COMIC OF THE DAY: Al Ewing and Greg Land’s MIGHTY AVENGERS and the Black White Nick Fury?!


Marvel Comics.

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You know them? They are owned by Disney, they are brother to Marvel Studios that produces those box office shattering movies that have been all the rage for the last several years.

Well Marvel Comics while not the money maker of the film or video division, is the idea-space for those other mediums, and as such has an importance that belies its modest publishing revenue. As such, they are not going any place.

That said they could be doing better. But at every turn the publishing arm seems to be almost antagonistic to their customer base.

Tactics such as over-saturation of the market and expensive cover price of its titles ($4 is way too much to pay for an ad strewn comic with no additional content) translates into the audience (me) making a conscious choice to avoid all their books at best, and limit my consumption to one or two titles at worst.

Enter… THE MIGHTY AVENGERS.

THE MIGHTY AVENGERS by Al Ewing and the criminally castigated and underrated Greg Land is my favorite Marvel Comic, and the only one I purchase monthly.

Now don’t get me wrong there are other Marvel books I like, Aaron’s THOR, Remender’s CAPTAIN AMERICA and UNCANNY AVENGERS, the new MOON KNIGHT and IRON FIST has me interested, and if all those titles were $2.99 rather than $3.99 I would pick them all up. But I really do feel if any company can successfully ‘hold the line at $2.99′[an euphemism for not raising prices]… it is Marvel Comics, and their refusal to do so… is a misplaced arrogance, a belief that the entrenched fan-base will buy the books regardless.

It is a price gouging mentality, and I am proof to the contrary.

Rather than them getting $15 a month from me for five $2.99 comics, they get $3.99 for one comic. That greed, that one dollar extra cover price, has cost them $11 from me, $11 that now gladly goes to Image Comics or Dark Horse Comics.

And more than that, I am now trained to wait. I’ll wait till a Marvel series gets collected and is available at my local library and I’ll read it for free. So yeah Marvel Comics, that $3.99 cover price… here is one concrete case where you have actually lost business because of it. So great job there.

And the one Marvel Comic that I do get, is Ewing and Land’s MIGHTY AVENGERS.

Al Ewing creating a frenetic and pulp-inspired book that every month delivers a satisfying story, and one of the only books on the stands that offers multiple characters of color, treated respectfully (rather than as punch-line’s such as other Marvel Books are doing. Example being ‘Nick Fury’ gate. :).

Movies made workable the character of Nick Fury, by using the popularity of actor Samuel Jackson.

Now Marvel Comics wants to integrate that successful character from the movies with the 1960s comicbook version. So the brilliant way Marvel Comics decides to do that is by labeling the Black Nick Fury as the ‘son’ of the White Nick Fury. Wtf? Really? :).

That’s the direction you’re going? Can you say demeaning, bigoted and stupid? Hey Marvel here’s a solution for you… How about they are both just Nick Fury, with no relationship to each. Nick Fury being a title, like ‘Christopher Chance’ that gets passed to whoever is worthy. Took me two seconds to come up with a better way for both Nick Fury’s to coincide without demeaning and denigrating the Samuel Jackson version.

Who would have thought it would be the movie Marvel Universe that would get it right, and the comic-book Marvel Universe that would increasingly be the disappointment.)

Which is why Al Ewing’s MIGHTY AVENGERS is such a treat and a surprise. Despite being hamstrung with having to participate in Marvel’s various events (could not be less interested in Marvel’s Crossovers) Al Ewing manages to use the handicap of the crossover as a springboard to tell his own highly imaginative and absorbing tales of werechickens (don’t laugh, it’s pretty cool)and inter-dimensional evils, while at its heart always being a very generational story. A book that is about… Fathers and Sons.

Add to this Greg Land, who has had to suffer the recriminations of people with not a fiftieth of his talent, self styled art ‘critics'(parrots jumping on a bandwagon) who unable to create art, and ignorant even of the process, yet think themselves schooled to heckle their betters.

If you think Greg Land uses ‘porn stars’ for some of his inspiration, I would say two things to you, 1/ who cares and 2/you probably watch way too much porn. :).

Every artist from Jack Kirby to Gene Colan had a little stock/trace file, for poses or buildings or cars or fashion. You know why? Because it is a bloody job and stock photography and images are tools, and drawing, making your deadlines, is a job. And being able to take those inspirations, regardless of where they come from, and craft a functional and beautiful story out of it, takes immense talent. Greg Land is an immense talent, and his work on MIGHTY AVENGERS is drop dead gorgeous, brimming as it is with 70s Indie Black Empowerment images.

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So from writing to art, there is a one-two energy Ewing and Land have going here, that hopefully will continue for sometime. But when and if MIGHTY AVENGERS goes the way of other Marvel Titles, here’s hoping these guys create a similar creator owned title at Image.

I would love to see Al Ewing creating his own pulp-inspired or sci-fi tinged characters, and Greg Land drawing them. For all the good things Image has, a book with a majority of ethnic characters is not one of those things.

Perhaps it is time there was such a book.

