WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.
A one item, abbreviated WEDNESDAYS WORDS. Enjoy 🙂 :
Publication Date: February 21, 2011 | Series: Collected Stories of Ray Bradbury
Inaugurating a critical edition of one of America’s most popular storytellers
In the past, collections of Bradbury’s works have juxtaposed stories with no indication as to the different time periods in which they were written. Even the mid- and late-career collections that Bradbury himself compiled contained stories that were written much earlier–a situation that has given rise to misconceptions about the origins of the stories themselves. In this new edition, editors William F. Touponce and Jonathan R. Eller present for the first time the stories of Ray Bradbury in the order in which they were written. Moreover, they use texts that reflect Bradbury’s earliest settled intention for each tale. By examining his relationships with his agent, editor, and publisher, Touponce and Eller’s textual commentaries document the transformation of the stories–and Bradbury’s creative understanding of genre fiction–from their original forms to the versions known and loved today.
Volume 1 covers the years 1938 to 1943 and contains thirteen stories that have never appeared in a Bradbury collection. For those that were previously published, the original serial forms recovered in this volume differ in significant ways from the versions that Bradbury popularized over the ensuing years. By documenting the ways the stories evolved over time, Touponce and Eller unveil significant new information about Bradbury’s development as a master of short fiction.
Each volume in the proposed three-volume edition includes a general introduction, chronology, summary of unpublished stories, textual commentary for each story, textual apparatus, and chronological catalog. The Collected Stories of Ray Bradbury is edited to the highest scholarly standards by the Center for Ray Bradbury Studies and bears the Modern Language Association’s seal of approval for scholarly editions.
I have my doubts in regards to people dusting off early, arguably rough draft versions of Bradbury’s stories and compiling these as if they are offering something significantly new. However the statement that these stories, have not been collected before is intriguing.
Though perhaps the reason they have not been collected is because, they were the imperfect forms of stories that Ray Bradbury went on to perfect.
So beyond the obvious… he got better, I’m unsure what, of value, can be mined from this approach. And what critical analysis one can offer on Bradbury’s stories, that are not inherent in a/the stories themselves or b/ Bradbury’s discussion of his stories that thankfully the great man left us with, in multiple forms, from books, radio, television, and even film. Bradbury being perhaps one of the most consulted and interviewed writers of our time.
Rather than a best of compilation, or even a chronological compilation, the selling point of this book would seemingly be… this is the rough draft compilation.
I’m not sure if that’s the collection, that any writer wants of their work.
But this is all guesswork. I’ll withhold final judgment till I can get a reading copy. And the fact that I’m intrigued enough to give this a look means it is… WEDNESDAYS WORDS material.
The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!
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Richard Marquand (1938–1987)
Was a director who helmed only 10 features in his career, not enough to forge any real stylistic identity in the minds of filmgoers. However some notable films in his filmography were EDWARD THE II and THE SEARCH FOR THE NILE (both tv productions done 1970, and 1971 respectively, seemingly very well received, but he would not work again as a director for 6 years, and both films are not available on DVD), he would follow those up with intriguing films such as LEGACY, EYE OF THE NEEDLE, RETURN OF THE JEDI, JAGGED EDGE. The latter three I’ve seen, EYE OF THE NEEDLE a war/espionage thriller with a standout performance by Donald Sutherland being a personal favorite, and comes higly recommended. But both RETURN OF THE JEDI and JAGGED EDGE are very accomplished films, and LEGACY has a good reputation as a thriller/horror film. So all in all, the filmography of a talented director who left us too soon.