10 BEST CAR CHASE/ACTION SCENES of all Time!!

https://i1.wp.com/imgc.allpostersimages.com/images/P-473-488-90/40/4031/LWBLF00Z/posters/bullitt-french-movie-poster-1968.jpgBULLET – A classic, and on everyone’s list for a reason.

BORDER COP – The first few minutes of this 36 year old movie had my mouth agape. As It sports an unexpected and insane car chase sequence by anyone’s definition. Whatever they were paying the stunt man/men was not enough. The only car chase sequence in the film, it’s good enough on its own to earn a place on any list. BORDER COP is so many different and warring things together, it jumps genres so unexpectedly from a jaw dropping car chase movie in the first few minutes, to a low key drama, to a harrowing expose of business and cruelty both of the animal and human variety on the bloody US/Mexican border. A nearly 40 year old movie that sadly, and disgracefully is as relevant today as the day it was made. A solid movie.

 

Extra Large Movie Poster Image for The Raid 2: Berandal (#4 of 6)RAID 2 – Written, Edited and Directed by Gareth Evans there is much to recommend RAID 2. It’s a great Martial Arts movie, sporting some of the most brilliantly choreographed fight and knife scenes ever put to film, it is also an incredibly violent (and convoluted) crime/gangster movie. In addition it also showcases one of the most bad-ass car chase scenes. Starting at about the 1hour 50 minute mark, when most movies have already finished, RAID 2 is just warming up.

Dirty Mary Crazy Larry Movie Poster

DIRTY MARY, CRAZY LARRY– The quintessential 70s American Car Chase movie, this whole film is one long chase. A great car chase film, and a great film.

 

Cotton Comes to Harlem Movie PosterCOTTON COMES TO HARLEM – Predating Friedkin’s FRENCH CONNECTION by a year, Director Ossie Davis’ 1970 Action/Comedy Adaptation of Chester Himes COTTON COMES TO HARLEM showcases a great car chase scene. The scene, that involves a van and a bail of cotton, originates some chase sequences that Friedkin would appropriate for his own film, and filmmakers have been using since. Age not withstanding the car chase scene in COTTON COMES TO HARLEM is better than its imitators… and a lot more fun,

 

https://thisisnotadvertising.files.wordpress.com/2011/07/hire_wp-728059.jpg?w=444THE HIRE– What do you get when one of the most respected car companies gets together with some of the most respected action directors to craft a series of ads/short films…. you get THE HIRE, iconic short films that revive and improve upon the heyday of the car chase film. Short Films that would inspire the feature length TRANSPORTER series. Arguably the short films are better.

 

The Seven-Ups Movie PosterTHE SEVEN UPS – Philip D’ Antoni’s film, seen as something of an unofficial followup to FRENCH CONNECTION, sporting many of that film’s cast and crew and themes, is by far the superior film to the Academy Award winning FRENCH CONNECTION. The fact that the mediocre FRENCH CONNECTION has an Academy Award reiterates my thesis that the Academy has a tendency to reward films that reinforce or refresh for a new generation these racist mindsets and mentalities, often in heroic lights; From A BIRTH OF A NATION to THE JAZZ SINGER to GONE WITH THE WIND to MONSTERS BALL to FRENCH CONNECTION, the Academy is always happy to reward Minstrel Shows, films with Black Faces that are there to reinforce and present White Messages. THE SEVEN UPS Thankfully is not that type of film, and concerns itself strictly with telling a compelling crime film. Which it does in spades, complete with a car chase that starts around the 52 minute mark, and runs 12 minutes, that is easily the superior to the one in FRENCH CONNECTION; and THE SEVEN UP car chase can easily be ranked as one of the best of all time.

Extra Large Movie Poster Image for Sabotage (#3 of 13)SABOTAGE – One of the latter day, post-governor Arnold Schwarzenegger movies, SABOTAGE is surprisingly a home run. David Ayer, a director I tend to feel is too heavy handed, here finds a story and actors and a co-writer that tend to ameliorate his often too unlikable protagonists and world view. Here Schwarzenegger leads a DEA strike force, up against their deadliest enemy. Besides being a solid action thriller this film also sports an insane 10 minute car chase scene. The actors really sell this 10 minutes and make this a chase scene that holds up.

