Deal of the Day : Favorite 3D Book ‘ NATIVE AMERICANS & THE WILD WEST IN 3D! ‘!

Deal of the Day : Favorite 3D Book ‘ NATIVE AMERICANS & THE WILD WEST IN 3D! ‘!

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First published in 2009 by Voyageur Press NATIVE AMERICANS & THE WILD WEST IN 3D is part of a short lived but impressive series of 3D titles edited by Greg Dinkins and released by Voyageur.

 

Sporting high production values and smartly designed built in glasses, not the flimsy glasses you think of when you hear 3D, but a high-quality fold out stereoscopic viewing apparatus that is actually built into the front cover, and you have a book that is at once a fascinating historical read and document, while at the same time being a ‘you are there’ thrill ride.

It’s an impressive alchemy of form and function, and that’s why it is today’s DEAL OF THE DAY! use the following link to Get one for yourself and one to give out as a gift. You’ll be glad you did. 🙂

 

Native Americans & the Wild West in 3D: A Look Back in Time: With Built-in Stereoscope Viewer – Your Glasses to the Past!

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2014s GODZILLA is it worth seeing in 3D?!? RealD vs Imax 3D?

The new GODZILLA is now stomping across theaters near you, so I’m going to find a showing tonight and see if the film is enjoyable summer entertainment that does the big lizard proud.

My only question regarding going to see the film is, is it worth seeing in 3D?

Since the last couple of films I’ve seen in 3D (due to lack of 2D options) have been underwhelming at best, and certainly not worth paying more for, these days I tend to only see 2D films, and matinees. Both of which help minimize this inflation of ticket prices and box office #s that Hollywood is big on.

But the following link, and the fact that the author is hard on other 3D movies I likewise was underwhelmed by, tends to give credence to his positive review on GODZILLA’s use of 3D.

Check the review HERE!

Now to determine which type of 3D to try (if you have a choice) see this article HERE!

I’m going to see for myself, and will post whether the movie, 3D and all is worth your time and money!

Movie Review : CAPTAIN AMERICA THE WINTER SOLDIER in 3D

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Helmed by relative directorial unknowns, Anthony and Joe Russo, there is a deft, assured hand steering this latest entry in the Marvel Studios movies franchise. CAPTAIN AMERICA THE WINTER SOLDIER from title to end credit exudes an easy confidence in this universe, these characters, this path.

It’s an easy relaxed pace that begins the film, a film that is not afraid to have you wear these characters for a while, rest in their lives. But when the action sequences hit, they are stellar set-pieces of jaw dropping scale. The post-conversion RealD 3D is nothing to write home about, but neither is it a liability.

And the action and character moments are tied together by a strong script, and rich performances by Chris Evans, Samuel L. Jackson, Sebastian Stan, Anthony Mackie, and Scarlett Johansson.

However particularly Scarlet Johansson I find stellar in her role as Natasha Romanoff, the Black Widow. She brings a combination of strength and vulnerability to her performance, that can be felt. Here as in the AVENGERS she brings an emotional core, a thread of consequence and fear and reality, that is surely needed in this fantasy of men and supermen. She brings a dramatic level of truth, to the lie, which completes it.

It’s a role that uses her beauty and considerable assets, but it is also a role that lets her give a more impressive performance than any number of dramas.

CAPTAIN AMERICA THE WINTER SOLDIER offers blistering action, enjoyable camaraderie, espionage, larger than life villains and heroes, diabolical world conquering schemes, humor, and even a bit of pathos and sacrifice, in short everything you want your ticket price to buy you. Add to that a brilliant end credit sequence and you have a film that earns its accolades. Grade: B+

MAN OF STEEL 3D… I think Not

So I was thinking of seeing MAN OF STEEL tonight, however the theater I wanted to see it at was only showing it in 3D, of course for a jacked up price. And other theaters had the 2D showings only at inconvenient times.

And considering the movie was not shot in 3D, and only post-converted, and the post conversion is getting poor to mediocre responses, I’ll wait till I can catch this running in 2D at a time convenient for me, or wait till it hits the 2nd run theater circuit.

For more on MAN OF STEEL and 3D, go here. The article isn’t that interesting but I found the comments intriguing. Give it a read.

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STAR TREK INTO DARKNESS Movie Review 3D

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STAR TREK INTO DARKNESS – My abiding thought upon watching STAR TREK INTO DARKNESS was… enjoyment. From first frame to last I was just very captivated by the film, and completely along for the ride.

