Russell T. Davies the man who nearly single-handedly spearheaded the resurrection of the DOCTOR WHO franchise after its decades long demise, created the boundary pushing spin-off series TORCHWOOD. Revolving around the popular Doctor Who character Capt. Jack Harness, Torchwood allowed Davies to create a show for adults. While American audiences are relatively comfortable with violence, Davies wanted to create a more mature show, laced with sex and sexuality and relationships in this fragile 21st century.
From a rough and awkward first season, every subsequent season of TORCHWOOD became better both in terms of budget, story and scope, until the third season, CHILDREN OF EARTH, which is largely and I think rightly considered some of the best and most ambitious and heartfelt television the BBC has produced.
So it’s in the shadow of that huge popularity and success of season 3, that season 4 of TORCHWOOD, MIRACLE DAY was born. A ten episode series, it met with less than stellar reviews upon its release. Season 4 set in the US, and financed by a US company, possibly fell afoul of an American audience expecting the standard Sci-Fi tropes, an audience possibly unprepared for the depth and level of sophistication and level of sex and sensuality, sometimes transgressively so, showcased in the season.
For the mythological middle America demographic that ratings are supposedly based on, MIRACLE DAY had a lot in it to buck the expected trends, Black guy on White woman, guy on guy, multiple characters of color, characters of color as heroic and smart, non-stereotypical writing. Davies (whose take on characters of color in his early work on Doctor Who bordered on the minstrel and offensive) in all categories is pushing the boundaries of his latest adult scifi epic, and especially in exploring the sexuality of its protagonist.
So MIRACLE DAY took its share of hits from those threatened by all the above, as well as the British audience feeling the show had gone American, and to be fair there is a bit in here to make even me uncomfortable. But if Davies comes down a bit heavy on the skin and sexuality, to push his own inclinations, it is his right, and thankfully the excesses never come at the expense of the story, and for the most part are always done artistically; and scifi has always been the perfect place for pushing boundaries and being a little bit dangerous.
And here watching MIRACLE DAY for the first time, courtesy of Amazon Prime and Roku, I have to say ignore the naysayers, Season 4 of TORCHWOOD stands the test of time as some of the best and most epic writing Russell T. Davies has produced, which means this ten part epic is among the best and most satisfying TV produced… period.
It’s not perfect, the first couple of episodes are a slow build, the character of Rex perhaps more annoying than he needs to be, or perhaps it’s the actor Mekhi Phifer who tends to grate and be a little too belligerent and obnoxious for me in all his performances [I think the series would have been better with another actor cast, say Michael Ealy (ALMOST HUMAN) or Taye Diggs (DAY BREAK], and while a strong Season, CHILDREN OF EARTH still edges it out as the high-water mark for Russell T. Davies and Torchwood and arguably BBC. But those stumbles along the way just make MIRACLE DAY sticking its landing all the better, and stick its landing it does, a great end to a great season.
And an especially valid watch (episode 10 in particular) on Father’s Day! Grade: Highly Recommended.
Watch it for free courtesy of streaming [Get a free 30 day Trial of Amazon Prime (One Year Membership) here!] and then if you are as impressed with it as I was, buy it and the other seasons of TORCHWOOD, here: