Amazon Prime Short Horror film of the Day : Ray Sullivan’s THE THING AT 2:37 and Deal of the Day!

Amazon Prime Short Horror film of the Day : Ray Sullivan’s THE THING AT 2:37

 

 

Do not read reviews, just go into this blind. If you have Amazon Prime you can view it right now.

I went into this movie not knowing anything beyond the vaguest description, and was rewarded by 8 minutes of imaginative eeriness.

The ending is very Ligottian, in that the film lets you (if you have imagination), ruminate on that ending. I thought it was a very effective little short. Did more in 8 minutes than a lot of films do with 80 minutes.

Now don’t get me wrong, it is no LIGHTS OUT or DON’T MOVE, but it is a very good short film, and I look forward to more from this filmmaker.

Rating: B+ Strongly Recommended!

 

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ITEM OF THE DAY!

 

 

“This marvelously macabre film is based on a classic short story by Alexander Pushkin which is the same one used by Tchaikovsky for his opera of the same name. It stars Anton Walbrook (fresh from THE RED SHOES), Ronald Howard (son of Leslie and looking just like his father) and Dame Edith Evans in what marked her screen debut at the age of 61.

Set during the time of Napoleon, QUEEN is the story of a young man who is obsessed with the secret of winning at cards and the old woman who possesses that secret. It is turned into a tour de force by Thorold Dickinson who had earlier directed the original version of GASLIGHT (which also featured Walbrook) back in 1940. The movie is full of baroque chiaroscuro lighting and bizarre camera angles and looks like a cross between the films of Val Lewton and Orson Welles with a little F. W. Murnau thrown in for good measure.”

—Amazon Prime

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Movie Review: James Bond SKYFALL

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Let me add my voice to those quite happy with the 50th Anniversary James Bond film, SKYFALL. Director Sam Mendes admirably helms Daniel Craig’s third time at bat, as the iconic James Bond.

Mendes, who is not known as an Action Director, but rather a maker of intimate and off kilter little films (such as AMERICAN BEAUTY and AWAY WE GO) rises to the occasion here with a film filled with tension and at times literally jaw dropping action set pieces.

From cars to trains to helicopters to subways, Daniel Craig’s Bond gets everything thrown at him, sometimes literally. However the film is more than blowing things up, it’s a tighter script and a more coherent and identifiable motivation for Bond’s nemesis this time out than is usually the case in Bond’s menagerie of outlandish villains.

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[POTENTIALLY MILD SPOILERS]

Played compellingly and hauntingly by Javier Bardem, Bond’s nemesis this time out seeks not Sattellite transmission rights, or orbital based weapons, nor voodoo mastery of the world… he seeks vengeance. And not long into the film, you’re not sure he doesn’t deserve it. Which is why I hesitate to call Javier Bardem’s Silva a villain. He is a dark mirror of a Bond who has given too much and too often to his country, and been left out in the cold one time too often and too deeply.

I found myself while not condoning Silva’s actions, understanding of the motivations that drive them. And distinctly aware of Silva as a cautionary tale to Bond; ‘there but for the grace of God’ as the saying goes.

[END OF SPOILERS]

And the complexity of character extends throughout the cast, from Daniel Craig’s always impressive turn as Bond, to Judi Dench celebrating her 17th year playing M (4 films with Pierce Brosnan and 3 films with Daniel Craig)by having one of her best written and most significant roles as the character; to impressive moments by Ralph Fiennes, Naomie Harris, and Ben Whishaw as Q.

While not a perfect film, the film manages to feel long in the tooth at times, but even in those moments it is never less than beautiful to look at. Filled with nods to the half century of Bond’s filmic history, unevenness and all, Mendes manages to merge winter blockbuster with intimate drama, to create a film that is ultimately memorable and re-watchable.

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Is it the best Bond film? No. It doesn’t even sport a particularly memorable or imaginative title sequence, but it is a very good Bond film, arguably in the top ten, and is a film, I think people can revisit often and well.

Grade: B+. Strongly Recommended to see in theaters, and a must own on DVD or Bluray.