BEST OF 2015: Album/CD of the Day… Oddisee’s THE GOOD FIGHT


oddisee
Oddisee’s THE GOOD FIGHT- After seeing numerous best of list in 2015 extolling Kendrick Lamar’s TO PIMP A BUTTERFLY I offer up THE GOOD FIGHT as a dissenting opinion. Good on any musician who can get accolades, but I’m of the mindset that the only thing good and creative about TO PIMP A BUTTERFLY is the title and that the actual album is juvenile and perhaps unnecessarily ignorant… to the point of stupidity.

There may be a positive message somewhere in TO PIMP A BUTTERFLY, but somewhere in the 15th N word this and F that, I became extremely bored. It was almost laughable, in that it seemed I was listening to a 14 year old that had just learned how to cuss and was doing it all the time, rather than an adult who should be able to put together a lyric or perhaps an entire song without the crutch of expletives.

And I know he is doing it because that is what his label wants him to do, what they want to sell to urban children as the extent of music, but it does a grand disservice to everyone.

It’s analogous to the comedian who goes on stage and does fart jokes, it may get a laugh or a chuckle when you’re a kid, just hearing it, but somewhere along the way you want more out of your humor than the lowest common denominator, You want wit, and perhaps a bit of wisdom. And the same for music, you get to the point where you want of your music, a bit of wit and wisdom.

THE GOOD FIGHT offers that bit of wisdom, delivered by a rapper with real skills and a social conscience, and the ability to sell his message without the crutch of constant cursing.

In any sane world you can not listen to the flow, the lyrics, the speed, the melody, the entire package that is Oddisee’s THE GOOD FIGHT and not rate it as not just the superior album by miles, but the superior performer. One is the work of an adult talking about you and me and the world striving toward better, and one is the petty ramblings about bitches and hos, not done particularly well.

The praise for TO PIMP A BUTTERFLY and the relative obscurity of THE GOOD FIGHT, perhaps indicative of a generation of children raised and sold on profanity over performance and mendacity over musicality. Well THE GOOD FIGHT is an excellent album for people raised on awful rap/gangsta ‘music’ to see what great Rap actually sounds like. Grade: B+.

Get your copy at the link below:
The Good Fight

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Top 5 Music Podcasts! Spring 2012!!!!

Conventional/mainstream radio and discussion of music in the US is utter garbage. So to get a handle on what’s good out there takes a bit of digging, takes a bit of hunting for perspectives from the fans and true lovers of music, rather than the soulless money grubbing suits.

I’ve done the hunting, so you can do the enjoying. Hands down, below are the five best Music Podcasts…. IN THE WORLD!!

No hyperbole here. 🙂

VINYL, LIVE, LOCAL– Vinyl, Live & Local is hosted by Josh Gellman on Thursday’s from 3-8PM. The show always includes music from vinyl records, live recordings, and local artists. Featuring a range of music from Funk, Latin, Jazz, Indie, Classics, and a few surprises. It’s gonna be a party!! – This is an absolutely wonderful podcast of nothing but great music cuts. Radio as it should be, but unfortunately isn’t. Hosted by Josh Gellman, the show appears to have gone dark, but use the feed and for right now you can access the back shows, and I HIGHLY recommend it. If anyone has the inside scoop on this program let me know if it will be coming back. It’s that good.

CBC RADIO 3– The home of Independent Canadian Music – CBC Radio 3 is a weekly hour of 100% Canadian music from new and emerging artists. It’s one of the most popular podcasts in the country, playing the best in new rock, pop, singer-songwriters, hip hop, and electronica. Updated Fridays.
300+ episodes in and this Podcast/indie Radio Show is going strong. Wonderful selection of music, a nice range of feels, and moods. Great music to listen to while creating, for those artists and writers out there. I’ve only listened to a few of the shows so far, but my clear favorite is episode #311, their International Women’s Day Special. Lot’s of lovely music.

THE ZRO HOURI’m depressingly out of the loop when it comes to what the kids are listening to. But mostly because I don’t like the garbage the mainstream is pumping out. This hiphop show comes from the performers however, and as such, so far, I’ve found it a lot more listen-able. Show has gone on hiatus, but there’s a huge archive of shows to catch up on, and hopefully it will return so keeping it on the feed for a bit.

