Quote and Short Story of the Day: OUT OF THE STORM

“The sea is laughing. As though hell cackled from the mouth of an ass.”

OUT OF THE STORM by William Hope Hodgson

Courtesy of SFF Audio. Listen to it here! It is absolutely brilliant. This is the writer who inspired Lovecraft, and what Lovecraft learned from him (a man plagued by his own demons)… is clear…. and horrible.

Touching on that ‘plagued by demons’ statement. If this recounting of Hodgson’s meeting with Houdini be accurate, Hodgson comes off as more than a bit sadistic.

On the Racism of HP Lovecraft : 2nd Verse same as the First! :)

One of my more popular posts is my article covering the racism of HP Lovecraft. And by popular demand of someone who describes themselves as a self-professed Romney and Gay marriage supporter out of Olympia, Washington (hey I’m just reading what’s on the card :)) … he urges me (maybe she) to repost the article.

This Ricky makes an interesting point about HP Lovecraft’s popularity perhaps being buoyed by the rising tide of an America under attack by selfish liberal interests, bolstered by an ignorant populace that keeps resisting paying welfare to big business.

He/she further goes on to say that “the middle and lower classes are just not understanding that big business is right to bankrupt the country, and enslave many to debt for the needs of the coming over-lords and all this was foretold in the fiction of the messiah… LOVECRAFT!!!! You Liberal scum!! Don’t you see?!! Lovecraft loves you!!!!! HE DIED FOR YOUR SINS!!!!”

Again, I’m just reading what’s on the card people. :)

He/She goes on to say “CTHULHU! CTHULHU! CTHULHU!” To which I say Gezuntheit!

Ahh you’ve got to love the intelligence and stability and eloquence of Lovecraft supporters. :)

And I think that deserves our renewed attention to the article that started it all! For those who missed it the first time, read it at the link below, with love from he/she/it in Olympia, Washington! :)

This one’s for you! :)

Writers Face Off: Robert E. Howard vs. H.P. Lovecraft! May the Least Racist Writer stand up! :)

I recently purchased THE SAVAGE TALES OF SOLOMON KANE from Del Rey Books and with spot illustrations by Gary Gianni.

So I’m going through the book, and I’m moving pretty capably along.

There are the random slurs and stereotypes, but pretty much they are few and far between and they don’t get in the way of the story…

Until I hit THE MOON OF SKULLS.

Game over man. Game effing over.

To call it insulting is perhaps an understatement. I had to check to make sure I wasn’t reading something by Lovecraft. :)

Oh stop crying! You know I’m right!

Have you read Howard’s THE MOON OF SKULLS?! A xenophobic, denigrating, and intolerant bit of writing, that goes on forever. I think the actual term that popped into my head before pulling the plug on the story was “racist piece of crap”.

Now I do make allowances for the time these books were written, and the fact that the Texan Howard when compared to his contemporaries of the time such as H.P. Lovecraft (a staggering racist) was quite moderate by the definitions of the age.

Part of this is the difference in the type of men they were.

Howard was a rough and tumble, ‘man-of-action’ sort, who understood the world beyond his head, and by that definition understood people outside of his head.

Lovecraft was a secluded New England ‘Intellectual’ who sought a mythology, a hierarchy of master and slave, with the almost ingrained need of the region to preserve an upper class (that in all truth, Lovecraft was very far from, due to the family’s loss of fortune early in his life) by the belief and need for a lower class.

I think racism, gave a lacking man like Lovecraft something. Something to drag himself up on, to restore him to that glory he never had, but thought he deserved… by tearing others down.

Whereas Howard was a self sufficient man (which makes his end all the more bewildering), he went along with the expected prejudice and tropes of the day, but you get the sense in some of his writing, he was content to see men as men. That Howard was a man who stumbled into the tropes of racism, rather than active in the creation and embracing of racism… ala Lovecraft.

I can deal with Lovecraft’s writing in small doses, but I find this recent deification of Lovecraft, of a writer who was barely a footnote in his own time… as odd, though not inexplicable; especially in a country that so desperately, like Lovecraft, wants to turn back the clock to a glorious age of Master and Slave, that never was glorious, and never will be.

But I do think people are over-stating both Lovecraft’s influence and importance, as his work followed in the footsteps of writers like Lord Dunsany, and took inspiration from contemporaries such as Clark Ashton Smith. Much of what people are quick to define as Lovecraftian isn’t, it belongs to a writing movement of the time, dark fantastic offshoots of the age of spiritualism, Houdini, and Arthur Machen.

“In 1914, when the kindly hand of amateurdom was first extended to me, I was as close to the state of vegetation as any animal well can be…With the advent of the United I obtained a renewal to live; a renewed sense of existence as other than a superfluous weight; and found a sphere in which I could feel that my efforts were not wholly futile. For the first time I could imagine that my clumsy gropings after art were a little more than faint cries lost in the unlistening world.” —H.P. Lovecraft

So I do take the biases of Lovecraft into account when reading Robert E. Howard. And rank him as better than the contemporaries of his age.

And I realize I just have to avoid Howard stories that are written toward a certain audience, and toward a prevalent prejudice of the day. Generally this means avoiding most of his Conan stories, as I would end up ripping them in half.

