Best YouTube Videos of Week #6 of 2018!

Man just watched WALT’S COMIC BOOK CHANNEL’s ‘Favorite Comics of 2017’ and I loved how eclectic his list was. In a year where a lot of lists picked stuff I wasn’t vibing on (Kendrick Lamar for best song of 2017??? Are you on crack NPR & Others? I find his albums completely unlistenable. There are so many more talented and innovative rappers out there! ūüôā ) Walt’s list wasn’t afraid to go against the grain, poke holes in a lot of sacred cows people are jumping on, and instead just point out entertaining work.

https://www.youtube.com/channel/UCtZB7GGyYVrLnzXlooiS8mg

 

I haven’t read MY FAVORITE THING IS MONSTER but the overwhelming praise for it, is reminding me of the hype that ASTERIOS POLYP by Mazzucchelli, received. And that book (for me) did not live up to the hype, or even succeed in being a good read.

http://amzn.to/2Esi7Lv

As a huge fan of Mazzucchelli’s older style, I didn’t begrudge his new style, it was okay, it was just the story I felt was as empty and vapid and pretentious as the central character. And no, I don’t say that because I’m an action head or superhero zombie, I can appreciate comics used to tackle heady, even existential topics, it just has to do it well. Example of that being done well in the comic medium would be Dave McKean’s CAGES or Ho Che Anderson’s KING (Really looking forward to Anderson’s new GN coming out this year) or David Mazzucchelli’s absolutely brilliant adaptation of Paul Auster’s CITY OF GLASS. All three of those books are light years better than ASTERIOS POLYP.

http://amzn.to/2EMl5I5

http://amzn.to/2E3Tntk

http://amzn.to/2BJHxmF

 

Mazzucchelli getting recognized for POLYP is like Denzel Washington winning the Academy Award for the mediocre TRAINING DAY rather than GLORY (or half a dozen other movies/performances that were superior). So hopefully I won’t have as negative a response to MY FAVORITE THING IS MONSTER, but it is good to know if I do, I’m in good company.

http://amzn.to/2C1lYd9

 

Also Walt, in addition to echoing my praise for titles such as DEATHSTROKE has put on my radar several titles I haven’t tried. Among them:

THE DREGS

MELVILLE (French GN)

UNREAL CITY

WINNEBAGO GRAVEYARD

KAIJUMAX

MAGNUS

BATMAN WHITE NIGHT

REDLANDS

COSPLAYERS

MAESTROS

MOON KNIGHT

FLINTSTONES

GODSHAPER

SLASHER

SHADE THE CHANGING GIRL

SINK

So I’ll be checking the above out. I’ll add links in a bit.

p.s. Speaking of DEATHSTROKE… DC Editorial in their stupidity is going to end up killing the momentum of that book, by using the character in their JLA title. You want to save that book, the JLA, you don’t need gimmicks, or stupid events. You just need a writer who can write. The only issues of JLA I have bought, since the new 52, are the ones by Christopher Priest. Snyder coming on the book doesn’t fill me with confidence, as he seems unable to tell great one and done stories, which is what would work well with the JLA. Instead he is all about following event with event which equals… boring.

Hopefully DC will course correct and not ruin the only book from them I’m actually buying. Similar to what Marvel did by killing POWERMAN & IRONFIST.

 

Till Next Time!

 

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Best & Favorite of 2017!!!

This is a bit belated but I think you will find a nice overview to 2017 and pointers to 2018 in the ramblings below.

Favorite movies seen in the Theater in 2017:

KONG:SKULL ISLAND

LOGAN

 

I only saw two movies in the theater in 2017, so looking to improve on that in 2018. Nothing in January had me jazzed to pay theater prices for, however I am looking forward to the following in 2018:

click for larger (if applicable) click for larger (if applicable) click for larger (if applicable)

EQUALIZER 2

click for larger (if applicable)

 

FAVORITE TV SHOWS IN 2017:

  • LEGION
  • TAKEN
  • POWER
  • AMERICAN NINJA
  • CHOPPED
  • AMERICAN PICKERS
  • LOVE IT OR LIST IT
  • LETHAL WEAPON
  • THE GRAND TOUR
  • GODLESS
  • RUNAWAYS

FAVORITE STREAMING TV CHANNEL IN 2017

The one two punch of AMAZON PRIME and HULU gets this award. NETFLIX that was riding high in 2016 with LUKE CAGE and other shows, had a disappointing 2017. With a non user friendly interface compared to Amazon Prime and a selection of shows and movies that weren’t as interesting or well curated as either HULU or AMAZON PRIME, I cancelled my membership at the end of 2017. The last straw being the overhyped and ultimately lackluster PUNISHER series, as well as news of the studios pulling their content from Netflix.