GILLESPETERSON WORLDWIDE– And the sceptered isle, not to be outdone, Gilles Peterson of the BBC, keeps our eyes on the prize with this podcast coverage and discussion of the once and future music, the greatest music that was, and will be again.

This royal throne of kings, this sceptered isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,
Which serves it in the office of a wall
Or as a moat defensive to a house,
Against the envy of less happier lands,–
This blessed plot, this earth, this realm, this England.
—William Shakespeare, “King Richard II”, Act 2 scene 1

IZATRINI– The website leaves much to be desired, but man the music on this monthly podcast is —- glorious. I don’t consider myself a dancer, but even I can’t help bumping into furniture in my house when this is playing. 🙂 What higher recommendation do you need? As long as they don’t start doing that annoying crap some reggae stations do, of interrupting the music while it’s playing, continually cutting the sound in and out so they can make comments. I HATE THAT! But luckily this show DOES NOT do that, so it’s a big recommend.

And wrapping it up, here are today’s recommended CDs:

Mysterious Traveller– “Weather Report’s greatest album – Following their previous breakthrough album ( “SWEETNIGHTER”), which established the “Weather Report sound”, “MYSTERIOUS TRAVELLER” (1974) contains a number of interesting compositions that give the recording the feeling (if not the formal unity) of a “suite”, an extended journey through varying musical landscapes. Even more than in prior albums, individual improvisation is eschewed in favor of an “orchestral” and textural approach, an aspect of style distinguishing Weather Report from the Mahavishnu Orchestra ( the other great fusion band of the era”–Ian K.Hughes@Amazon
-Considering the original CD is selling for 3 figures, this import CD is a bargain at under $14.

Concrete Love – Julia Fordham“Fourteen years and six albums into her recording career, British thrush Julia Fordham hasn’t quite earned the following one might have forecast for her when she arrived with a bit of fanfare in the late ’80s. That said, she’s persevered long enough to have garnered the admiration of a core of devotees and more than a few notable musicians, including this collection’s guests, India Arie and Joe Henry. That Fordham has become something of a singer’s singer is not surprising given the cool intelligence of her phrasing and the versatility of her husky-to-piercing range, which recalls trilling ’70s singer-songwriters Minnie Riperton”—Steven Stolder@Amazon.com

 

Well that’s all for this installment. If you dug this post, and my selections, do three things:

 

1/if you’re a fellow blogger press ‘like’ on this post, that’s always helpful and

2/ definitely leave a comment and let me know if you dig the selections or tell me if I’m on crack, and left out your favorite music podcast and

3/ Support this blog by purchasing today’s item of the day via the link above. Each purchase gives this blog 2 cents to keep kicking.

 

Enough shilling, thanks for supporting. And in the immortal words of a wiser man than I… Peace, Love, and Soul!

NOW & THEN:DEAD ISLAND TRAILER vs LIGHTS OUT’s “IT HAPPENED”

Okay, spurred by a recent trailer I got the idea for this post called NOW & THEN, a new reoccurring posting that will contrast, so called, hot new things and breaking news; with classic or overlooked older items.

There is always this generational thing where people of a certain age look at current items, be it films, music, books, sports, and call them crap and pine for the good old days, and on the other side of the coin you have people, also of a certain age, who have a tendency to look at anything that is not current or today and call it old fashioned or irrelevant.

Being someone who cherishes both the old, and can embrace the new when it’s great, I think both of those previous positions are very limiting.

Everybody can have an opinion, but your exposure to other things, your foundation in the medium you’re talking about, says a lot about the weight and worth of your opinion.

If all you watch is romantic comedies, or Kevin Smith slacker films, and yet you want to have an opinion about what a great film is, not knowing that the romantic comedy you glorify, is nothing but an iteration of a Cary Grant film made 70 years ago… your opinion while colorful, may not exactly be valid or valuable.

Same way it limits you, if all you listen to is HipHop or Heavy Metal or any single type of music consuming it… but not knowing there’s a rich range of influences from a variety of music informing every beat or sample you bob your head to, and a rich history of lyrics having meaning beyond the profane.