I can stomach his writing in small doses, and that’s generally when he isn’t on bigoted diatribes disguised as a story. In short bursts, and when not using an entire Continent of Africa to advance 1920s fantasies of race and heroism, I can appreciate his writing. His SKULLS IN THE STARS is probably his best short story, it is a well done story and mainly because it is free of Howard’s capitulations to the prejudices and tropes of the day.

So the winner of my Writer’s Face-Off? Well let’s put it this way. I own a Robert E. Howard book, I don’t own any HP Lovecraft books.

I guess that says it all.

DVD Review & Contest: THE WHISPERER IN DARKNESS by H.P. Lovecraft

I do find it amazing how much and how quickly you can write, when on an Absinthe/Peyote high.

Hmmm.

Interesting.

Anyhow, onto the blog post, speaking of mind altering experiences…

I put a lot of work into these blog posts, and whether you agree or disagree with what is said, you can come here day in and day out, and know this is a man who will chew his veins open, in an attempt to say it well.

I strive for that type of ethic in myself, and I appreciate that kind of dedication in others. And this post is about a whole group of such people.

The good folks at the H.P. Lovecraft Historical Society were kind enough to send me a screening copy of their film THE WHISPERER IN DARKNESS, the second in their feature length HP Lovecraft films (The first being a 72 minute film, done in the style of the Silents, called The Call of Cthulhu: The Celebrated Story by H.P. Lovecraft).

The Whisperer in Darkness DVD

The Call of Cthulhu: The Celebrated Story by H.P. Lovecraft DVD

Going into the story, while familiar with quite a few Lovecraft stories (some I like, some I don’t), I was unfamiliar with THE WHISPERER IN DARKNESS. So beyond knowing the standard Lovecraft constants of Miskatonic University, a creeping darkness from beyond, and a penchant for New England and florid language, I was a blank slate.

A dynamic opening shot, very much crafted in the style of the period, manages to set the tone of the film. Something that is not a homage, but rather a wonderful invocation of early 20th century film language.

As a fan of German Expressionism and Film Noir, the deep focus, and lush B&W photography, and consuming shadows and sharp angles they utilize to tell this period tale, very much play to my personal preferences, and I would think the the preferences of any who bring an appreciation of Universal Films or even Hammer Films (they made some very compelling B&W films) to the table.

But the look of a film will only take you so far, if you don’t have a strong protagonist and a strong actor to helm your film.

In Matt Foyer’s Albert Wilmarth, this film has both.

Matt Foyer’s performance is excellent. All the more so because he takes a character type that we are all familiar with from legions of horror films and books, namely the disbelieving and infuriating skeptic (who blithely saunters into a danger that the audience of course sees coming), and makes of a caricature something with character.

So the strength of Foyer’s performance, complemented by the writing, is that his Albert Wilmarth doesn’t come across as a fool, or an obtuse, to the point of stupidity, skeptic. His Wilmarth comes across as a sympathetic character, who believes in an orderly world, a rational world.

And we journey with him, as slowly those worthy beliefs… begin to crumble.

There’s something quite likable and endearing about Matt Foyer throughout. It’s a performance you’d be hard pressed to find in a film with ten times the budget. and the whole cast gives such compelling performances.

Among them Stephen Blackehart as the ever smiling Charlie Tower and Daniel Kaemon as the sardonic P.F. Noyes.

This is Kaemon’s first feature film, it will definitely not be his last.

And you can just go up and down the credits and everywhere you stop you’re going to find an actor who gave a great performance in this film, from Barry Lynch as the chuckling Henry Akeley, Matt Lagan as Nathaniel Ward (a friend, the voice of caution, who has been to the abyss… and endured) and impressive young newcomer Autumn Wendel as Hannah Masterson, It’s the kind of film actors are proud to have on their cv, one rich in performances and chances… to act.

And the crew is every bit as talented as the cast.

Beautifully shot film, smartly written (and I’ll come back to that in a minute), impressively scored by Troy Sterling Nies (I like how the percussion at times rolls up on you), for the most part well paced (it does begin to feel a bit long in the 2nd act, but stick with it, as the film kicks in the burners with the third act), and excellently directed by Sean Branney.

The special effects are used sparsely and effectively, particularly given the budgetary constraints. Most of the effects are designed not to call attention to themselves, and work very well. There’s some CGI that rears its head pretty massively in the third act, that can’t help but call attention to itself… but by that point I didn’t mind it.

By that time you are either with the story or you are not, and I was with it and quite enjoying myself.

Now in the interest of full disclosure, I must say that I was on the fence with the film, during the 2nd act (almost completely set in the house). during that juncture the film began to feel… long.

But the third act kicks in, and it’s all quite engrossing till the end. The final act making the film for me, all in all… creating a film that not only am I happy to have seen, but very happy to recommend.

And if, like me, you enjoy making of featurettes and behind the scenes segments then splurge and get the Deluxe Two-DVD Set. I am a huge special features fan, for me a movie worth owning is a movie worth watching again, and one you want to listen to commentary about.