In 2018 the TV shows that I am or will be watching are:

CASTLE ROCK

GRAND TOUR

TAKEN (I think the new showrunner made a mistake getting rid of most of the cast from season 1, but hopefully he can course correct and fix it)

STRIKE BACK and ELEMENTARY return after long hiatuses

LONGMEYER went out with a bit of a whimper, so looking forward to YELLOWSTONE

JACK RYAN

LETHAL WEAPON

CHOPPED

IZOMBIE

BLACK LIGHTNING

AMERICANS

And lastly looking forward to Season 2 of what, without question, was the best, most inventive TV show of 2017, Noah Hawley’s LEGION.

And for those keeping score… LUKE CAGE tied with FARGO Season 2 (Also by Noah Hawley) were the best TV shows of 2015, and DAREDEVIL Season 1 was the best TV show of 2014.

 

BEST MUSIC OF 2017

I loved everything binaural in 2017, adding many great CDs to my collection. THE HEAVY and GREGORY PORTER remained in heavy rotation. Gregory Porter being my favorite live performance of 2017. And I added new interests RAG N BONE MAN, Andra day and Brian Ferneyhough. With Spotify to allow me to try before I buy, I’m looking forward in 2018 to discovering more great music, both old and new.

BEST READS OF 2017

I didn’t read as many novels, or listen to as many audio books in 2017 as I did in previous years, so I definitely hope to turn that around in 2018.

I did do substantially better with Art Books, Graphic Novels, Reference Books, and comics in 2017. Some of the standouts:

 

MATT BAKER THE ART OF GLAMOUR

CREEPING DEATH FROM NEPTUNE

THE WOLVERTON BIBLE

ARTIST EDITION BASIL WOLVERTON (This and the other two previous books having to do with Basil Wolverton, I went all in on him in 2017. Still absorbing these three books here in 2018)

JACKIE ORMES

THE SIGNATURE ART OF BRIANSTELFREEZE

SEX AND HORROR THE ART OF ALESSANDRO BIFFIGNANDI

In 2018 writers I intend to go all in on are Percival Everett, Victor Lavalle, Colin Whitehead and Walter Mosley, as well as revisiting work by Ligotti, Lebbon, Ellison, Stephen King, Clive Barker and Bennett.

 

In 2017 Marvel had a great POWER MAN AND IRON FIST series I was reading, the only thing I was buying monthly from Marvel Comics. And Marvel letting greed get in the way of common sense, killed a series everyone was loving, with a creative team everyone was loving, David Walker and Brian Stelfreeze, to instead both dilute audience attention and oversaturate the market with multiple books, almost all of which are ready to be canceled. So going into 2018, with Marvel sticking to their insane $3.99 price point per book, there are no titles I pick up from Marvel Comics.

 

In 2017 DEATHSTROKE by Christopher Priest was the only DC Comic I was getting on a monthly base. It’s arguably the one series that you can just pick up and enjoy without having to read any other title, or care about any other title. Priest has been able to just do… what he does best, create a fantastic read; month in and month out. So it is the only DC book I’m reading in 2018. However, greed rears its ugly heads and the idiots who get paid to make stupid decisions have decided to add DEATHSTROKE to their floundering team book… JLA,¬† basically gutting the standalone nature of the comic that allows Priest, to do his magic. Basically the same poor decision making that happened last year with POWER MAN AND IRON FIST.

 

I figure the conversation went like this… ‘man everyone is talking about this book, let’s put the characters in multiple other books, and then they will be talking about all those other books too.’ No, you EFFING morons! The reason people are enjoying POWER MAN AND INRON FIST or DEATHSTROKE is because it is well drawn and well written and not part of your insipid crossover infested universe. Your very attempts to duplicate that success, without understanding it, will kill the character in the new book, and kill interest in the character in the original book.

