Short Film of the Day : Nzingha – Brazil Olympics 2016

https://static.shortoftheweek.com/wp-content/uploads/2016/08/27093-nzingha.jpg

 

NZINGHA Directed by Anderson Wright

 

I’ve recently become obsessed with Fencing.

So this short film was completely in my wheel house.

 

A great and inspirational little documentary.

 

You can also view it and other related videos here!

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Netflix Movie of the Day : CALL ME KING

callmeking


R.L. Scott’s CALL ME KING- “I quickly outgrew the council of old men, and looked toward the future” Part action, part pulpy western fueled gangster thriller, part quirky and idiosyncratic familial soap opera, director/screen writer RL Scott’s CALL ME KING is an addictive, compulsive watch.

Undeniably low budget, with a weak reverse Cinderella B-storyline that arguably detracts from the stronger main story, but what elevates this gangster film above its missteps is the Multi-lingual, multi-generational, multi-ethnic scope.

It is a film of and for the 21st Century, with fantastic faces, of hard men from hard places. A wonderfully shot and lyrically scripted layered storyline diatribe on the fall and rise of nations, and walkers in dark places. Part mythic western, part poetic treatise on violence.

Other highlights… I love the first shot and last shot of this film, making haunting and foreboding something ordinary. Add to that compelling cinematography, bone crunching martial arts fight choreography, and an addictive score and you have a $100,000 film that is more entertaining than films with a thousand times that budget,

And it is worth noting that R.L. Scott wears half the hats on this production; being not only the Director and Writer, but also the fight choreographer, stunt man, producer, and cinematographer. Wow, simply no end to this guy’s talents. This is a film and a filmmaker to watch.

Currently see it for free on Netflix, but then it is one to own on DVD/Blu-Ray. It’s a film deserving of a great directors commentary, and special features. Highly Recommended.

Grade: B+.

I’m reaching out to the filmmakers to see when we can expect a Blu-Ray with special features and commentary, and will update when ready, but till that is available the DVD can be had at the link below:

Call Me King

Happy Father’s Day!!!


“It is easier for a father to have children than for children to have a real father.”
Pope John XXIII

“I know that I will never find my father in any other man who comes into my life, because it is a void in my life that can only be filled by him.”
Halle Berry

“I’m always going to love my father.”
Floyd Mayweather, Jr.

“I decided in my life that I would do nothing that did not reflect positively on my father’s life.”
Sidney Poitier

“The first World Cup I remember was in the 1950 when I was 9 or 10 years old. My father was a soccer player, and there was a big party, and when Brazil lost to Uruguay, I saw my father crying.”
Pele

“My father used to play with my brother and me in the yard. Mother would come out and say, ‘You’re tearing up the grass’; ‘We’re not raising grass,’ Dad would reply. ‘We’re raising boys.'”
Harmon Killebrew

“One of the greatest gifts my father gave me – unintentionally – was witnessing the courage with which he bore adversity. We had a bit of a rollercoaster life with some really challenging financial periods. He was always unshaken, completely tranquil, the same ebullient, laughing, jovial man.”
Ben Okri

 

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

Star Trek USS Enterprise Original Series Crew James T Kirk, Spock, Bones, Uhura & Chekov T-Shirt

Yes, I’m kicking this off with one non-book item just cause I thought it was pretty awesome looking. :). Okay, now onto the books!


Night Watch
Publication Date: July 26, 2006
The Night Watch series has caused a sensation never before seen in Russia — its popularity is frenzied and unprecedented, and driven by a truly great, epic story. In 2005 Fox Searchlight announced it had acquired the Russian film adaptation for an American release. Interest in the books here is now set to reach a fever pitch.

Set in modern day Moscow, Night Watch is a world as elaborate and imaginative as Tolkien or the best Asimov. Living among us are the “Others,” an ancient race of humans with supernatural powers who swear allegiance to either the Dark or the Light. A thousand-year treaty has maintained the balance of power, and the two sides coexist in an uneasy truce. But an ancient prophecy decrees that one supreme “Other” will rise up and tip the balance, plunging the world into a catastrophic war between the Dark and the Light. When a young boy with extraordinary powers emerges, fulfilling the first half of the prophecy, will the forces of the Light be able to keep the Dark from corrupting the boy and destroying the world?

An extraordinary translation from the Russian by noted translator Andrew Bromfield, this first English language edition of Night Watch is a chilling, engrossing read certain to reward those waiting in anticipation of its arrival.