THE WHISPERER IN DARKNESS is that kind of film.

The second disk in the deluxe set also sports a couple easter eggs, appropriate considering when I’m posting this. One easter egg involves a rabbit, or maybe it’s a guinea pig, some kind of furry creature. :) Then there’s one ‘after wrap’ easter egg scene, and of course numerous extras. As a package, it’s informative and fun.

Also, I’ve never seen a film with this many subtitle options. If you want to learn 23 different languages get this DVD. :) (but No Amharic? No Swahili?)

And one comment regarding THE WHISPERER IN DARKNESS film versus HP Lovecraft’s THE WHISPERER IN DARKNESS short story: There are MAJOR differences.

I picked up an audio reading of the story after watching the film, and at the risk of annoying Lovecraft fanatics everywhere, while Lovecraft’s original is a richly detailed story, I don’t think it is a good story.

The Whisperer in Darkness: Collected Short Stories Vol I (Tales of Mystery & the Supernatural) (v. 1)

Yep, I said it.

Bring it.

BRING IT!

Fools will have me uppercutting you around here! :)

But seriously, I was underwhelmed by the original story. and I think the filmmakers’ changes (addition of characters, creations of scenes, adding a third act) turned an aloof stream of consciousness vignette into a dramatic full featured story. The film took four years to complete, three of those years being the two writers working on the script. My humble opinion, that time and effort paid off.

Lovecraftian purists may disagree. However considering this film was made by the HP Lovecraft Historical Society I don’t really see anyone being more of a purist than these guys.

So Final Verdict, on a scale of: ‘avoid’, ‘catch it on tv maybe’, ‘rent or stream it’, or ‘Buy the DVD’. My vote is Buy It. It’s one you’ll revisit. Grade: B+.

And putting my money where my mouth is, the 15th person to leave a comment saying “This sounds great! Thank you HT and The H.P. Lovecraft Historical Society! I want a copy!” wins a copy of the DVD.

Yep, I said it.

Leave a comment, be the 15th person, win a DVD.

I won’t post any of those comments, I approve all comments so nothing gets posted automatically, they come direct to me. The 15th post (only one post per person is counted so no multi posting) wins the DVD. Include your email address when you leave your comment so I can notify you if you win.

Cool?

Cool!

Now get out of here and hug somebody! Did I tell you your Momma dresses you funny?!!

Well now you know. :) .

Oh, I’m kidding! I love you gals and guys!!

—-HT

Oh, and one more thing before you leave. Just, uhh… turn off those lights.

Yes, yes like that.

Now follow my voice,

yes…

yes…

come closer. closer….

closer. I want you here,

that’s it

beside me,

in the darkness…

so that I may…

Whisper to you.

(Man, I just creeped my own self out. :))

Viewing the Present through the Past

I’m in the mood to rant. Those of you who’ve been with me a while know I do that from time to time. Some of you, the more insane, even love me for it. A few of you pat me on my head, and abide me my rants.

For those in the mood, not to love or to abide, then I would say…. run.

Come back tomorrow, the fit of truth will have passed, and I will be a cuddly clown again, cooing and capering for pleasures… cloying.

But right now, like Lovecraft’s mad apocryphal Arab, Abdul Alhazred, the fit is on me. Sometimes the blood seeps into my eyeballs, the blood of all those we are killing… and it is either speak or die.

So the words will have their say….

Everyday

Everyday I wake up, I ask myself if I’m on the side of the angels

Every single day.

I don’t take it for granted I am.

On the side of the angels I mean.

Most people take it for granted, that they were right yesterday, and will be right today and tomorrow. Particularly Americans. Americans are always so sure that they are right, adamant of their right before they do something so glaringly wrong. No nationality in the history of the world has ever been so documented in their lies not just against other nations, but lies against their own citizens. America has repeatedly and consistently been wrong about yesterday, yet continues to follow the same wrong path through ever more bloody todays and tomorrows.

As if true choice, and true change were concepts America steered away from long ago, and no longer even sees.

I don’t take it for granted that in the night, the causes I love have not been invaded by the causes I loathe, And the things I adore, have not been replaced by what I despise

That is the nature of evil

It sheds its skin

It is ever changing, ever moving

And you must be on guard

Ever on guard

And guided not by stagnant allegiances

But by the fruit of your present tree. That is the constant question you must challenge everyone and everything with. What are your actions sowing? If they are things you fear to show, and fear to acknowledge, then your fruit is rotten, and your tree withered.

And the only sane thing to do, is to cut down the old… and to plant a new tree.

But god… are we fond of the old.

I think of that generation that stood around when Christianity called burning people righteous.

I think of that generation that stood around when Christianity called slavery holy.

I think of that generation that stood around when Christianity called Jews an abomination.

I think of that generation that stood around when Christianity cheered killing Arabs to save them.

And of that generation, that is ever changing and always unchanged, I would say simply

If people die at the end of the day… perhaps it be not Christianity, but something else.

Something that wears the skin of righteousness but not the heart.

