2012 MOVIE Review : THE Verdict is in! AVENGERS… Avenged!!! :)

You are reading this either because you saw the film and want to compare your experience with others, or haven’t seen the film, and want to get a general idea of what people thought of it. I’ll answer both demographics, without going into details about the film.

I think most of you coming to this blog know, my grumpy persona aside I’m not a contrarian. I’m not one of these IMDB idiots who rate all films either 1 or 5 (on a 5 star system, I use a 4 star system), the concept of grading and gradations seemingly lost on them.

That said neither am I a bandwagon jumper who is going to praise a film when it’s trendy to do so, and eviscerate it when it is trendy to do so.(SUPERMAN RETURNS and TITANIC being two movies with more than their share of flip-floppers).

I often listen to pod-casts, and it is amazing how often you can hear one person excited by a film, but then his friends don’t like the film, so you can hear the person backtrack from his/her position, so they can be in line with the likes of their ‘friends’.

An anthropologist might define it as a clannish race survival technique (“Bubba let’s go lynch that thar 12 year old boy, for looking at that thar white woman.” “Why Bubba Senior, that thar’s a fine idea. Hyuck. Hyuck. Hyuck.”), I’ve always just defined it as cowardice.

I’m saying my good opinion or my bad is not formed by the whims of the mob.

Never has been. Never will be.

So if I give you a review you can be sure it is my review, my considered opinion… and I stand behind it.

So my considered opinion on the AVENGERS movie?

Joss Whedon, whose other film this year CABIN IN THE WOODS I wasn’t a fan of (more due to the first time Director on that film, than to Whedon’s script), here in his role as Director and Writer, knocks this film out of the park.

THE AVENGERS is… I’m trying to avoid hyperbole here, leaving that to everyone else, but it has to be said… it is a FANTASTIC film.

It’s as smart as CABIN IN THE WOODS, but with Whedon behind the camera you also get characters and moments you really care about. You get the pathos to go with the pomp and circumstance.

I mean how do you pull this off? The culmination of all these films, all this planning, all these actors, how do you pull it together and make it work and make it live up to expectations? It is really an amazingly ambitious film, a daunting prospect, and Joss Whedon… does it.

It’s really rare for me to laugh out loud in a film, I laughed out loud numerous times in this film, just because it is so knowing, and so sharp, and so biting, and so friggin fun!!!

I’m so glad I went into this film without watching a bunch of trailers or features, or ruining any surprises because I just had a ball. And along with the fun, Whedon gave space and weight to the tragedy, something that is glossed over sometimes in epic films. The weight and cost of this battle. Whedon never loses sight of the street level view, the common men and women caught in the midst of a war of Gods and Monsters.

The humanity he imbues the attack scene with is reminiscent of Mimi Leder’s phenomenal direction in the criminally underrated Clooney action film PEACEMAKER. Where every loss and every life… was felt.

The Peacemaker (Widescreen Edition)

And going along with that, for a big, loud, blow stuff up action flick on par with Bay’s TRANSFORMERS:DARK OF THE MOON (which the battle scenes bear a resemblance to) everyone gets a chance to actually act and emote in this film. Whedon’s TV/Buffy dialog/experience serving the film well.

Every principal actor really gets a chance to shine, Scarlett Johanson, Samuel L. Jackson, Mark Ruffalo (Who I didn’t think could fill Ed Norton’s shoes, is phenomenal. Both as Banner and the Jade Giant he has some of the great scenes/lines in the film), Downey, they all bring it. And big kudos to Tom Hiddleston who plays Loki as more than one dimensional, but with charm and depth to match his machinations.

Anything more would be me… gushing. Suffice to say, if my math is correct this is the 6th Marvel Studios film, the culmination of half a dozen years, and their shared Universe experiment, and they pull it off. Creating a cinematic climax to this multi-year and multi-film storyline that is actually bigger and better than the films leading up to it.

I’m seldom the guy to tip my hat to MARVEL, but you have to give them their due. STAR WARS couldn’t do it (RETURN not quite living up to the greatness of EMPIRE), STAR TREK every other film is bad and they are all one off stories, BOND also is one off stories, INDIANA JONES no, MATRIX… no, LORD OF THE RINGS … no, but Marvel Studios managed to end their ambitious story… even stronger than they began it (Though it is worth noting that the heart of this whole AVENGERS cinematic concept, starts with one writer, Mark Millar of WANTED and KICK-ASS fame. His vision is what Marvel Studios followed from page to screen. And in the dozen years since his ULTIMATES comics, his involvement is perhaps not credited as much as it should be).

The AVENGERS storyline that began with the first IRON MAN, went out on a high-note with this film. Arguably only Harry Potter could claim to have as effectively told a story over multiple films. Plus they give us a great teaser at the end, can you say…. awww but that would be telling!

Go see the film. It’s earned its praise. Highest Recommendation A+.

And read more about the Avengers, here [Definite spoilers ]:

The Ultimates: Ultimate Collection

The Ultimates 2: Ultimate Collection

Ultimate Comics Avengers by Mark Millar Omnibus

Avengers: Kree/Skrull War

And these books will get you up to speed with the teaser at the end of the film:

Essential Warlock – Volume 1

Essential Captain Marvel, Vol. 1 (Marvel Essentials) (v. 1)

Essential Captain Marvel, Vol. 2 (Marvel Essentials)

Infinity Gauntlet

Five FAVORITE AVENGERS Posters!!

So I was at the post office flirting hard, with the fetching postal worker behind the counter. And to her credit she was throwing it back pretty capably, and we got on the subject of the AVENGERS movie. She has no interest in the AVENGERS movie or any superhero or action flick.