I caught a bit of the DVD, but not enough to really get a grasp of this 4 book Russian series. So interested enough to pick up the first book and give it a read.


Voyage: A Novel of 1896

Editorial Reviews
From Library Journal
Hayden’s wonderful 1976 novel is a historical page-turner with a social conscience. The book compares the treatment of the rich and poor as it juxtaposes the journeys of the pampered daughter of a shipping titan and the crew aboard one of her father’s hellish barks. (Classic Returns, LJ 11/15/99)
Reed Business Information, Inc.

From the Back Cover
“Violent, colorful… you keep turning the pages to find out just what in the name of God is going to happen next.” –Boston Globe

“A book of savage beauty.” –Boston Herald American

“A rousing epic… Big, muscular, profane, cynical, romantic.” –Chicago Daily News

“A rare sort of sheer drive and vitality carries this novel… a raw fury about class distinctions and privileges… strangely refreshing in our blase age.” –New York Times Book Review

“A story of extraordinary richness and power… Sterling Hayden here proves himself a master novelist. His prose is vivid and brawny, his characters come to individual life… At once a magnificent epic of the sea and a dynamic portrait of turn-of-the-century America.” –Publishers Weekly

Painting With Light
Book Description
Publication Date: May 18, 1995
Few cinematographers have had as decisive an impact on the cinematic medium as John Alton. Best known for his highly stylized film noir classics T-Men, He Walked by Night, and The Big Combo, Alton earned a reputation during the 1940s and 1950s as one of Hollywood’s consummate craftsmen through his visual signature of crisp shadows and sculpted beams of light. No less renowned for his virtuoso color cinematography and deft appropriation of widescreen and Technicolor, he earned an Academy Award in 1951 for his work on the musical An American in Paris. First published in 1949, and long out of print since then, Painting With Light remains one of the few truly canonical statements on the art of motion picture photography, an unrivaled historical document on the workings of the postwar, American cinema. In simple, non-technical language, Alton explains the job of the cinematographer and explores how lighting, camera techniques, and choice of locations determine the visual mood of film. Todd McCarthy’s introduction, written especially for this edition, provides an overview of Alton’s biography and career and explores the influence of his work on contemporary cinematography.


Denim: From Cowboys to Catwalks: A Visual History of the World’s Most Legendary Fabric
Book Description
Publication Date: September 1, 2005
The story of denim is a tale rich in paradox. Cherished alike by cowboys and models, the fabric is at once a symbol of the counterculture and the raw material of a major industry. A simple fabric, dating back to 17th-century France, denim today is ubiquitous: Alexander McQueen and Vivienne Westwood have pushed it into the forefront of high fashion; and Calvin Klein and Giorgio Armani have made it the basis for billion-dollar brands. This homage to the much-loved fabric delves deep into the archives to trace the origins and development of denim. It features rare pictures of icons wearing denim, like Marilyn Monroe and Steve McQueen, plus specially commissioned photos of rare and classic garments from the 1880s to the present day. It is complete with a glossary and a guide to valuable vintage items.

Even though like all of you I own denim clothes, I admit to until prepping for this post, being relatively ignorant of exactly what Denim was. I mean fabric content, is typically not on the foremost of my mind. I’m sure I picked up it was cotton in the many years of buying jeans, but if so only as background noise. With prepping for this post, it became actual consumed and recognized knowledge. So what is Denim? For those of you like me, ignorant of fabric content… Well, it’s a uniquely American popularized byproduct of the slave-trade it’s nothing more than an incredibly tough form of cotton weave. I admit to being intrigued enough, to want to learn more.


Eyes with Winged Thoughts: Poems and Photographs
From Booklist
Gordon Parks is remarkable: a Renaissance man who has mastered photography, filmmaking, and writing. The story of his life is certainly an incredible one, which explains why Parks has written a new memoir titled A Hungry Heart (2005). This collection of poems and photographs, however, will add yet another dimension to Parks’ life story. From the resonant words and lessons of his parents to meditations on current events–terrorism, the tsunami, the war in Iraq–the poems are candid snapshots of Parks’ emotional life. Words harmonize with landscape photographs and images of strangers walking through their lives without a sense of being observed. Transcending voyeurism, Parks’ photographs reveal vulnerabilities of the human experience with grace and compassion. After all, Parks understands vulnerability and willingly displays it in his writing. In his 90s and still driven to experience what the world has to offer, and to express his response to it, Gordon Parks is an inspiration to us all.– Janet St. John

Gordon Park’s was a renaissance man, in the highest definition of that word. Photographer, writer, musician, cowboy, director. And with his passing, the world lost one of the last adventurers, one of the last of a dying breed… called men. All his books, are highly recommended.


