THE FIFTH HORSEMAN IS FEAR

fifthhorsemanisfear

The Fifth Horseman is Fear
Facets video
1964 / B&W
2:35 anamorphic 16:9
100 min.
…a páty jezdec je Strach
Street Date July 25, 2006

Starring Miroslav Machácek
Cinematography Jan Kalis
Production Designer Milan Nejedla
Film Editor Miroslav Hájek
Written by Zbynek Brynych, Ota Koval, Ester Krumbachová from a book by Hana Belohradska
Produced by Studio Barrandov
Directed by Zbynek Brynych

fifthhorseman

THE FIFTH HORSEMAN IS FEAR- To go by reviews on IMDB and AMAZON as well as various critics sites this Czech film is supposed to be a masterpiece. The recently departed Roger Ebert who I agreed with in some things called it.. “a near perfect film.”

Having watched it I have to say… not so much.

While I understand its historic significance in being an early filmic examination of life under an oppressive regime, I found its execution falling far short of its acclaim.

And as someone who is a fan of classic cinema and consider films such as THE THIRD MAN, and ODD MAN OUT and THE CRANES ARE FLYING, historically significant and brilliant films, THE FIFTH HORSEMAN IS FEAR is not a brilliant film. It has moments of interesting cinematography that unfortunately gets lost in the unfinished bones of a movie, a movie that is more exercise and experiment than finished film. I found THE FIFTH HORSEMAN IS FEAR tedious rather than engaging; and the screeching and overwrought performances and dialogue, felt false and empty.

I respect the film’s courage for trying to say something of import, given the perilous nature of when and where the film was made, but I have to say I don’t think the film says it well. Not today, and not even upon its release.

A film that by all means view if you can see it for free, but not something that I think you will be particularly enriched or intrigued by in the viewing. GRADE: If you can see it for free… fine, otherwise avoid. ** out of ****.

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WIZARD WORLD Philadelphia 2012 Convention! Pt 2 of 2!

Well finally the much prophesied final part of my Wizard World Philadelphia 2012 coverage is here. You can see the first part here.

First some sights of us gassing up and on the road to Philly:

So finally done with the “hard-traveling” heroes bit (i.e. the road trip pics), and I already told you about getting to the con itself, and the lines… so we can get to the meat and potatoes…onto the interviews!!!

One of the first creators I ran into at the convention, was the LOADED BARREL Studios table, which was nicely located near the entrance. Their comic, BRIELLE AND THE HORROR, was one of the first comics I picked up, and was one of the first creators I interviewed at my first convention back in 2007. (that’s a lot of firsts :) )

So it was a bit appropriate after being off the convention circuit for just about five years, that the first people I should run into should be LOADED BARREL studios. Kudos to the young lady who called us over, or I would have no doubt walked past obliviously. I reviewed their first issue, on this blog years ago and was quite impressed by it. I’m a fan of photo-manipulated comics, and have never seen it done as well as the team of Jared Barel, Jordan Barel, and Alex Goz do it.

So it’s good to know they have since finished BRIELLE AND THE HORROR, and have a new series THE GREY out as a graphic novel. Definitely looking forward to picking it up and you should be too. It doesn’t appear to be available on Amazon yet but you can order it here. I’m looking forward to what the future brings for this company.

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Next up, after some meandering and wandering, I talked to the gang at POWER COMIX with their new kids comic SAGA OF THE POWER HEROES. Following up on that, Spoke to Jim Demonakos of the band KIRBY KRACKLE, and listened to his latest CD.

This was Jim’s first show at Wizard World Philly, and I thought the portable players/listening section he had setup was a nice touch. However being the founder of his own quite successful convention, Emerald City Comic Con, as well as a successful band, Jim is no stranger to conventions or great ideas. The music of Kirby Krackle being proof on both fronts, and comes recommended. You can sample the music and get your CD here.

On the video front, I met Ryan Cole, the cinematographer and Joe Parascand, who plays Sheriff Tom, one of the stars of the film MARY HORROR. Again a nice setup, with a multi-display arrangement to showcase their horror film. A horror film you can find out more about at MARY HORROR.