So yeah here’s hoping someone with brains over at DC, vetoes the horrible idea to put DEATHSTROKE in the JLA, because I’m not going to read the JLA, and you’re editorial interference will create a character that no longer works in his solo book. You have therefore killed the golden goose and have nothing to show for it.

 

The good news is when you get sick of the stupid decisions and overpriced ad laden product at DC and MARVEL, you have great content from other publishers to enjoy. Publishers that give you more for your money. Publishers such as IMAGE, AFTERSHOCK, DARK HORSE and many more.

As far as where to buy new comics from, a lot of people will steer you to DCBS. I personally in terms of pure customer service and ease or ordering prefer LONE STAR COMICS. You can order comics in advance from the at http://www.mycomicshop.com at a discount.

 

They are highly recommended, and I use them myself, and this is an unpaid recommendation. Tell them Heroic Times sent you.

 

And wrapping this up, favorite podcasts of 2017:

 

11OCLOCK COMICS

COMIC GEEK SPEAK

WTF with Marc Maron

BLACK TAPES

GEEK SYNDICATE

 

To name a few. Okay that is it for my 2017 Pop Culture overview. Thanks for bearing with it and if you enjoy, spread the word. Enjoy WEEK #6 of 2018!!!

 

 

 

 

 

Podcast of the Day : The Best Doug Moench Interview!

THE BEST DOUG MOENCH INTERVIEW!

I just discovered this COMIC SHENANIGANS interview with Doug Moench.

From April 2017 this interview is FANTASTIC! Doug Moench (pronounced mensh) is a legendary comic writer, but arguably not as legendary as he should be. While names like Frank Miller, Alan Moore, Stan Lee, Jack Kirby, Chris Claremont and John Byrne are known to even peripheral fans of comics, the name Doug Moench ¬†arguably doesn’t get the praise he deserves.

His work in the 70s and 80s brought a sophistication to comics, that tends to get attributed to the year 1986 and the one two punch of Frank Miller’s DARK KNIGHT and Alan Moore’ s WATCHMEN, but those iconic books didn’t get born in a vacuum. ¬†It came in stages through creators, by fits and starts, progressing the medium. ¬†Creators such as…

The phenomenal work of Stan Lee in the 1960s creating stories that talked to the audience, rather than at the audience. His stories, his dialog, was snappy and fun patter which sung for the first time to a college audience, rather than strictly to the kid audience, and really separated Marvel from everyone else.

Stan Lee gets credit, but I think too many people in a rush to praise the artists, and address any slights,  such as Jack Kirby and Ditko and Romita etc (men deserving of praise) , they stumble into a very trumpian conceit of feeling that in order to praise the artists they have to tear down the writer, namely Stan Lee.  And quite frankly that is just insipid. You can praise them both, and should praise them both.

Beacause all that beautiful FF art, if married to insipid dialog/writing you have underwhelming stories. Or if you have stories that don’t hype/excite the audience, all the art is not going to save it. The silver age series SHIELD (pre and even some of the early Steranko) is an example of this. ¬†Interesting Kirby art, but pretty boring , uninteresting writing.

Stan was writing the whole Marvel Universe at the time, and I don’t think war and spy books was his strength, so this series is pretty poorly written/dialoged, and all Kirby’s art couldn’t save it. The same thing could have happened to FF, but for Stan’s love for those characters and stories. The FF stories are great because Stan is at the top of his game as ideaman/writer, and Kirby is at the top of his game as storyteller/artist. ¬†It is the collaboration of words and images that make those early FF stories work.

Stan Lee as ideaman, as writer, as editor, as cheerleader, as salesman, as enthusiastic fount of energy is unequaled. He put Marvel Comics ¬†on his back and he carried it with a smile, onto the road that it is on now. With his passion to identify his creators and sell them to his audience, something no other publisher was doing, he gave birth to a generation of future writers and artists. As well as his more experimental work, allowing the competition (DC) to likewise let their writers off the leash. You get some of the best late 60s /early 70s Kanigher, Giordano, ONeil, Haney stories as a reaction to Marvel’s inroads to the college audience.

So you get a bunch of writers in the wake of Stan, growing the medium.