(And no, I’m not hating. I was listening to rap and heavy metal before most of you reading this I reckon. But I was also listening to folk, country, soul, jazz, calypso, classical, blues, etc. And I think that has made all the difference. While guanranteeing no expertise, such a diverse grounding, grants you at least the ability to speak from a wide perspective, rather than a narrow one)

[Twista is an example of an actually talented rapper, unlike many who are paid just to curse at women, act ignorant, and look stupid. Twista is perhaps no stranger to those vices, but when he wants to he can actually craft, relatively misogynist-free/genocide-free music… that is actually fun. His ‘Tattoo’ is one of his fast and fun songs. Listen to a nice mashup of it here!]

Restricting yourself to just one thing, being unwilling to grow beyond your comfort zone, is analogous to someone who sticks their fork into the cake, just enough to taste the icing, but not actually enough to taste the cake, and then wants to have an opinion on the cake.

That opinion isn’t worth much.

And that goes for all of life, the more you marginalize or segregate your experience, or allow your experience to be marginalized, be that marginalization with films, or music, or reading, the more incapable you become in competing… in anything.

And that is the problem with too much of America, too much of the world, increasingly people speak without taking the time to be informed about the things they speak on.

Seemingly that is what happens when consumers only consume one thing, and aren’t required to think about that thing, they become… un-moored when introduced to anything that challenges them slightly. To anything that is not… their stereotype.

Here in NOW & THEN, I’m going to do my bit to combat that tunnel vision, by giving you both something current and something classic to consume, to experience, to integrate into your storage banks. Be it movie trailers, films, music, books, comics, personalities, news… I’m not saying you’re going to love the things I post, though my attempt is that you will hopefully enjoy at least one of the things posted.

And I’m going to try and have those distinct things in each post, be united by some common thematic or structural thread, so it makes a nice comparison between old and new.

Well that’s the idea. Without further ado let’s get to this installment’s… NOW & THEN:

THE NOW: Feb 2011

I’ve caught the hoopla on this trailer for a new game called DEAD ISLAND. The hoopla goes thus:

“In the last twenty-four hours, zombie horror game Dead Island has climbed into the top trending topics on Twitter and has merited coverage by numerous blogs and entertainment sites thanks to a provocative three-minute “announcement trailer.” ‘
–The Collider

View the trailer here and see what passes for horror today.

THE THEN: 11 May 1938

LIGHTS OUT, a famous and quite ground-breaking radio program that ran (to unprecedented success) from 1934 to 1947, the brainchild of boy genius Wyllis Cooper (and later Arch Oboler), is recognized as one of the first shows to bring suspense and horror to the still young medium of radio.

Broadcast Wednesdays at midnight, when previously only languid music programs played, LIGHTS OUT reinvented that time-slot as a witching-hour. And the whole nation quickly got in the habit of starting Thursdays just a little bit sleep deprived, having spent the previous Wednesdays cuddled in front the radio, listening to the dire voices of the id. In May of 1938, 73 years ago, one of the most disturbing of those voices called “It Happened” was aired, to a world that was between wars, and between horrors.

Listen to the radio program here and see what passed for horror seven decades ago.

Well that’s this installments NOW & THEN, hope you enjoy what you see/hear and if so, feel free to email or post your comment on which selection was most effective… Now or Then. 🙂 . Also feel free to mention what common theme unites the two things. Be right, and who knows, I might even toss in a gift for correct responses. 🙂 .

Till Later!

THE POINT OF NO RETURN or All I Ever Knew of God REVISITED

This is a post first published over two years ago.

It got a couple hits recently.

I read it, having not read it in over two years… and I thought it said things that still need saying.

And I think it manages… to still say them well.

I don’t recycle posts, as I’m long-winded enough, and insane enough that I always have topics for my rage or my reason. But this post seemed… especially timely to me, and worth the limelight… one more time.

Without further ado:

I’m not a fan of profanity, be it the n word, c word, b word, whatever. I don’t have a knee jerk reaction to profanity, I just think your language defines you and yours, and sometimes it traps… you and yours.

So that said, I’m not a huge fan of rap.

More precisely, I don’t like what it has become. I don’t like hip-hop. I don’t like this glamorization of ignorance, this pretense of hardness by too many men who own nothing.

Not even themselves.

You want to be a tough guy. You have a wife, you love her till the stars go dim, you have kids… you raise em right. You teach them to walk with their head held high.

You do this, you do these things, in this world… where you can be broken for walking out your door, if you can do these things in such a world.. that makes you a tough guy. How well or how badly the women in your life live, mothers, sisters, wives, friends, daughters… these things define a man.