Perhaps Rome never relinquished herself to Daniel’s Christians

Perhaps Rome, the idealogical not the geographical, survived

The only way evil ever does endure

by hiding

by changing

by subverting

Like klansmen and scorned ex- slaveholders invading Lincoln’s party post the Reconstruction,

Making of the Republican party

Making of the Party of Tolerance and Abolition

That which it was not.

A party of bigotry and landholders (that is not an insult, that is history and verifiable fact in the wake of the reconstruction)

Perhaps in this same way Rome, the religion of Rome

Rome, the ancient

Survives under the guise of the religion it hated

Even to the naming of the days of the week

And not keeping the Sabbath

So Be ever mindful Christian soldiers

Marching as to war

That you have been

led astray
bamboozled
hoodwinked

And be wary
lest the cause you fight for my Christian Brothers
is the one you should be armed against

WEDNESDAY WORDS! TOP 20 BOOKS OF THE WEEK!

HEROIC TIMES Top 20 Books list is a new weekly installment that ranks the 20 most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

Feel free to leave feedback comments below, or suggest additions or subtractions. And if interested in purchasing please use the attached links. Every purchase through those links, is you helping to support this blog. Now without further ado:

Emperor Mollusk versus the Sinister Brain [Hardcover] by A. Lee Martinez- Emperor Mollusk- Intergalactic Menace. Destroyer of Worlds. Conqueror of Other Worlds. Mad Genius. Ex-Warlord of Earth.Not bad for a guy without a spine.But what’s a villain to do after he’s done . . . everything. With no new ambitions, he’s happy to pitch in and solve the energy crisis or repel alien invaders should the need arise, but if he had his way, he’d prefer to be left alone to explore the boundaries of dangerous science. Just as a hobby, of course.

Retirement isn’t easy though. If the boredom doesn’t get him, there’s always the Venusians. Or the Saturnites. Or the Mercurials. Or . . . well, you get the idea. If that wasn’t bad enough, there’s also the assassins of a legendary death cult and an up-and-coming megalomaniac (as brilliant as he is bodiless) who have marked Emperor for their own nefarious purposes. But Mollusk isn’t about to let the Earth slip out of his own tentacles and into the less capable clutches of another. So it’s time to dust off the old death ray and come out of retirement. Except this time, he’s not out to rule the world. He’s out to save it from the peril of THE SINISTER BRAIN!

And Their Memory Was a Bitter Tree – As one of the three most important American pulp fantasy authors of the 1930s (with Lovecraft and Clark Ashton Smith), Robert E. Howard captivated readers with his indomitable, battle-scarred barbarian hero Conan. Though Howard’s life ended prematurely in 1936 at the age of 30, Conan lives on as one of the genre’s most enduring icons. This beautifully designed collection contains nine essential Conan stories along with a full-length Conan novel. Also included is The Hyborean Age, Howard’s fascinating history of the raw, blood-drenched world Conan inhabited, an alternative Earth that preceded Tolkien’s Middle Earth. And Their Memory Was a Bitter Tree features a color map of this realm and an interior painting by cult artist Brom, along with a series of Frank Frazetta’s seminal Conan paintings, appearing for the first time with the stories for which they were created.

Creepy Presents Richard Corben [Hardcover]- Over 300-pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben’s legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! With an informative foreword by artist and comic-book colorist Jose Villarrubia – who also provides color restoration – this volume features Richard Corben’s original stories, Edgar Allan Poe adaptations, and collaborations with comic-book writers Bruce Jones, Bill DuBay, Doug Moench, Gerald Conway, and others! - I love the art and stories of Richard Corben, particularly from this period. And to have 300 pages of it collected in one place in Hardcover format? Sign me up. The output of Dark Horse Publishing continues to be top notch and abundant. And this is another winner from them..

Caravaggio: The Complete Works – Hardcover: 306 pages. Publisher: TASCHEN America Llc (December 1, 2009)Language: English, ISBN-10: 383650183X, ISBN-13: 978-3836501835, Product Dimensions: 19 x 13 x 2.2 inches

Negative Space- As an artistic device, ?negative space? refers to an artist?s rendering of a subject by relying on the space that surrounds the subject to provide shape and meaning. Of course, the term also refers to any topic that conjures feelings of unease and discomfort. Furthering the partnership begun with the publication of Guess Who? internationally acclaimed illustrator Noma Bar has compiled his newest collection of work, Negative Space.

Art of the Modern Movie Poster: International Postwar Style and Design [Hardcover]- Critically authoritative, visually stunning, and physically massive, Art of the Modern Movie Poster is the first and last word on post-WWII film poster design. Showcasing fascinating examples from 15 nations, this collection of more than 1,500 exemplary designs is a must-have for film buffs, design and poster aficionados alike. The posters are organized by country of origin, offering an intriguing glimpse into each region’s unique visual sensibility and sometimes unexpected takes on familiar films. Gathered from the renowned collection of the Posteritati Gallery in New Yorkone of the largest holdings of international film posters in the worldthis volume is the definitive survey of both film and popular graphic art in the modern era.

