LUCIO FULCI : BEYOND THE BEYOND! A Critical Reassessment! His 7 Best Films!

The Roman born Director Lucio Fulci when remembered today is primarily remembered for his his schlock and gore filled horror films of the 80s such as THE BEYOND, HOUSE BY THE CEMETERY, ZOMBI 3, which is a crying shame, because these were the lowest common denominator films of a filmmaker reduced to making dreck to make a paycheck, rather than his films of the  late 60s and throughout the 70s that can be considered his artistic passion projects.

His film-making and use of the camera in this period was ground breaking and incredibly influential, and his best films remain among the best of their respective genre.

From 1966’s MASSACRE TIME (an early inspiration and precursor to the dove filled blood ballets of John Woo) to 1978s rarely seen SILVER SADDLE, was a twelve year period of unbridled creativity  and staggering experimentation, and contain not only Fulci’s best films, but some of the best films by anyone during the period, and films that stand the test of time.

 

Here without further ado our Fulci’s best films and essential films for any true lover of cinema:

 

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PERVERSION STORY AKA ONE ON TOP OF THE OTHER – Don’t let the salacious poster fool you this is a MAGNIFICENT film. It’s a reworking of a more well known film, a classic film by one of the world’s most respected directors, however I have to say… I prefer this Fulci film. It is an unjustly little seen masterpiece, beautifully shot, and deserves a great and feature rich Blu-ray disk. Fulci’s best film.

 

In second place I put PSYCHIC, just adore this film.

 

I follow that up with his LIZARD IN A WOMAN’S SKIN and DONT TORTURE A DUCKLING solidly in 3rd and 4th place.

SILVER SADDLE in 5th place, is the best of Fulci’s three westerns which says a lot. As it beats out the praised MASSACRE TIME in 6th place. (FOUR HORSEMEN OF THE APOCALYPSE does not make this best of list. It’s overlong, and I can do without its denigrated and stereotyped Black character. But its distasteful parts aside, it remains, like all of his wide-screen films… beautifully shot.)

BEATRICE CENCI, in 7th place, is the director’s own favorite film, his attempt to make a serious Fellini level film, and its poor critical and commercial response was a blow the Director never truly recovered from. The film is solidly good if not great. But definitely deserving of a watch. It’s a solid B/B-.

And those are Fulci’s seven best films, and are must watch films for anyone desirous of the best of Euro-cinema of the period.

 

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1966’s Massacre Time – This film was the one to put Fulci on the genre/world map. One of the earliest of the Spaghetti Western craze, and one of the best. This is an ultra violent flick, that shows off Fulci’s adeptness and creativity in staging action scenes. You can definitely see in this film with its gravity defying blood laced shootouts and its prevalence with doves, a clear inspiration and precursor to the later ‘blood ballet’ films of John Woo. Made during the glory days of the spaghetti western genre (roughly 1966 to 1968) MASSACRE TIME stands out as being one of the most extreme of these extremist westerns.

 

More detailed reviews to come next installment!

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2013: Day 12- Remembering Director Lucio Fulci

Rough Draft
UNDER CONSTRUCTION

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Lucio Fulci is remembered today, when remembered at all, by a nuance lacking population for his lowest common denominator gore films such as THE BEYOND and ZOMBI.

But before Fulci, by his own estimation became a maker of z-grade garbage to pay the bills, he aspired to more. He aspired to be a filmmaker.

And I am here to say he was one. And I would go further to say he was a great director. An extremely versatile director, leaving his mark on everything from Comedies to Westerns. However, it was in the new Italian form of thriller, the Giallo that his skills would reach their zenith, and his star shine the brightest.

In his heyday creative period, when the muses of inspiration were upon him (approx from 1966 to 1977), he made seven influential, stylish, challenging and even ground breaking films.

Tempi di Massacro/Massacre Time (Would predate and arguably inspire the dove laden, blood ballets of John Woo)

Una Sull’altra/Perversion Story/One On Top Another (even hampered by a poor title, and an awkward, even clumsy soft-core opening, this reworking of Hitchcock’s Vertigo builds to something great. Beautifully filmed it is Fulci’s best looking film, and is a clinic in style. It is a film I consider even better than its inspiration, and that is saying a lot.)

Beatrice Cenci
A Lizard in a Woman’s Skin
Don’t Torture a Duckling
Four of the Apocalypse
Sette Notte in Nero/Psychic

Fulci Frenzy
Browse and/or buy Lucio Fulci DVDs Here!!!

None of the above films were adequately appreciated upon release. However with the advent of DVD you have the chance to reevaluate Fulci’s largely pre-gore work (before he gave completely into his excesses and the lowest common denominator) and see these films for what they were and are, visually stunning landmarks of a time and a place.

— to be continued