Playhouse 90’s A TOWN TURNED TO DUST aka Echoes of the current political landscape!

“We didn’t know he was guilty.

We strung him up, to satisfy the mood.”

 

“There’s the hunger for the niche.

I wanted to be somebody.

So I decided who the victim should be.

I pointed to an old man.

I led the mob.

I wanted to be somebody.”

— Playhouse 90 A TOWN HAS TURNED TO DUST

 

Those quotes from 1958, written by one of our great writers to highlight a mindset of ignorance and prejudice and lynchings, are oddly and shamefully relevant. Being that here 60 years later the current occupant of the white house stole into the office, on such rhetoric of hate and stupidity and intolerance.

Invaded the most powerful office in the world, swept in on the unreasoning bellows of the mob.

I love Amazon Prime for making available these forgotten and overlooked pieces of cultural and cinematic history.

 

Today I watched from the early days of television, PLAYHOUSE 90s A TOWN THAT TURNED TO DUST.

Directed masterfully by John Frankenheimer, written by Rod Serling, starring a stellar cast including Rod Steiger, William Shatner, Fay Spain,  Eugene Iglesias, Mario Alcade and James Gregory.

From 1958, when Jim Crow and Lynchings still infested large swaths of America, this live production is unfortunately again relevant in 2019, will always be relevant as long as there are masses who want to blame their lives on others rather than taking responsibility for their lives. And ready, these masses, to be led by the loudest voice of hate, rather than the more thoughtful voices of reason.

Watch it now courtesy of Amazon Prime (search for it under the title AN EVENING IN THE ZONE). This is a film that deserves to be owned on DVD/Blu-Ray. Deserves to always be readily available, and not at the mercy of ephemeral streaming  contracts and whims.

I would like to think if Americans were raised on films like 1936’s FURY by Fritz Lang and 1943’s THE OX BOW INCIDENT by William Wellman and this one by John Ftrankenheimer, if these films were required viewing, we would stop repeating the same mistakes and committing the same attrocities and empowering the same hate mongers. To the point where the occupancy of the White House would be different.

There is nothing sadder than history and mistakes not learned from.

Movie of the Day/Free Download of the Day: LES VAMPIRES

http://www.archive.org/details/LesVampires-Episode1-

All ten episodes of this 1915 groundbreaking silent serial by acclaimed French Director Louis Feuillade are available on Archive.org.

One of the earliest serials and one of the best, this 10 episode 7 hour serial is available in a wonderful constantly changing tinted print, going from sepia to greens to blues, with a wonderful orchestrated score.

The story begins with a reporter on the trail of a murderous crime organization, their latest crime being killing a police inspector and stealing his head. Pretty insidious stuff by any standards.

The episodes are told, like any good silent film in mostly body language, so paying attention to details is of paramount importance. But if you do give it your attention, you’ll be rewarded with a fast moving, baroque, imaginative and compelling serial.

Initially banned by the French police (let’s face it when you start a serial by putting a police inspector’s head in a box, you’re liable to ruffle a feather or two) it was a huge success when finally seen, and has remained a hugely influential film on everyone from Fritz Lang to Alfred Hitchcock.

And just a few years shy of its 100th anniversary, it’s a testament to the film and the filmmaker that it continues to be riveting, fresh and surprising entertainment.

There’s a scene in episode 3 (Minor Spoiler so skip to the next paragraph to avoid) that I wasn’t expecting, where the obsessed hero mercilessly guns down suspected Vampire members Irma Vep and Dr. Nox, and even though that doesn’t work out like he thought, it’s the ruthless, no hesitation way he goes about it that took me by surprise.

And the serial sports humor as well, episode 4 sports an old codger hitting on a young lass
by trying to take her to the movies, saying “I’m a Film Fanatic!”. And considering it’s 1915, it would be like someone saying today “I’m a virtual reality video game fanatic!”. It’s just kinda cool, how hip the movie was for its day.

It’s good stuff, and but one surprise of many the serial has to offer. All DVD versions of this serial are out of print and fetching quite a bit on the secondary market. Though I do forsee it coming back in print in time for its centennial in 2015, You can price DVD versions here:

LES VAMPIRES Region 1 Price it here!

Les Vampires: 3 Disk Version!— This is a PAL version, and is pure B&W with no color tinting, and from what I can tell from the stills a sharper, clearer, more detailed picture than the US version.

That said I think I would miss the color tinting of the US version as that serves, I feel, to really keep you focused.

I love B&W but I can see it over the course of 7 hours getting monotonous, and the tinted version, with its rotating color scheme, I think helps a lot with that. Also I quite like the US score, and by all resports this PAL score is not as good. But I can’t confirm that. All in all I think you’d have a hard time going wrong with either disk. So feel free to check availability.

