This is a forgotten little 1964 made for TV movie, that sports the phenomenal camera work of the great Conrad L. Hall. The opening sequence alone is reason enough to view this film.
You can view the film courtesy of Amazon Prime.
When it comes to the great camera men of cinema, Conrad Hall, in terms of bravura visual styling and seminal impact, is right up there with the best of cinematographers.
The best of them being Karl Freund (the father of cinematography in many ways, creating much of the visual techniques and language of cinema in ground breaking films such as METROPOLIS and DRACULA) Karl Struss (SUNSHINE) and Freddie Young (LAWRENCE OF ARABIA), James Wong Howe (SWEET SMELL OF SUCCESS), Vilmos Zsigmond (two great collaborations with Robert Altman, IMAGES and THE LONG GOODBYE), Geoffrey Unsworth (2001, SUPER MAN), Bradford Young (MOTHER OF GEORGE, AIN’T THEM BODIES SAINTS, PAWN SACRIFICE, A MOST VIOLENT YEAR, SELMA), Guy Green (GREAT EXPECTATIONS), Lisa RInzler (MENACE II SOCIETY), Sergey Urusevskiy (I AM CUBA), John Alton (his wonderful collaborations with Anthony Mann, such as T-MEN, RAW DEAL), and Yoshio Miyajima (particularly with his collaborations with Masaki Kobayashi in films such as HARA KIRI and KWAIDAN).
For more on FANFARE FOR A DEATH SCENE there is a wonderful article on the production by Stephen Bowie here!
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