Black Seas of Infinity: The Best of H.P. Lovecraft [Hardcover]- The book is 536 pgs and contains 19 stories. Also includes the following: Introduction by editor Andrew Wheeler by Lovecraft. Appendix A-History of the Necronomicon by Lovecraft. Appendix B-Notes on Writing Weird Fiction by Lovecraft. Appendix C-Some Notes on Nonentity. Appendix D: Chronology of the Fiction of H.P. Lovecraft

Parallel Tracks: The Railroad and Silent Cinema – In wide-ranging and provocative analyses of dozens of silent films—icons of film history like The General and The Great Train Robbery as well as many that are rarely discussed—Kirby examines how trains and rail travel embodied concepts of spectatorship and mobility grounded in imperialism and the social, sexual, and racial divisions of modern Western culture. This analysis at the same time provides a detailed and largely unexamined history of the railroad in silent filmmaking. Kirby also devotes special attention to the similar ways in which the railroad and cinema structured the roles of men and women. As she demonstrates, these representations have had profound implications for the articulation of gender in our culture, a culture in some sense based on the machine as embodied by the train and the camera/projector. Ultimately, this book reveals the profound and parallel impact that the railroad and the cinema have had on Western society and modern urban industrial culture. Parallel Tracks will be eagerly awaited by those involved in cinema studies, American studies, feminist theory, and the cultural study of modernity.

Griots: A Sword and Soul Anthology [Paperback] by Milton J. Davis (Editor), Charles R. Saunders (Editor)- Publication Date: August 7, 2011- Magic. Myth. Warfare. Wonder. Beauty. Bravery. Glamour. Gore. Sorcery. Sensuality. These and many more elements of fantasy await you in the pages of Griots, which brings you the latest stories of the new genre called Sword and Soul. The tales told in Griots are the annals of the Africa that was, as well as Africas that never were, may have been, or should have been. They are the legends of a continent and people emerging from shadows thrust upon them in the past. They are the sagas sung by the modern heirs of the African story-tellers known by many names – including griots. Here, you will meet mighty warriors, seductive sorceresses, ambitious monarchs, and cunning courtesans. Here, you will journey through the vast variety of settings Africa offers, and inspires. Here, you will savor what the writings of the modern-day griots have to offer: journeys through limitless vistas of the imagination, with a touch of color and a taste of soul.

Omens[Hardcover]Richard Gavin- Omens is a collection of twelve haunting tales by Richard Gavin, whose work is reminiscent of the subtle supernatural tales of Robert Aickman, and also of the eerie and unsettling tales of Thomas Ligotti. — I like collections. I think the short story format can, when done well, offer variety and freshness, that can sometimes be hard to sustain over the course of a novel. Some of our most acclaimed writers, those who remain relevant generations on, Poe, Lovecrat, Howard, etc., do so because of their short stories. Because of their ability to in scant words get to the heart of a story and of ourselves. Richard Gavin does that in these stories, that while it has beeen alluded to Aickman or Ligotti, the stories are more visceral than Aickman and more satisfying than Ligotti, are uniquely Richard Gavin.

An Illustrated Life: Drawing Inspiration from the Private Sketchbooks of Artists, Illustrators and Designers[Paperback]- This book offers a sneak peak into the wildly creative imaginations of 50 top illustrators, designers and artists. Included are sketchbook pages from R. Crumb, Chris Ware, James Jean, James Kochalka, and many others. In addition, author Danny Gregory has interviewed each artist and shares their thoughts on living the artistic life through journaling. Watch artists – through words and images – record the world they see and craft the world as they want it to be. The pages of An Illustrated Life are sometimes startling, sometimes endearing, but always inspiring. Whether you’re an illustrator, designer, or simply someone searching for inspiration, these pages will open a whole new world to you.

The Green Hornet Chronicles[Paperback]- Introducing the long-awaited return of the Green Hornet and Kato, and their rolling arsenal, the Black Beauty! With his faithful valet Kato, Britt Reid, daring young publisher, matches wits with the Underworld, risking his life so that criminal and racketeers within the law may feel its weight by the sting of the Green Hornet. Featuring stories by the likes of Harlan Ellison, Greg Cox, and Robert Greenberger, The Green Hornet Chronicles is the first anthology featuring all-new, original crime fiction tales of the man who hunts the biggest of all game – public enemies that even the FBI can’t reach! — Harlan Ellison writing a Green Hornet story? Wrap it up, I’ll take it! :)

Conspiracy of the Planet of the Apes[Hardcover]- Conspiracy of the Planet of the Apes is the first-ever original novel set in the continuity of the classic 1968 movie. Conspiracy tells the story of what happened between the scenes of the first film, exploring the adventures of the Astronaut John Landon, Chimpanzee scientists Dr. Milo and Dr. Galen, and Gorilla Security Chief Marcus. Written by Andrew E.C. Gaska, and adapted from a story by Gaska, Rich Handley, Christian Berntsen and Erik Matthews, the book contains illustrations from the top talents in the industry, including: Jim Steranko, Andrew Probert, Timothy Lantz, Joe Jusko, Mark Texeira, Dave Dorman, Chris Scalf, Brian Rood, Chandra Free, Dan Dussault, Ken W. Kelly, Colo, David Hueso, Miki, Matt Busch, Dirk Shearer, Barron Storey, David Seidman, Sanjulian, Chris Moeller, Thomas Scioli, Scott Hampton, Leo Liebleman, Lucas Graciano, Erik Gist, and Patricio Carbajal.– Again not a PLANET OF THE APES devotee, but I’ve heard great things about this series, and the list of artists alone makes it worth a buy.