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My next interview at the con was Artist/co-creator Frankie B. Washington of the quite impressive web-comic ROBOT GOD AKAMATSU. The series done with writer co-creator James Biggie is a nice take on the Giant Robot genre that I haven’t seen before, and highlighted by great visuals, going by his gray-scale drawings.

With movement toward animation and merchandising, this is a series and a creative team to watch. And you can do so here! (One word regarding the site, the artwork there is colored a little dark, maybe even a bit muddy, so you lose the sense of the great line work and gray-scale artwork that they had on display at the convention. So my only caveat to the creators would be think about showcasing their linework/gray-scale art a bit more on the site or work on tweaking the coloring, as I feel the artist’s work gets completely gutted by the current coloring process. Other than that, well worth a look.)

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One of the other interviews of the day, and one of my few purchases was from Shawn Alleyne’s PYROGLYPHICS Studios. PYROGLYPHICS consists of creators Joseph Currie, Koran Curtis, Stanley Weaver, Charlie Goubile, James Mason and the aforementioned Shawn Alleyne and together they’ve just launched a title called STREET TEAM. Highlighted by simply gorgeous art, their post-modern comic is equal parts martial arts, manga/anime tinged, masked heroes, video-games and good old fashioned action. Toss in they also offered a special that included two huge prints, magnets, and postcards, and it was an easy buy.

Now the comic looks like it may just be a one-shot and a spring board for the video game, but I hope not. I hope we can look forward to quarterly or annual issues of STREET TEAM. Well to get your copies of STREET TEAM and find out more go bug Mr. Alleyne himself here or the Street Team crew here.

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I also had the chance to meet the talented husband and wife duo of Jerry and Penelope Gaylord. They have very distinct styles to one another, but very complimentary and very good. See for yourself at IDENTITY COMICS! Tell ‘em HT sent ya!

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One of the joys for me of going to these shows is discovering a talent, an artist I was unaware of. So it’s with great pleasure that I came across the artwork of Laura Guzzo (kudos to her friend, Michael I think, who did a great job promoting her and singing her praises). Not only is she an ASTOUNDING artist, but her print prices are ridiculously reasonable.

You need to run, don’t walk to her website (well considering this is the web you don’t have to walk or run, try clicking here :) ) and see her great artwork and purchase some at her Etsy store. She’s definitely going to be working for the big comic companies in no-time. Specifically she has an interesting and unique vision, that would make her a strong cover artist. I look forward to seeing her upcoming work.


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Well kids, that’s a wrap for this installment. All in all a fun convention, and I hope I’ve pointed you to some talent to familiarize yourself with. And if I do help turn you on to some new talent, just let them know that Heroic Times sent ya! :)

Thanks again for visiting and I’ll leave you with a couple pictures from the con, most notably the Philly version of Black Widow,, which I have to tell you… is a pretty awesome version. Grrrowwlll. :)

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In closing huge kudos to Jerry Milani of Wizard World for a fantastically well publicized, and well organized show!

And lest I forget, for anyone who I didn’t cover, please chalk that up to my head and not my heart, more than likely I didn’t have your complete contact info when time came to put this together. Just leave me a comment here, or email me if I gave you one of my business cards and we’ll get that corrected asap.

Thanks to everyone who made the show a great time for all involved! That’s all folks, go out there and be good to each other.

WIZARD WORLD PHILADELPHIA COMIC-CON 2012 Convention Coverage

Just back from the Wizard World Philly Con. Due to pure economics (factors external to Wizard World, sold out hotels, exorbitant remaining hotel and parking prices) one day, Saturday, was the sole day I could be there.

But it was by all appearances a packed event, well attended. They had people lining up inside in one of the upper floors which is a nice change from other Conventions I’ve attended where the line is outside.

That said the line/lines were quite confusing and quite full. Luckily the con is staffed with helpful volunteers who are on hand to direct the stymied. Plus the lines while packed, seemed to be moving, In the future I would just suggest a clearer designation of what each line is and where it is, as they tended to run into each other and be a bit of a cluster.

