WIZARD WORLD Philadelphia 2012 Convention! Pt 2 of 2!

Well finally the much prophesied final part of my Wizard World Philadelphia 2012 coverage is here. You can see the first part here.

First some sights of us gassing up and on the road to Philly:

So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!

One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :))

So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.

So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.

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Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.

This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.

On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.

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My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.

With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)

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One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.

Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.

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I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ’em HT sent ya!

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One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.

You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :)) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.


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Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! πŸ™‚

Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. πŸ™‚

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In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!

And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.

Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.

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WIZARD WORLD PHILADELPHIA COMIC-CON 2012 Convention Coverage

Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.

But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.

That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.

However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. πŸ™‚

Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. πŸ™‚

There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.

But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.

The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.

Next installment will bring you some of those discoveries.

But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. πŸ™‚

But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.

But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.

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The 2nd and Final Part of the convention coverage has been posted and you can find it here! Enjoy, I had a blast putting it together!

POSTERS OF THE DAY: The Films of Carl Franklin

POSTERS OF THE DAY: The Films of Carl Franklin

Nice SHADOW AND ACT post about Carl Franklin despite his attempts, not getting any feature film directing gigs since 2003.

Carl Franklin is one of my favorite directors (read my coverage of him here), and the fact that he can’t get films to direct is a loss for everybody, especially film fans like myself.

Look to your house Hollywood! Look to your house!

Slightly obtuse statement, but it sounds suitably dire and Shakespearian. πŸ™‚

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The NY COMICCON 2007 Coverage Pt. 1: The Black (you talking about shaft? Hush your mouth!) Panel

I had a great time at the NY comiccon. I thought with the exception of the rat like maze, laughingly referred to as a line, that it was a well conducted event.

Being my first con, I was definitely a little overwhelmed. The sales floor really was too much for me. Navigating it on Saturday (and I tried), was a herculean task, and I couldn’t find anything.

So I mossied (I couldn’t find it in the dictionary, but you know mosying , that thing cowboys do when they can’t find a horse. It’s kinda like walking πŸ™‚ ) my way down to the panels.

The panels I had researched and knew what I wanted to hit. With one exception I hit pretty much every panel I was interested in, and on Sunday got to touch base with creators and personalities I’m a fan of.

Here’s a pic from the great Marvel Bullpen panel. Lot’s of fun, packed house. Sorry for the blurry pic, but I think you can pretty easily make it out. From left to right it’s Stan (The Man) Lee, Jolting Joe Sinnot, and Gracious Gene Colan!.

Stan was a riot! Panel also included Ralph Macchio and a lady they only referred to as Flo. Fun panel, full of reminisces of Marvel’s glory days. My 2nd favorite panel!

But in this installment wanted to talk about the panel that surprisingly was my favorite of the con. Michael Davis’ The Black Panel NYC.

Now, now… don’t give me that look, it was actually really good. :).

The unfortunate truth is you can’t say Black in this country without some idiot saying, “why it gotta be a Black thing” and the answer is always the same. For the same reason there is an Asian thing, or a Jewish thing, or an Italian thing, and let’s be honest America is a defacto white thing.

And for the absence of a strong sense of identity amidst that defacto standard, prisons are filled, and drugs go into veins. So it is very, very important to have a china town, or a little Italy, to have a language, and a country, and a history, and a culture, and idioms to call your own.

And a lot of that infrastructure is in need of building.

Not just for the good of the minority mind you, but for the good of the majority. It benefits the majority, for the pieces that make up the whole, to be able to bring their own identity, and strength to the table.

So trust me, a Black Panel, A China Town, a Little Italy…. these are good things.

Now quick thoughts on the panel:

Above is a nifty pic of the panel. From left to right you have:
Denys Cowan (You can just make out the tip of his hat, and his shoulder, but have a better pic below), Chuck Creekmur, Cheryl Lynn, Prodigal Sunn, Michael Davis, Reginald Hudlin, and Mark and Mike Davis of Blokhedz. I’ll get into who everyone is, and what they work on)

“I would love to work with (Christopher) Priest. Along with Denys (Cowan) he’s one of the creators I’ve reached out to.”
…Reginald Hudlin, Writer, Filmaker, Comics Pro, President of BET, and Renaissance Man, an excerpt from the absolutely was not to be missed Black Panel that took place at this years NY Comiccon. A panel decisively and brilliantly moderated by Michael Davis.

Because many times even when the panel is great, the questions are idiotic and insipid. As in the Stephen King panel, “well I haven’t read the book Mr. King, but a friend of mine told me….”

So it was great to not see that happen, and that Michael Davis steered the panel with a deft and strong hand. The panel was great, the questions were great, the vibe was stunning. You had a great Asian-Latin-Black lovefest and mutual admiration society going on, which is great and fitting, because Black really does encompass all those people, the mass media’s attempt to fractionalize that truth, aside.

Above is a pic of Prodical Sun, Michael Davis, Reginald Hudlin.