However till then, or to try before you buy, you can enjoy this great copy courtesy of Archive.org. Start with episode #1 here!

Highly, Highly recommended.

Enemies of the State: The Shadow and Metropolis and Ebay vs the Supreme Court, Alex Kozinski, Oracle, MPAA/RIAA and Google??!


The logo belongs to the brilliant website shadowsanctum.net, and I urge you to check her site out here. It’s great!

“Dead Cobras are better playthings than live ones.”
—The Shadow in THE TEMPLE BELLS OF NEBAN

“My reward, like yours Commissioner, is in protecting the defenseless from those who have not learned… that crime does not pay.”
—The Shadow

The TEMPLE BELLS OF NEBAN is a very intriguing Shadow episode from 1937, over 70 years ago at the dawn of the age of radio, starring the inimitable Orson Welles. And I highly recommend people seeking it out, and giving it a listen.

It’s not the best sounding recording available, but you can clearly hear why this show was an immediate hit, as the Shadow spars, almost lovingly, with a beautiful Indian dancer, whose powers may rival his own.

You can listen to a copy here.

And It’s also worth mentioning these shows only exist because of collectors, what today we would call filesharers, or bootleggers, these shows and thousands like them only exist because of the loving collector who recorded them off the air and kept them and shared them for the love, while the very companies that produced them, could not erase the tapes fast enough after the initial airing, seeing no long term value/profit to them.

I’m saying it’s ironic that what companies race today to make illegal, is the very people who have preserved the intellectual property many of them today… build their fortunes off of.

They seek to make illegal… the people who we need. The ones who keep things alive not for the money… but the love.

How lucky we are to have these recordings. Unfortunately thanks to Congress and the Supreme court working in tandem to put the rights of businesses above citizens…not only are clear Public Domain concepts like the Shadow radio show and pulp novels no longer in public domain, but they’ve recently upheld a law that allows the REMOVAL of certain foreign based works (Section 514 of the Uruguay Round Agreements Act (“Section 514”), which restores copyright protection to certain foreign works that were previously in the public domain), including compositions and the works of silent film directors such as Fritz Lang, out of Public Domain.

How the hell does Congress perceive they have the right to do that? Or does the Supreme court support them in that?

Fritz Lang is taken out of copyright today, what happens tomorrow… Poe? Shakespeare? All so companies can get you to pay, pay, pay.

And making this a one two punch, the Supreme Court has recently upheld (by failing to overturn the 9th circuit court ruling) Software companies rights to stop you from reselling your software on grounds of— well honestly the grounds make no sense— basically it’s companies intent on destroying the secondary market of used resellers, a huge and vital part of any economy, so they alone determine what in essence can be sold. And more, they alone can profit.

The story reads in part:

“The Supreme Court is refusing to review a federal appellate panel’s decision that software makers may use shrink-wrap and click-wrap licenses to forbid the transfer or resale of their wares.

Without comment, the justices on Monday let stand a 9th U.S. Circuit Court of Appeals ruling that is another erosion of the so-called “first-sale” doctrine, which the Supreme Court began to chip away at last year.

The first-sale doctrine generally is an affirmative defense to copyright infringement. It usually allows legitimate owners of copyrighted works to resell those copies.

That 3-0 circuit court decision means copyright owners may prohibit the resale of their wares by inserting clauses in their sales agreements. Autodesk had done that with a version of its popular AutoCAD software. The San Rafael, Calif. company sued to enforce those terms in its sales agreement and prevailed.

The Motion Picture Association of America and Software & Information Industry Association, whose members include Google, Adobe, McAfee, Oracle and dozens of others, urged the appellate court to rule as it did.”

–This is from the excellent guys at WIRED (it’s not lost on me that WIRED unfortunately is owned by CondeNast, one of the companies particularly active in chipping away at Public Domain), and the full story, along with other shocking abuses and erosions of liberty can be read here.

This ruling by the 9th circuit court, inherently cripples and destroys a healthy monetary model, in favor of a model geared entirely on creating a monopolistic system, and an entrenched protected powerbase that flies in the face of a free enterprise system.

The idea that I can’t, or you can’t resell something you bought, is itself an overstepping of liberties, and an infringement on liberties, so great as to be in and of itself… criminal.

Where does it end?

You do this first with the used software market, what is next? You can’t sell used DVDs? You can’t sell used books? You can’t sell used cars? You can’t sell used houses? At what point are you bankrupt of owning and controlling anything you purchase? Even the air you breathe, the food you eat, everything eventually gets leased to you?

Absurd right? We’re on an absurd and dangerous path.

