Youtube Video of the Day : 10 FIGHTS That Made Us Question MMA

 

I’m a huge boxing fan. And an MMA fan. But perhaps not to the same extent as Boxing. and I’ll get to why in a second.

Combative Sports, seeing talented practitioners display their excellence is a draw, is compelling. That’s why organizations make money, networks make money, athletes make money, because it is a compelling attraction, that people will pay to see.

It appeals to us, to that part of us that lifts, when adversity meets will. There is something inspirational in it, in any athlete at their best.

Whether that is Jimmie Connors on the tennis court, or Sugar Ray Robinson in the boxing ring, those places where will meets adversity, and people come out on the other side as champions and victors… it is rousing.

However combative sports adds an additional layer of danger, in that unlike the goal of tennis or baseball or football or soccer or even rugby, where the goal is to get the ball past your opponent (and I understand these sports, all sports, can be incredibly dangerous, incredibly violent, can be potentially damaging); combative sports, inflicting damage is the goal.

In combative sports the goal is to damage the other person. Not to kill, or cripple, or maim, but enough to get them to submit or to lose. Winning in combative sports defined most clearly by being able to knock out or submit your opponent and have an early night. Now many fights go the distance with no one being knocked out or submitted, but those are potentially even more damaging as you have had people dig deep and go multiple rounds to the finish, trying to knock out or submit the other.

And nothing says highlight reel, like the knockout.

Do a search on youtube for best knockouts of 2019, and you will see that place where will meets adversity, and one person walks thru that door, and one person falls at it.

It is a rousing place for the athlete, and the audience. Look at the crowd or yourself during a great knockout.It impresses, and it rouses. 

So I being human, am as guilty of being roused by those drums of wills colliding. So I like combative sports and knockout highlight reels as much as the next person.

But especially with the rise of MMA, and pound and ground, my ‘like’ is becoming more tinged with concern. Because for all the compelling nature of combative sports, we want these people not to be seriously injured or killed for anybody’s entertainment or money.

And I think Boxing has grown a lot in its history to reduce it from its bare knuckle bloodbath war of attrition origins, to the place where you have gloves of a certain weight, and mouth guards, and rules, and a ref there to enforce the rules, and doctors, and corner people, and yes blood baths do still occur in boxing, but boxing has improved greatly to reduce the risk of people getting maimed and killed for a paycheck.

I think MMA, because it is geared to offer us ‘real’ combat, widens the potential zones of attack, and therefore zones of damage. And a lot rides on the ref. Because if boxing’s goal is to knock an opponent down, most boxers know to pull away at that point where the person is down, and the ref gets to give a standing eight count etc; MMA has a more ill-defined goal.

In MMA when the person is down, that is when for the fighter.. the fight begins, and any MMA fight, the fighter on top is pounding away on the person with maiming and potentially killing hammer blows, not because they want to maim, or kill, but because that is the ‘sport’,… you hit until the ref stops or opponent submits. Now a concussed opponent will not be able to submit, so it falls on the ref to quickly keep people from getting destroyed or killed.

It is a potentially disturbing sport, that runs the risk of transcending what we admire about combative sports, to being what we despise about blood sports.

It is a slippery slope, and I think like Boxing will have to adopt better safe guards, as fighters get better, stronger, faster, and arguably more deadly to each other.

Couple things I don’t like about the UFC in particular, is putting people in a cage like pit-bulls to fight, I don’t like people in cages for any reason. Also, I don’t like the corner people removed from their fighter, it delays the response to throw in the towel if needed, or provide medical attention, etc.

I don’t know any easy answers, but I think we have to start looking for them sooner rather than later.

That’s one reason that made me lookup the ‘effects of knockouts’ on Youtube, and that brought me to the below video.

So I’m not saying ban MMA, I am saying increase the safety of your fighters. At the end of the day someone getting maimed or killed, is not a sport. Let’s keep it a sport by keeping it competitive, and keeping it well regulated and well referred.

And I know a lot of people like to see women fight. And there are a lot of great women fighters. However, while I love to see women looking like the above image for any reason, I personally do not like watching women fight. Which is very hypocritical. And I’m not saying they should not fight, if you are good at something, man or woman, and that is your passion, then do it.

I’m saying as a spectator while i don’t mind seeing a guy hit in the face or knocked out, I do not like to see women hit. I do not like seeing beautiful things marred. It’s like splashing grime on a painting. I personally do not like it as a spectator, so I choose not to watch it. But again, I am not saying women are not great fighters,and should not be allowed to fight. If you are great at something and someone is willing to pay you for it, more power to you.

I’m just saying, I personally am not the audience for female fights. And I accept that my feelings are sexist, and chauvinist, and woefully outdated. They are the thoughts of a dinosaur… and you know what… I’m okay with that.

Anyhow hope you found this post useful, if so give a subscribe and a like. And feel free to shoot me a note about your thoughts on this post.

Till next time… Be Well! 🙂

PODCAST OF THE DAY: A Group Interview on A Wizard Of Earthsea by Ursula K. Le Guin

“So it came to my imagination, that Fantasy has been so lily-white, so northern European, let’s just turn it on its head. That’s the simplest way to reverse a train, turn it inside out…it’s only quite recently…that I’ve heard from people, some of them are just kids, some of them are remembering back to when they first read the Earth Sea Books. People of color telling me that was the first fantasy they ever felt included in, and what it meant to them. And I tell you, it moved me very much.” — Ursula K. Leguin

Podcast of the Day: National Endowment for the Arts Presents: Big Read: A Group Interview on A Wizard Of Earthsea by Ursula K. Le Guin

For more on the National Endowment of the Arts and EarthSea, go here!