And I want to get further off topic here, Mr. Davis took flak from someone regarding using the term Black for his panel. Isn’t that amazing? You can have a Jewish Anti-Defamation League, or an Asian that, or a Korean this, or an Italian that, but noooooo… you can’t have a Black so and so.

But Luckily he told the guy go jump in the lake. Because honestly I frigging despise the term African American.

“OHHHHH!!” And the crowd gasps!

“No he didn’t just say that!”

“That Negro has lost his mind!”

Well actually I did say it, and I have as firm a grasp on my sanity as I ever had, which of course isn’t saying much.

But for you in the cheap seats, let me say it again so you catch every word: I frigging despise the term, African American.

Why?

Because it’s a very marginalizing, mass media term; that doesn’t encompass the rich vein of people and culture that word is tacked over, but segments them based on national/geo-political boundaries.

An idiotic way to define a people, painting them with a nationalistic brand or brush. And an inaccurate way.

60% (a low #) of what we consider Latin nations, Brazil/Cuba/Venezuela are heavily of African ancestry. So as a person whose blood line runs from Senegal to the islands to the Americas… Black works really well for me, hey I’ll even answer to Pan-African, Nubian, on an especially jovial day perhaps even colored(smile when you say that boy!) but you can take your African American and choke on it.

Because AA is a marginalizing divisive term taken out of the context it was first used in.


“Man that Negro is crazy!” “Pan-African please. πŸ™‚ ”

So getting back on topic, the fact that it was called the Black Panel, worked for me. And I think it worked for the people who were there.

Because unlike my tirades πŸ™‚ it was all about the creative process, and new projects, new visions, upcoming work, and generally just moving forward.

With Animation projects, comic projects, book projects, publishing ventures it was a really informative panel, bursting with networking goodness.

I should have recorded the panel, and hope someone did, because it was that good.

Here’s a better pic showing Denys Cowan and Chuck Creekmur.

Panelists were:

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Denys Cowan-Writer, Artist, Martial Artist. Very long, very brilliant comic career. Highlights for me being his work on the Question, Black Panther, Batman Blind Justice and his Milestone work, such as Hardware. Now VP of BETs new Animation Studio.

I’ve been a loud detractor of BET, since their sale to Viacom, my issue being how you can honestly call it Black Entertainment when it’s owned by a white company, you may be able to call it blackface, or propagation and fulfillment of black stereotypes but not necessarily Black entertainment.

But with names like Hudlin and Cowan at the helm I’m inclined to actually give the channel another look, and hope it becomes more than a station that panders to stereotypes.

Though I would love to see these men working on their own company rather than a subset of a larger company. Because end of the day as Michael Jackson, and Magic Johnson, and Prince have found working their projects under Sony, end of the day you are generating income for interests outside your community, making Sony’s name at the expense of your own, and end of the day when you stop generating income you will be discarded. As will your work.

That’s always the fear when talented creators of color invest their time, in properties they do not own. But again with Hudlin and Cowan in the game I’m inclined to be positive.

Check out Newsarama’s interview with him here:

http://www.newsarama.com/general/Cowan/DenysInt.html

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Chuck “Jigsaw” Creekmur- President of WWW.ALLHIPHOP.COM. I admit to being out of the hiphop loop, but the site looks like a fun, easily navigated, and thankfully Flash free site. I’d love to see him partner with creators such as Aaron Mcgruder and Keith Knight, to bring their respective funny endearing, and satire filled cartoons, BOONDOCKS and THE K CHRONICLES, to a hiphop audience.

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Ms. Cheryl Lynn- Unfortunately the only beautiful panelist (no offense guys) was not captured in any closeups. I consider myself pretty schooled on Comic/Cartoon history, but I was mistaken. As Ms. Lynn eloquently informed the audience about a wonderful female cartoonist who worked in the golden age of the medium, of whom I was totally ignorant… Jackie Ormes. She has a great site, and I urge you to do what I did, go to her site and get informed. And also it’s a great resource for cartoonists of color to join, or for finding great cartoonists to work with. http://theormessociety.com/.

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Prodigal Sunn of Wu Tang Clan– Wu Tang Clan is among the most effective musicians to use the comic medium as an expression and extension of the story their music told. And Prodigal with a solo CD about to launch, television work, animation, and film projects on the burner remains one of the busiest and most steadfast supporters of the medium of comics.

I’d love to see Prodigal’s website become Flash Free. πŸ˜‰ [Black people, can’t we stop using Flash. :)]

But seriously, what I would like to see is Prodigal’s Wu Tang Clan comics syndicated/reprinted on ALL HIPHOP. Also what would be great is if ALL HIPHOP offered a store where you could purchase the books, of WU TANG CLAN, BOONDOCKS, K-CHRONICLES direct from their site. A win-win situation for everyone.

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Okay all the time I have for this installment. Next installment we’ll cover the last 4 members of NY Comiccon’s THE BLACK PANEL! ([ feel like that should be in big lights, and the name echoing :)]

All in all a fun, fun panel.

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