First some sights of us gassing up and on the road to Philly:
So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!
One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :))
So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.
So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.
Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.
This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.
On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.
My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.
With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)
One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.
Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.
I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ’em HT sent ya!
One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.
You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :)) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.
Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! 🙂
Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. 🙂
In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!
And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.
Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.
Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.
But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.
That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.
However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. 🙂
Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. 🙂
There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.
But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.
The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.
Next installment will bring you some of those discoveries.
But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. 🙂
But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.
But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.
Best Bronze Age COMIC BOOK COVERS! Spider-Man! Morbius!
With the new Spider-Man movie on the horizon (which I have no interest in. The cast and the story-line looks uninteresting, no matter how many trailers they try, and yet another Imax 3D post conversion, that looks awful in the trailers) I thought it was a good time to examine one of the better Spider-Man spin-offs, the character known as Morbius, The Living Vampire!
The following are GREAT bronze age covers from the 1970s, with some nifty interiors as well.
To purchase any of these books (which have not been collected in color, and they need to be) go to the following link:
UPCOMING COMIC CONVENTION: WIZARD WORLD Philadelphia Comic Con!
Join tens of thousands of fans as they converge on the Pennsylvania Convention Center at Philadelphia Comic Con Wizard World Convention to celebrate the best in pop culture. Philadelphia Comic Con brings it all – Movies, Comics, Toys, Video Gaming, Games, TV, Graphic Novels, Horror, Wrestling, MMA, Original Art, Collectibles, Anime, Manga & More! Philadelphia Comic Con is brought to you by the group who produces the most widely attended Comic Con tour!
“Bringing together the five Captains from the iconic ‘Star Trek’ series, capped with the addition of the legendary Sir Patrick Stewart, is a once-in-a-lifetime opportunity for our fans,” said John Macaluso, Wizard World CEO. “They and other standout guests like Chris Hemsworth, William Shatner and Stan Lee make Wizard World Philadelphia Comic Con a can’t-miss event.”
A four day event that runs Thursday, Friday, Saturday, and Sunday (31 May 2012 to 3 Jun 2012) at:
PENNSYLVANIA CONVENTION CENTER
1101 Arch St.
Philadelphia, PA 19107.
I’ll probably do Saturday, to catch all the actors panels, Q&As I’m interested.
View full list of programming here!
So where does Joss Whedon’s AVENGERS rank on the list of best comic-based movies?
Pretty high actually.
Well here’s my biased list of my 15 favorite Comic based movies. The ones I find… re-watchable.(Only caveat being I tried to list only one film per series, the best film of the series, to leave room for others).And it’s pretty much in order of re-watchability. Which film can I view at anytime because it’s that… good and timeless?
Well it starts with SUPERMAN THE MOVIE, still not just one of the best comic book films, but one of the best… films. My top 5 are movies I can leave on repeat in my house and grow not sick of.
SUPERMAN THE MOVIE
IRON MAN II
HANCOCK (horrible title, horrible marketing, horrible poster, saved by a fantastic 2nd half)
DOLPH LUNDGREN PUNISHER (The best of the Punisher Films. Fun, ninja-decimating flick. :))
MATRIX (Has not dated well, but still strong enough to make the list)
And a few honorable mentions, BATMAN (1989), DARK KNIGHT, HISTORY OF VIOLENCE, DARK MAN, UNBREAKABLE. Feel free to suggest any you think I may have missed (me? never! I got all the good ones! :)) in the comments section.
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“The 3D enhances a few scenes here and there but is not at all eye-popping, largely because this was a post-production conversion rather than offering the more authentic spatial depth of a movie shot with 3D cameras. Only with films shot in 3D do you get the mesmerising immersion of something like Avatar.”
—coventrytelegraph.net (they saw the movie both in 2D and IMAX 3D)
The above reinforces my negative view on films not shot in IMAX 3D that are later post converted. Pure and simple, it is a cash grab by the studios and does little to improve the way the filmmaker intended you to experience the film, and in some cases because of the darkness factor may actually weaken the viewing experience (I had this issue seeing THOR in 3D, it didn’t look 3D, and the image was dark. It was better taking off the stupid glasses, then enduring the so-called 3D).
