UPCOMING MOVIES: MAR/APR 2012

With walking lobotomies like 21 JUMP STREET hitting screens, March is shaping up to be one of the most uninteresting movie months in a while, with tons of films that you would have to pay me (and quite well) to sit through.

However there are a few being released in the next 60 days that may potentially be interesting.

THE HUNTER- William DaFoe stars in this thriller set in Tasmania and directed by TV director Daniel Nettheim

THE CABIN IN THE WOODS- Another first time director helms this Joss Whedon produced horror/thriller.

LOCKOUT (2012)- Two relatively untried directors helm this Guy Pearce vehicle. Not a fan of Pearce but also stars actors Lenny James and Jacky Ido, so it may be worth a look.

WOMAN THOU ART LOOSED: ON THE 7TH DAY- I saw the trailer for this, and it looked surprisingly good. I typically don’t go for these ‘message’ movies. They generally give me a swift pain, but the trailer on this looked more like a decent thriller, with some good performances. Plus it actually has a director with some experience (albeit TV experience), namely Neeema Barnette.

THE RAVEN (2012)- Now speaking of experienced directors James McTeigue is a proper film director, with roughly a film every 2 years since 2005’s V FOR VENDETTA, followed by THE INVASION, NINJA ASSASSIN and now the much delayed THE RAVEN. None of his movies have wowed me but they are all at least intriguing. And while THE RAVEN has a plot that sounds more than a bit like they poorly ripped off Marc Olden’s novel POE MUST DIE, and I’m not a John Cusack fan; however being about Poe, the film should at the very least be… intriguing.

THE RAID (2012)- Gareth Evans, with this his third feature film (previous two being MERANTAU and FOOTSTEPS), is gaining notice as a director of disturbing yet elegant films of violence. If the trailers of THE RAID are any indication… Mr. Evans may have a hit on his hands. An uncomfortable, violent, and perhaps morally suspect hit (police raids, and police brutality as entertainment doesn’t sit too well with me. Sets dangerous glorifications of fictions, that run the risk of being formative to our facts)… but a hit none the less.

Time will tell.