RATING THE SEASON! Review of DOCTOR WHO (2005) Season 5

Review of DOCTOR WHO Season 5 (that’s New Series numbering, it’s actually Season 31 overall).

I re-watched this season, the first with Matt Smith as the eponymous Doctor and Steven Moffat as show runner to see if my opinion of it changed any.

And I have to say it didn’t.

Overall, outside of the quite compelling scoring, I still find the season dreadfully flawed, for two main reasons. The first is the companions.

Doctor Who is only as good as the companions/writing, and just as Ecleston’s years were hurt by the character of Mickey, and the Baker and Davidson years hurt by the character of Adric, the Matt Baker Doctor is hurt by the Dawson’s Creek/Smallville annoying soap opera antics of the companions Amy Pond and Rory.

I know some people are found of the Amy Pond character, but having watched all of season 5, she is, to me, like fingernails on a chalk board.

Largely it’s a combination of the pouty, annoying way she is written and the pouty annoying way she plays the character. More the latter than the former. As even in scenes where she is saying nothing, just supposed to be looking meaningfully, I find her among the most annoying things I’ve ever seen. Give me back Martha Jones or Rose Tyler any-day.

That said there were moments where she didn’t annoy me in season 5 (or more precisely, gave a performance that did something other than annoy me), most notably the 2nd episode of the season ,THE BEAST BELOW, where the Amy character saves the day in a way. A nice bit of storytelling, and cutting down on the annoying poutiness Karen Gillan tends to do, rather than act.

But largely I found her annoying, and add the Cory character, played by Arthur Darvill, to that already uninteresting dynamic, and the show becomes exponentially annoying.

Which leads me to the 2nd flaw of the season. Steven Moffat’s writing. Steven Moffat is a great writer when on his game, episodes like BLINK and THE GIRL IN THE FIREPLACE showing the writing chops that got him the job of Show Runner, replacing Doctor Who Resurrectionist Russell T. Davies. However this season he gets away from what are his strengths, and tries to beat Russell T. Davies at his game; of large universe ending threats.

Which tends to get old, after a while. Russell T. Davies himself playing that card one time too many, till by his last story, THE END OF TIME , it just came off as tired, and forced, and a chore.

So Moffat trying for that epic overarching universe ending scope in season 5, just did not work for me.

The small intimate stories in season 5 were fine, but those were few and far between, and most of the season was given over to this crack of time Storyline, that I thought was largely rubbish through most of season 5.

Exceptions being:

BEAST BELOW Grade B+

THE TIME OF ANGELS Grade B. A really strong first half, with a great cliffhanger. But the 2nd part is a letdown, exhibiting the diminishing returns of more is less. One weeping angel in the Season 3 episode BLINK, brilliantly directed by Hettie MacDonald, was scary, but here an army of Weeping Angels are just… boring and a disappointment. And the director fails to use the conventions that Hettie MacDonald devised to make this conceit… scary. It shows Directors are not interchangeable, and when you get a great one like Hettie MacDonald you should keep using her. Particularly on as iconic and fragile an idea as Weeping Angels.

VINCENT AND THE DOCTOR- Grade B. An intimate, standalone episode.

THE LODGER- Grade B-.

Those 4, standalones primarily, are the highlights of season 5. The remaining episodes I would chuck with the bath water. Your mileage may vary.

Moffat when on his game is great at small intimate tales, that have less to do with saving worlds then saving one person. His stories more fable than scifi, tales as much of sleeping beauties and spells and ogres and handsome knights, as anything to do with space faring threats.

There’s an immediacy, a personalization to Moffat’s writing that comes through in places, However the season finale fails to be one of those places. The finale stumbles over its own, “let me outdo the last universe ending threat” pattern.

And did I mention I really can’t stand the companions?

So the whole season hinges on you caring for Amy Pond, and accepting the “tell don’t show” greatness of the Doctor, that he does nothing this season to earn.

Matt Smith is an okay Doctor, Moffat has written some great dialog for him, but as stated he’s encumbered by the writing of the companions. I’d like to see a season with him, with non-annoying companions ( I overall like River Song– though the ‘spoilers’ mantra, gets a bit old), and more intimate, less hyperbole ridden universe saving episodes.

Overall a season worth viewing free or if you can rent it cheap, but not one I would suggest buying. Here’s hoping Season 6 when finally available in box set rental, is an improvement. Final grade for DOCTOR WHO: SEASON 5 is C-.

Doctor Who: The Complete Fifth Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: Series Six, Part 1

Favorite DOCTOR WHO Episodes from Original Series Seasons 1-6!

Favorite DOCTOR WHO Episodes from Original Series Seasons 1-6!

AN UNEARTHLY CHILD, THE AZTECS (Season 1)
Doctor Who – The Aztecs (Story 6) (See all Sci-Fi & Fantasy Cult Movies)

PLANET OF GIANTS, THE DALEK INVASION OF EARTH (Season 2)

Doctor Who – Planet of Giants [VHS]

Doctor Who: The Dalek Invasion of Earth (Story 10) (See all Robot & Android Movies & TV)

THE DALEK’S MASTER PLAN, THE ARK (Season 3)

THE MOONBASE (Season 4)

THE ICE WARRIORS (Season 5)

THE DOMINATORS, THE MIND ROBBER-ends weak but good buildup, THE INVASION, THE SEEDS OF DEATH, THE WAR GAMES (Season 6)

Doctor Who: The Invasion (Story 46) (See all Sci-Fi & Fantasy Cult Movies)

More of the best from other seasons next time!