She was much more psyched by THINK LIKE A MAN and WOMEN THOU ART LOOSED and other relationship tinged flicks. I must admit I died inside a little to know my future wife has no interest in slam, bam action flicks, but oh well. Diversity they say makes a happy home.

On a serious note, taking a page from her book, I’m glad the AVENGERS movie is finally here, and I’m glad Joss Whedon is helming it, but I’m not really that wowed by the trailer I’ve seen, or the poster.

Of course I’m going to go see it, and I hope it’s great as everyone thinks it’s going to be, but I’ll be happy with good. Let’s put it this way, on anticipation level, not crazy about the default AVENGERS poster, this one:

The poster just bothers me, because it’s so un-artfully done, if you take my meaning. I can’t quite define what grabs me the wrong way about it, but it does. It definitely puts me off. It is so bad it actually has me worried about the movie.

If you can’t take the effort to make a decent poster it just hints at sloppiness or laziness somewhere else in the film. I’m hoping that’s incorrect and the buck stops with a lazy marketing department (which is far from an isolated thing in Hollywood, unfortunately.)

So I went searching for AVENGERS posters that did look good, and found these top 5! (Some of the best ones are fan created) Enjoy!

First the honorable mentions. The solo posters with Scarlett Johansson for obvious reasons :

Now counting down to the best, #5:

#4

#3

#2 A great poster from Australia!

And my #1 favorite AVENGERS poster, is this simple but sumptuous use of open space and duality in this Japanese poster. I show the logo and logo free posters. It’s great!

Well I don’t know about you, but I feel better for having seen those nice looking posters! Easily pleased aren’t I?

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Favorite AVENGERS Comic Book Covers! Pt 3 of 3: The Years 1977 to 1996

Working on the next MONARCHS OF MAYHEM in-between real life stuff, it’s going to come out tomorrow 14 Mar 2012, just because it’s going to take more hours to get ready. These posts take a LONG time, In the interim enjoy the following:

Podcast of the Day: John’s Old Time Radio Show #9! It’s a great podcast. After listening swing by John’s site leave him some good words and tell him where you heard about him. Thanks! -HT

And wrapping up my favorite AVENGERS covers from the original series, is pretty easy. Because after 1977, with very few exceptions the covers are just uninteresting at best and plain awful at worst. Much like the book itself, it was just stumbling from weakness to weakness.

Here then are the best covers in the last 20+ years of the books original run:

George Perez’s finest AVENGERS cover, and one of the most iconic covers of all time. Would make a great poster! This is the last GREAT A+ Cover of the AVENGERS!

Memorable.

Fun.

It says a lot that the numbers jump over a hundred issues, before I list another cover. And this is gimmicky mess, but it was better than all the previous 100 covers. It just clarifies how bad the book got.

A mercy post.

The last one I could find even something remotely interesting in.

So needless to say you want great AVENGERS covers (and comics) stick to issues #181 and before. At least for the first Volume.

In 1998 creators Kurt Busiek and George Perez would launch a new AVENGERS series that largely just pays homage to the great years of the series, You can look at them almost as a remake of the Jim Shooter and George Perez run, that I mentioned in the previous post. But it’s done well enough by Busiek and Perez to be entertaining in its own right.

And then later would come the Bendis’ years, But that is a story for another installment.

Revisit the earlier posts here:

PT 1 of 3
PT 2 of 3

Favorite AVENGERS Comic Book Covers! 2nd Decade Pt.A 1973-1977!

Per the previous post, in keeping with the upcoming AVENGERS movie, I’ve decided to cover my favorite AVENGERS comic book covers of all time. And this is part 2:

Okay I had intended to tackle all the great covers in the 2nd decade of AVENGERS comics, however that’s not going to happen, there are just too many great covers. So this post will cover the first five years of the 2nd decade of AVENGERS comics. The years from 1973 to 1977.

Enjoy!

AVENGERS 117- I believe this cover is by Sal Buscema. He was drawing the DEFENDERS and this issue is part of a great AVENGERS/DEFENDERS crossover.

AVENGERS 127- Another great Gil Kane cover.

AVENGERS 131- Fun LEGION OF THE LIVING Frankenstein monster cover is pretty fun. At a guess I’d say this is also a Gil Kane cover.

AVENGERS 134- Gil Kane up to bat again, with this cover featuring the always popular golden age Human Torch.

AVENGERS 136- The floating heads is always a nice touch. And even without Gil Kane signing his work, those elbows at jaunty fighting angles even in repose, screams Gil Kane. (turns out the floating heads are done by a different artist, John Romita, and that’s what was making some of these covers hard to call as completely Gil Kane)

AVENGERS 139- Here’s another example, the main drawing with that exagerrated action (somebody gets hit and their knees fly into their chest, and elbows shoot out)is vintage, powerful Gil Kane. But those floating heads are by Spiderman artist John Romita. A favorite comic as a kid, so that may be swaying my appreciation for the cover, which is not Kane’s best. I’m going to have to start grading harder or I’m going to end up listing every cover Gil Kane does.

AVENGERS 141- There have been many face off covers, this is one of the standout ones. A nice Gil Kane cover, his typical hard angles, lessened a bit, being inked by Jazzy John Romita.

AVENGERS 142- I promise you I’m grading harder, but what can I tell you, 1975 and Gil Kane was just knocking these covers out of the park. Add cowboys to it, or people in normal clothes and Gil was in his element. Notice the difference between this cover and the previous. The inker here was more faithful to Gil Kane’s hard angles and musculature, which I think looks more striking. Great cover.

AVENGERS 145- What?! Do you see this cover? I’m trying to avoid anymore Gil kane covers but that’s like trying not to give the MVP to Michael Jordan when he’s playing. It can’t be done. Great Kane cover, inked by Dan Adkins. Wonderful use of word balloons and typography. Something you don’t see too much in modern comics.