Face Forward
Amazon.com Review
“Makeup should be fun, not fascist,” celebrity makeup artist Kevyn Aucoin avers in Face Forward, his third book. One of the most adored stylists among fashionistas, entertainment divas, and high-society jet setters, Southern-born Aucoin arrived on the New York fashion scene in the early ’80s, a period he ridicules for its ’50s-era conservatism and McCarthyist us-against-them values. His career since has been motivated by the feel-good ideals of acceptance, diversity, and self-love, and the vain world of beauty has eagerly participated in his vision. While one may puzzle on how it is he finds fulfillment in an industry known for its superficiality and elitism, Aucoin’s words are nonetheless infectious and the touches of his brushes inspired.

Conceived as an exploration of the past, present, and future of beauty, Face Forward is an ingenious showcase of the transformative, creative possibilities of makeup, with portraits of everyone from Julia Roberts to Sharon Stone, Martha Stewart to his mother, Thelma. His crafted visages range from minimal-application makeovers of friends to elaborate re-creations of such Hollywood icons as Audrey Hepburn (Calista Flockhart), James Dean (Gwyneth Paltrow), and Veronica Lake (shockingly, Martha Stewart) and such pop-culture personalities as Cher (socialite Alexandra von Furstenberg) and Siouxsie Sioux (Winona Ryder). The final pages present his ideas for looks to come, such as “Explorer,” Mary J. Blige covered in eggplant body makeup with a rainbow of metallic eye shadows over her eyes and thickly glossed red lips; “Floralia,” a freckled Lucy Liu resembling a sprite from A Midsummer’s Night Dream; and “Venusian de Milo,” Sharon Stone as an orange-haired, one-breast-baring sci-fi femme fatale. Throughout, Aucoin augments an already colorful book with step-by-step instruction, chatty commentary on each look and model, and riffs on such topics as friendship, politics (he repeatedly applauds the Clinton Administration for embracing diversity in the ’90s), and the environment.

“Appreciating (even highlighting) individuality is one of the great things about makeup,” asserts Aucoin, and Face Forward is a dazzling testament to that belief. For those who see the fun of makeup and are eager to experiment with the virtually unlimited possibilities of it, this book is a boon. –Rebecca Wright –This text refers to an out of print or unavailable edition of this title.

Okay I admit this last one is an odd choice. But I love that cover, plus we all have women in our lives that we can give this book to as a present. 🙂


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

Dreams and Wonders: Stories from the Dawn of Modern Fantasy
by Mike Ashley (Paperback)
Dreams and Wonders: Stories from the Dawn of Modern Fantasy
Book Description
Publication Date: August 19, 2010
Original anthology of 23 tales samples some of the best modern fantasy literature from the 19th and early 20th centuries. It features writers who influenced J. R. R. Tolkien, C. S. Lewis, and other master fantasists, including Andrew Lang, Kenneth Grahame, George MacDonald, Edith Nesbit, William Morris, and E. T. A. Hoffmann.


Body Painting: Masterpieces by Joanne Gair
by Joanne Gair (Hardcover)
Body Painting: Masterpieces by Joanne Gair
Book Description
Publication Date: January 12, 2010
Stunning works of art using the human body as the canvas. If ever there was a defining moment in a career, for renowned body-painting artist Joanne Gair it was painting “that suit” on Demi Moore for the cover of Vanity Fair. From swimsuits for Sports Illustrated or music videos with Madonna, Gair’s career allows us to see the human body transformed, creating unforgettable images. During a career spanning over 20 years, she has worked with Elle McPherson, Heidi Klum, Pamela Anderson, Rachel Hunter, and Molly Sims to name a few. Among the star photographers also included are Michel Comte, David LaChapelle, Annie Leibovitz, Herb Ritts, Howard Schatz, and Mark Seliger. Gair’s collaborations have resulted in thousands of extraordinary photographs which have made an impact on pop culture.