Favorite New Generation Doctor Who Episodes

Well it looks like the research is in and here’s the list of the favorite New Generation Doctor Who Episodes. Working on a proper article but till that’s ready below is a sneak-peak. The first name is the writer, the second the director. Amazing that this show was able to keep such consistent quality while rarely using the same director. But I guess the consistency in look/feel between episodes is due to the music, cinematography, and editing that was consistent, used the same team, for large chunks of the show. Those stalwart camera/editing/music teams listed at the bottom of this article:

BLINK- Season 3- Grade: A+ Stephen Moffat Hettie Macdonald

THE EMPTY CHILD/THE DOCTOR DANCES- Season 1- Grade: B+ Stephen Moffat James Hawes

THE GIRL IN THE FIREPLACE- Season 2- Grade: B+/A- Stephen Moffat Euros Lyn

THE ARMY OF GHOSTS/ DOOMSDAY- Season 2- Grade: A- Russel T. Davies Graeme Harper

SILENCE IN THE LIBRARY/FOREST OF THE DEAD- Season 4- by Stephen Moffat ends up on a lot of people’s best of list. But not mine, I like it, but don’t love it. Instead I would recommend the claustrophobic Russell T. Davies MIDNIGHT where the Doctor is in a LIFEBOAT type situation. Pretty intense. Followed by TURN LEFT, also by RTD, which I initially wanted to dismiss as rubbish, but grew on me. Both solid B+.

Season 4, Episode 12: The Stolen Earth
Original Air Date—28 June 2008- Balls That’s what RTD has, huge, humongous balls. He thinks bigger than anybody else, no one but him would write a story this big. You have to admire him for that. Just for the sheer audacity of this episode, despite it perhaps not really achieving the grandeur it’s aping (feeling a bit contrived, which is a problem with most of RTDs’s big stories, for the last couple of seasons) it gets an A- for being crazy enough to make the attempt. Pt 1 of 2.

Season 4, Episode 13: Journey’s End- This episode is not a favorite but it is part 2 of the above, so it’s a package deal and needs to be mentioned. There are some spoilers so beware. Okay, there are a lot of great big ideas in this season finale, I mean making a reality destroying gun out of planets, that’s genius. But ultimately it is perhaps too many ideas, there is a fine line between blowing minds, and blowing the own fantastic rules of your fantastic fiction. The whole defeat of the Daleks, rang more than a bit hollow and anti-climatic, and add to that the whole towing of the planet, and it is “check please” time. But those are just symptoms, the real problem is it all just comes out forced and contrived. I like the places the characters are in by show’s end, it’s just the process of getting them there was… flawed. Contrived and forced, there is no better way to say it. So glad I saw it, but definitely some problematic writing. B. I think it was definitely a good time for RTD to step down as lead writer.

HUMAN NATURE/THE FAMILY OF BLOOD- Season 3- Grade:B+ Paul Cornell Charles Palmer

There is a line at the end of this two parter, about the doctor hiding in the skin of humanity to avoid a family of blood, that is possibly the best line that I’ve come across dealing with the doctor (a character that, let’s be honest started out as a bit of nonsensical kids tv/scifi fluff), and that is saying a lot, as a lot of good writing has gone into this character.

It completely encapsulates, what it really means to be the last Time Lord. The horror of that, and the majesty, and the contradiction of that. This seemingly innocuous and affable temporal vagabond and pacifist, who beneath his trappings of humanity, has that within, to make even stars… dim. Wonderful work by director Charles Palmer as well as writer Paul Cornell.

THE SONTARAN STRATAGEM/THE POISION SKY- Season 4- Grade:A- Helen Raynor Douglas Mackinnon

This 2 part episode does not typically get mentioned, but it is one of my favorite two-parters.
The Return of the ravishing Freema Agyeman as Martha Jones (“God, she’s well fit” as the Brits would say :)). Bill Gates 2.0. An Insidious Alien invasion, and cars as weapons. What’s not to love? This episode just worked for me, one of my favorite ones since BLINK. Well written and excellently directed. Great cliffhanger. And the second half is just as great.

THE DOCTOR’S DAUGHTER- Season 4- Grade:B+ Stephen Greenhorn Alice Troughton

Cinematography by
Ernest Vincze (director of photography) (as Ernie Vincze)

Film Editing by
Liana Del Giudice

Original Music by
Murray Gold

Cinematography by
Rory Taylor

Film Editing by
Mike Hopkins

More to come, and feel free to suggest your own favorite episodes.

Doctor Who: The Complete First Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: The Complete Second Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: The Complete Third Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: The Complete Fourth Series (See all Sci-Fi & Fantasy Cult Movies)

Doctor Who: The Complete Fifth Series (See all Sci-Fi & Fantasy Cult Movies)