AVENGERS 146- Tell me this cover doesn’t have ‘buy me’ all over it? It’s a great design. However you notice how it’s rounded a bit, inked by Al Milgrom, you lose some of the angularity and power that Kane’s pencils are full of. But even subdued Kane is great.

Don’t worry Gil stops doing covers with this issue, so we should be able to jump ahead a few years before we get any more covers this good right? WRRRRRROOOOONNNGGGGG!! Cause the artist they bring in to replace him on covers is…..

AVENGERS 147-148 Last time he made this list was all the way back in issue #20, Jack the King Kirby is back doing the covers! Definitely with 148! 147 however is attributed to Buckler and Adkins, but what I’m seeing in 147 is Kirby and Milgrom.

So I’m going with my gut and attribute the penciling on both of these to Jack the King Kirby. He’s not as sophisticated as Gil Kane or John Buscema, but there is just so much life and energy in these covers, so much going on, that they are just a joy to a young kid stumbling across these issues in the libraries back issue bins or on newsstands.

And the interiors were done by Steve Englehart and Jim Shooter on scripts and George Perez and John Byrne on pencils, from this point till issue 166, almost twenty issues, they are mostly home-runs. I guess the best way to put it in perspective is… all of the comics I’ve mentioned previously… I’ve sold. This run from 147 to 166, are not for sale. In the age of digital these are the comics that are worth having as paper.

I won’t list all those covers here are the standouts:

As mentioned 147-148 are great, we bypass 149-150 (these are credited to George Perez, possibly George Perez’s earliest work. Look nothing like his great work now, quite frankly they are not good) and from 151-158 we get great Jack Kirby Covers. The best being the following:

158 being Kirby’s last cover for the AVENGERS and he goes out with one of my favorites of his run!

159 So Kirby leaves or is let go, it’s unclear which, who the heck can they bring in till a new regular cover artist is chosen. Who else but the best? Gil Kane returns, and like he always does… he blows the doors off the place! Look at what he’s doing in this cover. It’s just a clinic on great art. Add to that the interior art by George Perez and story by Jim Shooter and you have… classic defined.

162-163 After a couple lackluster covers, George Perez steps in to knock it out of the park with great covers to match his great interior art.

164-166 There’s a lot of nonsense about great comics out there. Here’s the straight dope… this three part storyline, issues 164-166, is the best AVENGERS storyline. Full stop. With Jim Shooter as writer, George Perez on covers, and John Byrne on interior art, they together created the throwdown for the ages. People like to use the term wide-screen entertainment to define something blockbuster in scope, these three issues from the summer of 1977… were wide-screen entertainment before the term existed. If you own only three Avengers comics… make them these three. Highest recommendation. Now that said, while all three of the covers are at least good, only one is great. This one:

AVENGERS 164- And with that cover the legendary John Byrne created the last great AVENGERS cover of 1977!

Come back next time as we finish off the 2nd decade of AVENGERS comics. the years from 1977-1983, and we also tackle the third decade, the years from 1983 to 1993.

Ya’ll come back now ya here!

p.s. As far as purchasing issues, per my previous post (scroll down) Marvel has the first 30 issues available in their oversized hardcover format they call an omnibus. It’s a good deal. However they don’t have omnibuses out for issues 31-164, so getting these issues is a little more difficult. You would think with Marvel’s AVENGERS movie due out this year they would capitalize on interest and release Omnibuses for most of these early issues. But… Noooooo. So failing that look at the links in the first post and this:

Essential Avengers, Vol. 7 (Marvel Essentials)

Essential Avengers – Volume 8

The above two are black and white collections, which is just about sacrilege, the color being such a part of these issues, but if you can’t afford the original issues, and can’t wait for the expensive hardcovers or omnibuses… they are a cheap way to read a bunch of issues.

Hold the presses!!! Here are some better color options to read these issues:

Avengers: The Coming of the Beast – Avengers (1963) #137-140, #145-146

Avengers: The Serpent Crown – Collecting AVENGERS (1963) #141-144 and #147-149.

Avengers: The Private War of Dr. Doom- contains Avengers 150-156, Annual 6; Super -Villain Team – Up 9

If you do choose to buy, please support this blog by using the links provided. This blog generates a couple dimes from each sale, so you guys using the links is definitely appreciated and definitely necessary to keep the blog going. Thanks!

Favorite AVENGERS Comic Book Covers! The First 10 Years 1963-1973!

Well with the AVENGERS movie on the horizon, I thought a nice posting would be on (come’on you can guess) my favorite AVENGERS comic book covers. And plus it’s a nice look at how typography and art styles change over time.

What typically defines a great cover for me is, is it something I would pay to have as a poster. Surprisingly enough, most covers fail this criteria.

Take a gander at the ones that don’t :

AVENGERS 20- While you can make an argument for a lot of the early issues because of nostalgia, this one I think stands out, primarily because of Jack Kirby’s great use of perspective to make for an exciting cover.

AVENGERS 44- This is the next standout issue, by big John Buscema.

AVENGERS 63- Excellent Gene Colan Cover!

Avengers 66- Beautiful John Buscema cover. Dig that crazy perspective.

AVENGERS 92- I used to own this issue. Early cover art by Neal Adams.

AVENGERS 96- Another great Neal Adams cover.

AVENGERS 99- Another great cover, mixing excellent typography with the artwork of Big John Buscema.

AVENGERS 107- Great Rich Buckler cover.

AVENGERS 110- And cometh Gil Kane. A series known for its great covers and artists, and here was Gil Kane blowing them all out of the water. Decades later and it still remains one of the great covers of all time.