However their organization for press/attendees was excellent. A helpful volunteer directed us to the press sign-in, and we were able to walk right up, get our credentials, and walk right in. It’s obvious Wizard World Philly has put some thought into their entrance process, and the interior queuing station, and the press/attendee entrance are huge improvements over your father’s con. :)

Once entered the hall itself is quite large, filled with a nice mix of retailers/resellers, artists, celebrity signings (The big draw of the Convention floor. The lines for Chris Hemsworth and Stan Lee were getting substantial even before 1030am), and a smattering of costume wearers (Cos-players as they are known). Two of the most impressive were a Blade and a Black Widow. Both really looked the part, the guy playing Blade would have given Wesley a run for his money, and the woman playing Black Widow, definitely had the assets to pull off the skin tight costume. :)

There was a 1960s era Batmobile there, recreation or real, and it was manned by a suitably out of shape TV era Batman, he made Adam West look positively herculean. But at least the female Robin and the Batgirl with him, were well fit.

But overall there were less costumes there than I expected, though to be fair, it was just cranking up when I was taking off, and people were still pouring in.

The big draw for me however was just walking through artist alley. The legendary George Perez was there, and from door open, had a line. Greg Capullo, was another one who was mobbed from moment one. I tended to leave the big draws alone, and was more interested in the under-patronized artist.

Next installment will bring you some of those discoveries.

But all in all WIZARD WORLD PHILADELPHIA COMIC-CON is a good local convention. If you are in Philly, it’s no reason not to show your face, unless of course you have to deal with the inexplicable gridlock caused by some good old boy/frat boy street demonstration that was bringing traffic on the way to the convention to a standstill. :)

But for people coming from out of town, unless money is no object, the combination of tolls, parking and inflated hotel and everything else prices, may make it a bit of a money pit. Which even the best of Conventions are, though the location and prices of downtown Philly ratchets that up into the stratosphere.

But external costs aside, which is beyond the control of WIZARD WORLD ,(with the exception of tickets, which are reasonable) it’s a well organized event. Check back for part II as I cover some of the intriguing creators met at Wizard World 2012.

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The 2nd and Final Part of the convention coverage has been posted and you can find it here! Enjoy, I had a blast putting it together!

Art Book of the Day: GRAPHISTES WORLD ARTBOOK 01! CONTEST– Win this Book!

This is a review of the GRAPHISTES WORLD ARTBOOK 01, subtitled BOOK OF CREATION, it is published by Oracom Editions and compiles selected artwork from a French on-line artists collective.

First impressions, presentation. It’s a sizable SC book at 11″ x 9″, and feels substantial at 220+ pages. Nice striking cover image, on a nice pull out gate-fold cover. It’s a matte type paper stock on both the cover and the interior pages, and utilizes a sewn binding (initially had thought it was glued, but is a sewn binding. Pretty spiffy for a soft-cover.).

The Matte paper stock, I can appreciate its use on the darkly illustrated cover to help minimize finger-prints, however on the interior pages I’m not a fan of it, as I think a gloss paper stock would have better worked to showcase the images on the interior. I’ll go into that in more detail in a bit,

Now getting into the content, the actual images themselves, there’s more than a bit of crossover in terms of style and theme and subject. The images are mostly computer generated imagery, a lot of video game like landscapes. Much of it is a bit dark for me, in terms of actual brightness not content. I think this is the printing job, rather than the images. Because the images viewed on-line look great (as in the ones I post with this blog), but in the actual book the images appear muddy and un-dynamic.

It may be what the artists are going for, but I’m inclined to think it’s printed a bit dark. So that is where a glossier, brighter, higher contrast interior paper stock could have helped the images come alive, and not fade into the background as much.

It’s definitely a preference argument, but generally I feel glossy paper works much better for art books, and that this particular art-book, because the images are so dark, would have benefited from a higher-contrast glossy paper stock.

Mainly because the dark muted images, lots of purples on blacks, one after another tends to reinforce the need for a more varied palette. The detail in the images just get lost. There are a lot of images I think I would like, if I could see the detail in the images.

But just when you think the similarity is getting to you, you turn the page and there is a burst of artistry and an unexpected, thematically intriguing image to bring you back into the book.