Not simply screaming, not cursing,not defiling… but striving, sometimes crudely, sometimes failingly… toward something better for you and yours, in a world that is increasingly not about better.

Those definitions of “tough guy” and “man” are hard ones, and I have met very few, myself included, who rate them.

But sometimes the attempt is enough, the striving earnestly toward those ideals…the striving even though victory not promised, and defeat virtually assured. The attempt to succeed, even when every day you fail… has value.

Once upon a time, rap was filled with men, with tough guys who screamed… for the love. BDP, PUBLIC ENEMY, PARIS, ERIC B, TERMINATOR X, even NWA. And of course the fathers of Rap, men like THE LAST POETS and GIL HERON.

But that was when rap was coming from the streets, rather than the board offices of SONY and TIMEWARNER. Corporate mobs who promoted their Gangsta Rap to the exclusion of all else, who take every virtue and twist it till it’s a vice.

That is America defined.

It is that place, where all virtues are twisted until they are vices.

Blues and Rock, vilified colored music, until they could paint it white… and sell it… and call it Elvis. Rap, same thing. Vilified urban music, until they could paint it white… and sell it ….and call it Eminem.

They can replicate the noise, but somewhere the heart is lost.

They, commercial America- the sellers of standards, have a way of only glorifying the worst.

It really is, about co-opting and corrupting any positive movements… before they can grow.

Which is why more people know the name Eminem than Paris, know Rocky than Joe Frazier, know Arnold Swarzenegger than the man he executed… Stanley Tookie Williams; because America is that place where they sell the lie, when the truth is the wrong color.

So the best stuff in America, will never make the top 40 in America. They don’t play it on the radio, or show it on the TV, or teach it in the schools.

The best stuff in America, the worthy stuff, the positive stuff, you have to hunt for, but it’s worth the hunt.

So I hate Sony Rap, and Time Warner Rap, and Corporate America defined rap. But I love real rap, rap about waking you up, from pervasive nightmares. Conscious rap. Spoken Word. Hip Hop. Call it what you will. I love the people who are still making it, people who are out their… still screaming…”WAKE UP!”

A few that you won’t hear on the radio, but you really should do everything in your power to hunt up, are:

PARIS of course, anything by this soldier, this… prophet of rage. Who for three decades… has held the line. Has held the goddamn line. His DEVIL MADE ME DO IT is one of the great albums of all time.

The usual suspects of Public Enemy, BDP, mentioned above. Also Rage Against the Machine.

And one I want to introduce you to is IMMORTAL TECHNIQUE:REVOLUTIONARY VOL II. I picked it up because of Mumia Abu Jamal, his words on it.

I love courage in people, I love people who speak to you in these volatile times not of sneakers, or cars, or hos… but of volatile times. This CD all the songs are good, some better, some worse (again I can only deal with so much profanity), but there is one song… that is exceptional. And it is worth having the CD for this single song.

I know when I hear something great, and something true, because we live in a nation and a world, where both greatness and truth… are endangered commodities.

So when I hear them…

When I hear these disused concepts… combined… it’s a beautiful thing. I get chills. I listened to THE POINT OF NO RETURN the first song on this CD, the song in question, … and it gave me chills.

I love people who will rage, RAGE…not against you,but FOR YOU! Who will bleed their guts out, rip their flesh off, for the mildest hope… that they can save you, that they can… wake you up.

A lot of people talk about God, and those who talk about him the most, typically know him the least.

Bible thumpers give me a swift pain, I’ve never met one who didn’t lie himself to sleep.

All I’ve ever known of God, any real proof, comes from people who are always outnumbered and always outgunned. Comes from the voice of… sinners and saints. And whether it’s a 16 year old Palestinian girl eulogizing friends who blew themselves up, because their death was all they had left to fight with,… or a man on death row, for not sitting down…. still standing up, or young men on a mic who have watched their neighborhoods become occupied cities and decide to speak against it… whoever the voice comes from, when it’s both great and true… it brings me to my knees.

And those are moments when I believe in God.

That some people, can go on in a world such as this… and still care so deeply, about anything. Those are moments that spur you to want to make a difference, be a better man, make a better world.

Give you the desire to fight hard… one… more…. moment.

That for me, is all I know of God.

And those moments are rare things. And listening to this song was one of them.

I had thought there were no more prophets of rage.