Braziliangels
by Joaquim Nabuco (Hardcover)
Braziliangels
Book Description
Publication Date: October 28, 2010
A rare opportunity to appreciate the incomparable beauty of BrazilÆs women in the equally striking environs of this tropical paradise. Photographer Joaquim NabucoÆs collection of nude art photos creates a lush, whimsical, and sensual landscape that revolves around the feminine, exotic, and vibrant character of these women. From beaches, forests, mountains, and rivers to BrazilÆs big cities and historical sites, Nabuco masterfully frames his subjects, while eliciting a rich and radiant response from them before capturing his images. The themes revealed by these art nudes tells a story of BrazilÆs culture and the angels who grace its natural beauty.

Drawn to Sin by Daniel Kiessler
by Daniel Kiessler (Paperback)
Drawn to Sin by Daniel Kiessler


Dark Tower Omnibus
by Stephen King (Hardcover)
Dark Tower Omnibus
Book Description
Publication Date: September 21, 2011
The ultimate Dark Tower collection! An oversized hardcover collecting the first five volumes of Marvel’s Dark Tower series plus Dark Tower Companion, a separate volume of bonus material, both packaged in a deluxe slipcase!

DARK TOWER OMNIBUS

“The Man in Black fled across the desert…and the gunslinger followed.” With those words from a short story published in The Magazine of Fantasy and Science Fiction, Stephen King launched one of the most seminal characters in his lifetime of writing into a destiny fraught with danger, death, triumph and loss. In the almost thirty years since that momentous occasion, King introduced millions of readers to the densely textured realm of Mid-World through his magnum opus, the Dark Tower series of novels. King joined with Marvel in 2007 to bring his masterwork of fantasy to a new generation of readers. Adding stunning new textures to the mythos of Roland and Mid-World for four years, the initial arc of King and Marvel’s union is now complete, and the entire run is collected here. Collecting DARK TOWER: THE GUNSLINGER BORN #1-7, THE LONG ROAD HOME #1-5, TREACHERY #1-6, SORCERER #1, THE FALL OF GILEAD #1-6 and THE BATTLE OF JERICHO HILL #1-5. 296 PGS

Dark Tower Omnibus Companion

Chock full of essential short stories, bonus material and apocrypha, this volume is a must-read for Stephen King enthusiasts. Three guidebooks overseen by Dark Tower: A Concordance author Robin Furth unlock the many secrets of Roland Deschain, the Gunslingers, Gilead and the dark forces of Farson – bringing readers greater insight into the people, places and things of Mid-World. And supplemental material from the first thirty issues of Marvel’s Dark Tower series shed even more light on King’s epic – with short stories by Furth, and a tour through artists Jae Lee and Richard Isanove’s sketchbooks, and more! Collecting DARK TOWER: GUNSLINGER’S GUIDEBOOK, END-WORLD ALMANAC and GUIDE TO GILEAD; MARVEL SPOTLIGHT: DARK TOWER; and material from DARK TOWER: THE GUNSLINGER BORN #1-7, THE LONG ROAD HOME #1-5, TREACHERY #1-6, SORCERER #1, THE FALL OF GILEAD #1-6 and THE BATTLE OF JERICHO HILL #1-5. 600 PGS.

FANTASTIC ART OF ARTHUR SUYDAM HC
by T.W. French (Hardcover)
FANTASTIC ART OF ARTHUR SUYDAM HC

Transient Man
by Justin Coro Kaufman (Hardcover)
Transient Man


The Sixth Gun, Vol. 1
by Cullen Bunn (Paperback)
Book Description
Publication Date: January 25, 2011
During the darkest days of the Civil War, wicked cutthroats came into possession of six pistols of otherworldly power. In time the Sixth Gun, the most dangerous of the weapons, vanished. When the gun surfaces in the hands of an innocent girl, dark forces reawaken. Vile men thought long dead set their sights on retrieving the gun and killing the girl. Only Drake Sinclair, a gunfighter with a shadowy past, stands in their way.

The Sixth Gun, Vol. 1


The Century’s Best Horror Fiction Volume 1
by John Pelan (Hardcover)
The Century’s Best Horror Fiction Volume 1
Book Description
Publication Date: December 30, 2010
In celebration of the new millennium, Cemetery Dance Publications has commissioned a spectacular two-volume anthology project under the editorship of noted author and historian of the horror genre, John Pelan.

John will be selecting one story published during each year of the 20th Century (1901-2000) as the most notable story of that year — all 100 stories will then be collected in The Century’s Best Horror Fiction.

The ground rules are simple: Only one selection per author. Only one selection per year.

