Holiday Gift Guide : 5 BEST COMEDY Albums of ALL TIME & The Final Word on Bill Cosby!


From Redd Fox to Bob Newhart to Bill Cosby to Eddie Murphy, here are the best comedy albums of all time:

wonderfulness

REDD FOXX UNCENSOREDuncensored

THE BUTTON-DOWN MIND OF BOB NEWHARTbuttondown

IN LIVING BLACK AND WHITEdickgregory

EDDIE MURPHY COMEDIANeddiemurphycom

BILL COSBY WONDERFULNESSwonderfulness

If you have to start with one album, start with Bill Cosby’s WONDERFULNESS, just hilarious. Now I know it’s popular because of the controversy to demonize Bill Cosby. Here’s my first, last, and best measure on Bill Cosby, it is a line from a Sam Peckinpah movie… “When you side with a man, you stick with him and if you can’t do that, you’re like some kind of animal.”

When I was a kid growing up in the 70s and 80s it was Bill Cosby who defined so many of the opportunities and enjoyment and broke so many of the barriers to pave a way for a young, punk kid like myself and millions of others to dream bigger, aspire better.

From an accomplished college sports figure to a ground breaking televsion actor in the beloved ISpy series to a world acclaimed commedian to a producer of kids’ television shoes (FAT ALBERT!), to a great, classic series of 70s movies, to a really groundbreaking 80s television series,to a civil rights and human rights fighter, and economic fighter…. the accomplishments of Bill Cosby are staggering for any ten people, but that he fit all this into one life… is the stuff of legend. To call him a Renaissance Man is apt.

Is he guilty or innocent of these accusations?… That’s for a court of law to decide rather than this televsion lynching the American Mass Media has been fond of with prominent people of color. This assassination by media is out of proportion, by a generation grown and raised on the tearing down of idols.

Guilty or Innocent, a man’s falling down must be weighed against his standing up. And if many of us presume to not have committed the perceived sins of Bill Cosby, neither have those same rock throwers committed the triumphs and the groundbreaking accolades of a Bill Cosby. We are none of us Saints, and most of us Sinners, but I posit that the good Bill Cosby has done, is larger and grander than the good his detractors have done.

You want to stand in judgment of a man’s evil, then you have to be capable of also judging or equaling his good, and none out there speaking against Bill Cosby have fought as tirelessy as Bill Cosby to make the world better… and Cosby has made the world… for punk kids like myself… better.

I heard the comedian Sinbad, a man who knew and learned from Cosby, state the same, he can not judge on some strangers’ accucations, but only on how Cosby impacted his life. And for Sinbad, and myself, and generations who grew up in a world precipitously devoid of opportunities for people of color, Cosby’s impact is overwhelmingly to the good. Cosby always used his talent and his resources to carve out such opportunities for others.

And now because of suspect accusations, that if true hints at someone who needs counseling over incarceration, all that good is what…. forgotten? Made Moot? You strip him of honorary titles? Really?

Here is the secret to those of you misguided enough to think that way… the price of greatness is sometimes perilous and steep. The soldier we thank for his service is back from blowing off some kids face, the president we applaud… has rained down fire on civilian targets, the sports figure you idolize is an adulterer and flawed father…. none of us are saints, and most of us are sinners, and the best we can hope to do is weigh a man’s good and his bad, and decide which part of that equation touches us the most and be ruled by that.

How you view the soldier with blood on his hands, depends on whether you are close to him or close to those he killed. In an imperfect world it’s the best we can do…side with those who have sided (if only tangentially) with us.

As a young kid turning into a young man, Cosby gave me the gift of laughter, of hope, of options, of the pleasure of seeing TV change into something more representative of the ethnically diverse nation it was supposed to speak to. So I can only judge him based on that, his personal failings beyond that are perhaps for those close to him or affected by them… to be offended by. And if criminally liable for a court to determine, however, where this shouldn’t be played out is in trial by media.

Shame on those schools and organizations quick to pull bestowed honors based on the lip service of media’s mob.

“When you side with a man, you stick with him. And if you can’t do that, you’re like some kind of animal.”

So that ends my rant and stance on Bill Cosby. His albums are still hilarious, and his achievments… still achievements.

Here endeth the lesson.

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WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

A one item, abbreviated WEDNESDAYS WORDS. Enjoy 🙂 :

Collected Stories of Ray Bradbury: A Critical Edition : 1938-1943

Book Description
Publication Date: February 21, 2011 | Series: Collected Stories of Ray Bradbury
Inaugurating a critical edition of one of America’s most popular storytellers

In the past, collections of Bradbury’s works have juxtaposed stories with no indication as to the different time periods in which they were written. Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier–a situation that has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R. Eller present for the first time the stories of Ray Bradbury in the order in which they were written. Moreover, they use texts that reflect Bradbury’s earliest settled intention for each tale. By examining his relationships with his agent, editor, and publisher, Touponce and Eller’s textual commentaries document the transformation of the stories–and Bradbury’s creative understanding of genre fiction–from their original forms to the versions known and loved today.

Volume 1 covers the years 1938 to 1943 and contains thirteen stories that have never appeared in a Bradbury collection. For those that were previously published, the original serial forms recovered in this volume differ in significant ways from the versions that Bradbury popularized over the ensuing years. By documenting the ways the stories evolved over time, Touponce and Eller unveil significant new information about Bradbury’s development as a master of short fiction.

Each volume in the proposed three-volume edition includes a general introduction, chronology, summary of unpublished stories, textual commentary for each story, textual apparatus, and chronological catalog. The Collected Stories of Ray Bradbury is edited to the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association’s seal of approval for scholarly editions.

I have my doubts in regards to people dusting off early, arguably rough draft versions of Bradbury’s stories and compiling these as if they are offering something significantly new. However the statement that these stories, have not been collected before is intriguing.

Though perhaps the reason they have not been collected is because, they were the imperfect forms of stories that Ray Bradbury went on to perfect.

So beyond the obvious… he got better, I’m unsure what, of value, can be mined from this approach. And what critical analysis one can offer on Bradbury’s stories, that are not inherent in a/the stories themselves or b/ Bradbury’s discussion of his stories that thankfully the great man left us with, in multiple forms, from books, radio, television, and even film. Bradbury being perhaps one of the most consulted and interviewed writers of our time.

Rather than a best of compilation, or even a chronological compilation, the selling point of this book would seemingly be… this is the rough draft compilation.

I’m not sure if that’s the collection, that any writer wants of their work.

But this is all guesswork. I’ll withhold final judgment till I can get a reading copy. And the fact that I’m intrigued enough to give this a look means it is… WEDNESDAYS WORDS material.


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

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Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

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THE DIRECTORS SERIES: RICHARD MARQUAND

Richard Marquand (1938–1987)

Was a director who helmed only 10 features in his career, not enough to forge any real stylistic identity in the minds of filmgoers. However some notable films in his filmography were EDWARD THE II and THE SEARCH FOR THE NILE (both tv productions done 1970, and 1971 respectively, seemingly very well received, but he would not work again as a director for 6 years, and both films are not available on DVD), he would follow those up with intriguing films such as LEGACY, EYE OF THE NEEDLE, RETURN OF THE JEDI, JAGGED EDGE. The latter three I’ve seen, EYE OF THE NEEDLE a war/espionage thriller with a standout performance by Donald Sutherland being a personal favorite, and comes higly recommended. But both RETURN OF THE JEDI and JAGGED EDGE are very accomplished films, and LEGACY has a good reputation as a thriller/horror film. So all in all, the filmography of a talented director who left us too soon.