AVENGERS 113- The art isn’t the greatest here, but the typography and storytelling of the scene makes this an attractive and attention getting cover by Rich Buckler and Joe Sinnott.

The Avengers Omnibus, Vol. 1- This collects the first thirty issues of the AVENGERS in a deluxe hardcover format. These tend to sell out quickly.

More omnibuses are not available as of yet, so if you want to get issues 31 to 113, outside of buying individual issues (prohibitively expensive for most of us) the two ways to get the issues are:

I. MASTERWORKS- Masterworks are highquality hardcover (and lately sc) books that collect on average 6 issues on quality, glossy paper. So can be a bit pricey trying to get a lot of issues in that format, so it’s best for just getting specific must have issues.

Such as these:

Marvel Masterworks: The Avengers Volume 10 (Marvel Masterworks) Deluxe hardcover edition collecting The Avengers, nos. 89-100. These guys tend to sell out as well, and prices can go up when that happens

Marvel Masterworks: The Avengers Volume 11- This volume of the Avengers Masterworks reprints issue numbers 101-111, and Daredevil #99, from July 1972 to May 1973, Including issue#110 mentioned above

II. DIGITAL COMICS

40 years of the Avengers on DVD Rom- These tend to sell out quickly as well. So pick them up before they sell out and the price goes up

Well that’s all for this installment. Come back next time as we tackle the years from 1973 to 1983!

Movie Review: CAPTAIN AMERICA : THE FIRST AVENGER aka why AMC and REALD 3D should be ashamed

Just came from seeing Joe Johnston’s CAPTAIN AMERICA. Verdict In six words or less?

‘I can do this all day.’

The above being a quote from the film, and translates into me saying: “Yeah. I dug it.”

CAPTAIN AMERICA:FIRST AVENGER is an exceptionally well written encapsulation of a character I grew up with, and yet tweaked to make an easy jumping on point for those coming into the film without any prior knowledge of this character.

The script by the screen-writing team of Christopher Markus and Stephen McFeely delivers the universals of courage and sacrifice, that are as old as the race of man; as old as our ballads of heroism and blood.

Plus I was quite impressed, with how well the movie does touch on much of Marvel Comics’s rich mythology. Offering easter eggs for those in the know, from Bucky Barnes to Stark to the Howling Commandos to Arnim Zola (his first appearance his face framed in glass, ala the comics) to a quick view of the golden age Human Torch, while not bogging down newcomers with exposition on this minutiae… it’s an impressive script.

Impressive, even touching performances, Chris Evans laying to rest any qualms about his ability to own the role, Derek Luke as the howling commando Gabe Jones (I like this character in the comics, and I like the fact of this character in the film. I like the fact the film notices, if only peripherally, the large number of people of color, some would say disproportionate number, that serve in every war, but particularly WWII). Hugo Weaving, even acting under tons of latex, delivers the gravitas, as of course does the great Tommy Lee Jones. And Stanley Tucci and Sebastian Stan of KINGS fame, are also highlights of a very strong cast.

All capably directed by Joe Johnston of the much maligned (unfairly maligned) WEREWOLF. Plus, I did like the present day framing sequence. Nicely done.

All that’s to the asset column. The minus is… while THE FIRST AVENGER is a very good movie, it never really feels great.

You don’t leave the theater going, “that was amazing!”. Like you might… having just left the theater from seeing Spiderman II or Empire Strikes Back or Tombstone or SuperMan The Movie.

So THE FIRST AVENGER is a very good movie, but even while watching it, you’re aware, acutely aware, that it is never more than very good.

And that’s fine, it doesn’t have to be great, though, I guess that’s the hope. But it hits all the points it needs to, and does it in a serviceable manner, I mean even with hindsight being 20/20 I myself can’t say how they could have made the movie any better than it was, and accomplish the inherent goals of an origin and lead-in movie.

It suffers from the needs of its duties.

As must we all.

It does have a tendency to feel long and episodic, but it is not a long movie, so there’s something pace-wise there, that is off just enough to be noticeable; But not enough to be disappointing.

And another problem with the film is you are not with any character long enough for them to be more than caricature.

In fact, I’m thinking through the movie that the film would possibly work better, pacing wise, as one of those 6 part BBC or HBO tv seasons rather than a film. Just because every character is touched on in just such a cursory manner.

And if this occurs to you while watching the movie in the theater, then you do have a pacing issue. And the final battle with Red Skull, both battles actually, come off as anti-climatic. Neither one really wows.

This is coming across as if I didn’t like the film, I did. I liked the film, and will add it to my DVD collection, when it comes out. I just think it could have been more.

I think Marvel Studios is to be applauded for in a market where quality is a crapshoot at best, creating consistently well written and over-all satisfying films, that not only stand alone but integrate into a larger cinematic tapestry. You have to go all the way back to the silent films of Fritz Lang, to get anything close to as cohesive and ambitious a cinematic mythology.

That said, the films CAPTAIN AMERICA and to some extent THOR, I do think illustrate the… lack of climax to Marvel’s individual films. They are being thought of in many ways as episodic television, episodes in a larger serial, which is great for the long term plan, but I think leaves you with a safe, but less then sensational individual movie.

It’s a hard tight rope Marvel Studios is walking, and to this point a quite successful walk. The telling moment will come with their AVENGERS movie, that all these half dozen films have been building toward, and to some extent… sacrificed toward.

Will the Avengers be that amazing, climatic movie that stands the test of time and is the worthy culmination of all this buildup?

Because failing that, failing a really great film (not an okay film, not a good film, not a B grade film, but a GREAT film)… failing that, then the studio that trained audiences to sit through credits to see teasers and trailers (a brilliant move by the way, that if you had asked me if it was possible to do in the age of Attention Deficit Disorder… I would have said no, and am glad to be wrong)… this same studio, may end up training audiences to wait for the DVD when it comes to future comic movies.