Two huge volumes, one hundred authors, one hundred classic stories, over 700,000 words of fiction — history in the making!


The Best of Kage Baker
by Kage Baker (Hardcover)
The Best of Kage Baker
Book Description
Publication Date: April 30, 2012
Kage Baker’s death in 2010 silenced one of the most distinctive, consistently engaging voices in contemporary fiction. A late starter, Baker published her first short stories in 1997, at the age of forty-five. From then until the end of her life, she wrote prolifically and well, leaving an astonishing body of work behind.

The Best of Kage Baker is a treasure trove that gathers together twenty stories and novellas, eleven of which have never been collected anywhere. The volume is bookended by a pair of tales from her best known and best loved creation: The Company, with its vivid cast of time traveling immortals. In ‘Noble Mold,’ Mendoza the botanist and Joseph, the ancient ‘facilitator,’ find themselves in 19th century California, where a straightforward acquisition grows unexpectedly complex, requiring, in the end, a carefully engineered ‘miracle.’ In ‘The Carpet Beds of Sutro Park,’ an autistic Company operative named Ezra encounters a lost soul named Kristy Ann, and finds a way to give her back the world that she has lost.


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

WEDNESDAYS WORDS

WEDNESDAYS WORDS is a new weekly installment that ranks the most interesting, intriguing books of the week (old, new, reissues, digital, etc). Contributors represent a variety of genres and sources. Each book includes Title and publisher blurb.

I’m doing something a bit different for this WEDNESDAYS WORDS, selecting an image or a text that moves me, and then pointing you to where you can get the book for your own enjoyment.

We begin with an image.

Painted in 1907 by Carlos Schwabe, one of the pioneers of what today we describe as fantastic fiction, this image is entitled SPLEEN AND IDEAL. He actually painted/etched this image twice, the one you see here, and one that is subtly different, with the nudity obscured a bit, the angel’s loins, are covered, and the siren/succubus’ face is hidden, but oddly still very disturbing.

But the one shown here is the more disturbing of the two. The look in the siren’s eyes, the look of the angels face, caught trying to break away; caught quite literally, between the devil and the deep blue sea.

There is a story frozen here, questions and answers frozen, somewhere between the thrashing of wings, and the beating of tail. A she-god of the sea, and a she-god of the air. An attack? A ravishing? Something between the two?

It is a provocative and sensual pic for 2012, I can only imagine how much more disturbing and shocking it must have seemed in 1907.

There is no English language book on this inexplicably overlooked pioneer of the weird and the wondrous, but there is a large, and lushly illustrated French art-book called CARLOS SCHWABE: SYMBOLISTE ET VISIONNAIRE. While the text is in French, the numerous lushly reproduced drawings and paintings… require no translation. The book is quite large, at 12.2″ by 10.3″, and surprisingly heavy, 260 pages on an extremely thick paper stock. and printed in Paris in 1994.

And lest you think Carlos Schwabe could only illustrate the macabre, some of his most striking images in the book are subtle, nuanced, even lovely and loving portraits. Such as this beautiful portrait he did in 1908 (with crayons if my French is any good. Wow! That is amazing! Look at the level of gradations and detail!) of his daughter, and named after her… it is titled, LOTTE:

So for a chance to see this image and many more reproduced in detail in a huge, lavish tome… get your copy here:

Carlos Schwabe, Symboliste et Visionnaire (French Edition)

Another image. This one does not do justice to the actual printed image, but it’s the best picture of it I could find. It’s wonderfully Gothic, and sensual, and horrific all at the same time. In other words… vintage Wrightson.


Bernie Wrightson is one of the true artistic greats of the modern era. The meticulous detail and line work of his output, specifically of the 70s and 80s, is just awe-inspiring. One of the best showcases of his work is his illustrated FRANKENSTEIN published through Dark Horse.

Bernie Wrightson’s Frankenstein:Get your copy while you can afford it 🙂

I’ve praised that book repeatedly, if you don’t own a copy by now there is just no hope for you. But for those of you who there is hope for, in addition to FRANKENSTEIN you can see some additional stellar work by Wrighton in KNOWING DARKNESS. A retrospective of all the work done for Stephen King’s Books and Portfolios.

