Monster/Frankenstein fan in me… really likes it. If the movie lives up to the trailer it will be AWESOME. Either way, I’ll be in the theaters to find out. Also I’m hearing noting but accolades for writer/director Rupert Wyatt’s previous film THE ESCAPIST (which I will make time to watch on DVD in the coming week). This could be the movie of the summer, if not the entire year.
12 Aug 2011
FINAL DESTINATION 5- The series that cannot die returns for a fifth installment. The previous entry which I saw in RealD 3D, was okay 3D, with a fantastic opening credit sequence, unfortunately that was the best thing about the movie, after that it continued to lose steam till the forgettable ending. That said a new director, the addition of Tony Todd, and a pretty solid trailer, and the fact it was shot in 3D has me interested enough to give this latest entry a look on the big screen.
26 Aug 2011
COLUMBIANA- I really liked SALT, and the trailer for this does look good, and I like Zoe Saldana, and how do you not like a director with the name Olivier Megaton… all that is on the plus side. On the minus side is Zoe Saldana playing a bad ass is pushing my suspension of disbelief too far. She’s a 110lbs for goodness sake. The guns are bigger than she is.
Angelina Jolie is at least a big, substantial girl, so you can buy into her handling herself a little bit more. Plus I don’t like how they are kinda grooming Zoe Saldana to be the next Halle Barry, ie someone who is being groomed for typical Black women in White films type rolls, ala MONSTERS BALL. These type of roles are the reason I don’t go to see anything Halle Barry is in, and i would hate for Zoe Saldana to fall into such easy stereotyping. All that to say, the trailer looks good, but I do have qualms. I may see it in the theater though, because it also has Lennie James in a starring role, and he’s a good actor.
Entering the fall only one film as of this writing has me interested in seeing it in the theaters, Tarsem Singh’s THE IMMORTALS.
11 NOV 2011
THE IMMORTALS- Tarsem Singh who helmed the visually stunning THE FALL returns this fall with THE IMMORTALS. By the producers of 300, it has that 300 feel with some CLASH OF THE TITANS tossed in. Visually the trailer looks awesome. However just in that bit of trailer the acting looks hokey and the story similarly questionable. It was a problem that plagued Singh’s THE FALL; shaky performances, and a shaky story. Unlike Snyder who can do both amazing visuals and elicit amazing performances, Singh has yet to meld both in service of a strong, engagingly told story. However, there’s always a first time, and based on the visuals alone I’m intrigued enough to give this film a try in the theater. Because again, like Snyder, even his failures are far more interesting than most directors’ successes. Much like Peckinpah who produced films that never did great at the box office, and opened to mixed critical reviews, but 50 years later have grown in esteem, and are now remembered and still watched when the more commercially successful films of his day are not.
That’s the trajectory of directors Snyder and Singh… they are making movies, slightly ahead of the comfort zone of their time, movies that people will be discussing and praising 50 years from now. Perhaps IMMORTALS will be one of those films or perhaps like most mythological movies it will sink like a stone from the memories of men. Time will tell.
Okay some last minute mentions:
After a lapse of over a decade, John Carpenter returns to the directorial chair with the horror film THE WARD. The film which wrapped in 2010 and received a UK release in January 2011, is finally slated for an 11 July 2011 US release. By all reports critical response to it so far has been luke-warm. I’m still at odds with the idea of releasing US movies abroad before releasing it domestically.
While some of this has to do with studios playing games of economic gymnastics, for smaller studios… much of that has to do with the monopolistic distribution system in the US and the difficulty and expense of getting a slot for wide release in increasingly studio controlled theaters. Whatever the reason THE WARD after a sizable delay is hitting US theaters this year.
Seemingly dealing with a ghost in a women’s institution… the film doesn’t scream original, but from the trailer it is shot nicely, plus it’s Carpenter, he’s earned the benefit of the doubt with me.
That said, the poster is not filling me with confidence.
I’m a big believer if you don’t care enough to put out a creative poster, that’s pretty proportional to what value the backers put in the film. Having a good poster is no indicator of quality, look at Roland Emmerich’s 2012 (a horrible film), but at least it means someone thinks enough of a movie to try and promote it well.
Typically when the poster is nothing more than someone’s face, the money men are saying “we’ve paid for a star, we’re not paying for marketing as well. Their mugshot either brings in people or it doesn’t, either way we’re not spending any more money to market this turkey.”. You get these bland mugshot posters typically when the backers think they have a commercial failure on their hands.
Now that’s not always the case, sometimes expected financial disappointments turn out to be commercial successes… such as HANCOCK (worst… poster… ever, but turned out to be a good movie and managed to gross over 300 million).
So we’ll see if THE WARD will also be an exception to the bad poster rule. Somehow I don’t think so.
And another delayed film, the Guillermo Del Toro produced DON’T BE AFRAID OF THE DARK, after being shelved for some time, is also looking at a theatrical release this year. Already released in Iceland in March, the film gets a UK, Australia, and Turkey release on the 12th of August, a Finland release on the 19th of August, and finally cracks the states on the 26th of August.
That just annoys me. But the vagaries of distribution aside the film itself looks interesting, if extremely familiar and formulaic.
With odes of DARKNESS and any number of “child in jeopardy, not believed by the parents, evil house” films. Films that tend to infuriate me with the stupidity of its leads/writing.
Helmed by first time feature director Troy Nixey, the film can go either way. The trailer itself is okay, but films like this tend to lean on that same conceit which I have a problem with, of staying in a house when they’ve been made aware of the danger. So time will tell if this film can do anything different. Katie Holmes, who I tend to find, comes off very annoying and abrasive in everything I’ve seen her in, from Dawson’s Creek to the Batman films, seemed okay in the trailer, we’ll see if that extends to the film as a whole.
I have seen pundits on-line creaming their shorts over the trailer for Jeff Nichols 2nd film, TAKE SHELTER, scheduled for 7 Oct 2011 release. I’ve seen the trailer, it’s okay. Obtuse, not giving anything away, but kinda intriguing. What it is not… is great, or deserving of all this hyperbole of best trailer ever. Are you people on crack? It’s a small, understated trailer, that doesn’t really say anything, but hints it’s about a guy with schizophrenia. May be worth a look, or not. But all this hype screams of award season bs. Time will tell.
And as of this writing that’s all the films for the rest of 2011 that have me interested enough to see them in the theater. I’ll add to this list should any notable new trailers pop up.