Marvel Studios needs a HUGE homerun with the AVENGERS film. Especially with chains like AMC pulling stunts to make the crappy and more expensive REALD 3D versions of the film, the only versions available most of the time.

I went to see a matinée showing of CAPTAIN AMERICA. Turns out that one was in REALD 3D (that was not advertised as being in 3D when I checked the times. It’s like theater chains are starting to hide which versions are in 3D so they can surprise you with the higher price when you get there).

So I’m already at the theater, and no other options available, so not only do I end up seeing this flick in REALD 3D, a crappy process that darkens the screen too much, and the stupid “one size fits none” glasses, sits on your nose just at the right spot to give you an annoying headache, but you have to pay MORE for this mediocre viewing experience??!!! Really???!!!

Anyhow, I spent most of the movie holding the glasses away from the bridge of my nose, and completely taking them off in night scenes so I could actually see some brightness in the picture.

AMC is on my frigging list. AMC and the stupid Sony Backed REALD 3D process.

This is why I say Marvel Studios is going to need a homerun with THE AVENGERS, cause people are not going to continue putting up with this price gouging from the theaters, and annoying viewing experiences, for simply okay films.

AVENGERS needs to be outstanding (and not offered in Reald 3D) or from now on Marvel Studios films gets relegated to the wait for DVD list.

Time will tell.

So Final Thoughts: CAPTAIN AMERICA: FIRST AVENGER is a solid B movie. But it’s low on re-watchability and the ‘wow/impressive’ factor. If you haven’t seen it in the theater, if you can get a standard 2d Matinée showing cheap, go for it. Otherwise just rent it on DVD. If you, like me, enjoy DVD commentaries, and are looking forward to cast and crew discussing the film then go ahead and purchase. Otherwise… stick to rental.

Aronofsky’s BLACK SWAN DVD Review

I don’t think anyone can accuse me of not being an artsy, sensitive guy. But even I have to call bs on Aronofsy’s BLACK SWAN. Having finally seen it, talk about much ado about nothing.

It’s one of those movies, finally seen, that I’m very happy I didn’t pay theater prices for.

I mean it’s not a bad film, it is just not a particularly strong one. It is what it is, an opera film meets REPULSION with allusions to PSYCHO, and some gratuitous sex tossed in to make you think this belongs on the big screen rather than the lifetime or scifi channel.

Ehh… I’m being perhaps a bit harsh, but I do feel it’s a bit of a twilight zone episode, padded to feature length. It’s a very sleight movie, that once it completes… is almost immediately forgettable.

Grade: C-. If thrillers that utilize unreliable narrators is your thing, then give it a rental. Otherwise… try something else.

MOVIE REVIEW! THOR IMAX 3D… The Verdict is…..????

Well the long awaited THOR movie is finally exploding across screens everywhere, and as I mentioned in my previous posts a lot hinged on this film, not least of which is a turnaround in a string of commercial disappointments for director Kenneth Branagh.

Well having just come back from seeing THOR in IMAX 3D… my verdict….??

It’s good, I enjoyed myself. It’s nicely paced, surprisingly smart film that also hit all the notes and plot points to shut-up people who were complaining about a multi-cultural cast, particularly Idris Elba (who always brings it), for pretty much all the story reasons I surmised.

So I was expecting it be action packed, but not necessarily as inventive, and even touching as it was.

Now that said, it does perhaps not quite meet the Juggernaut action expectations built up, but a solid story and performances, make up for that.

Kenneth Branagh handling perhaps the most difficult of all comic adaptations, exceptionally well, finding that difficult balance between regal and relate-able.

THOR even in the comic books, is extremely hard to a/get right and b/command a storyline. Instead working best as the heavy gun of the Avengers, then as a solo character. So for Branagh to steer this ship safely into movie theater shores, is no small accomplishment.

That said the ending felt a bit anti-climatic, the most effective action is clearly in the early portions of the movie. But that aside, the story beats, the emotional intensity, the Shakespearean like levels of tragedy and sacrifice, Branagh hits well. Hits hard enough… to satisfy.

Now leaving the movie proper to discuss the projection of the movie. I saw this in IMAX 3D, paying rather than the normal $8 matinée price, an exorbitant $14.50 for ‘IMAX 3D’. A $6.50 surcharge.

Before seeing this movie I couldn’t get any reviews to really discuss the 3D and if it was worth it. I’ve seen my share of IMAX 3D movies, real ones and the retrofitted AMC ones, and the ones not shot in 3D but simply post-processed, ie THOR.

Outside of a real IMAX THEATER (5 to 8 stories high, viewable at better science centers throughout the world), the best I’ve seen at an AMC IMAX theater (a midget IMAX) is of course AVATAR. Cameron pushing the technology to create 3D that actually works in a cine-plex.

But beyond AVATAR on IMAX 3D, most other 3D films suffer in comparison. THOR is no exception, it looks okay in 3D, but closer to the inferior Sony backed REALD 3D process, then real IMAX 3D. Sony’s inferior REALD 3D, gives a sense of looking into the screen, but it’s unable to give a real sense of the screen coming forward into real space, your space. This is what true IMAX 3D does so well. Not only offering depth, looking into something, but immersion, the film intruding and surrounding your real space.

So THOR IN IMAX 3D, looks okay, it just isn’t great. It isn’t IMAX 3D, and therefore is not worth the $6.50 surcharge. I personally think 3D movies should be the same price as 2D movies, but particularly if you’re going to charge that premium, the 3D experience should be breathtaking, and THOR IN IMAX 3D is just okay. The 3D almost transparent, and therefore, what’s the point.