“Earthsea is a creation of Ursula K. Le Guin. The original Trilogy was composed of A Wizard of Earthsea (1968), The Tombs of Atuan (1971), and The Farthest Shore (1972). The fourth book, Tehanu: The Last Book of Earthsea was published in 1990. A number of stories have now been published as Tales from Earthsea (2001) and a fifth novel, The Other Wind, also came out in late 2001. The first published story in the Earthsea world was The Word of Unbinding, which was originally published in Fantastic (1964) and later reprinted in The Wind’s Twelve Quarters (1975). The series has won a number of awards.”–scv.bu.edu

“It consists of three short novels, the longest just over 200 small pages in my old Puffin edition. And, though adults can read it without feeling at all out of place, it is written for children — “For readers of eleven and over” the covers say, though it could be read by, or to, very much younger children. But the Earthsea trilogy is still the first work that comes to mind when I’m asked “The Lord of the Rings, yes, but what then?”

A Taoist conception of “Balance” underlies Earthsea: the use of magic is dangerous, and can destabilise the natural order. And there are many patterns and parallels in the trilogy. A Wizard of Earthsea is about a young man’s coming of age, in which he attends an all-male school for wizards, and much of it is set at sea; The Tombs of Atuan is a young woman’s coming of age in an all-female temple complex, and much of it happens underground. And so forth. None of this is explicit, however, nor is conscious understanding of it at all necessary for appreciation of the novels. They are, first and foremost, spellbinding stories, with memorable characters.

There are now sequels to the Earthsea trilogy. Fifteen years later Le Guin wrote Tehanu, which is often coupled with these three novels to form an Earthsea “Quartet”. Tehanu is different in many ways, however — it is not a children’s book, for one thing — and I consider its inclusion in one volume with the trilogy to be misguided. More recently has come The Other Wind and a book of short stories, Tales From Earthsea.

I would not normally have considered reviewing the Earthsea books: they have received plenty of academic criticism and have been set texts in schools, so they should need no promotion. (Though the cynical might argue quite the opposite.) I keep running into people, however, who rave about Harry Potter and claim to be fantasy fanatics, but who haven’t heard of Earthsea.”— Danny Yee of Danny Reviews

“The Sci-Fi channel aired a 2-part, 4-hour miniseries based on the first two books in December, 2004… Ursula Le Guin… railed against it [Leguin discusses eloquently the whitewashing of her novel here] and I can not in any way recommend it… this is an absolute travesty against a wonderful piece of fantasy literature.” —scv.bu.edu

“I reread the whole thing once a year. Kid’s fantasy doesn’t get better than this. Actually, grownup fantasy doesn’t get better than this. The whole series is a virtuous performance from one of the greatest writers ever to work in the genre. The Tombs of Atuan (vol. 2) is probably my personal favorite; it has a special magic both because of the Borgesian labyrinth setting, and because it’s one of the first and greatest feminist subversions of epic fantasy. But A Wizard of Earthsea (vol 1) is probably the single most perfect fantasy book ever written. It distills the essence of epic fantasy into its purest form and restates it in deceptively simple prose that rises to the level of poetry.”— Chris Moriarty at GOOD READS.com

The Earthsea Quartet (Puffin Books)

So take a listen to the audio (don’t listen to the whole thing until after you read the books, you’ll know when to stop. Around the 17 minute mark), avoid the SciFi/SyFy channel series and all work by its director Robert Lieberman :), and pick up a copy of Ursula’s four book series here.

And generally just enjoy the source, the progenitor for later fictions such as HARRY POTTER and the MAGICIANS.

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ART BOOK OF THE DAY: SHEKHINA BY LEONARD NIMOY

“Nimoy is a gnostic mystic—a radical spiritualist, indeed, a spiritual rebel…I am suggesting that Nimoy’s fascination with the female body involves an element of temptation as well as transcendence. I am suggestion that what is really unusual about his female figures is that they signify profane and sacred love simultaneously…The issue that Nimoy’s photographs subtly address is the transmutation of sexual desire into spiritual aspiration…It is Nimoy’s ability to convey woman’s many-sidedness—Shekhina and Succubus at once—that makes his photographs profound.”
— Donald Kuspit

“A feminine word in Hebrew, Shekhina is the Talmudic term for the visible and audible manifestations of the Deity’s presence on Earth. Over time, Shekhina came to represent much more — a softer, empathetic feminine counterpart to God who could argue for humanity’s sake, comfort the poor and sick, and stand as the mother of Israel. Nimoy’s first encounter with the mystique of Shekhina began in synagogue at the age of 8. “The men were chanting, shouting and praying in an Orthodox service. It was very passionate, very theatrical,” said Nimoy. His father told him not to look, as the worshippers averted their eyes during blessings recited by the kohanim, or descendants of the priestly class. “I was chilled by the whole thing,” he said. Years later Nimoy’s rabbi explained to him that the entry of Shekhina into the sanctuary to bless the congregation could cast a fatally blinding light. Such a powerful memory inspired the actor/photographer to explore the feminine aspect of God in human form, including the issues of sensuality and sexuality.”
– R. Michelson Galleries

First and best, most inspired of Leonard Nimoy’s Monograph’s, released in 2002 this large 10.3″ by 10.3″ Hardcover was met with both acclaim and a bit of shock, in its portrayal of Jewish Women, that strives for both the sexual and the sacred. A beautiful book, published by Umbrage Editions, mixing large, striking photographs with quotes and prayers. It’s a book deserving of any coffee table.

Price your copy of Shekhina here.