I have never been so glad to be wrong.

Pick up the CD, listen to the song, and if it gives you chills. Share it with a friend, and make your world a better place.

Try.

The NY COMICCON 2007 Coverage Pt. 1: The Black (you talking about shaft? Hush your mouth!) Panel

I had a great time at the NY comiccon. I thought with the exception of the rat like maze, laughingly referred to as a line, that it was a well conducted event.

Being my first con, I was definitely a little overwhelmed. The sales floor really was too much for me. Navigating it on Saturday (and I tried), was a herculean task, and I couldn’t find anything.

So I mossied (I couldn’t find it in the dictionary, but you know mosying , that thing cowboys do when they can’t find a horse. It’s kinda like walking 🙂 ) my way down to the panels.

The panels I had researched and knew what I wanted to hit. With one exception I hit pretty much every panel I was interested in, and on Sunday got to touch base with creators and personalities I’m a fan of.

Here’s a pic from the great Marvel Bullpen panel. Lot’s of fun, packed house. Sorry for the blurry pic, but I think you can pretty easily make it out. From left to right it’s Stan (The Man) Lee, Jolting Joe Sinnot, and Gracious Gene Colan!.

Stan was a riot! Panel also included Ralph Macchio and a lady they only referred to as Flo. Fun panel, full of reminisces of Marvel’s glory days. My 2nd favorite panel!

But in this installment wanted to talk about the panel that surprisingly was my favorite of the con. Michael Davis’ The Black Panel NYC.

Now, now… don’t give me that look, it was actually really good. :).

The unfortunate truth is you can’t say Black in this country without some idiot saying, “why it gotta be a Black thing” and the answer is always the same. For the same reason there is an Asian thing, or a Jewish thing, or an Italian thing, and let’s be honest America is a defacto white thing.

And for the absence of a strong sense of identity amidst that defacto standard, prisons are filled, and drugs go into veins. So it is very, very important to have a china town, or a little Italy, to have a language, and a country, and a history, and a culture, and idioms to call your own.

And a lot of that infrastructure is in need of building.

Not just for the good of the minority mind you, but for the good of the majority. It benefits the majority, for the pieces that make up the whole, to be able to bring their own identity, and strength to the table.

So trust me, a Black Panel, A China Town, a Little Italy…. these are good things.

Now quick thoughts on the panel:

Above is a nifty pic of the panel. From left to right you have:
Denys Cowan (You can just make out the tip of his hat, and his shoulder, but have a better pic below), Chuck Creekmur, Cheryl Lynn, Prodigal Sunn, Michael Davis, Reginald Hudlin, and Mark and Mike Davis of Blokhedz. I’ll get into who everyone is, and what they work on)

“I would love to work with (Christopher) Priest. Along with Denys (Cowan) he’s one of the creators I’ve reached out to.”
…Reginald Hudlin, Writer, Filmaker, Comics Pro, President of BET, and Renaissance Man, an excerpt from the absolutely was not to be missed Black Panel that took place at this years NY Comiccon. A panel decisively and brilliantly moderated by Michael Davis.

Because many times even when the panel is great, the questions are idiotic and insipid. As in the Stephen King panel, “well I haven’t read the book Mr. King, but a friend of mine told me….”

So it was great to not see that happen, and that Michael Davis steered the panel with a deft and strong hand. The panel was great, the questions were great, the vibe was stunning. You had a great Asian-Latin-Black lovefest and mutual admiration society going on, which is great and fitting, because Black really does encompass all those people, the mass media’s attempt to fractionalize that truth, aside.

Above is a pic of Prodical Sun, Michael Davis, Reginald Hudlin.

And I want to get further off topic here, Mr. Davis took flak from someone regarding using the term Black for his panel. Isn’t that amazing? You can have a Jewish Anti-Defamation League, or an Asian that, or a Korean this, or an Italian that, but noooooo… you can’t have a Black so and so.

But Luckily he told the guy go jump in the lake. Because honestly I frigging despise the term African American.

“OHHHHH!!” And the crowd gasps!

“No he didn’t just say that!”

“That Negro has lost his mind!”

Well actually I did say it, and I have as firm a grasp on my sanity as I ever had, which of course isn’t saying much.

But for you in the cheap seats, let me say it again so you catch every word: I frigging despise the term, African American.

Why?