So all in all if you can see this in 3D for no price increase, go for it. Otherwise avoid and stick to 2D on a big screen, you won’t be missing anything. And may actually gain something in brightness of picture.

3D is a nice thing for the occasional viewing, for the gee whiz factor, but it is no replacement for a really beautiful rendered and composed 2D film.

Just as HDTV for all its praise is not, nor never will be the equal of 35mm film, much less 70mm film.

HDTV is like DVD, a bastard compression medium, used to compress film into something viewable into the consumer confines of a tv and a living room, rather than the commercial standard of a movie screen and theater. Similar, but make no mistake, inferior, to true film.

And whereas a 70mm true IMAX 3D movie is in no way inferior to standard 70mm film, it is not appropriate for everything.

Cinema is a language.

And just as Black and White film can speak in a way color film can’t, and why I’m a huge Film Noir fan, 2D is also a distinct cinematic language, and sometimes that flat plane is the thing.

Not being in the shot, but observing the shot, is the thing.

Just as you can do THE THIRD MAN in color, but you would lose an ineffable part of the tone by so doing, that’s the same way that David Lean’s LAWRENCE OF ARABIA in 70mm, saying things about distance and alienation, would be lost translated into the “in-your-face” histrionics of IMAX 3D.

I like 3D in all its forms, to differing degrees, but even in its best forms I understand it’s a gimmick, that should not be overused.

3D ultimately is about lying to your brain, it’s about forcing a lie onto your brain, that this thing in front of you on the screen has as much depth and reality as the person sitting beside you or the world outside the theater.

In moderation it’s a fun gimmick.

But with this recent push to 3D TVs, you risk making it something else. You risk making the exception of lying to your brain, the rule, and what long term effects this can have, particularly on children’s development, growing up exposed constantly to this new medium, what challenge or aberration to their motor skills, and coordination, and socialization?, are questions that in the rush toward a new revenue stream… too many are ignoring.

Some of these 3D TVs are coming with warnings. You should heed them, and leave the 3D in the theater. My gut reaction? Stick to 2D for the home. At least till all the bugs are shaken out.

Likewise troubling, is the Sony push to digitize cinemas, as it has nothing to do with the best picture quality and everything to do with control and maximizing profit streams. The theaters forced to go this route will see their profit margins dwindle, and find themselves ever more at the mercy of the studios. And true 70mm and 35 mm theaters will go the way of the dodo, becoming a high priced specialty item for the few to seek out.

Here ends the public service announcement. . Back to our THOR review.

Here on out I’ll be avoiding all 3D movies, unless a/specifically shot in IMAX 3D, with the Cameron cameras, or b/if it’s something especially gimmicky and is the same price as a regular film.

So given this criteria Michael Bay’s TRANSFORMERS III, which meets criteria # 1, will be the next 3D flick I check out. Unlike some people, I’m still quite enamored of Michael Bay’s visuals and always have fun at his movies. So if any movie can visually give Cameron’s AVATAR a battle, it may be Bay’s TRANSFORMERS.

So getting back to THOR, a very good if not great movie, that is poised to be the critical and commercial hit that Kenneth Branagh was definitely needing. And stay past the credits for the easter egg, if so inclined. Nothing earth shattering, but it’s fun that Marvel continues to do this universe building. Giving people a reason to sit through the credits.

Grade is a strong B/B+.

Best Webcomic of the Day! Entry #1: ANTS by Julian Lytle

I generally have neither time nor interest to follow webcomics.

I mean seriously, my blog is eclectic enough without adding webcomics to the mix, but hey, my core impetus for this blog is to bring you, in nearly real time, the things that are interesting me. And today that means… web-comics.

So this first BWOTD selection goes to:

ANTS by Julian Lytle.

I’ve heard Julian Lytle on various podcasts (thanks CGS) and am just, at the time of this posting, getting around to reading his webcomic. Let me start by saying, at risk of losing any potential cool-card, I seldom know what Julian Lytle is talking about when I hear him on podcasts, and some of his cartoons are similarly… frantic to the point of in-discernibility for me.

And no doubt I’m way too square for his hip dialog, However, my out of touchness aside, for the most part I find his cartoons work extremely well, and the best (the Video Music Awards, The Tiger Infidelity cartoon, and the great Eggos war!) are rich and funny and insightful. Go over and see the above selected cartoon at full size here, and if you like what you see then start at the beginning and read them all (I’ve finished all of 2009 so far, I’m at the cliffhanger of the Asgard War. ).

I think you’ll enjoy.

2011 Upcoming Movies/Films to be on the Lookout For!Pt. 1 of 3!

So 2010 was a fantastic year for film. Whenever you get me going to the theater over a dozen times in a year, pretty good year.

So before we continue with the 2010 Year in Review, will 2011 be as exciting?

Well so far the first two months of 2011 are pretty uninteresting film-wise (Alejandro Gonzalez Inarritu of BABEL film released BIUTIFUL this January. He’s a brilliant director, but the film’s premise doesn’t interest me enough to see it in the theater, but I will pick it up when it hits DVD. There’s a film called LOVE that is listed as a FEBRUARY release but I haven’t seen it in any theaters, like too many intriguing films, such as BLACK DYNAMITE it probably can’t get distribution, so probably will end up straight to DVD, but sounds great. Like this year’s MOON. Another one I hope to check out on DVD at least). So let’s take a look at what films do have me interested enough to pay theater prices to view them:

THE UNKNOWN-Thriller-Release Date: 18 February- I wasn’t a fan of Liam Neeson’s TAKEN, and this film seems to be in the same playground. What does interest me is the director Jaume Collet-Serra, I was quite a fan of his ORPHAN.