This is a law that must be challenged and thrown out. And stands once more as clear and present proof that the congress and the supreme court are in the pocket of big business.

And that we have become a country at the mercy of crooks and liars and cowards and scum and thieves.

We have become a country, at the mercy of our neutered Congress and our spade Supreme Court.

The purpose of government is not to protect business at the expense of the citizens, it is to protect citizens at the expense of business.

It is not the job of government to insure the status or the livelihood of Sony or Microsoft or Disney. Businesses come and businesses go. Most of the business around at the start of the 20th century didn’t make it to the end of the 20th century, and that is how it should be.

And part of it is we have 20th century judges ruling on 21st century cases, and quite frankly they are out of their depth.

These are people who can barely turn on a computer or send an email, and yet they are the defenders of the slippery digital slope, and preserving liberties in this brave new field of law. And the judges often rely on opinions of ‘experts’, which is to say the very people that have a stake in seeing laws go their way.

So increasingly judges are deer in technological headlights, and rule when in doubt with the big named company they think knows what they are talking about.

Example?

Alex Kozinski, one of the highest judges in the land. And the chief judge of the U.S. 9th Circuit Court of Appeals, that allowed Software companies to make resale of software illegal… This is how technologically savvy this guy is…

The following is an excerpt from the LA times:

“Alex Kozinski, chief judge of the U.S. 9th Circuit Court of Appeals, acknowledged in an interview with The Times that he had posted the materials, which included a photo of naked women on all fours painted to look like cows and a video of a half-dressed man cavorting with a sexually aroused farm animal. Some of the material was inappropriate, he conceded, although he defended other sexually explicit content as “funny.”

Kozinski, 57, said that he thought the site was for his private storage and that he was not aware the images could be seen by the public, although he also said he had shared some material on the site with friends. After the interview Tuesday evening, he blocked public access to the site.”

—By Scott Glover
Los Angeles Times Staff Writer
June 11, 2008

This is the judge of one of the highest courts of the land? And shaping the laws that bind us all?? He doesn’t even know how the web works and he’s defining the legal length and breadth of it? Not even getting into the moral implications.

It is a sad and dangerous pattern, when our rights are given away at a whim.

Businesses are here to serve the people, and when they fail to do that, or choose not to do that, they deserve to fail. The very opposite of what is happening.

Case in point, Obama’s bailout of Wallstreet? Forget Wallstreet. Bail out the homeowners, and the unemployed and underemployed. Generate new business in the vacuum of businesses that don’t want to pay American taxes, or hire American employees at a live-able wage. These companies, Exxon, Shell, take billions of dollars out of the United States, but have a fit if you talk about raising the minimum wage, or paying workers $20/hr.

But we have a corrupt Congress and a corrupt Judiciary, so we bail out billionaires and aggressively tax, broke and breaking, American citizens to pay for that immoral bailout.

Our Congress and our Judiciary are crooks.

Except… that’s not true.

We have corrupt or incompetent people in Congress and the Courts, but the disease is not the man.

The idea of Congress and the idea of a Supreme Court, are good ideas.

There are people in Congress and the Courts who are there because they believe in this under attack idea of.. A government of the people, by the people, and for the people.

But they get lost, their good lost in the bad. We owe them more than that.

And how do we do that?

By naming names. Specific people vote these abhorrent laws into being. And they count on being a nameless part of a mob, just as the RIAA and the MPAA are klan hoods for companies doing under the shelter of their hood, things they would shy from by themselves or in the brightness of day.

It’s not enough to say Congress passed this and the Judiciary allowed this. We must name names, of those who in our darkest hour went around putting out lights, as well as those few who stood against them, and tried to light candles.

We must name… the enemies of our state. So we remember them, and push for their ousting for their crimes against us. It’s not enough to just concentrate on who is or isn’t president, we must concentrate just as hard on who we fill Congress with, and the courts.

Enemies of the State.

Enemies of the People.

We must name our betrayers.

On FCC vs Comcast vs AT&T vs TimeWarner vs NetFlix vs Hulu vs DVD vs Bluray!

I’m someone who is not enamored of the godawful mess the FCC has made of the airwaves.

By this I refer to the FCC basically giving away the Analog spectrum, previously allocated to the people, to big business and government interests, and saddling the American people with a shoddy and crippled digital delivery method, that necessitates paying a cable provider if you want anything approaching viewable service.

And even then you are still not guaranteed against occasional picture dropouts or pixelation, as the provider continually adjusts bandwidth to maximize profit.

Yes, most people had cable prior to the forced digital switch-over (land-grab), but not all. Some of us were content with our rabbit ears.

Now, post the forced digital march to our new digital reservations, try and look at TV without a cable provider and just using your digital converter. Go ahead… try. I’ll wait.