Wally Wood’s EC Stories Hardcover (Artist Edition, Volume 1) – IDW proudly presents WALLY WOOD’S EC STORIES: ARTIST’S EDITION, collecting more than a dozen complete stories by the great Wally Wood, plus an exceptional cover gallery. Each page is scanned from the original art, same size as drawn, and in full color (in insure the best possible reproduction). Since Wood’s originals were larger than modern size comic art, measuring 12 x 18 inches, plus the paper, this Artist’s Edition will be a GIGANTIC 15 x 22 inches! –

Okay I admit this installment is a bit artbook heavy, but these are what are galvanizing my attention this week. And the funny thing about artbooks is they have the annoying habit of selling out. IDW has released other books in their ‘Artist’s Edition’ series, I have no interest in them. But this… It’s over a 100 pages of Wally Wood’s scifi horror artwork of the 1950s.. at full size. Duh! Can you say no brainer? Outside of buying the original artwork for thousands per page, you’re not likely to see this. It’s an easy contender for art-book or art collectible of the year. The first printing is sold out, but IDW is releasing a new printing this June. At $125 it’s not cheap, but considering the first printing sold out in a matter of weeks and was commanding nearly $300, $125 isn’t looking that expensive. :). You can pre-order here or if you can’t wait till June get a first printing here: Wally Wood’s EC Stories Hardcover (Artist Edition, Volume 1)

Cédric Delsaux: Dark Lens[Hardcover]- In Dark Lens, Delsaux transports Darth Vader and the whole gamut of Star Wars iconography to a post-apocalyptic, urban-suburban landscape of endless parking lots, highrises and wasteland interzones, vacant of ordinary human life. Delsaux’s “mythology of banality” (as he describes it) produces images that are not just funny or preposterous, but also weirdly compelling; in their photographic plausibility they successfully incorporate Star Wars into an everyday reality that we can all recognize, but in ways that make both worlds seem strangely real and absurdly false. Delsaux’s Dark Lens will captivate both film and photobook fans alike with its fantastically bizarre recasting of Star Wars on planet Earth after the apocalypse.–I don’t own a single Star Wars book. I’m not really a Star Wars guy. I like the movies well enough, but that’s as far as it goes. I’m not interested in making a mythology of them. So typically, most merchandising or books etc, I could care less. But this book works as an art book first, which is why I like it.

THE JAMES BOND OMNIBUS by Ian Fleming – James Bond, the world’s most famous secret agent, has thrilled audiences for over fifty years with his globe-trotting adventures. THE JAMES BOND OMNIBUS collects eleven of Ian Fleming’s original daily comic strips for the very first time in a mammoth omnibus edition.

DILLON AND THE LEGEND OF THE GOLDEN BELL by Derrick Ferguson – The author of The Nuclear Suitcase, Joel Jenkins, describes Dillon and the Legend of the Golden Bell as “James Bond meets Cthulhu” and you’ll want to check out this heady mixture of the spy thriller and horror genres.

THE ARTIST WITHIN by Greg Preston – The culmination of more than fifteen years of photography by renowned photographer Greg Preston, this book is a living history of the men and women who have shaped the imaginations of countless millions of people around the world through their work in the fields of animated cartoons, comic books, comic strips and editorial cartooning. The list of more than two hundred artists includes such luminaries as Frank Miller, Al Hirschfeld, Joe Barbera, Jack Kirby, Joe Simon, Moebius, Walter and Louise Simonson and many more, all in photographs exclusive and shot expressly for this book.

ATLAS OF HUMAN ANATOMY AND SURGERY by Jean-Marie Le Minor – Anatomically correct We owe a great debt to Jean Baptiste Marc Bourgery (1797?1849) for his Atlas of Anatomy, which was not only a massive event in medical history, but also remains one of the most comprehensive and beautifully illustrated anatomical treatises ever published in any language. In 1830, having received his doctorate in medicine three years prior, Bourgery began work on his magnificent atlas in cooperation with illustrator Nicolas Henri Jacob (1782?1871), a student of the French painter Jacques Louis David. The first volumes were published the following year, but completion of the treatise required nearly two decades of dedication. 15.5 lbs and 19.2″ x 12.6″ x 3.5″.714pgs.

THE SHADOWS GALLERY by L.R. Giles – You’ve been invited to the opening of a grand exhibition, a show unlike any you’ve ever seen. Inside you might find your greatest joy or your worst fear on display. But be warned, it can be difficult to tell which is which when you’re looking through the shadows… Award-winning author L.R. Giles brings forth a collection of tales that take you to the limits of imagination and beyond.

Well gals and guys hope you enjoyed that.