So my advice, save your money and see AVENGERS in 2D, as it was meant to be seen. 🙂
And who knows, if enough of you begin doing that, you may send a message to the suits to 1/ stop the post conversion money grab and 2/stop charging more for IMAX 3D.
Now wouldn’t that be grand! 🙂
Come back tomorrow for my AVENGERS review!
And read more about the Avengers, here [Definite spoilers :)]:
And these books will get you up to speed with the teaser at the end of the film:
I’m just going through some of my old comics, and am catching up on John Byrne’s run on FANTASTIC FOUR.
It has to be years since I’ve looked through some of these books, but some of the images and lines are ever quotable in my head.
But Byrne’s run, beyond the sound-bytes in my head, not only holds up, but reread it remains just fantastic comics (no pun intended).
John Byrne will be the first to praise Stan Lee and Jack Kirby’s seminal run on the Fantastic Four, and I am a huge fan of that run, but John Byrne’s FF is all that magic just polished a bit, and is my personal favorite. It’s a phenomenal body of work with Byrne both penciling and writing. It does peter out a bit in his last couple years on the book, but those first 3 years from issue 232 to roughly issue 270, are just essential comics.
And all the more impressive because this was one man, writing, penciling, and often inking these comics, a crushing workload to try and do monthly… any one of those things, how he managed to do all three for YEARS, (and do all three brilliantly, this wasn’t today’s hack artist or writer just throwing anything at the wall. Byrne was bringing his A game every issue) is nothing short of awe-inspiring.
Whatever you think of Byrne the man, for his often abrasive opinions, Byrne the creator is the real friggin deal. He’s the Iron Man (As in Cal Ripken, not Tony Stark) of comics, and Fantastic Four is the best of a lauded and laudable body of work.
If you’ve never read the issues, I highly recommend picking up the recently released John Byrne FANTASTIC FOUR OMNIBUS here!
Change comes to one of Comics’ Biggest Publishers! Does it spell DC New or DC Eww???
Copyright Heroic Times Jun 2011
All Rights Reserved
Okay most of you comic fans reading this know the gist of the big news that has recently been released. Specifically the recent announcement by Top 2 Comic Book Publisher DC Comics, a subsidy of Time Warner, to in essence revamp their entire publishing line, and their publishing model in September of this year.
Comics being very much serialized entertainment, like soap operas or television shows they build up a history. Overtime, some view that history as a resource and some as baggage. In the face of dwindling sales DC is taking the latter approach and cleaning house, restarting their whole line of books, from number one.
Come September, 52 titles will be kicked out by DC, starting at # 1, with the characters and stories supposedly streamlined to allow easy adoption, by new readers. On top of this they will offer the books via digital distribution, as well as through the traditional dwindling markets of the comic book store.
It is an unprecedented and bold move, in an age where all print media, from newspapers to books, is losing readers. And specifically a necessary move for DC, that has seen its place in the market continue to slip, as its major competitor MARVEL COMICS GROUP owned by Disney, continues to trounce them in sales/market share.
So all in all, I think this bold move by DC, while unexpected, is overall a good one, as obviously they needed to do something.
It’s a hail-Mary pass, and I see it working for them in the short term, generating interest in their books through the line wide shake-up, and the day and date (digital publication that coincides with print publication) digital distribution option, opening them up to a world of new potential readers/consumers. If they capture just a fraction of the digital market, they could potentially move very quickly from servicing tens of thousands of people to hundreds of thousands, if not millions of people per issue.
There are some potential roadblocks, most remarked on being the pricing of the digital comic, as most agree the 99 cent or $1.99 cent model is the better price-point for easy mass adoption. However I have no doubt the pricing structure will work itself out in time.
So in short term I see this being a success for the company, however potentially not as great a success as it could be, and potentially not a lasting success as their competitors invariably jump into Digital distribution to compete.