Because it’s a very marginalizing, mass media term; that doesn’t encompass the rich vein of people and culture that word is tacked over, but segments them based on national/geo-political boundaries.

An idiotic way to define a people, painting them with a nationalistic brand or brush. And an inaccurate way.

60% (a low #) of what we consider Latin nations, Brazil/Cuba/Venezuela are heavily of African ancestry. So as a person whose blood line runs from Senegal to the islands to the Americas… Black works really well for me, hey I’ll even answer to Pan-African, Nubian, on an especially jovial day perhaps even colored(smile when you say that boy!) but you can take your African American and choke on it.

Because AA is a marginalizing divisive term taken out of the context it was first used in.


“Man that Negro is crazy!” “Pan-African please. 🙂 ”

So getting back on topic, the fact that it was called the Black Panel, worked for me. And I think it worked for the people who were there.

Because unlike my tirades 🙂 it was all about the creative process, and new projects, new visions, upcoming work, and generally just moving forward.

With Animation projects, comic projects, book projects, publishing ventures it was a really informative panel, bursting with networking goodness.

I should have recorded the panel, and hope someone did, because it was that good.

Here’s a better pic showing Denys Cowan and Chuck Creekmur.

Panelists were:

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Denys Cowan-Writer, Artist, Martial Artist. Very long, very brilliant comic career. Highlights for me being his work on the Question, Black Panther, Batman Blind Justice and his Milestone work, such as Hardware. Now VP of BETs new Animation Studio.

I’ve been a loud detractor of BET, since their sale to Viacom, my issue being how you can honestly call it Black Entertainment when it’s owned by a white company, you may be able to call it blackface, or propagation and fulfillment of black stereotypes but not necessarily Black entertainment.

But with names like Hudlin and Cowan at the helm I’m inclined to actually give the channel another look, and hope it becomes more than a station that panders to stereotypes.

Though I would love to see these men working on their own company rather than a subset of a larger company. Because end of the day as Michael Jackson, and Magic Johnson, and Prince have found working their projects under Sony, end of the day you are generating income for interests outside your community, making Sony’s name at the expense of your own, and end of the day when you stop generating income you will be discarded. As will your work.

That’s always the fear when talented creators of color invest their time, in properties they do not own. But again with Hudlin and Cowan in the game I’m inclined to be positive.

Check out Newsarama’s interview with him here:

http://www.newsarama.com/general/Cowan/DenysInt.html

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Chuck “Jigsaw” Creekmur- President of WWW.ALLHIPHOP.COM. I admit to being out of the hiphop loop, but the site looks like a fun, easily navigated, and thankfully Flash free site. I’d love to see him partner with creators such as Aaron Mcgruder and Keith Knight, to bring their respective funny endearing, and satire filled cartoons, BOONDOCKS and THE K CHRONICLES, to a hiphop audience.

********************

Ms. Cheryl Lynn- Unfortunately the only beautiful panelist (no offense guys) was not captured in any closeups. I consider myself pretty schooled on Comic/Cartoon history, but I was mistaken. As Ms. Lynn eloquently informed the audience about a wonderful female cartoonist who worked in the golden age of the medium, of whom I was totally ignorant… Jackie Ormes. She has a great site, and I urge you to do what I did, go to her site and get informed. And also it’s a great resource for cartoonists of color to join, or for finding great cartoonists to work with. http://theormessociety.com/.

***********************

Prodigal Sunn of Wu Tang Clan– Wu Tang Clan is among the most effective musicians to use the comic medium as an expression and extension of the story their music told. And Prodigal with a solo CD about to launch, television work, animation, and film projects on the burner remains one of the busiest and most steadfast supporters of the medium of comics.

I’d love to see Prodigal’s website become Flash Free. 😉 [Black people, can’t we stop using Flash. :)]

But seriously, what I would like to see is Prodigal’s Wu Tang Clan comics syndicated/reprinted on ALL HIPHOP. Also what would be great is if ALL HIPHOP offered a store where you could purchase the books, of WU TANG CLAN, BOONDOCKS, K-CHRONICLES direct from their site. A win-win situation for everyone.

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Okay all the time I have for this installment. Next installment we’ll cover the last 4 members of NY Comiccon’s THE BLACK PANEL! ([ feel like that should be in big lights, and the name echoing :)]

All in all a fun, fun panel.

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