In addition to work by Wrightson it includes work by over two dozen other artists. Much of it rare and unavailable, and commanding high prices on the secondary market. This book allows you to have ALL of the sought after artwork created for Stephen King’s lauded body of work, in one huge, heavy, takes two people to lift it book! 🙂 Okay that’s a bit of an exaggeration, but not by much. At 15.6 x 11.6 x 2.4 inches and weighing 13 pounds, it’s one of the biggest and heaviest books I own.

“we are treated to some sumptuous art. Knowing Darkness is worth its price and weight alone for the illustrations which originally accompanied the limited edition of Christine (breathtaking work by Stephen Gervais). The oversized reproductions of Bob Giusti’s It and Misery covers and Rob Wood’s Dolores Claiborne and Four Past Midnight covers get a whole new life when viewed out of the context of book covers. And that is to say nothing of the art original to this volume, the best of which is a brand-new Don Maitz interpretation of Duma Key, which features a ghost ship on an easel overlooking an Atlantic sunset. You don’t notice at first – your eye is so drawn to the ship in the foreground – that the gulls in the distance are flying upside-down.

Of course, this would all amount to little more than a collection of pretty pictures without the binding strength of George Beahm’s essays. Beahm, a Stephen King expert who perfected the companion-book genre with The Stephen King companion before going on to write The Stephen King Story and many other must-haves – is at his most compelling here. He manages to convey his fascination and excitement for the subject in every essay, and pass that onto the reader. The exclusive interviews, especially the one with Bernie Wrightson, are illuminating.

Books about King are legion, and there are many terrific volumes out there which rise above the chaff. There are only a handful, though, that are absolute musts for King fans. Knowing Darkness is beyond a doubt one of the absolute musts, not just for King fans, but for anyone interested in art and illustration. With such a wealth of material to cover – from mass-produced cover art, to limited-edition illustration, to interpretive pieces – it’s an achievement that a project like Knowing Darkness was even attempted. That it is executed so beautifully, then, is phenomenal.”– Charnel House

Get your copy while you can still pick it up for under retail (these were going for $300).
Knowing Darkness: Artists Inspired by Stephen King

And one last image closes out a nice compact, 3 book WEDNESDAY WORDS.

Now a word to the wise… the following image has nipples. Shock! Aghast!! Horror!!

If nipples offend you… then go away.

But the thought of crossing out the nipples just seemed completely idiotic, and like defacing art. Every baby knows what a nipple is. Everybody has nipples, even I have nipples. 🙂 (And they’re real and they’re fabulous :). Sorry have to sneak that Seinfeld quote in, every once in a while).

So yeah, I’m showing the cover sans any moronic editing. I don’t think the world will end.

This is a slight soft-cover art-book. In no way is it the hernia inducing behemoth of my other two recommended books.

But it doesn’t have to be, all it has to be is… great art. And it is that. Pencils and some inks, it’s incredibly impressive work by artist Erik Drudwyn.

Get your copy here:

Art Of Erik Drudwyn (Art Fantastix)


The WEDNESDAYS WORDS column is a new blog feature, appearing (you guessed it!) every Wednesday. Come back next week to see which books make the list!

If you’re a publisher, writer, or other creative representative looking to submit items for WEDNESDAYS WORDS, just leave a comment on this post with your email/contact info, comments don’t get posted they come right to me, and I’ll reach out to you with the snail mail details.

And as far as readers, if you see items on WEDNESDAYS WORDS you’re considering purchasing then, if you are able and would like to support this blog, please utilize the attached links.

Your helpful purchases through those links, generates much appreciated pennies to keep this blog running. Your feedback and support… just way cool, and way appreciated. Thanks!

Sponsored by Ebay Store: Deals of the Day!

Exclusionary TV: Whites Only Television? MADMEN, PAN-AM and REVENGE

Provocative title huh?

Well, it’s not quite as provocative as it seems. The premise of this article isn’t that shows such as MADMEN, PAN-AM, and REVENGE are in and of themselves bad or bigoted shows.

They may in and of themselves be good shows. But shows, dramas or scifi or action, that are predominantly White, when not off-set by any shows that are predominantly Black or colored, true to the definition of predominant… create an environment, a medium, that is about the ascendancy, importance, influence, authority of force of one group.

In such an environment it is impossible for me to buy into, relate, follow, view, or otherwise enjoy such shows. Now in an environment where a show such as PAN-AM is counter-pointed with a show on The forming of AIR JAMAICA or the Black Stuntmen’s Union or the Black Coyboys’ Union or any adventure or thrilling show with a predominant cast of color; then PAN-AM rather than being indicative of a color and ethnic bias in every show in tv, can be seen as one voice in a chorus, rather than the same voice, everywhere.