No, I see DC’s biggest drawback to this line-wide overhaul, is the appearance (now this is only going by the miniscule data so far released on the books to come out in September, this is speculation not fact) that the streamlined books suffer the same problem as the pre-streamlined books, which is basically… they are not that good or interesting.
That’s harsh to say, but that is the current problem with DC comics that they seem to, with well meaning overtures to price and distribution and character’s costumes, overlook.
The main problem DC overlooks, to why their sales are dwindling… is the fact that their books themselves, particularly when compared to their main competition Marvel Comics, are not that interesting, they are in fact… lacking.
And it pains me to say this as someone who is not a fan of much of what Marvel does, and infact actively does not purchase Marvel Comics’ individual issues. Generally because of ads breaking up the story, and lack of back-matter or letters pages, failing these things I’ll just wait for the trade, and monthly buy Indie books, such as CHEW or WALKING DEAD that do offer these extras, that for me make the individual issues… worth their price.
If there is a story from Marvel that is getting particular buzz I’ll wait for the trade and pick it up at my local library or on Ebay or not.
On the other hand, DC comics stories are not particularly interesting, I listen to a number of podcasts and read reviews and articles to stay abreast of what’s drawing the buzz in this niche market of comics, and DC seldom… draws the buzz, in any meaningful way. The ones that do I’ll pick up via Ebay or Library, and am generally underwhelmed.
Particularly glaring is the fact that DC’s artwork is bland to subpar. For a medium defined by its art.. that’s not good. In general (in general, not across the board) the writers and artist of DC are not setting the world on fire.
There are exceptions such as Irving Frazier, Basri, Jock, J.H. Williams III (to name ones that spring to mind) in the art camp, and Scott Snyder, Morrison (when he’s the good Morrison) and Rucka (who DC has lost) in the writing camp; but in general the rule applies.
And having looked at some of the talent launching their 52 new books (again not privy to all of them, just going by the early news released as of this date), I see the rule of bland storytellers and bland art and bland takes on characters… continuing.
Where is the talented, amazing writers that are blowing the roof off the place, and everyone is talking about for their Indie work? Where are the Remenders and Aarons and Hickmans and Van Lente’s and Spurrier’s?
With very few exceptions all the exciting writers in comics are working for Marvel. Add to that the fact that Marvel blows DC away in terms of art, and it is a powerful combination.
DC’s art style is largely still stuck in the 90s Image era, and with DC co-headed by Jim Lee, perhaps that’s no wonder, but it is a mistake.
This is the age of the Simone Bianchis and Copiels and Djurdevics and Eptings and Braithwaites and Molinas, guys who offer a level of detail and beauty and storytelling that makes you want to turn pages. And all those guys are Marvel artists.
Now it’s true none of those names, either writer or artist, is known to this new potential readership, that digital distribution offers the opportunity to tap, however my point is… quality will out.
Which means people may be introduced to comics through DCs digital books, but just as in the paper books… they will quickly transition to more sophisticated art and story; which means Independents and Marvel. And they will gravitate to the artists and writers that are steering, capably, the ship.
Now, best of luck to DC’s policy of giving artists they are trying to keep (they tend to lose creators to Marvel), writing assignments of popular characters… to entice them not to jump ship. However, It is a suspect policy.
Not every artist is a Frank Miller (who before being Hollywood Frank Miller, started out as an artist, than became an iconic writer, DARK KNIGHT, 300 etc) and even Frank Miller took a while to be THE Frank Miller.
I am saying it is idiotic to give your flagship titles/characters to unproven writers. No disrespect, beyond the truth, intended to David Finch and Tony Daniels (two popular DC artists and now Writer/Atists), but I’ve never been a huge fan of their art, and by all reports their writing isn’t setting the world on fire. Now it is quite possible with practice they could become kick-ass writers, but you don’t let them practice on your flagship characters such as Batman. It’s thinking like this from DC, again that 90s Image model, mantra of “art is all”, that has been hurting their market share.
Art is important, desperately important. But the writing is also desperately important. And when you can bring top writers AND top artists to a title (which is what Marvel does), then you have a title to hype and to generate sales. And DC fails with both aspects, the writing… and the art.