So Marvel for all my bashing on them has to be applauded for THE MIGHTY AVENGERS. But if all involved really want the series to grow, 1/add a letters page and back-matter, 2/focus on stand-alone stories primarily, and 3/making it a $2.99 rather than $3.99 book wouldn’t work.

But other than that a fantastic read, month in and month out.

Oh and Al and Greg, two more suggestions, One/change the preamble that starts the book to be something with a little more import and oomph, and two/ Let Luke Cage take back the name Power Man. It’s a good name, and it’s his.

Thanks for reading and if intrigued by the above you can buy back copies of the Mighty Avengers or the Trades here:

http://www.mycomicshop.com/search?TID=24852602&affid=200301p0
http://www.mycomicshop.com/search?TID=25358810&affid=200301p0

Enjoy!

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RATING THE SEASON! Review of DOCTOR WHO (2005) Season 5

Review of DOCTOR WHO Season 5 (that’s New Series numbering, it’s actually Season 31 overall).

I re-watched this season, the first with Matt Smith as the eponymous Doctor and Steven Moffat as show runner to see if my opinion of it changed any.

And I have to say it didn’t.

Overall, outside of the quite compelling scoring, I still find the season dreadfully flawed, for two main reasons. The first is the companions.

Doctor Who is only as good as the companions/writing, and just as Ecleston’s years were hurt by the character of Mickey, and the Baker and Davidson years hurt by the character of Adric, the Matt Baker Doctor is hurt by the Dawson’s Creek/Smallville annoying soap opera antics of the companions Amy Pond and Rory.

I know some people are found of the Amy Pond character, but having watched all of season 5, she is, to me, like fingernails on a chalk board.

Largely it’s a combination of the pouty, annoying way she is written and the pouty annoying way she plays the character. More the latter than the former. As even in scenes where she is saying nothing, just supposed to be looking meaningfully, I find her among the most annoying things I’ve ever seen. Give me back Martha Jones or Rose Tyler any-day.

That said there were moments where she didn’t annoy me in season 5 (or more precisely, gave a performance that did something other than annoy me), most notably the 2nd episode of the season ,THE BEAST BELOW, where the Amy character saves the day in a way. A nice bit of storytelling, and cutting down on the annoying poutiness Karen Gillan tends to do, rather than act.

But largely I found her annoying, and add the Cory character, played by Arthur Darvill, to that already uninteresting dynamic, and the show becomes exponentially annoying.

Which leads me to the 2nd flaw of the season. Steven Moffat’s writing. Steven Moffat is a great writer when on his game, episodes like BLINK and THE GIRL IN THE FIREPLACE showing the writing chops that got him the job of Show Runner, replacing Doctor Who Resurrectionist Russell T. Davies. However this season he gets away from what are his strengths, and tries to beat Russell T. Davies at his game; of large universe ending threats.

Which tends to get old, after a while. Russell T. Davies himself playing that card one time too many, till by his last story, THE END OF TIME , it just came off as tired, and forced, and a chore.

So Moffat trying for that epic overarching universe ending scope in season 5, just did not work for me.

The small intimate stories in season 5 were fine, but those were few and far between, and most of the season was given over to this crack of time Storyline, that I thought was largely rubbish through most of season 5.

Exceptions being:

BEAST BELOW Grade B+

THE TIME OF ANGELS Grade B. A really strong first half, with a great cliffhanger. But the 2nd part is a letdown, exhibiting the diminishing returns of more is less. One weeping angel in the Season 3 episode BLINK, brilliantly directed by Hettie MacDonald, was scary, but here an army of Weeping Angels are just… boring and a disappointment. And the director fails to use the conventions that Hettie MacDonald devised to make this conceit… scary. It shows Directors are not interchangeable, and when you get a great one like Hettie MacDonald you should keep using her. Particularly on as iconic and fragile an idea as Weeping Angels.

VINCENT AND THE DOCTOR- Grade B. An intimate, standalone episode.

THE LODGER- Grade B-.

Those 4, standalones primarily, are the highlights of season 5. The remaining episodes I would chuck with the bath water. Your mileage may vary.

Moffat when on his game is great at small intimate tales, that have less to do with saving worlds then saving one person. His stories more fable than scifi, tales as much of sleeping beauties and spells and ogres and handsome knights, as anything to do with space faring threats.

There’s an immediacy, a personalization to Moffat’s writing that comes through in places, However the season finale fails to be one of those places. The finale stumbles over its own, “let me outdo the last universe ending threat” pattern.

And did I mention I really can’t stand the companions?

So the whole season hinges on you caring for Amy Pond, and accepting the “tell don’t show” greatness of the Doctor, that he does nothing this season to earn.

Matt Smith is an okay Doctor, Moffat has written some great dialog for him, but as stated he’s encumbered by the writing of the companions. I’d like to see a season with him, with non-annoying companions ( I overall like River Song– though the ‘spoilers’ mantra, gets a bit old), and more intimate, less hyperbole ridden universe saving episodes.

Overall a season worth viewing free or if you can rent it cheap, but not one I would suggest buying. Here’s hoping Season 6 when finally available in box set rental, is an improvement. Final grade for DOCTOR WHO: SEASON 5 is C-.

Doctor Who: The Complete Fifth Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: Series Six, Part 1