Among them being Roy Thomas, Steve Englehart, Len Wein, Marv Wolfman, Steranko, David Kraft, Keith Giffen, ONeil, Claremont, and arguably one of the most innovative of them… Doug Moench.

Doug Moench is known to a younger generation mostly for his later Batman work, however thanks to a new bunch of collections coming out from Marvel; the work that put him on the map (to even other comicbook creators) THE MASTER OF KUNG FU and MOON KNIGHT is finally readily available. Its availability allowing old and new to revisit these groundbreaking works, and put in clearer perspective this pivotal creator.

His MOKF, while of its age was more sophisticated than anything else coming out in comics, and looking back on it, now nearly 4 decades later, those stories are still incredibly entertaining. Particularly the issues with his long time collaborator, Paul Gulacy, are a phenomenal marriage of words and pictures.

Arguably 4 decades later, their ‘CAT’ story from issue #38 of the MASTER OF KUNG FU SERIES (and now available in Volume II of the MASTER OF KUNG FU Omnibus) is one of the greatest single issues of a comic. And fellow collaborators Mike Zeck, and the late great Gene Day also brought wonderful life to the words of Moench.

Likewise his MOON KNIGHT series with Bill Sienkiewicz was month in and month out one of the most sophisticated and daring and heartfelt books being put out; and opened the door for the success of the comic shop, and the rise of the Independent publishers. It gave a generation of writers a broader perspective on what can be done in a comic book. Many talented writers and artists have tried their hands at the character of Moon Knight since Moench’s departure, a few have been good, Warren Ellis and Jeff Lemire come to mind, most have been awful, and none have been the equal of Moench and Sienkiewicz’s run. That is something, when 4 decades of writers, cannot equal or surpass what you did.

Add to that three of the most haunting Batman stories, a trilogy of one shot issues done with Pat Broderick, and phenomenal creator owned work SIX FROM SIRIUS with Paul Gulacy, as well as his work in the Black and White mags,  and you have some of what makes Doug Moench one of the best writers in the history of comics.

Now with my 2 cents out of the way, go listen to the interview from the man himself:

https://comicshenanigans.podbean.com/category/doug-moench/

Deals of the Day! Amazon Edition!

DEALS OF THE DAY!

‘With this CD on Winter & Winter, the Arditti String Quartet celebrates 40 years of cutting-edge performances. Long recognized as the leading string quartet in avant-garde circles, and admired for the brilliance and virtuosity of its performances of the most demanding works, the Arditti gave its first concert in March, 1974, and over four decades it has not stopped rehearsing, studying, performing, and recording the most challenging music of our time. This program consists of 14 short works by some of the most prominent contemporary composers — Wolfgang Rihm, Hans Abrahamsen, Toshio Hosokawa,Brian Ferneyhough, Brice Pauset, Mark Andre, Marco Stroppa, Liza Lim, Harrison Birtwistle, Hilda Paredes, James Clarke, Georg Friedrich Haas, Uri Caine, and Johannes Maria Staud — and the variety of their compositions makes this survey a fascinating exploration of innovative techniques and original concepts. Adventurous listeners will be impressed by the Arditti’s fearlessness and directness in approaching this uncompromising music, and the liner notes by violinist Irvine Arditti provide background information that will be helpful to those just discovering the group.’ — All Music

View/price it here:

http://amzn.to/2EsqSTm

FERNEYHOUGH:TERRAIN – with the 21st century’s most complex composer ‘s most famous CD out of print and commanding multiples of its msrp, this TERRAIN cd is a good way to sample some of the composers best works without taking out a mortgage. Great CD at an affordable price.

Get tge CD here:

http://amzn.to/2BGw1Ed

 

Jack Kirby’s FOURTH WORLD OMNIBUS – At over 1200pages this hardcover is big enough to go into battle with, or you can do something more traditional with it and enjoy it and put it on your bookshelf. Rushed out just at the end of 2017, to be part of the 100th Anniversary of Jack Kirby, it is easily the must own collected edition/graphic novel to have. The first printing does have a printing error, all that rushing I was talking about. One page is printed twice. It is an easily corrected error.

You can find details here:

https://www.bleedingcool.com/2017/12/21/fourth-world-omnibus-major-printing-error/

I printed the correct page (found at the link above) on my color printer and slipped it in the book at the correct spot. Job done. And sure we can wait for a corrected edition, or future printing, but considering we have no idea when or if that is happening, my 10 cent fix more than suffices.