Nearly every single book Marvel puts out, looks great. That’s how deep their pool of artists is; as opposed to DC that has probably less than a handful of artists I consider great, and the rest, are a “grin and get through it” bunch.
Add to this Marvel Comics are better art designed, and you point out another major failing of DC. The first thing you see of a comic is its cover, and Marvel’s covers are not just better in terms of the actual cover art, they are better in terms of typography and design.
They are, as a whole, as a gestalt, the more interesting covers (exceptions to this being Sam Basri’s phenomenal covers for POWER GIRL).
And fault Marvel for what you will, I think a lot of this has to do with artists such as Quesada and Bendis, who have strong visual instincts, being in editorial control of Marvel and knowing what a compelling cover should look like.
These are the reasons Marvel is # 1. And this whole DC overhaul of their universe and digital delivery announcement while groundbreaking and exciting, will be less effective than it can be if it does not also look at improving quality.
For DC’s announcement to really have had teeth in it, and pit-bull like hang on staying power, they needed to release these 52 titles with a substantial number of amazing creative teams, and from the early solicits, I don’t see this happening.
The most high profile announcement of the new books is Geoff Johns and Jim Lee on the JLA.
Jim Lee’s style was interesting to me in the 90s, but I find it less so in the 2010s. I think part of that is… he’s not the artist he was 20 years ago, looking more like Lee acolyte Ed Benes… than himself, and paradoxically he’s enough of the old Jim Lee for his style to seem very dated. Of course that’s to me, there are huge fans of his, so no doubt the relaunched JLA will garner huge numbers. I just don’t think I’ll be among them.
Along with the art, another thing that raises early flags regarding this new JLA title… is the makeup of this new team. DC makes lip service to diversity, but tokenism is not diversity. First you remove John Stewart as the Green lantern, which is this generation’s Green Lantern (thanks to the JLA cartoon), and you fill it with a boring 70s lineup, and add Cyborg as a concession to tokenism?
I would prefer people not use any characters of color, then drag out just one Black character on a team. I hate seeing just one Black character on a team, give me at least two Black characters, or don’t do it at all. Because without exception that one Black character will be poorly and stupidly written.
And I dislike Cyborg in particular as a character. What is it with Black male characters in comics having to be missing limbs or in someway physically or psychologically damaged? What is that? for the writers to feel comfortable writing him? Be it Cyborg or War-machine over at the esteemed competition. Which is why if you’re going to do diversity, the mass media familiar John Stewart makes more sense than Cyborg, and toss in Vixen and/or Firestorm to go with him. Both characters offering a lot more to work with than the neutered Cyborg. Or don’t do it at all, because (say it with me) tokenism is not diversity.
And while we’re on the subject of Firestorm, what the eff is it with Black characters having to wear yellow? What is that about? You see all these sly little digs they get in? Even as a kid reading Power Man in the day, I was like…”he’s cool and all, but what the f–k is he wearing a big yellow shirt for?!” Even at age 7, I knew that just wasn’t kosher. I mean really? WTF?
Seriously, Mix non-people of color, writing people of color, and typically this is the kind of almost subconscious bs you get. Sad isn’t it? 🙂
Beyond the JLA, everything else mentioned suffers a bit from that underwhelming writer/artist syndrome that DC has.
Now I am interested in the MR. TERRIFIC comic announced, though I’m not familiar with the writer, and while the cover art is good, the interior art… not making me do handstands.
So yeah, it’s great that DC is doing this massive overhaul, and particularly pushing the digital distribution issue, but ultimately how ever you distribute the books… they have to be good, and if DC’s books, can’t currently compete with Marvel traditionally, digital delivery won’t change that.
DC will have the upper-hand for the time it takes Marvel to get a digital presence, but once the playing field is even again, DC loses again… unless they address the underlying problems with their comics. Those being: 1/ that they are still written for a white 1950s audience, rather than a multicultural 2011 audience, and 2/that they actively need to court the hot writers and artists, ala Marvel.
That’s the bottom line. There ain’t no more. I do wish DC well, and here’s hoping they evolve sooner rather than later.