‘It wasn’t shellshock
it was more
a poetical horror
were as Bad
As their Guys’
–Grant Morrison on FMOBM #26 and 27
it was more
a poetical horror
were as Bad
As their Guys’
–Grant Morrison on FMOBM #26 and 27
This particular cover and comic of the day is BRAVE AND THE BOLD #149, from 1979, starring BATMAN in conflict with the TEEN TITANS, and titled ‘LOOK HOMEWARD, RUNAWAY’. Both the absurd and highly entertaining writing of Bob Haney and fluid and graceful art of Jim Aparo are at full gallop in this fun story.
If interested grab a copy here!
Enjoy till next time!
BATMAN AND ROBIN BORN TO KILL by Peter Tomasi and Patrick Gleason- After reading one disappointing ‘NEW 52’ book after another (ACTION COMICS by Grant Morrison comes to mind) I went into this read with some trepidation, but it was unwarranted. Tomasi crafts a solidly engaging read that is good from first page to last and complimented by great art by Gleason and Gray. Strongly Recommended! B+.
Batman & Robin, Vol. 1: Born to Kill (The New 52)
SUPERMAN BATMAN SORCERER KINGS- Is a hodge-podge of four different stories, none of which really ever rises to become anything more than tedious. D.
What I’m watching:
Just finished watching Michael Moore’s SICKO and CAPITALISM A LOVE STORY back to back, and they are both powerful, essential, if not always easy viewing.
CAPITALISM A LOVE STORY is particularly brilliant, has been called Moore’s Magnum-Opus and I concur. It’s a courageous, informative, and well put together film. Sometimes Moore has a way of perhaps working a theme into the ground, and beating us over the head, and I felt that in SICKO, acutely. ‘Yeah, okay I get it, other countries have better healthcare than the US, how many examples are you going to show me? Move on to solutions.’.
Somewhere in most of Moore’s films that thought process rears up, however it didn’t in CAPITALISM A LOVE STORY. Potentially Moore’s last film it is undeniably his best. And both films, will make you want to make real, hard changes in your life. As it makes clear that the people you entrust with your well being… don’t care about that… at all. Both films should really be seen, and CAPITALISM must be seen.
Capitalism: A Love Story
The series, finally read in one nice 6 issue chunk, is good, but not great. Certainly not the accolade ridden masterpiece the reviews would have led me to believe.
Much like Snyder’s AMERICAN VAMPIRE, Snyder is a very slow burn type of writer. Book One of AMERICAN VAMPIRE, I didn’t like and didn’t find engaging at all.
BATMAN: THE COURT OF OWLS Vol I, however, is interesting, and engaging, and in places very good. It just never really feels great or all that essential to me, but it is definitely good.
The manga tinged art of Greg Capullo, takes some getting used to as it doesn’t always work for me. His Batman is great, it’s just characters, outside the mask, particularly Bruce and the rest of the Bat family just come off looking very Speed Racerish to me. A slight style/expectation clash, that I try not to let bug me. That and having read as much Batman stories as I have, the ‘broken bat’ approach can’t help but feel familiar.
So I’m not sold on this title enough to recommend it as a buy, however overall both the writing and the art, have enough of a hook and an edge to definitely recommend this as a read. Grade: B-.
First some sights of us gassing up and on the road to Philly:
So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!
One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :))
So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.
So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.
Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.
This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.
On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.
My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.
With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)
One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.
Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.
I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ’em HT sent ya!
One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.
You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :)) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.
Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! 🙂
Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. 🙂
In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!
And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.
Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.
Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.
But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.
That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.
However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. 🙂
Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. 🙂
There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.
But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.
The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.
Next installment will bring you some of those discoveries.
But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. 🙂
But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.
But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.
As far as why… Well I’ve been meaning to put up a couple strips for a while. And have been trying to network, collaborate with a couple of artists, but I’ll let you in on a secret, artists aren’t really the most reliable bunch for collaborating or networking with… at least the ones I’ve been dealing with.
So rather than wait on people to grow up, I decided to just ‘what the heck’ it, and just go ahead and create and post something that would make me laugh.
Hence this very brief, very juvenile ‘cut and paste’ cartoon courtesy of one of the free cartoon generators out there, The art is crude, but the insane story and words and madness is all me. Hope you enjoyed it. If you do, leave a comment and some likes!
It’s a work in progress experiment, that will improve if you guys will stick in there with me. Thanks!! 🙂
Where what I review isn't new
“Never forget that once upon a time, in an unguarded moment, you recognized yourself as a friend.” - E. Gilbert
A film fan who loves to write, talk and promote filmmakers
Cult, classic and crazy movies you must see, might see and maybe miss