Feb 25th sees the release of DRIVE ANGRY 3D and SHELTER. Both I’m pretty lukewarm on, especially DRIVE ANGRY.

So 3 maybes, that’s a pretty pathetic January and February.

March gets a bit better, RANGO is a fun looking, family friendly animated film.

I really am, as a filmgoer, tired of Matt Damon, you would think he was the only actor in Hollywood, but that aside the previews for ADJUSTMENT BUREAU by first time director look very good. So that one is on my radar. But really casting couch, can you cast someone besides Matt Damon?

Also in March you get Jonathan Liebesman’s BATTLE OF LA.

It looks a little less stupid than the similarly themed, and by all reports awful, SKYLINE. However Liebesman gets a little bit of rope with me for his film DARKNESS FALLS, which while it faltered at the middle, and limped to an ending, that first 15 minutes is impressively scary and effective! So BATTLE LOS ANGELES is a weak maybe.

So far a lot of maybes but nothing I’m really committed to seeing in the theater. Until… SUCKER PUNCH. I know going in this is going to be completely nonsensical, but I also know it’s a Zack Snyder film, and he is one of the few directors that creates films, truly deserving of the big screen. His film are visual game-changers, adrenalin fueled power houses, designed to rattle your bones and stun your senses. So even when his films stumble (WATCHMEN) they are still compelling, and Amazing, and definitely worth seeing on the big screen. So SUCKER PUNCH is my first must see movie of 2011. Congrats to Zack Snyder (That said , what the heck is wrong with Zack Snyder hiring a British Actor to Play Superman!? Really? Is America no longer producing actors? All our actors come from England, or Australia, or South Africa or Canada? Really? WTF? Comeon, I know there are home grown actors out there besides Matt Damon!)

Okay, so onto April…

April 1st sees the release of Duncan Jones’ follow-up to MOON, the film SOURCE CODE. An interesting DAYBREAKesque type time mystery/thriller/scifi flick. Sounds good.

James Wan’s INSIDIOUS sounds like a reworking of POLTERGEIST, sounds intriguing but have not seen a trailer. It’s a maybe.

Steven Soderbergh has been more miss than hit for me recently, and I’m getting a little tired of all these female Assassin films (SALT was good, but enough is enough) however HAYWIRE is getting buzz of being Soderbergh’s best film since THE LIMEY, so depending on the trailer may be worth a look.

April 22nd sees the release of the mysterious sounding APOLLO 18. I saw the trailer and looks intriguing, about the moon landings discovering (and covering up) evidence of life on the Moon.

Okay May 6th sees the release of one of the most hyped films of 2011, Kenneth Branagh’s THOR, which I discussed in a previous post. Up there with SUCKER PUNCH as a must see in the theater movie of 2011. It’s been a long time since Branagh has had a hit, I think interest alone will make this film profitable, but it being good depends upon if Branagh, can rise not only to the challenge of a blockbuster action film, but the quality of his own early success. I’m hoping he succeeds, and will be in the theaters to see for myself.

Okay so here it is almost six months into 2011, and the only films with any significant number of characters of color, particularly Black characters are comedies. Inane product like “Medea something something”, and idiots walking around in drag, or whining, snap your finger, shake your head, talk show complaining flicks. I mean I’m sure those films have their place, but everything in effing moderation.

Which is why I LOVED the fact that 2010 gave us films like TAKERS and OBSESSED and even THE LOSERS. It gets old, Hollywood films that have no characters of color, or worse the token, step and fetchit character of color (COP OUT anyone). IT infuriates, mostly because I go to the film festivals and there are dozens of great films and filmmakers of color out there, but their films do not get picked up for distribution.

I can see the conversation going something like this: “Wow a movie that has characters of color not wearing their pants on the ground, or cursing every other word, or not a comedy, or otherwise lowest common denominator?? In other words showing Black People as more than the propaganda and stereotypes we’ve spent billions of dollars to sell to their children? Nope, we don’t want any of that!!” .

My facetiousness aside, that seems to be the general thinking of the gatekeepers, those who determine what ideas, perceptions, should or should not reach the larger consciousness and conversation of the masses (particularly American).

So my rule these days is to seek out films that star characters of color in non-stereotypical ways, challenging and hopefully uplifting ways (which generally means no Halle Barry movies ). And you’ll see by the films I select (with exceptions), if a film doesn’t at least recognize diversity in its casting, I don’t recognize it in the Box Office. It is one of the reasons I have very little use for Woody Allen films.

Okay tirade over, onto the rest of the year of upcoming movies:

June has films that should be heavy hitters, but I’m really not interested in. GREEN LANTERN film, while it has a decent director, not a fan of the lead casting, or the trailer. But film does have Angela Bassett as Amanda Waller and Nick Jones as John Stewart and Taika Waititi as Tom Kalmaku. So those three and decent word of mouth may sway me to see this film. Matthew Vaughn, follows up KICK ASS, with X-MEN:FIRST CLASS, I’m a bit indifferent about the film, but Vaughn is an interesting director, and removed from his uncomfortable juxtaposition of extreme violence and preteen kids, I should have less problem with this film then I did with KICK ASS. It’s a maybe.

And also in June, JJ Abrams, a hit and miss director for me, is coming off a big hit with STAR TREK so I’ll follow him into his latest release… the scifi/alien flicK, possibly found footage film, SUPER 8.

July 1st brings us Michael Bay’s TRANSFORMERS:THE DARK OF THE MOON, and I have to tell you, I have no real interest in TRANSFORMERS, but much like I said about Zack Snyder, I find Michael Bay a filmmaker who makes films that are deserving of the big screen. And he has an amazing eye for camera placement and shot sequences, that stays with me long after I have seen his films. That’s a rare Pekinpahesque ability he has, for getting his images… to persist.

