MATEWAN By John Sayles – A masterpiece made in 1987 that is absolutely relevant in 2020

 

‘You think this man is the enemy? Huh? This is a worker! Any union keeps this man out ain’t a union, it’s a goddam club! They got you fightin’ white against colored, native against foreign, hollow against hollow, when you know there ain’t but two sides in this world – them that work and them that don’t. You work, they don’t. That’s all you got to know about the enemy.’

-MATEWAN [2 syllables, pronounced MATE(as in your spouse)- WAN (as in WAND)]

 

Matewan

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People use words like masterpiece and great, and sometimes the true weight of what you may be getting across may be lost.

Let me therefore explain MATEWAN to you thusly, I just finished watching the film yesterday. And I’m watching and listening to the, newly cut 2019 Criterion interviews today. (quick aside, i really appreciate that criterion went to the expense of doing new interviews and features for this film, which is something i am critical of them not doing, in other films. These 2019 featurettes are really— stunning, and on top of the greatness of the film, make the blu-ray a must own purchase.)

 

This morning I watched the news of Resident Trump dressing up essentially unidentified strike breakers and thugs, and letting them loose in Portland Oregon, and calling it the law.

 

“If you have vacation benefits, if you have unemployment benefits, worker’s compensation— these things weren’t given to you; they were fought for by people throughout this country. And i’m passionate about the fact that people have actually made an effort to fight for other people’s rights.”

—Karen VuRanch, THEM THAT WORK (2004) Documentary/featurette on the Matewan Massacre

 

Watching MATEWAN, a stunningly beautiful film, referencing a caustic bit of American history,  from exactly 100 years ago, gives me, and I think it will give you, one of the greatest gifts art can can give— perspective. Perspective on the mistakes we have made, and the tyranny we have allowed.

And perspective helps us deal with the present, without ignorance, and if not without fear, without hopelessness. Because we can see others have seen these days of Gethsemane, and endured it, triumphed over it.

You can go many days of your life without gaining that type of perspective, that barest hint of —- grace. Looking at the world, many people go their whole life without finding the type of perspective, that glimpse of grace— that MATEWAN hints at.

For $30 to $40, Criterion’s MATEWAN blu-ray is one of the best purchases you can make. And ultimately, what it has left me with, like the best of true art, is priceless.

 

 

 

” The way she poured herself into her song— it can make a doubting man religious.”

—James Earl Jones on Hazel Dickens’ song in the film

The Three Greatest Werewolf Films of All Time!

The Three Greatest Werewolf Films of All Time all came out the same year, 1981. Talk about the zeitgeist in action.

The films are:

 

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THE HOWLING (1981) – Don’t hold the awful sequels against this original, the original is justifiably lauded for a reason.  Like AMERICAN WEREWOLF IN LONDON, this was a movie made by kids, who believed there were still worlds to conquer. A talented young Joe Dante as director, a brilliant young John Sayles as Screenwriter, a gifted 19 year old Rob Boteen, coming off of assisting Rick Baker, creating one of the greatest special effect, transformation sequences in the history of film… and in front the camera a legendary cast of character and veteran actors, led by Dee Wallace’s brilliant performance; all come together to create one of the most beloved and brilliant films of its kind, or any kind.

 

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AMERICAN WEREWOLF IN LONDON (1981) – No one remembers or continually goes back to the ‘serious’ A-films of 1981, but this little thought of and hard fought and continually enjoyable B-picture, by a young maverick director John Landis and young makeup/special effects artist Rick Baker, remains now almost 40years later, the stuff that careers and legends are made of. An academy award for its makeup effects, it is forever the standard by which all such films are judged.

 

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WOLFEN (1981) – Is the oft overlooked 3rd film , that makes up the holy trinity of great werewolf films released in 1981. it lacks the transformation and special effects that immortalize THE HOWLING and AMERICAN WEREWOLF IN LONDON, and perhaps that accounts for its under the radar status.

Also it is not a showy, flashy horror film, it is something a lot darker and more dire. WOLFEN is a slow, brooding, unnerving, and genuinely frightening study and indictment, not so much of monsters… as of men. It is a brilliant film, the first and only dramatic feature film by director Michael Wadleigh, whose only other credits included documentaries. With a director that was nearly 40, this was (unlike HOWLING and AMERICAN WEREWOLF IN LONDON) not a film done by talented, optimistic kids; instead there is a more mature, pensive, jaundiced eye at work here.

While a disappointment in the box office, largely because it was a more thoughtful film than the advertising promised, this film is a masterpiece. It ended Wadleigh’s career before it had a chance to grow, and that is a shame. This first film leaves us to only wonder, what subsequent dramatic films from him, could have been.

WOLFEN has so many strengths. Albert Finney delivers one of his great performances, buoyed by other talented actors… Gregory Hines, Edward Olmos, the script is captivating, the James Horner score haunting, and it is a truly frightening film, in ways that has nothing to do with what you see. Of the three great Werewolf films, it is the one that I think has the most to say. It is just a phenomenal, unjustly forgotten film. And if you do pick up the film via Bluray or streaming, I also STRONGLY urge you to pick up the Whitley Strieber audio-book performed by the late, great Roddy McDowall. That is equally a masterpiece.

 

Well hope you found that little look at the three greatest Werewolf films, enjoyable and informative. If you did, please subscribe, and patronize the links below. Your purchases help earn a few needed pennies for this blog, to keep the proverbial doors open. Much appreciated!

 

Till next time… be well!

WOLFEN Blu-Ray

I hope one of the Blu-Ray labels finally releases a worthy, feature filled director’s commentary. This movie deserves it.

WOLFEN Audio Book performed by Roddy McDowell

AMERICAN WEREWOLF IN LONDON

THE HOWLING

and

Stuck at home Item of the Day!