So that’s the problem I have with shows such as MADMEN and REVENGE they paint everything with the same trite and pale brush (take the series REVENGE, based on a book by the son of one of the most famous Black men, and the cast is all white. Explain that to me? Along with that it always rings false that we have yet to see a THREE MUSKETEERS that represents the ethnicity of the author Alexandre Dumas, or the ethnicity of the inspiration for all Dumas’ heroes, namely his father, France’s most famous and most feared soldier, the elder Alexandre Dumas, (inexplicably called Thomas-Alexandre in recent writings), the Black giant, the warrior Moor, Napolean’s most feared and brilliant General. The COUNT OF MONTE CRISTO is directly inspired by how his father was betrayed by Napolean, imprisoned, and killed. And rather than anyone ever tell that story, it becomes in REVENGE about a blond woman, mad about something. Forgive me if I have no interest in that retelling.)

So, What’s the solution?

We’ll get to it. First indulge me, with a brief trip to yesteryear.

In the late 50s, into the 60s and 70s television and cinema in the US, and indeed throughout the Western World, made great strides in becoming more representative of the class struggle going on throughout the world.

That’s a fact, it just is. So let’s begin there.

As countries from Congo to Cuba to Korea to the West Indies to Brazil all were dealing, at various stages, with the shattering of traditional Colonial ties. With populations of repressed people, embracing the concept, both with artistry and arms, of “not eating at another man’s table” but creating their own table.

It was a staggering period not just of revolution, but potentially evolution… for the world and the west.

Rather than mass media that explored and showcased only the fantasies and the fears of the white and the male you began getting shows that took place in a world reflective of the movements changing the landscape of our cultures and our time. Civil disobedience, and sit-ins, and Black power, and Native American rights, transcendentalism and free love, sexual and religious experimentation, and of course war and the search for peace and self identification.

And all these growing pains, all of this stew of change, could be seen in the entertainment of the age.

DANGER MAN, MISSION IMPOSSIBLE, PROFESSIONALS, GOOD TIMES, SANFORD AND SON, the rise of Soul Cinema, and the rise of Hong Kong Cinema, and Neo-Realism in Italy, and the New Wave in France, and the didactic films out of Russia, and Brazil, and Cuba, and Senegal, all of this making its way to newly born film studies programs in the states that gave birth to a whole generation of entertainment makers excited and influenced and inspired by this time of change and challenge.

So suddenly you had Patrick McGoohan in the DANGER MAN TV show 50 years ago globe-trotting and going to different countries and different people, and exploring issues of colonialism, and civil war, and terrorism, and governmental oppression, and doing this with a changing ethnically diverse cast. Dealing with issues of Middle East tensions and modern slavery. And this kind of informed and humanistic film-making came from the creators down. And all the shows of that period, while not DANGER MAN ground breaking, to greater or lesser degrees were that informed and representative of a culturally diverse and changing world.

Move the clock forward 50 years, and suddenly you have no community owned or locally owned cinema, much less production companies. That’s not an accident, that’s a very pointed, and very considered monopolization and marginalization.

You have the end of virtually any locally or regionally owned newspaper, radio, or television station. So you get the end of people and community created movements, and art and music, and you get instead corporate construction of reality and ‘art’ in things like AMERICAN IDOL and its ilk.

You have cinema and television that is in retreat from ideas… like diversity and the rights of man, and instead seeks a return to the exclusionary, blinders on, cinema of the 50s. Not just in terms of content and cast in front of the camera, but talent and crew behind the camera.

As, in reality, the mad military war machine of billionaires undoes the local determinism of countries like Haiti and Liberia and Libya, so too is our entertainment,no less the tool of billionaires, undoing the strides made toward multiculturalism. A return to “Whites only” television from MADMEN to PAN-AM to REVENGE.

And those shows while they hold no interest for me, would be fine if they were counterpointed by an equal number of US made shows with a majority of Black or Brown or Asian or a combination thereof, of actors in front the camera, and talent behind the camera.

And the talent is there, as screenwriters such as John Ridley discuss in numerous interviews. Even more talent than was available in the 60s and 70s is available now, the difference is, the cinemas are bought up, the advertising is cost prohibitive, and quite frankly the doors are closed.