The WEDNESDAY WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list! And if you see items you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links. Your helpful purchases through the links generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Week 1
Week 2

MONARCHS OF MAYHEM: AN INTERVIEW WITH L.R. GILES

L. R. Giles is a three-time contributor to the Dark Dreams anthology series edited by author Brandon Massey for Kensington Publishing (Dark Dreams, 2004; Voices from the Other Side, 2006; Whispers in the Night, 2007), a recipient of the 2006-2007 Virginia Commission for the Arts Fiction Fellowship, and a Top 10 finalist in the 2009 Tor UK and SciFiNow War of the Words competition. He resides in Chesapeake, VA with his wife.

L.R. Giles is also one of the authors paving the way for this new e-book phenomenon. Specifically I’m speaking of his support of the e-book format. You can find his e-books available on SMASHWORDS (which supports the popular and industry standard Epub format) as well as on AMAZON.

Or if you are like me and still enjoy having the real book in your hands go here.

Okay enough with the public service announcement :) onto the interview…

HT: Hi LR, First Welcome to Heroic Times. And second, a big thank you for taking the time out of your booked schedule to answer these crazy questions. So taking that into consideration, we’ll start with an easy one. What is your favorite genre or genres?

LRG: This one is tougher than you think, so I’m going to cheat a little and say it’s a tie between fantasy and horror. I grew up on both, and a bit of science fiction, too. See how I snuck a third one in?

HT: What is the favorite thing you’ve written?


The Shadows Gallery

LRG: There’s a story called “The View” that’s part of my indie published short story collection THE SHADOWS GALLERY. It’s about a man who opens a window to Hell so he can confirm his wife’s dead murderer is being properly punished. I wanted to play with the idea of divine justice and pose a question. Can a need for vengeance ever be truly satisfied? It’s one of my darker stories. Difficult to write. That’s probably why I like it so much.

HT: Name 5 classic or genre writers who inspire or impress or influence you?

LRG: Poe (for “The Tell-Tale Heart), Shakespeare (for many works, but *MacBeth* in particular), Lovecraft (mostly for “The Dunwich Horror”),Nathaniel Hawthorne (for “Young Goodman Brown”), George Orwell (for ANIMAL FARM). With the exception of Lovecraft, I think I just gave you the reading list from my sophomore year of high school. Nevertheless, that was a formative time for me and those writers/stories stuck.

HT: Name some current or new writers, whose work you’ve recently read or discovered and blew you away.

LRG: Tananarive Due & Steven Barnes, they’re a husband and wife team who write an incredible mystery series starring a former male prostitute turned detective named Tennyson Hardwick. The first book in the series is called CASANEGRA and I HIGHLY recommend it.


Casanegra: A Tennyson Hardwick Novel (A Tennyson Hardwick Story)

Charlie Huston’s fiction really impresses, particularly THE SHOTGUN RULE.

And I recently read DAUGHTER OF SMOKE AND BONE by Laini Taylor; it’s incredible and I can’t wait for the upcoming sequel.


Daughter of Smoke and Bone

HT: Going along with the above name an author or authors (either new or old) who you think don’t get the attention they deserve, and everyone should be reading.

LRG: I have to go with Tananarive Due & Steven Barnes here. They’re veteran genre writers (horror, fantasy, and sci-fi), but people may not know how incredible their mysteries are. Reading their series inspired me to take a crack at the mystery genre, the resulting novel is WHISPERTOWN, a book I sold to HarperCollins last year. I can’t sing their praises enough.

HT: Name 2 or 3 of your favorite horror short stories

LRG: I’ll try not to borrow from my previous answers, though I certainly count those. For the sake of freshness, let’s say “The Barrens” by F. Paul Wilson, “The Man in the Black Suit” by Stephen King, and “The Yattering and Jack” by Clive Barker.

[I couldn't find any of these stories available online, but you can listen to a different F. Paul Wilson short story here.--- ht]

HT: Anthologies are usually theme based, so you have your Poe anthologies or Lovecraft etc. If you could do a short story for such an anthology, if you could decide/choose, what would the anthology be about.

LRG: Lovecraft, for two reasons. 1) The concepts of the Old Ones and universes running parallel to our own fascinate me, and I’d love to play in that sandbox. 2) Given some of Lovecraft’s musings on (human) races different than his own, I’d like to think that if he were still here, I could help show him we CAN have mutual respect for one another despite having different backgrounds.

[I love that take on Lovecraft. A writer I myself have very little love for :). But I do acknowledge his imagination and influence.--ht]

HT: Name 5 Favorite films, horror or otherwise.

LRG: I could probably give you 50, but here we go:

BLADE – Say what you want, Wesley was a badass and, sadly, one of the few heroes of color to grace a genre film and survive. This will always be at the top of my list.

THE SHAWSHANK REDEMPTION – I could recite lines from this film all day.

A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS: DREAM WARRIORS! Don’t wanna dream no more!


Nightmare on Elm Street Collection

TERMINATOR 1 & 2 – Cameron just knows how to make entertaining films. Period.

SEVEN – I still squirm at the end, and I KNOW what’s in the box.

HT: What do you think can or should be done to get more writers of color producing genre fiction:

LRG: I think the first thing we need to do is keep discussing the image systems that dominate novels, comic books, and scripts that become television shows/feature films. Writers of color* producing genre fiction?
Believe it or not, there are tons of them. The problem is there are few opportunities for them to showcase their talents when they’re writing about characters *who look like them, *particularly lead characters.