There’s a shot in TRANSFORMERS 2, where Megan Fox is leaning over the prostrate Lebouf, and the helicopter flies over her head in slow motion. It’s an absolutely gorgeous shot. I’ve seen that particular scene maybe twice, about a year ago, and that image is still rock solid in my head. David Lean would be proud.

It’s an amazing understanding of the iconic, and what visually… compels. So caring very little about the Transformers, for his visuals, as well as being a director who uses a diverse cast (While not a fan of his lead actor, his supporting actors are always intriguing) I’ll be in the theaters for this movie.

July 22nd brings us Joe Johnston’s CAPTAIN AMERICA:FIRST AVENGER. Like THOR that’s a no-brainer for me. I’ll be in the theaters for it. And the 29th brings us the latest from Jon Favreau, COWBOYS AND ALIENS. Riding high on his new lease on life with the IRON MAN films, we’ll see if he can continue his blockbuster ways sans Robert Downey Jr.

August brings us yet more hack remakes and sequels, in a year full of them. Among them CONAN (Lead actor looks great, but the director has a horrible track record. This, right now, looks like rental fodder), FINAL FANTASY 5 (This one has a fledgling director, but one who has assisted James Cameron, and writers who did not write the atrocious previous films, but also have not proved themselves capable of doing any better, one of the writers has also written the THING prequel, so FF5 could be a good barometer for how good or bad the THING movie will be), and also FRIGHT NIGHT (by a director of comedic romances).

September 2nd FINALLY brings us a film with a couple of people of color in the lead, Zoe Saldana (of TAKERS, STAR TREK, LOSERS and AVATAR fame… yes she has been very busy ) as the protagonist in COLUMBIANO, and Lennie James (WALKING DEAD) as Special Agent Ross.

Though I’m not crazy that Hollywood is trying to groom Zoe Saldana to be the next Halle Berry, or the fact that the film is yet another SALT permutation, about a female Assassin seeking vengeance. Still, I’ll support COLUMBIANO strictly because of the casting of Saldano and James in a thriller.

September 16th brings us DRIVE the latest from director Nicolas Winding Refn of BRONSON and VALHALLA RISING fame, a heist/thriller it’s a wait and see. Stars Tina Huang and Tiara Parker.

Also on September, 16th Rod Lurie who helmed the brilliant CONTENDER and is master of political thrillers, enters more stark thriller territory with the remake of Pekinpah’s classic STRAW DOGS. I’ve never been a fan of remaking great films, the optimum form of that film already exists, re-release it in theaters rather than remaking it, or push the DVD. However, if you’re going to remake something for a new generation, then remake something that you can improve on.

While I quite like the casting of James Woods and Laz Alonzo, and it is intriguing to see Kate Bosworth and James Marsden kinda reprise their SUPERMAN RETURNS roles of ill-fated lovers (though Kate Bosworth looks completely different as a blonde, that and the scant years, have made quite a difference in her face, there’s something quite unusual and perhaps a bit feral in her face in recent stills, that makes her quite beautiful and quite perfect for the role of a woman burning from within), I’m still a bit wary.

No one has ever improved on a Pekinpah film, and I don’t think Rod Lurie is going to be the first.

That is a concern, as is the fact the film hinges on James Marsden filling the role, amazingly performed by Dustin Hoffman in the original, and to date Marsden hasn’t shown the ability to be compelling on screen, or to have the range to make you care about him. X-MEN, SUPERMAN RETURNS he’s always the least interesting person on screen. Still, Lurie tends to be able to get the performances he needs, so I’m intrigued enough to give this one a look.

23rd September sees the release of ABDUCTION. I have no interest in the lead actors, or really the premise, but John Singleton as director makes me intrigued. Mostly because he’s slated to helm the POWER MAN/LUKE CAGE film, and what he can do with this film, will speak a lot on whether POWER MAN/LUKE CAGE will be horrible or great.

John Singleton is a director I keep wanting to like, but his films tend to underwhelm. SHAFT was awful, yet his last film… 2005′s FOUR BROTHERS was good, if not great. So I’m hoping the years since that movie, have made him a stronger filmmaker. We’ll see.

And closing out September we have Daniel Craig in director Jim Sheridan’s DREAM HOUSE, “a couple move into house where murder was committed” type thriller/spook tinged film.

Some honorable mentions that I’m not sure when they are being released:

CARANCHO- Just saw a trailer for this Argentine thriller, and it looks great. Mad, and war touched, and a bit beautiful.

RUBBER- Okay I’ve seen my share of weird movies, but this trailer even gave me pause. A killer tire??? Trailer is pretty funny, take a look.

RED RIDING HOOD- I’m no fan of TWILIGHT, but this take on the Red Riding Hood myth, stars Gary Oldman, and the trailer is pretty good. Plus I’m a huge fan of Werewolf movies. This is one to go see.

BLACK HEAVEN- Distributed by IFC films, the trailer for this French import looks quite compelling. Something about a VR game, that has dark and mysterious consequences in the real world.

CONSPIRATOR- Just saw the trailer for Robert Redford’s latest film, concerning the trial of conspirators in the wake of Lincoln’s Assassination and it looks FANTASTIC.

LIMITLESS- The trailer for Neil Burger’s latest re-imagines the idea of someone with superpowers, powers used not to jump around in gaudy spandex, and fight crime, but the way most would probably use such gifts, to pleasure themselves and to acquire more. It’s WALLSTREET meets THE BIONIC MAN. Nice hyper-kinetic trailer.

BLACK DEATH- This trailer tells a tale of superstition, and a reign of bloody torture during the dark years of the 14th century. Quite compelling trailer.