Get your copy, while it is still below cover price, here:

 

http://amzn.to/2ErGztV

 

Come back next time for more… Deals of the Day!

 

Podcast of the Day : LEVAR BURTON READS

How you begin a work week I’ve found is important.

I began this day and this week with a new pocast LEVAR BURTON READS. and what a wonderful way to begin, especially the episode I chose, the lyric and insightful Levar Burton reading a short story from one of my favorite writers, cherished satirist, frontiersman, and Americanist (in the charming Mark Twain definition of such a word) Percival Everett.

Levar Burton reads ‘Graham Greene’ by Percival Everett.

http://www.levarburtonpodcast.com

https://art19.com/shows/b8dbdce1-2c32-42d2-ad58-6956a0c6b31c/embed?playlist_type=playlist#

A great podcast and a great read!

WEEK 5 of 2018! Best Youtube Video/Channel!

Kudos to CEREAL AT MIDNIGHT for some excellent content on his blog and Youtube videos. His Youtube video on COLLECTING MEDIA IN A DIGITAL WORLD….¬† absolutely essential viewing.

 

http://www.cerealatmidnight.com/

 

As someone old enough to remember the pre digital days and the coming of vhs and dvd and cd, those formats empowered the consumer. And these Millennials growing up to think physical media ownership is a burden, and the instant gratification of the cloud is the way to go, do not realize the power that they are relinquishing back to the studios.

Do not realize that the freedom to be free of physical media, comes at the cost of never being able to have a product that is not subject to being removed, or altered or banned, at any time.

Comes at the expense of having anything that you can actually own, without the oversight of gatekeepers.

VHS and DVD and CD, in fundamental ways started an evolution that empowered the consumer and got the market to cater to the consumer. Increasingly with digital (sans physical media) the conversation has returned to a one way monologue.

Consumers being dictated to, rather than catered to.

And that will get worse if we let physical media as a companion or alternative to ‘in the cloud’… disappear. Because we have sold a new generation on a lie that privacy and physical ownership is a burden, that takes them too much effort… to preserve.

Much as our media and politicians are selling them on this idea that Liberty and Democracy and Civility… are likewise burdens that take too much effort… to preserve.

So yeah give CEREAL AT MIDNIGHT some patronage, especially that video. It currently has about 500 views, it deserves to have 5 billion.

Week 4 of 2018! Best Unboxing and Graphic Novel Videos!

I like Youtube courtesy of Roku because you can browse without comments. I don’t mind comments if they are moderated, but unmoderated comments is just like sewage, something I prefer not to wade thru. ūüôā

So Roku allows me to actually be able to use Youtube and find it useful rather than nauseating. Case in point, unboxing videos. I am a HUGE graphic novel and Art Book fan, and I’ve become quite enamored of these videos where people show off their artbook or graphic novel or comic. It has given me so many great ideas regarding items to purchase, as well as helping me decide ites to pass on.

Though, unfortunate for my wallet, more of the former than the latter.

Here are some recent great ones as well as some of the best channels to visit.

 

THE CHINEST has great segments where you get to see the interior of the comic and decide if it is for you or not.

https://m.youtube.com/user/TheChinest

MARKET WATCH has a recent fantastic series of videos where he shows some of the great items he found in a recent collection purchase.

https://www.youtube.com/channel/UCz_gop-AM3fa6NGhSs_J_0w

GEM MINT COLLECTIBLES does a phenomenal end of 2017 Room Tour. Really impressive man-cave even if you are not into figurines. I really want those GOON and FEAR AGENT Hardcovers/Omnibuses. ¬†And I love the idea of his desk in the middle of the room as well as his bookstand. I’m completely going to do that. ¬†Really interesting and informative videos on his channel. Check out his TOP TEN ABSOLUTE EDITION WHALES video as well.

https://www.youtube.com/channel/UC31fEeAOTnfRgvGFwYJsFUA

Kudos to OMNIBUDS CAFE I really enjoyed his 2018 Omnibus collection overview. His bound and signed editions are great.

 

I have more of these shout outs coming, as well as a list of my favorite collections of 2017!  So come back for more next time!