This is nobody’s fault, per se. There’s nothing productive about pointing a finger at Hollywood, or Big Publishing, or ‘The Man’. Numbers talk, and major successes for writers/characters of color have been few and far between.

If we want more writers of color making names for themselves in genre fiction, we have to reach a point where the general buying public is more open to the variety of stories such writers bring to the table and start voting with dollars. The great thing is, I think we’re getting closer every year.

Time will fix this. I want to be clear, when I say color I don’t just mean black writers. There are many stories to be told, and many writers who want to tell them.

HT: And finally in closing with a little less than 10 months left in 2012, what are you looking forward to?

LRG: Other than THE AVENGERS? :) I’m just looking forward to finishing up a couple of writing projects and meeting more authors and readers. That is, by far, the best part of this gig. I hope to be doing it for a long time. 10 months +.

HT: LR, Those are great answers! Thank you for taking time out of your busy schedule to introduce me and the HEROIC TIMES readers to not only your work, but great work from writers old and new. Thanks again!

****

Well I hope everyone enjoyed that! Please swing by LR’s blog here and support and purchase his current work and upcoming work WHISPERTOWN (I’ll post a link when available)! Thanks!

PHOTO OF THE DAY: In The Dark

It was somewhere between 2am and 4am in the morning. If I had to guess I’d split the difference and say 3. I have a pretty good internal clock, so I’d reckon my guess was pretty close. I can tell my body when to get up, and it gets up.

So anyhow it’s 3ish in the morning and I find myself in my bathroom, in the top floor of my house, in the dark, urinating.

I toyed with saying ‘taking a leak’ but that always struck me as an inane and artless expression.

Though it can be argued how much art is involved in relieving yourself. Though I have been known to draw figure 8s in the water, but that may fall under the heading too much information.

But anyhow I’m in my house, alone, in the upstairs, in the bathroom, in the dark, urinating.

Now to explain the “in the dark” part, it may just be me, but in the middle of the night, when the call of nature is upon me, I like to fancy myself capable of having sufficient night vision to make it across the hall to the bathroom, do my business, wash my hands and make it back to bed, all sans light.

Bright light blazing in your eyes I find not being conducive to quickly returning to sleep.

So it’s 3am, I’m in my house, in the dark, in the bathroom, relieving myself, when the thought comes to me.

Why isn’t there an entrance to an attic in this house?

It’s odd isn’t it that you can live in a house for years, with a crack in some corner of the wall, that you manage somehow to see and not see. Always promising yourself to get to, and never really getting to.

For some reason, in the night, in the dark, in my bathroom… I saw the absence of an attic, really saw it.

The question had come up earlier over at my sister’s house, We had somehow got around to discussing attics, probably while talking about storage space, and I mentioned I didn’t have one, there was no entrance anywhere to an attic or crawl space. But the more I thought about it the more odd it seemed.

I had thought, finally, about there at least being some kind of storage space up there. So why no entrance? But surely attic-less houses are common? There’s no mystery. Some houses have attics, and some just have insulation. Not exactly news. Why the hell was I obsessing about a phantom attic?

And just as I thought that and was shaking and wiping in the dark, preparing to shake it off as one of those twilight fancies, and wash my hands, and head to bed,…above my head, clearly and deliberately, with extreme patience… I heard someone take a single step.

Copyright 2012 HT

AUDIO OF THE DAY! HOW LOVE CAME TO PROFESSOR GILDEA from ESCAPE

“Can’t you feel how hideous it is for me! I can’t stop it! The thing makes love to me, caresses me. Whatever it is … it has no mind. That thing is a slobbering idiot!

But I didn’t tell you what it really did this evening, what came close to driving me insane.

The thing kissed me… but not from the outside! I could feel it, warm and wet, kissing my lips… FROM THE INSIDE!!”

— HOW LOVE CAME TO PROFESSOR GILDEA the February 28th 1948 Episode of ESCAPE

It’s as fantastic as that quote indicates. Just brilliant! Listen to it here!

PODCAST OF THE DAY: CTHULHU #118 Wayne June reads David Linblad’s FOUND MANUSCRIPT

PODCAST OF THE DAY: CTHULHU #118 Wayne June reads David Linblad’s FOUND MANUSCRIPT

Go here to download FOUND MANUSCRIPT podcast!

David Linblad’s FOUND MANUSCRIPT is very much in the vein of HP Lovecraft. I’m not an HP Lovecraft fan, though I do respect his imagination. And none can deny the allure of his mythos of hostile forces beyond reckoning, that wait in those places where reason fails.

Much in the vein of THE STATEMENT OF RANDOLPH CARTER, Linblad’s FOUND MANUSCRIPT is buoyed by having a reader as accomplished and compelling as Wayne June to spin this yarn.

It’s one that demands full attention. You may need to re-listen to passages a couple times to take in the full complexity of the story and the richness of the language. Put on your headphones, kick-up your feet, and enjoy.

If you enjoy this recording, to listen to more go to the CTHULU Podcast here.