As a reviewer 2nd, but a movie goer 1st, I think it is very important to go into a film with as fresh eyes as reasonable to pique your interest. Beyond the broad stokes of a trailer or two, I avoid leaked plot details or guessing games about the storyline. Beyond broad generalities I think it is important to allow a filmmaker and a cast, to present the movie to you unfettered by too many preconceived notions or expectations.

Otherwise how can you fairly judge a film or a film-maker’s work that you have in essence previewed? It’s hard to get moments of surprise and originality in films, when too many people these days go into the film with all surprises read and all originality already squandered before the film ever opens.

Increasingly it is the impetus of a cynical audience, that is numb to all but the basest pleasures, to take comfort in that self same cynicism.

JJ Abrams, much like the New STAR TREK itself, flies in the face of such cynical times, being a throwback as well as a leap forward to old fashioned film-making. A filmmaker who understands emotional resonance and story and character is every bit as important as blowing things up, but in his affection for the old, never loses the skill and love for crafting the new. JJ Abrams and his writing staff for my money for the 2nd time do the impossible, creating a remake that manages to brilliantly embrace the new, without invalidating the old.

It’s the choices he makes as a director (that others may deride as sentimental or romantic or syrupy) that are the choices that for me make INTO DARKNESS a great film, and Abrams a great filmmaker. Not an opinion I’ve always held on Abrams, but an opinion he has earned since his first Star Trek film.

There’s a scene early in INTO DARKNESS [extremely minor spoiler but feel free to skip till after you’ve seen the film] where someone goes traitor, you’ve seen it in numerous films if you are even a casual moviegoer. The bad guy has an inside man working for him, a traitor. It is a movie cliché and virtually no one ever looks at that character as more than a means to an end, No one ever asks or seemingly cares about the why of such a character’s actions. In this movie in a scant few minutes, in nearly wordless scenes, Abrams takes the time to paint the reason why someone would do it. And it is a reason that if we can not condone, we can understand.

In scant minutes of screen time he takes an actor I generally have not enjoyed on screen, and gives him I think his best role to date. A role that in nearly any other film, by any other filmmaker, would be a meaningless plot device, here resonates and is memorable.
[End of minor spoiler]

With that scene I knew quickly and completely…. that I was in capable hands.

And the film continues with such heartfelt performances, married to beautiful visuals. It is the Star Trek universe re-imagined, and it looks grand and mythic. And any film’s protagonists, must be measured by the quality of that which they struggle against and in that role Benedict Cumberbatch delivers a fantastic performance as a character who must be feared yes, but also respected. Well written is the film where there is no simple villains, or villains at all, but only people in conflict, with agendas neither completely right nor completely wrong.

I could go on, but to say more about the film is to ultimately say little, what is best in the film has to be experienced, not regurgitated.

I will however say about the theatrical experience that I saw this film in a matinée showing in RealD 3D format (only the 3D showing was available), and the 3D, to my surprise, did not annoy.

No doubt the pleasant experience owes some to the theater I saw it in, not your typical multiplex, but seemingly it is just handled well here. It became very immersive, just part of a rich tapestry that pulled me in. I found this viewing while not noticeably 3D, definitely noticeably beautiful to look at, and that is all that visually I ask of any film.

In closing, JJ Abram’s 2nd foray into the STAR TREK universe, INTO DARKNESS was a long time coming, but I think has justified its wait, being as smart, as fun, as energetic, and perhaps more emotional and more grandiose than the admittedly excellent first film. On all fronts, for this reviewer, an unqualified success, and a movie I see myself returning to often. HIGHLY RECOMMENDED Grade: A.

MOVIE TRAILER Update : STAR TREK INTO DARKNESS in IMAX

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The third and latest trailer for STAR TREK INTO DARKNESS is out, and while it still doesn’t make me as excited as the trailer to JJ Abram’s first STAR TREK movie, it however is far better than the earlier teaser trailers. There’s actually a story here that I’m intrigued to view and the visuals are, in a word, sublime.

For those of us who grew us with the Star Trek mythos, the trailer doesn’t particularly scream Star Trek. It feels like something decidedly different and I for one think that’s a good thing. With sequences shot in the 70mm IMAX format (not with the IMAX 3D cameras) it should be a great film to see on a REAL IMAX movie theater.

STAR TREK INTO DARKNESS (would it have killed them to put a ‘The” in there?! 🙂 ) hits theaters on May 17th.

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