In the 60s and 70s, Hollywood saw the need for an influx of diversity to save them from the rise of Independent Cinema (an outgrowth of viable and healthy local cinemas, local determinism), and there were a good number of people in the studios who were happy and excited for that diversity. They were part of the changing times, and part of changing it.

Today Independent Cinema has no way into the theaters, because the locally owned theater circuit, and indeed the community controlled mass-media circuit that served America, particularly Black America from the 20s to the 70s, has been bought out, legalized away, and generally dismantled.

For what was gained, more was lost in the compromise of integration.

The problem with the doctrine of separate and equal, was the fact that is was NEVER separate and equal, it was always separate and UNEQUAL. The Black Power movement and Black Panther movement was about making it SEPARATE AND EQUAL. Was to make the lie into the truth. And that is the reason we have integration today. Because the idea of separate and equal, scared the powers to be to their very soul.

They saw in the more moderate integration model of Martin Luther and his ilk, a compromise that could become a massive victory. They retreated from Separate and (Un)equal and embraced Integration of a sort, “you can now use our Bathrooms, you can now to an extent come into our house, but… you have to lose your house. You have to lose your radio stations, your movie theaters, your stores, your farms, your wallstreets, your sports teams, your attempt at self determination”.

Of course it wasn’t presented like that, but a few decades later that’s absolutely what has happened. The thriving economic base of Black America that thrived even under the odiousness of Separate but unequal, wherein they could still provide for themselves and be self sufficient, has been completely gutted under the together but even more UNEQUAL system of integration. And that robbing of local determinism has extended to all America. Has shown itself to be the most significant volley in a class-war that has America trillions of dollars in debt, and slaved, to corporations gross and immoral.

And television and cinema is the clearest example of this wholesale pillaging of a peoples economic potential.

So that’s what I see when I see shows like MADMAN or PANAM or REVENGE or SMALLVILLE (past season 4) I see prejudice and bigotry and class warfare… codified.

So you have a television and a cinema environment that has turned back the clock, and is again solely about showcasing the fantasies and the fears of the white and the rich, to the exclusion of all else.

It bores me to go backwards. To learn from the past is a great thing, to repeat the past is not. And we have a whole generation of studio execs and heads, who think they are doing something new by embracing the old, and all they are doing… is wasting time.

In a multi-cultural society, an increasingly multi-cultural society, these dreams of exclusion cannot stand, they will become unsatisfying, they always do. And in the end we will have to waste years just getting back to the same point of diversity as the 1970s. Getting back to the starting point from which we should be… evolving.

So let’s cut out some of the time wasting. Contact these studios signing off on this exclusionary television, the creators and producers, twitter them, facebook em, call’em, even write em, let them know the show doesn’t represent you, and to create a show that does. And let the advertisers know, say “this show boycotts me and mine. Since you are asking me to support your product, I want you to produce a show that supports me.”

It’s economics people. For all their crushing of competition, ultimately the decision makers and gate-keepers still need to create a product you want to buy. Let them know they are failing at that mandate.

Let them know you want to see more shows, that are both smart and diverse.

Day Break – The Complete Series- Do not buy the 2disk version, get the 4 disk version

55 Degrees North – Series One & Two – 5-DVD Box Set ( Fifty Five Degrees North ) ( 55 Degrees North – Entire Series 1 & 2 ) [ NON-USA FORMAT, PAL, Reg.2.4 Import – United Kingdom ]

Kidnapped – The Complete Series

Secret Agent AKA Danger Man: The Complete Collection (Slimline Packaging)

The Philanthropist: The Complete Series

Kings – The Complete Series

Blood & Bone

I Am Cuba: The Ultimate Edition

Let them know you want to see more DAY BREAK with Taye Diggs and Moon Bloodgood, more 55 DEGREES NORTH with Don Gilet, more KINGS with Eamonn Walker more BLOOD AND BONE with Michael Jai White, more James Purefoy and Jesse L. Martin in THE PHILANTHROPIST (the spiritual descendant of McGoohan’s DANGER MAN); more shows that look forward to solutions, rather than backward to evasions.

Challenge the creators, challenge the studios, challenge the advertisers, challenge the performers, and challenge yourself to go not marching backward, but to go forward… into the mystery. And ultimately we will as cities and a nation, have to eschew outside control, and embrace again local production of items and local determinism.

And it starts as simply as recognizing and calling out the prejudiced the exclusionary and the destructive when we see it.

Here endeth the lesson.