WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

A one item, abbreviated WEDNESDAYS WORDS. Enjoy 🙂 :

Collected Stories of Ray Bradbury: A Critical Edition : 1938-1943

Book Description
Publication Date: February 21, 2011 | Series: Collected Stories of Ray Bradbury
Inaugurating a critical edition of one of America’s most popular storytellers

In the past, collections of Bradbury’s works have juxtaposed stories with no indication as to the different time periods in which they were written. Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier–a situation that has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R. Eller present for the first time the stories of Ray Bradbury in the order in which they were written. Moreover, they use texts that reflect Bradbury’s earliest settled intention for each tale. By examining his relationships with his agent, editor, and publisher, Touponce and Eller’s textual commentaries document the transformation of the stories–and Bradbury’s creative understanding of genre fiction–from their original forms to the versions known and loved today.

Volume 1 covers the years 1938 to 1943 and contains thirteen stories that have never appeared in a Bradbury collection. For those that were previously published, the original serial forms recovered in this volume differ in significant ways from the versions that Bradbury popularized over the ensuing years. By documenting the ways the stories evolved over time, Touponce and Eller unveil significant new information about Bradbury’s development as a master of short fiction.

Each volume in the proposed three-volume edition includes a general introduction, chronology, summary of unpublished stories, textual commentary for each story, textual apparatus, and chronological catalog. The Collected Stories of Ray Bradbury is edited to the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association’s seal of approval for scholarly editions.

I have my doubts in regards to people dusting off early, arguably rough draft versions of Bradbury’s stories and compiling these as if they are offering something significantly new. However the statement that these stories, have not been collected before is intriguing.

Though perhaps the reason they have not been collected is because, they were the imperfect forms of stories that Ray Bradbury went on to perfect.

So beyond the obvious… he got better, I’m unsure what, of value, can be mined from this approach. And what critical analysis one can offer on Bradbury’s stories, that are not inherent in a/the stories themselves or b/ Bradbury’s discussion of his stories that thankfully the great man left us with, in multiple forms, from books, radio, television, and even film. Bradbury being perhaps one of the most consulted and interviewed writers of our time.

Rather than a best of compilation, or even a chronological compilation, the selling point of this book would seemingly be… this is the rough draft compilation.

I’m not sure if that’s the collection, that any writer wants of their work.

But this is all guesswork. I’ll withhold final judgment till I can get a reading copy. And the fact that I’m intrigued enough to give this a look means it is… WEDNESDAYS WORDS material.

The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

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Drone Planes America Bombings and killing made forgettable and Rome and Good Romans

They are killing people with robots, and no one has a problem with this.

They… our military.

They… our government.

I’ve long thought saturation bombing was a… crushing evil. But at the very least you knew there was still some human hand, some awareness, some accountability, some weight held if only by one pilot’s soul, regarding the snuffing out of unseen hundreds and thousands.

But now, technology, we have not even that. Drone planes. We kill people with drone planes. Not even a human eye, to capture the horror of their end. We kill them like cockroaches. Our enemies. Because— technology— we can.

I wrote a while ago, about machine men with machine minds killing in… these machine times.

It’s wrong. Bombing people. Always has been, always will be.

From Germany’s carpet bombing of England, to Japan’s bombing of Pearl Harbor to our ultimate bombing of Hiroshima and Nagasaki to all the fucking bombings since. Bombing has been called the terrorism of the rich.

Rich nations.

Rich interests.

I agree.

And I know the excuses. Dropping bombs saves lives that would have been lost in an ugly ground war.

That is some bullshit. If our governments were really that concerned about saving lives, how about trying to solve your border disputes without starting wars that young men have to fight for you.

So don’t give me it saves lives. The fuckers who send young men to die are not concerned with their fucking lives. No it’s about conquest, by barbarians. It’s about old men playing games of life and death, with the newest and shiniest toys they can find.

It’s about control. And the only thing of more importance than the death of our enemies’ young men in times of overpopulation, is the control and death of large numbers of our own.

War is that ultimate ground, where tyrants perpetuate themselves. And bombing… their flavor of choice.

It is the act of cowards, to drop fire from the sky, and burn to death flora and fauna, men, women, and children, people.. to burn to death people you do not know, nor now never can. To end good lives and bad, righteous and wrong, from afar, without ever looking at those lives.

It’s wrong. And these drone planes make it easier to be wrong. Makes it a video game, makes it… unreal. Just targets in a distant land.

There’s always the hope that with a pilot, the mission can be scrapped based on changing situations in the field. Just more discussion involved with briefing men for a bombing mission, more people in the loop, more chance that the need of the mission may be weighed… well. But in our new automatic, pushbutton, drone plane America, there’s less level of oversight between thought and bloody action. Technology, drone planes, makes killing something it should never, ever be. It makes it… routine. It makes it easy. It makes it… forgettable.

Forgettable.

But nothing is forgotten. Not the blood rich men spill with impunity. Not the lies and crimes the press (owned by the same conglomerates that are getting rich selling bombs to the military)… conceal. Not even the people who devoid of graves do die.

All must be answered for.

I’m not a religious man, but I believe that. Every hair you have harmed in darkness, in your final hour will challenge you in the light.

I do believe that.

That there will come, to every Rome and every good Roman… their Fall.

[p.s. As an aside: Ray Bradbury decades ago in fiction, wrote of a future America where the streets were policed with zero tolerance, by forbidding and merciless drone helioplanes. It’s nice to know Big Brother is committed to making fictions fact. It has been announced that various US cities are seeking to deploy these Israeli made Drone planes to police their suspect areas. Isn’t it enough we have Israeli cameras blanketing every inner city. I get it Israel, you want to help America setup her own Palestine. Thanks but no thanks. You see, the atrocities we don’t speak out against in distant lands or to under-represented people today, becomes our cross to bear tomorrow.]