 

Mission: Impossible - Rogue Nation Movie PosterMISSION IMPOSSIBLE ROGUE NATION – As much as James Bond in its 50 years is known for car chases I couldn’t find one strong enough to surpass the car chases in the MISSION IMPOSSIBLE franchise. Notably this one from ROGUE NATION is the best MISSION IMPOSSIBLE car chase. From cars to bikes, just an astounding and fun 8 minute sequence.

 

Bad Boys II Movie PosterBAD BOYS II – Michael Bay is often vilified, for reasons that seem to me to amount to people upset that his movies are populist entertainment. Of the 13 feature films he has done in the last 22 years, five are devoted to a toy franchise, and the majority of the rest standard summer action fare. But action fare done really, really well.

Michael Bay at the top of his game is a great filmmaker, and I think nothing highlights this as well as his first feature BAD BOYS and his last 13 HOURS.

BAD BOYS II however is neither of those films, being neither popular nor successful. It is definitely a misfire, it is too long and the comedy misses more often than it hits, leading to overlong cringeworthy scenes you want to fast forward past rather than laugh at. Trying to emulate the success of the first film, they get the mixture of comedy and action wrong. That said, even when the comedy fails, the action and visuals never do. I have always loved Michael Bay’s use of the camera, he uses a lovely panning, roving style that is simply exquisite. Michael Bay understands the essence of the Heroic and is able to convey that in the panning of a camera. And arguably it is in this flawed film that Michael Bay crafts some of the best and most beautiful action set-pieces of his career.

Woody Strode who spent a career in films directed by legends such as John Ford and Fernando Di Leo and Richard Brooks and Stanley Kubrick, always considered his favorite director and his favorite moment on screen, was his wordless, almost cameo appearance, in the opening of Sergio Leone’s ONCE UPON A TIME IN THE WEST.

Michael Bay is that type of director, a painter of romanticized heroism, of images that galvanize and rouse, and unfortunately a lot of that talent was buried for the last decade filming CGI robots, BAD BOYS II is a great reminder of what Bay can do when filming captivating actors and captivating places.

BAD BOYS II is a flawed movie, but it has moments of greatness in it. And the 10 minute car scene alone is worth marveling at more than once and is Michael Bay at his blockbuster best. And more than than is one of cinema’s best car chase scenes.

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Holiday Recommendation of the Day! BADAZZ MOFO

Okay, Okay Holiday stuff. Today’s Holiday Recommendation:
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BADAZZ MOFO is a great magazine, covering the world of Soul Cinema, as well as Pop Culture in general. I mentioned the mag over a year ago (use my search engine to the right). They are currently running an unbelievable Holiday deal at their site, where you get multiple back issues for one low price! Just a great deal.

How great is the magazine? Well this is from the intro of issue #6 (cover the kids’ ears and eyes):

“Well here we are again. It seems like a long time since we were here last (and to be honest, it has been a long time). If you’re someone who’s returning, thanks for coming back. If this is your first time reading BADAZZ MOFO, allow me to offer this warning: there are things within the pages of this magazine -both ideas and language- that will offend you. I don’t give a sh**. If you can’t handle being offended, then get the f*** out now, because it’s only going to get worse.”

That paragraph when I first read it, made me laugh out loud, and tells you all you need to know about the magazine and the man behind it, Big D.

Having done my bit at self-publishing, I completely appreciate the passion that goes into a project like this. And his design layout is fantastic.

Now I have to say I enjoy the heck out of the magazine, but I disagree with almost all of the reviews. If the mag says a movie is great, I usually think it’s horrible or so-so, and if the mag says a movie is horrible or lukewarm (COTTON COMES TO HARLEM, UPTOWN SATURDAY NIGHT, BROTHER JOHN) I rate them as FANTASTIC! (Especially BROTHER JOHN, which I think is one of the most lyrical, and subversive, and poetic films of the last 40 years. And for me Sidney Poitier’s most haunting and hopeful performance and film:) .

But knowing our tastes are completely different, I just flip his reviews. 🙂 .

So our differing tastes aside it is just a must have magazine. Witty, funny, vulgar, brilliant, and insightful. Go to the site pick them up, and send him some words of support. He’s thinking of ending the magazine, so some commitments of support/subscribers for the next issue would go a long way to keep the issues coming.

So yeah, go and buy a great mag that will put a smile on your face, and support a publisher that needs to stay around. A win/win situation. 🙂 .