Hum,,,, hummmm.

See? Atrocious isn’t it? It is a national embarrassment.

If I stop in, anywhere where they have TV without cable (homes, auto shops, waiting rooms, you name it) and you look at what has become of ‘free’ tv, in the wake of this governmental stickup… it makes me… angry.

Really, really not happy.

As I said, I didn’t have cable before the FCC sold America’s airwaves to the highest bidder, and I don’t have cable now. And no I don’t do Hulu, or online viewing of mainstream shows, because that’s poised to be as big a rip-off as the cable companies.

Because just as it’s nonsense, that you are getting DVD (much less HDTV) quality service with the cable companies, it is even more of a fallacy with the online providers. Because those companies are not trying to offer you the 4GB of Data that constitutes a DVD, or 10+GB of Data that constitutes the bandwidth for a Bluray disc, they particularly are not trying to offer this bandwidth per program/per customer. You are talking easily hundreds, if not thousands, of GBs of Data per month, per customer, if they were trying to offer you real disc quality (DVD/HDTV) programs.

In an age when broadcast providers are trying to limit service past 5GB a month?

Heck no.

They are cutting costs, which means cutting bandwidth, which means they have to compress whatever programs they send you well below the levels you’ll find on the physical media. Which is why even with HDTV, the quality varies wildly, not just from channel to channel, or program to program, but from moment to moment as the bitrate is adjusted on the fly, and that bandwidth steals from Peter to pay Paul.

And worse comes to worse, you even get drop outs, which is horrible on ‘free’ digital, but is inexcusable when you’re paying for the service.

So watching anything on cable… is a crapshoot at best.

And online, be it Hulu, Netflix, whatever is the same. And with the few major broadband providers all talking about capping traffic/bandwidth limits, it’s only going to get worse, particularly as the number of users increase.

So sure, watch your movie or television series via cable or online if that’s your cup of tea, and you’re not bothered by paying for spotty and sporadic quality.

It bothers me though.

DVD and HDTV/Bluray being a bastardization of film, is a compromise which I can live with. But online and cable, by the time they reach the end user, is like stated, variable and unreliable, numerous compression and toggling tricks imposed to the point it becomes something I refuse to pay for.

That and not being a TV guy to begin with, for years I’ve just done DVDs, and recently Blurays.

But that said, I’m not a fan of Blurays.

I find Blurays , which I find quality-wise to be a very minor improvement over a well mastered DVD (examples being ONCE UPON A TIME IN THE WEST and CLIMATES), to be not worth paying more for.

The only reason I pick up a Bluray over a DVD, is if they are the same price, AND the Bluray offers more features (recent examples being WATCHMEN DIRECTOR’S CUT [this is the version to go with, not the Ultimate cut], Fritz Lang’s METROPOLIS dual format limited edition steelbook, and SPIRITS OF THE DEAD… all three on most reviewers 2010 Best Bluray list).

Don’t get me wrong. Bluray is an improvement, mostly in clarity over DVD, but it is a minor jump, compared to the major leap in quality from VHS to DVD.

It’s just not big enough of a difference, for me to really get excited about or pay more for. But I acknowledge it’s an improvement.

Now, what is not a Bluray improvement over DVD, and something I really hate about Blurays, is the slip-shod packing.

Even the so-called high-end SteelBook cases for Blurays, to put not to fine a point on it, are garbage; such as the aforementioned METROPOLIS Steelbook.

And regular Bluray packaging is even worse. It’s a shoddy, inconsistent form factor, with garish ugly colors (yes, I know you call yourself Bluray, but take it from me… lose the garish blue color on the packing ), and cheap, damage prone slipcovers/materials (SPIRITS OF THE DEAD anyone?), and pithy non-existent back cover description.

Package wise it lacks the aesthetic strengths, elegance and simplicity, and to an extent beauty of the 13+ year old medium of the DVD (the year 1998 generally regarded as DVDs wide-release on the world stage).

And by the time that is ready to change, we (the whole entertainment/electronic market) will be onto our next media storage format. So yeah, I generally say no to cable, and will be sticking with DVDs to catch up on tv shows people are recommending.

And as far as Blurays, as it currently stands I don’t see them making up more than 1% of my DVD purchases, anytime soon. They need to be at least the same price as a DVD, and offer more features, otherwise I’ll stick to the DVD, a tested and versatile medium, that doesn’t suffer from idiocies such as zone lockdowns, and “so-called” digital copies(nothing more than a way to erode fair use, and get you to install nothing more than a glorified rootkit virus on your computer).

Did I mention I dislike Blurays? :).

But on a serious note, make technology yours. Use it and don’t let it… own you.

Here endeth the rant. :).