Among such standouts are [the creator or studios nickname is listed with the image, but the table of contents gives their full name] :

28162 has a lush and beautiful and vibrant image with PINK DREAM and SANS UN DEFAUT

Kiko has a wonderful, futuristic landscape scene with IN THE MORNING, but I do think it looks a bit dark, muddy

Mr. Xerty has a nice collage like work with JING

Pim does the lovely LIGHT PULSE

3mmi Design has several intriguing images with DELIVRANCE and TONIGHT IN HELL

Maliciarosenoire offers us the nicely composed INCERTAIN

Graphic Traveling bring us the imaginative NYX

Grivetart’s NEW YORK 2030 and EXPLORERS are both quite excellent

Graphaddict’s offers us the well composed and lit SPACE MOUNTAINS

Pezcado’s MAINS DANS LA MAIN is quite ingenious

BeautifulReal brings us the sumptuous and strange LAST TRAVEL

KarimDesign’s offers us the attention getting LAST BREATH

Aiven’s 5 PAR is likewise imaginative and compelling

Todavia’s DEATH OF A SIREN

Lord K’s POLAR SUMMER

So these are some of the ones that stand out, and make the book well worth a viewing, despite my issues with the printing. Beyond the brief French introduction, the book consists of all images, so it can be enjoyed by all. Final Grade: B-.

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CONTEST! WIN THIS BOOK!

This book isn’t currently available on Amazon US, but is available from Amazon UK and Amazon FR. It’s like $50.

But wait a minute! For being a Heroic times follower, I’ll tell you how you can win it for free.

It’s really, really easy to win this review copy they sent me.

Be the 15th person (follower, you have to be a follower of this blog)to comment on this post, you win the book.

Put contest in the comment, include your email address so I can get in touch with you. Comments do not get posted if you put contest in it, and they come right to me.

The 15th person, maximum of 3 attempts per person and consecutive attempts not counted. 15th person (follower) to leave a comment saying “you want this book and love Heroic Times”… wins the book.

Pretty simple.

Okay, that’s all folks. Go hug somebody.

Short Film: FIRST THEY CAME

FIRST THEY CAME

Great little short film/psa courtesy of the excellent site NO FAT CLIPS.

Site has not been updated in a while with new content, but hopefully it will be updated soon. because it is sites like this that should be the future of media on the web.

Sites that allow you to view and stream and download in open-source formats, and are moderated (in other words free of vulgar or ignorant comments) offer an environment that should be popular, rather than the unmoderated, profanity prone You-Tube.

Sites such as NO FAT CLIPS. See for yourself!

FIRST THEY CAME View it here!

UPCOMING MOVIES SPRING 2012: Piranha 3DD?! Really??

Upcoming Movies Spring 2012: PIRANHA 3DD

I really didn’t like the first movie. It was just… ehh. By the numbers, and even for a stupid movie… too stupid. But hey I’m sure it appealed to its intended demographic, and hence this sequel.

But being more of the same I had no interest in seeing the remake. I mean I like DD’s as much as the next guy but to pay theater AND 3D prices for a boring, dumb, and stupid movie kinda negates any joy seeing the bouncies (yes I did just say bouncies, uggggh I’m so juvenile) may give you. :) .

It’s just not enough reason to sit through a bad movie. Plus I’m not really a gore, carnage guy. To have beautiful bodies, and the draw of your movie is having these beautiful bodies torn and ripped up?? Really?

I don’t get that. I don’t get that at all. Being not a convert to America’s cannibal zombie serial killer nation… that has no appeal to me, and no humor in it for me.

So all that’s on the minus. The pluses are Ving Rhames, he was one of the few good parts of the first film. That said would it kill the filmmakers to have more than two characters of color? I’m getting a bit sick of that Hollywood 50s style ‘back of the bus’ casting.

But the real potential hope for this film may lie in its creative team. A different director and writer is helming this sequel, and it’s the director who brought us the horror film FEAST.


Feast 3 Pack

Which was an irreverent and fun horror movie, that played with the tropes of the medium while remaining suspenseful and fun. If the creators, Director John Gulager (his dad starred with Lee Marvin in THE KILLERS)


The Killers (The Criterion Collection)

and writers Patrick Melton and Marcus Dunstan can bring that to this film, it’s possible they can make it something worth watching.

Time will tell.